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Josh Haden
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Key Information
Josh Haden (born 1968 in New York City) is an American musician and singer. He is the founder, bassist and singer of the group Spain. Haden is the son of Charlie Haden and Ellen David.[1][2]
Career
[edit]Haden is the founder, bassist and singer of the group Spain, whose first album, The Blue Moods of Spain, appeared on Restless Records to wide acclaim. The band toured extensively in the U.S., Europe, and Australia, attracting considerable notice.
Other credits include Handsome Boy Modeling School (on which he performed a duet with Sean Lennon).
His most recent projects were the 2004 Light of Day EP, released on Diamond Soul Recordings, and his debut solo LP, Devoted, released in 2007, produced by Dan the Automator and featuring performances by former Spain guitarist Merlo Podlewski, keyboardist John Medeski, and turntablist Kid Koala. He also sang vocals on the track Persona on Blue Man Group's album The Complex.
His song "Spiritual", from The Blue Moods of Spain, has been covered by Johnny Cash, Soulsavers, Midnight Choir, and the duo of his father Charlie Haden and Pat Metheny.
Personal life
[edit]Based in Los Angeles, he is the brother of the Haden Triplets Petra (that dog., Foo Fighters, The Decemberists, Sean Lennon), Tanya (Silversun Pickups, Let's Go Sailing; who married comedian Jack Black in 2006), and Rachel (that dog., The Rentals).
Discography
[edit]- with Spain : see the band's discography
- solo :
- Light of day (EP, 2004)
- Devoted (2007)
- World of Blue I (released 21 September 2016)
- solo project under the name Dead Sea Scrolls (no album released yet)
References
[edit]- ^ Charlie's Angels
- ^ Unterburger, Richie. "Spain biography". allmusic.com. Retrieved 1 June 2012.
External links
[edit]
Josh Haden
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Early life
Family background
Josh Haden was born in 1968 in New York City to jazz bassist Charlie Haden and his first wife, Ellen David.[7][8] His father, a pioneering figure in jazz known for his work with Ornette Coleman's quartet and the Liberation Music Orchestra, created a deeply musical environment in the home through constant practice and performances.[9] Haden has three younger sisters—triplets Petra, Tanya, and Rachel—who were born on October 11, 1971, also in New York City.[8] Like their brother, the sisters pursued careers in music: Petra as a vocalist and violinist, Tanya as a bassist and singer, and Rachel as a cellist and singer, often collaborating within indie and jazz circles.[8] In the early 1970s, the family relocated to Los Angeles, where Charlie Haden continued to build his influential career in jazz, further immersing the household in a vibrant musical atmosphere filled with improvisational sessions and recordings.[10][9] This move aligned with Charlie's professional opportunities on the West Coast, shaping the family's early years amid the city's thriving jazz scene.Childhood and musical influences
Josh Haden was raised in Santa Monica, California, in a household steeped in music from an early age. His family created an immersive environment filled with diverse sounds, including gospel, R&B, jazz, blues, and country records that his mother frequently played at home.[11] This exposure was amplified by his family's musical heritage: his paternal grandparents had performed on the Grand Ole Opry, while his maternal grandparents played in a Los Angeles mandolin orchestra, and his mother pursued oboe as a hobby.[11][12] As the son of renowned jazz bassist Charlie Haden, Josh was profoundly shaped by his father's career, which brought avant-garde sounds directly into the family home. One of his earliest musical memories involves listening to his father rehearse free jazz pieces with Ornette Coleman in their apartment, an experience that established a high standard for emotional depth and innovation in music for the young Haden.[13] Through his father, he also discovered a broad array of influences, including the Beatles, Stevie Wonder, the Beach Boys, and Billy Joel, blending jazz roots with pop and rock sensibilities during informal family discussions and shared listening sessions.[14] Haden attended local schools in the Los Angeles area, where he began exploring music hands-on as a teenager in the vibrant 1980s underground scene. Around age 14, he attended his first punk show—a Minutemen and Fear concert at the Whisky a Go Go—sparking an enthusiasm for the raw energy of punk, alternative rock, and emerging indie sounds.[13] He soon took up bass, playing in the punk band Treacherous Jaywalkers, which released two EPs and an album on SST Records in the late 1980s, drawing inspiration from bands like the Minutemen and British political punk acts such as Crass and Discharge.[11][13] This period, spent navigating Los Angeles's DIY venues and beachside haunts as a 16-year-old, fused his familial jazz foundation with the rebellious spirit of the local punk and alternative movements.[13]Musical career
Formation and work with Spain
Josh Haden founded the band Spain in 1993 in Los Angeles, California, serving as its bassist, lead vocalist, and primary songwriter. Drawing from influences like blues and jazz, the group quickly garnered attention in the indie rock scene, releasing their debut album The Blue Moods of Spain on September 12, 1995, via Restless Records. The record, featuring Haden's introspective lyrics and sparse arrangements, established Spain as a key player in the emerging slowcore genre and received critical acclaim for its atmospheric sound.[15][16] Following the debut's success, Spain signed with the major label DreamWorks Records in 1999, marking a significant step toward broader exposure. Their sophomore album, She Haunts My Dreams, was released that year on DreamWorks (with Restless handling some distribution), expanding on the debut's moody aesthetic while incorporating slightly more polished production. However, the label's lack of promotion led to underwhelming commercial results, prompting Haden and the band to depart DreamWorks amid creative disagreements over artistic control. They returned to Restless Records for their third album, I Believe, issued in May 2001, which maintained their signature blend of melancholy and melody but failed to achieve mainstream breakthrough.[12][10] The combination of label instability, lineup shifts, and industry pressures contributed to Spain's hiatus beginning in late 2001, with the band effectively disbanding until Haden reformed it in 2007 with a new configuration. This period allowed Haden to explore solo endeavors briefly, but the group's revival culminated in the 2012 release of The Soul of Spain on Glitterhouse Records, recapturing their early intimacy. Spain has since maintained a steady output, including subsequent albums like Sargent Place (2014), Carolina (2016), and Mandala Brush (2018), while navigating independent releases and occasional personnel changes. In 2025, the band embarked on the "The Blue Moods of Spain 30th Anniversary Tour," performing the debut album in full across Europe to celebrate its enduring legacy.[15][17][17]Solo projects and collaborations
Josh Haden began his solo endeavors outside of his band work in the mid-2000s, releasing the EP Light of Day in 2004, followed by his debut full-length album Devoted in 2007. Produced by Dan the Automator and featuring contributions from musicians such as John McEntire and Merlo Podlewski, Devoted showcased Haden's soulful songwriting with themes of love and introspection, blending elements of indie rock and R&B. In 2016, he issued World of Blue I, a collection of ambient, instrumental pieces that further explored his experimental side through layered textures and minimalism. Haden's songwriting gained wider recognition through covers of his composition "Spiritual," first recorded by Spain in 1995. The track appeared on Johnny Cash's Grammy-winning album Unchained in 1996, where Cash's raw delivery amplified its themes of redemption and solitude. This exposure highlighted Haden's ability to craft emotionally resonant material appealing across genres. Haden has collaborated extensively with family members, including his sister Petra Haden, who provided vocals and violin on tracks like "World of Blue" from Spain's debut album and continued contributing to later projects. The Haden Triplets—his sisters Petra, Rachel, and Tanya—recorded his song "Every Time I Try" for their 2020 album The Family Songbook, originally written for Wim Wenders' 1997 film The End of Violence. Additional partnerships include guest vocals on Valparaiso's 2017 album Broken Homeland and contributions to soundtracks, such as the aforementioned film piece, emphasizing his versatility in cinematic contexts. Beyond family, Haden has worked with artists including Sun Kil Moon, Donovan, the Esbjörn Svensson Trio, and Blue Man Group, and pursued projects under aliases like Dead Sea Scrolls. In the 2020s, Haden explored side projects blending writing and music, including the ongoing Mémoire series on Substack, launched around 2023, which interweaves personal essays with reflections on jazz, indie music, and family legacy through playlists and audio discussions. This platform has featured recent outputs amid memoiristic explorations as of 2025.Musical style and influences
Artistic style
Josh Haden's artistic style is characterized by a predominant slow-tempo, melancholic sound that blends indie rock, folk, and jazz undertones, often aligning with the slowcore genre.[17][10] This atmospheric approach features deliberate pacing and extended passages that evoke emotional depth, creating an intimate listening experience that prioritizes restraint over intensity.[10] His compositions typically avoid high-energy structures, instead favoring a hushed, contemplative mood that has been described as spiritually resonant Americana.[12] Lyrically, Haden explores themes of longing, faith, and introspection, drawing from personal vulnerability to craft poetic reflections on love, desolation, and spiritual seeking.[10] Songs like "Spiritual," a gospel-blues track with minimalist arrangement, exemplify this focus, pleading for divine companionship amid isolation and regret.[17][10] These themes recur across his oeuvre, emphasizing emotional uncertainty and quiet desperation without overt narrative resolution.[18] Haden's vocal delivery employs a soft, baritone timbre that underscores emotional restraint, delivering lines in an understated, intimate manner rather than through virtuosic display.[19] This heartfelt style invites listeners into a space of shared reflection, enhancing the music's introspective quality.[12] Instrumentally, Haden's work is bass-driven, with sparse guitar and piano arrangements that provide a skeletal framework for the compositions.[10][12] The bass often anchors the slow, cyclical progressions, while minimal additions like keys or violin maintain an airy, uncluttered texture, allowing subtle nuances to emerge in live and recorded settings.[12] This approach reflects a commitment to simplicity and emotional authenticity, hallmarks of Haden's signature sound.[19]Key influences
Josh Haden's musical development was deeply rooted in his father Charlie Haden's pioneering contributions to jazz, particularly his collaborations with Ornette Coleman in the late 1950s and early 1960s, which pioneered free jazz through collective improvisation and emotional expressiveness.[20] Charlie Haden's Liberation Music Orchestra, debuting in 1969, further expanded this legacy by fusing jazz improvisation with folk traditions and political activism, imparting to Josh an appreciation for spontaneous creativity and the integration of personal and social narratives in composition. These experiences from childhood instilled improvisational values that permeated Haden's approach, even as he diverged into other genres. In his teenage years, Haden gravitated toward the raw energy of the Los Angeles punk and post-punk scene, playing bass in the Treacherous Jaywalkers and immersing himself in bands like Black Flag, Circle Jerks, and Social Distortion, which offered a visceral, rebellious contrast to his jazz upbringing.[11] This phase provided a foundation of directness and intensity, influencing the unpolished urgency in his early work before he sought quieter expressions. Haden's songwriting also drew from spiritual and literary inspirations, incorporating biblical themes of redemption and despair, as evident in tracks like "Spiritual" and the 2019 album God Is Not Dead, where liner notes reflect on profound religious imagery akin to Johnny Cash's explorations.[21] Over time, his influences evolved from these jazz foundations and punk vigor toward indie rock's introspective lyricism, blending them into Spain's slowcore aesthetic, as inspired by the Cowboy Junkies' sparse, emotive folk arrangements.[10]Personal life
Family and relationships
Josh Haden leads a low-profile personal life in the Los Angeles suburbs, where he resides with his wife and teenage son.[1] He has described missing his family during tours as one of the primary challenges of his career, occasionally bringing his wife and son along on the road. As a father, Haden maintains privacy around his son's life, with no significant public involvement in music documented. Haden maintains close relationships with his siblings—the triplet sisters Petra, Tanya, and Rachel Haden—all of whom are musicians performing together as the Haden Triplets. The family has intersected musically through joint projects, such as their contributions to their father Charlie Haden's 2008 album Rambling Boy, which celebrated the family's country and bluegrass roots and featured Josh alongside his sisters. These ongoing ties reflect a shared commitment to music that extends beyond professional collaborations. The death of Charlie Haden on July 11, 2014, deeply affected Josh and his siblings, who responded with memorial tributes through performance. In January 2015, Josh joined the Haden Triplets at a New York City concert honoring their father's legacy, alongside jazz luminaries like Pat Metheny and Joshua Redman. The loss also permeated Haden's own work, influencing the introspective themes of grief and familial bonds in Spain's 2016 album Carolina.Later pursuits
In recent years, Josh Haden has turned his attention to writing, launching the Substack newsletter Mémoire in 2023 as a platform for his ongoing memoir.[22] This work, described as a "literary collage of memories, diary entries beginning from the age of 7, dream journals, unpublished fiction and poetry, [and] photographs," explores themes of art, music, addiction, abuse, trauma, and personal growth.[1] Drawing from his father Charlie Haden's extensive archive—acquired after the jazz bassist's death in 2014, including thousands of LPs, CDs, master tapes, and tens of thousands of pages of notes—the memoir blends personal reflections with broader musical insights.[1] Haden posts weekly content on Mémoire, including text, audio, and video, with paid subscribers gaining interactive access to the writing process.[1] He has no publisher for the full book yet but continues to develop it through this medium, inviting readers to follow the journey.[23] Additionally, Haden hosts a podcast on Substack, where he plays and discusses albums from his father's record collection, highlighting Charlie Haden's emphasis on human values in music as a core artistic principle.[24] These pursuits reflect Haden's commitment to preserving and reflecting on his family's musical legacy beyond performance.[1]Discography
Spain releases
Spain's discography spans over three decades, beginning with their debut on Restless Records and shifting to independent labels like Glitterhouse Records for later works, reflecting the band's evolution in the slowcore and indie rock scenes.[15] The band's debut studio album, The Blue Moods of Spain, was released in 1995 on Restless Records, featuring Josh Haden's introspective songwriting centered on themes of love and spirituality, with the track "Spiritual" earning critical acclaim for its haunting minimalism. Their second album, She Haunts My Dreams, followed in 1999, also on Restless Records, exploring deeper emotional landscapes with sparse arrangements that highlighted Haden's baritone vocals and the band's jazz-inflected sound.[25] In 2001, Spain released I Believe on Restless Records, a collection of Haden-penned tracks emphasizing romantic devotion, which received positive reviews for its consistent mood and understated production. After a hiatus, the band returned with The Soul of Spain in 2012 on Glitterhouse Records, incorporating guest appearances including Haden's father, jazz bassist Charlie Haden, and focusing on soulful reinterpretations of their earlier material. Subsequent studio albums included Sargent Place (2014, Glitterhouse Records), featuring collaborations with notable musicians like Marc Ribot, and Carolina (2016, Glitterhouse Records), which delved into folk and blues influences. Mandala Brush arrived in 2018 on Glitterhouse Records, showcasing experimental elements in the band's signature slow tempo. As of 2025, the band is working on its eighth studio album.[1]| Album Title | Release Year | Label |
|---|---|---|
| The Blue Moods of Spain | 1995 | Restless Records |
| She Haunts My Dreams | 1999 | Restless Records |
| I Believe | 2001 | Restless Records |
| The Soul of Spain | 2012 | Glitterhouse Records |
| Sargent Place | 2014 | Glitterhouse Records |
| Carolina | 2016 | Glitterhouse Records |
| Mandala Brush | 2018 | Glitterhouse Records |