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Julia Hummer
Julia Hummer
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Julia Hummer (born 24 April 1980) is a German actress and singer. She has appeared in more than twenty films since her career began in 1999.

Key Information

Selected filmography

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Year Title Role Notes
1999 Absolute Giganten Telsa
2000 Crazy Marie
The State I Am In Jeanne
2002 Weil ich gut bin! Svetlana TV film
2003 Eierdiebe Susanne
Northern Star [de] Anke
2005 Ghosts Nina
2010 Carlos Gabriele Kröcher-Tiedemann TV miniseries
At Ellen's Age [de] Rebecca
2014 Top Girl oder La déformation professionnelle Helena

References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Julia Hummer is a German actress and singer known for her intense and nuanced performances in independent German cinema and international productions. Born on April 24, 1980, in Hagen, Germany, she made her film debut in 1999 and quickly rose to prominence through her collaborations with director Christian Petzold. Hummer received critical recognition for her breakthrough role as Jeanne in Petzold's The State I Am In (2000), portraying a rebellious teenager navigating life on the run with her former RAF terrorist parents. She reunited with Petzold for Ghosts (2005), playing Nina, a vulnerable young woman entangled in complex relationships. Her international profile expanded with a supporting role as Gabriele Kröcher-Tiedemann in Olivier Assayas's acclaimed miniseries Carlos (2010), depicting the real-life terrorist associate. Other notable credits include Absolute Giganten (1999), Crazy (2000), and At Ellen's Age (2010). In parallel to her acting career, Hummer maintains a separate identity as a musician under the moniker Juleah, where she writes, records, and produces neo-psychedelic, dream-pop, and blues-influenced music as a solo artist. She has released several albums and EPs, emphasizing meticulous studio craftsmanship and drawing from influences including 1990s British rock and 1960s psychedelia.

Early life

Childhood and family background

Julia Hummer was born on April 24, 1980, in Hagen, West Germany. She grew up with her four siblings under the care of her single mother. Her childhood and youth were spent primarily in northern Germany and Switzerland. She initially lived with her mother in Itzehoe, Schleswig-Holstein, near the "Hungriger Wolf" barracks, where the family resided in a region marked by nearby forests often used for childhood play. The family later moved to Switzerland. She subsequently returned to Itzehoe to attend high school there. During this period, she was placed in a youth home.

Education and discovery

Julia Hummer's formal education ended early when she dropped out of school after the 11th grade at age 17 to move to Hamburg. There, she was discovered on the street by photographer Daniel Josefsohn, whose portrait of her appeared on the cover of the Süddeutsche Zeitung youth magazine Jetzt in 1998. Director Sebastian Schipper recognized her from that magazine cover and cast her in his debut feature film Absolute Giganten (1999), marking her entry into acting without any prior experience. Hummer never attended acting school or received formal training, instead developing her skills autodidactically through on-set work from the outset of her career.

Acting career

Breakthrough and early acclaim (1999–2005)

Julia Hummer made her film debut in 1999 with a leading role in Sebastian Schipper's Absolute Giganten, after being discovered when her portrait appeared on the cover of the Süddeutsche Zeitung's "jetzt" magazine, which caught the director's attention. Without any formal acting training, she quickly followed this with her first television role in Stahlnetz: Die Zeugin the same year. In 2000, she appeared as Marie in Hans-Christian Schmid's Crazy and as Jeanne, the daughter of terrorists, in Christian Petzold's Die innere Sicherheit (The State I Am In), earning a nomination for Best Young Actress at the Deutscher Filmpreis for the latter. That same year, her performance in the Tatort episode Die kleine Zeugin brought her the Günter-Strack-Fernsehpreis and the Lilli-Palmer-Gedächtniskamera in 2001, both for Best Young Actress. These early successes propelled Hummer to become one of the most sought-after young actresses in German cinema at the turn of the millennium. She continued with roles in Heidi M. (2001), the tragicomedy Eierdiebe (2003), and Northern Star (2003), where she made her first on-screen singing appearance. Her collaboration with Christian Petzold resumed in 2005 with a lead role as Nina in Gespenster (Ghosts), which was selected as one of three German entries in the competition at the 55th Berlin International Film Festival. The intensity of her rapid rise and early fame proved overwhelming; Hummer later reflected that she had been "overrun" by it, feeling a lack of self-determination in her path despite the talent and opportunities that came her way. This experience contributed to her decision to scale back her acting presence after 2005 in favor of other pursuits.

Hiatus, return, and later roles (2006–present)

Following her early acclaim, Julia Hummer deliberately scaled back on frequent acting roles after 2005, citing the overwhelming impact of her rapid rise to fame. In a 2019 interview, she described being "vom frühen Ruhm überrannt worden" (overrun by early fame), explaining that she felt the path had been imposed without her full agency and self-determination, prompting her to seek greater personal expression through music. Hummer returned to the screen in 2010 with a notable supporting role in the international biographical miniseries Carlos, directed by Olivier Assayas, where she portrayed Gabriele Kröcher-Tiedemann, known as 'Nada', across two episodes. That same year, she appeared as Rebecca in the German film Im Alter von Ellen (At Ellen's Age). Her subsequent acting work has remained selective, with occasional roles in television series and independent films, including episodes of Countdown – Die Jagd beginnt (2010), Heiter bis tödlich – Nordisch herb (2011), SOKO Stuttgart (2012), and Letzte Spur Berlin (2013); feature films such as Top Girl oder La déformation professionnelle (2014) and Henry (2015); a voice role in the documentary Teenage (2013); and short films 90% (2020) and I Feel More Like a Stranger (Each Time I Come Home) (2021). In 2022, she played Sophie in the feature film Servus Papa, See You in Hell. In her 2019 interview, Hummer indicated plans to return more intensively to acting, noting that she had engaged a new agent and was actively working toward a filmic comeback.

Music career

Transition to music

Julia Hummer began her music career in 2002 while still active in acting. She formed her first band, Sgt. Hummer, and started writing and performing her own material. In 2003, she made her first on-screen appearance as a singer in the film Northern Star, where she performed musically and one of her pieces was featured during the end credits. Building on this early involvement, Hummer collaborated with Christopher „Krite“ Uhe and additional musicians to form Julia Hummer & Too Many Boys, which became her primary musical project. Her music during this period is characterized as folk-pop, consisting of English-language songs that she writes herself and accompanies on acoustic guitar and harmonica. In 2006, she released the 7" single "Boxy, Where Are the Spangles?" on Earsugar. Hummer's shift toward music as her main focus intensified after 2005, as she gradually reduced her acting commitments to concentrate on singing. She later reflected that her early acting fame had overwhelmed her and left her feeling a lack of self-determination in film work. In a 2019 interview, she explained, „Ich bin vom frühen Ruhm überrannt worden,“ describing how this experience prompted her to pursue music as a more authentic means of self-expression. She continued to take on selective acting roles during this period while establishing her identity in music.

Releases and band projects

Julia Hummer's early musical output includes a guest collaboration and work with her band Julia Hummer & Too Many Boys. She provided guest vocals on the track "Lüge vs. Wahrheit" as part of the 2004 radio play and music project Release, led by Schneider TM in collaboration with inmates from Berlin prisons. She formed the band Julia Hummer & Too Many Boys and released the debut album Downtown Cocoluccia in 2005 on Strange Ways Records. The album featured indie rock and folk influences across 14 tracks, including "Boxy, Where Are the Spangles?", "Too Many Boys", and "If Time Was On My Side". Between 2004 and 2006, she released several maxi-CDs and 7" singles, including "Oh Lord!" as a 7" single on Strange Ways Records (catalog WAY 250) in 2006. Following these releases, Hummer separated from Too Many Boys and transitioned to a solo career under the moniker Juleah, focusing on neo-psychedelic, dream-pop, and blues-influenced music.

Solo career as Juleah

As Juleah, Hummer writes, records, and produces her music as a solo artist, often with minimal assistance and live support from other musicians. Her releases include the albums Melt Inside the Sun (2015), Desert Skies (2019), and Stoked on Planet Summer (2021), drawing influences from 1990s British rock, 1960s psychedelia, and other elements resulting in neo-psychedelic and psychedelic rock sounds.

Personal life

Family and residences

Julia Hummer is the mother of a son. She lived in Berlin for several years before relocating to Hamburg, where she currently resides with her child. As of 2011, she was raising her then four-year-old son in Hamburg following the move from Berlin.

2017 accident and recovery

In 2017, Julia Hummer, a long-time enthusiastic skateboarder, suffered a severe sports accident while skateboarding, resulting in multiple fractures to her ankle joint. She underwent several operations to treat the injury. The recovery process required a total of approximately one and a half years of time out before full joint function was restored.

Awards and nominations

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