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Just Blaze
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Just Blaze
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Key Information

Justin Gregory Smith (born January 8, 1978), known professionally as Just Blaze, is an American record producer. Born in Paterson, New Jersey, Smith attended Rutgers University for three years before dropping out to pursue a career in music production.[1][2][3][4][5] He gained recognition as an in-house producer for Roc-A-Fella Records in the early 2000s, developing the "chipmunk soul" sampling style that was prominent in hip hop during that time.[6][7]

Smith produced Eminem's 2010 single "No Love" and appeared in its accompanying music video. He has composed soundtracks for video games, and was a character in NBA Street Vol. 2. His stage name was inspired by the character Blaze Fielding from the Streets of Rage video game series.[8] Smith founded the record label Fort Knocks Entertainment in 2004, through which he has signed artists including Saigon and Ms. Jade.[9] He was awarded a key to the city by Paterson in July 2018, in recognition of his "outstanding cultural contribution" to his hometown.[10]

Production discography

[edit]
Main article: Just Blaze production discography
Year Single Chart positions Album
US Hot 100 US
R&B 		US
Rap 		CAN UK
1999 "I Really Like It" (Harlem World feat. Mase & Kelly Price) 61 31 8 – – The Movement
2001 "Beanie (Mack Bitch)" (Beanie Sigel) – 49 11 – – The Reason
"Girls, Girls, Girls" (Jay-Z) 17 4 3 – 11 The Blueprint
2002 "Roc the Mic" (Beanie Sigel & Freeway) 55 16 6 – – State Property
"Song Cry" (Jay-Z) – 45 23 – – The Blueprint
"Oh Boy" (Cam'ron feat. Juelz Santana) 4 1 1 24 19 Come Home with Me
"Hovi Baby" (Jay-Z) – 76 – – – The Blueprint 2: The Gift & The Curse
"React" (Erick Sermon feat. Redman) 36 12 8 – – React
"Boy (I Need You)" (Mariah Carey feat. Cam'ron) – 68 – 29 17 Charmbracelet
"What We Do" (Freeway feat. Jay-Z & Beanie Sigel) 97 47 – – – Philadelphia Freeway
2003 "I Really Mean It" (The Diplomats) – 64 – – – Diplomatic Immunity
"Flipside" (Freeway feat. Peedi Crakk) 82 40 – – – Philadelphia Freeway
"Alright" (Freeway feat. Allen Anthony) – – – – –
"Can't Let You Go" (Fabolous feat. Lil' Mo & Mike Shorey) 4 2 2 27 14 Street Dreams
"Pump It Up" (Joe Budden) 38 16 10 – – Joe Budden
"Fire" (Joe Budden feat. Busta Rhymes) – 48 – – –
"Round Here" (Memphis Bleek feat. Trick Daddy & T.I.) – 53 – – – M.A.D.E.
2004 "Breathe" (Fabolous) 10 4 2 36 28 Real Talk
2005 "Never Been in Love" (Talib Kweli) – – – – – The Beautiful Struggle
"Touch the Sky" (Kanye West feat. Lupe Fiasco) 42 23 10 10 6 Late Registration
2006 "Tell Me" (Diddy feat. Christina Aguilera) 47 38 14 13 8 Press Play
"Show Me What You Got" (Jay-Z) 8 3 4 38 38 Kingdom Come
"The Champ" (Ghostface Killah) - - - - - Fishscale
2007 "The Second Coming" (Juelz Santana & Just Blaze) 108 – – – – Nike
"Come on Baby" (Saigon feat. Swizz Beatz) – – – – – The Greatest Story Never Told
2008 "Live Your Life" (T.I. feat. Rihanna) 1 1 1 3 2 Paper Trail
2009 "All the Above" (Maino feat. T-Pain) 39 19 10 – – If Tomorrow Comes...
"Exhibit C" (Jay Electronica) – 86 – – – Act II: Patents of Nobility (The Turn)
"Gotta Believe It" (Saigon feat. Just Blaze) – – – – – The Greatest Story Never Told
2010 "No Love" (Eminem feat. Lil Wayne) 23 59 9 21 33 Recovery
2011 "The Greatest Story Never Told" (Saigon) – – – – – The Greatest Story Never Told
"I Love My Bitches" (Rick Ross) – 72 – – – Non-album single
2016 "Freedom" (Beyoncé feat. Kendrick Lamar) 35 21 – 60 40 Lemonade
2019 "Big Tyme" (Rick Ross feat. Swizz Beatz) 119 – – – – Port of Miami 2
2021 "We Win" (Lil Baby and Kirk Franklin) – – – – – Space Jam: A New Legacy
2024 "Durag Bleek" (Memphis Bleek) – – – – – Non-album single

Awards and nominations

[edit]

Grammy Awards

[edit]

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. Just Blaze has been nominated 8 times.[11]

Year Nominated work Award Result
2003 Nellyville (as producer) Album of the Year Nominated
2005 Confessions (as producer) Nominated
2006 Late Registration (as producer) Nominated
2011 Recovery (as producer) Nominated
2012 "Far Away" (as producer) Best R&B Song Nominated
2014 Good Kid, M.A.A.D City (as producer) Album of the Year Nominated
2017 Lemonade (as producer) Nominated
2022 "We Win" (as producer) Best Contemporary Christian Music Performance/Song Nominated

References

[edit]
[edit]
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Just Blaze

View on Grokipedia
from Grokipedia
Just Blaze, born Justin Smith on January 8, 1978, in , is an American hip-hop and DJ renowned for his innovative, sample-based beats that defined much of the early rap landscape. Rising to prominence as an in-house producer for , he played a pivotal role in crafting the sound of Jay-Z's landmark album (2001), producing standout tracks such as "U Don't Know," "," and "Heart of the City (Ain't No Love)," which blended orchestral swells, soul samples, and booming drums to create anthemic, emotionally resonant hip-hop. His signature "" technique—characterized by pitching up vocal samples from classic soul records to create a high-pitched, playful yet gritty texture—co-evolved with Kanye West's style and became a hallmark of the era's production, influencing countless tracks across the genre. Throughout his career, Just Blaze has collaborated with a wide array of artists, extending his influence beyond Roc-A-Fella to include productions for ("Oh Boy," 2002), , , , and later mainstream acts like ("Touch the Sky," 2005, from ) and Drake ("Lord Knows," 2011, from Take Care). His work on 's Grammy-winning album Recovery (2010), including six tracks, marked a shift toward broader commercial success, while earlier efforts like Jay-Z's "" (2001) and "December 4th" (2003) showcased his ability to layer personal storytelling over epic soundscapes. In addition to hip-hop, he has ventured into and mentoring, establishing himself as a versatile studio innovator with eight Grammy nominations, including nods for Best Rap Song and Album of the Year.

Early life

Childhood and family background

Justin Gregory Smith, known professionally as Just Blaze, was born on January 8, 1978, in . Raised in a musically inclined family, Smith was the son of Sharon Chambers, an educator and community leader who was an amateur singer, and Gregory Smith, a keyboard-playing father who also worked as a computer programmer. His mother supported his early interests by purchasing his first turntables and driving him to DJ gigs, while his father taught him piano basics and introduced him to programming concepts that later influenced his production techniques. The family, including a cousin who shared hand-me-down hip-hop 12-inch records, actively encouraged his musical pursuits from a young age. Smith's childhood fascination with music began even before formal training; at his first birthday party, he played records on his mother's record player. Growing up in Paterson during the 1980s and 1990s, he was immersed in the local hip-hop scene, which exposed him to influential artists like and through radio play and community events. This environment sparked his interest in turntables and sampling, as he experimented with rudimentary drum patterns on his father's keyboards. These early experiences laid the groundwork for his development.

Introduction to music and education

During his teenage years in , Just Blaze, born Justin Gregory Smith in 1978, developed a passion for music through hands-on involvement in the local scene, beginning as a DJ at high school parties and clubs. Influenced by his family's musical background—his father played keyboard and his mother sang in church—he started spinning records as a teenager, blending hip-hop with other genres to entertain crowds at social events. This early exposure honed his DJ skills and sparked his interest in production, where he experimented independently without formal training at the time. Largely self-taught, Just Blaze taught himself beat-making by studying hip-hop production techniques, starting with basic equipment like the JS-30 sampler in the . He focused on sampling records, chopping and manipulating vocal hooks and loops to create layered tracks, a method that laid the groundwork for his signature sound. These experiments occurred outside any structured program, relying on trial-and-error in home setups as he balanced school and local gigs, gradually building technical proficiency through relentless practice. After graduating high school, Just Blaze enrolled at in 1996 to study , a field that appealed to his analytical mindset and interest in technology. However, the program's demands clashed with his growing commitment to music; he attended for three years before dropping out around 1999 to pursue production full-time. This brief formal education provided a technical foundation in programming and logic that later informed his innovative sampling approaches, though he credits much of his musical growth to independent learning and immersion in New York's hip-hop community.

Career

Early production work

In 1997, Just Blaze, born Justin Gregory Smith, relocated from , to to pursue a career in music production, securing an at studios during his time at . Working long hours from morning sessions to late-night beat-making, he honed his skills on equipment like the sampler, transitioning from DJing high school parties to professional studio work. This period marked his entry into the competitive New York hip-hop scene, where he began contributing to underground projects amid financial hardships, often relying on family support to afford essential gear like samplers. His first notable production credit came in 1999 with "I Really Like It" by Harlem World featuring Mase and Kelly Price, a track that showcased his emerging soul-sampled style on the group's album The Movement. That same year, he produced "Heavy Weighters" for Boot Camp Clik's Buckshot on the album The BDI Thug, though there was a dispute when Buckshot added his verse and included the track without crediting or compensating session facilitator Matt Fingaz. Just Blaze also contributed beats to early mixtapes and sessions with the Diplomats crew, including Harlem-based artists like Cam'ron, building underground buzz through informal collaborations in the late 1990s. These efforts, often uncredited or low-paying, helped him navigate rejections from labels skeptical of his inexperience. Facing ongoing financial strain and industry setbacks, Just Blaze persisted until 2000, when his demos caught the attention of executives through connections at the label, leading to his signing as an in-house producer. This breakthrough came after persistent networking and beat submissions, culminating in contributions to Jay-Z's The Dynasty: Roc La Familia that year, solidifying his reputation in hip-hop.

Breakthrough with major artists

Just Blaze's breakthrough into mainstream hip-hop production occurred in 2000 when he began collaborating with , following an introduction through A&R executive Kyambo "Hip Hop" Joshua after submitting a beat that impressed the label's team. This led to his first major contributions on Jay-Z's The Dynasty: Roc La Familia that year, where he produced the album's intro and "Streets Is Talking," marking his entry into high-profile sessions at Baseline Studios alongside emerging talents like . These early tracks showcased his emerging style of soul-infused beats, helping solidify his position within the Roc-A-Fella camp. His pivotal role came with Jay-Z's The Blueprint in 2001, where Just Blaze produced key tracks including "Girls, Girls, Girls," "U Don't Know," and "Song Cry," contributing to the album's shift toward soul-based sampling that contrasted Jay-Z's prior glossier sound. Released on September 11, 2001, The Blueprint debuted at number one on the Billboard 200 and sold 426,550 copies in its first week despite the national tragedy, eventually earning multi-platinum certification. The album received widespread critical acclaim for its emotional depth and nostalgic production, with Just Blaze's soul-sampled beats—characterized by pitched-up "chipmunk soul" elements—widely credited for elevating it to classic status in hip-hop. Just Blaze continued his momentum on Jay-Z's The Black Album in 2003, producing "December 4th"—a reflective autobiographical track built around layered piano and vocal samples—and the explosive opener "Public Service Announcement (Interlude)," which sampled 1970s soul and funk for an anthemic feel. A signature example of his technique appears on "U Don't Know" from The Blueprint, where he layered pitched-up samples from Bobby Byrd's "I'm Not to Blame" (1970) with orchestral strings and thunderous, hard-hitting drums to create a sense of triumphant emotional depth, blending vulnerability with raw power in a way that became emblematic of his early 2000s sound.

Key collaborations and projects

Just Blaze's collaboration with on the 2005 album included the production of "Touch the Sky" featuring , a track that blended soulful samples with upbeat hip-hop rhythms. The song reached number 16 on the chart in 2006, contributing to the album's commercial dominance and showcasing Just Blaze's ability to craft anthemic hits. Additionally, Just Blaze co-produced the unreleased track "Heaven and Hell (Is How You Make Me Feel)" with for West's early sessions around 2004, highlighting their innovative approach to layered instrumentation. Their partnership also played a key role in co-developing the "" production style, which featured sped-up vocal samples from soul records to create high-energy hooks that influenced a generation of producers. For Mariah Carey's 2005 comeback album The Emancipation of Mimi, he helmed the remix aspects of "Shake It Off," infusing the track with gritty hip-hop flair that helped it become a top-10 single. In the hip-hop realm, Just Blaze delivered standout beats for Beanie Sigel's 2005 album The B. Coming, most notably "Bread & Butter" featuring and , which sampled for a raw, streetwise vibe. He also produced "The Champ" on Ghostface Killah's 2006 album , a bombastic opener with triumphant horns that set the tone for the Wu-Tang affiliate's narrative-driven project and earned critical acclaim for its cinematic scope. Just Blaze's work extended to Jay Electronica's long-awaited Act II: The Patents of Nobility (The Turn), originally slated for 2010 but delayed until 2020, where he provided the bulk of the production, blending boom-bap foundations with lush, sample-heavy arrangements across the entire album. Extending into the early 2010s, Just Blaze produced "Lord Knows" featuring for Drake's 2011 album Take Care, blending orchestral elements with trap influences. Just Blaze also produced five tracks on Eminem's 2010 album Recovery, including "Won't Back Down" featuring , contributing to the album's commercial success and Grammy win for Best Rap Album. These projects underscored Just Blaze's versatility, bridging his breakthrough with into a diverse array of commercially successful collaborations from the mid-2000s.

Recent activities and evolution

In the mid-2010s, Just Blaze continued to contribute to hip-hop projects while reducing his output of major commercial albums, focusing instead on select collaborations that showcased his signature soul-infused beats. In 2016, he worked extensively on Snoop Dogg's album Coolaid, producing the track "Super Crip," a high-energy homage to Snoop's gang roots featuring stomping percussion and orchestral elements that evoked his classic sound. This marked one of his notable productions during a period of relative studio quietude, as he balanced production with DJing and live performances. By the late and into the , Just Blaze's activities evolved toward curation, archival releases, and , reflecting an to hip-hop's streaming era and a emphasis on legacy preservation over volume. In 2023, he shared two previously unreleased tracks from Slaughterhouse's abandoned album as a to the late producer , highlighting his role in unearthing vaulted material from high-profile sessions. This archival focus extended to revelations about past works, such as disclosing in 2023 that had recorded vocals for a of Jay-Z's "" that never materialized. In recent years, Just Blaze has embraced collaborations with both veteran and emerging artists, signaling a mentorship-driven evolution while incorporating modern digital workflows for sampling and beat-making. He produced "Success & Power" for Your Old Droog's 2024 album Movie, blending flute, horn, and didgeridoo samples into a cinematic opener that paid homage to early-2000s boom-bap aesthetics. That same year, he reunited with longtime associate Memphis Bleek for "Durag Bleek," their first joint track in nearly two decades, which featured gritty, nostalgic production rooted in Roc-A-Fella-era vibes. Just Blaze also participated in educational panels, such as a 2024 NYU Tisch session on "The Foundations of Creating a Hit" alongside Joey Bada$$, where he discussed production techniques for new generations. Looking ahead as of , Just Blaze is handling the soundtrack for the Wu-Tang Clan's upcoming The Imperial Warrior, an immersive project fusing hip-hop, history, and action that underscores his pivot toward multimedia curation without pursuing a major solo release. This phase emphasizes his influence through guidance and innovative tool integration, building on earlier collaborations that continue to shape his experimental sampling approach.

Production style and techniques

Signature sound elements

Just Blaze's production aesthetic is prominently defined by his innovative use of soul and R&B samples, often drawn from 1970s artists such as and , which he frequently pitches up to create the distinctive "chipmunk" effect associated with the subgenre. This technique involves speeding up the original recordings—typically by playing vinyl at 45 RPM instead of 33—to impart a high-pitched, energetic vocal quality that contrasts with the track's underlying grit, adding an anthemic lift to hooks while preserving the emotional depth of the source material. For instance, in the track "U Don't Know," Just Blaze manipulates a sample from Bobby Byrd's "I'm Not to Blame" at an accelerated speed, enhancing its urgency without altering the core melody. Central to his drum programming is a reliance on the sampler, which he employed extensively for its tactile pads and sequencing capabilities, allowing for precise, real-time input of rhythms. Just Blaze favors booming 808 bass kicks that provide a thunderous low-end foundation, paired with crisp, punchy snares inspired by the clean drum sounds of producers like and Q-Tip, resulting in beats that feel both massive and stadium-ready for hip-hop. This combination yields hard-hitting patterns that drive tracks forward, emphasizing swing and velocity variations to mimic live drumming and create a sense of propulsion suited to lyrical delivery. His layering techniques further elevate the cinematic scope of his productions, where orchestral strings and horns are overlaid atop pitched samples to build a grand, epic texture. In tracks like Jay-Z's "U Don't Know," these elements—sourced from classical or records—are blended seamlessly with sample and , using the MPC's multi-timbral capabilities and later for refinement, to evoke a sweeping, filmic atmosphere that amplifies the song's emotional weight. This approach transforms simple sample flips into layered soundscapes, with horns adding triumphant swells and strings providing subtle tension. Just Blaze typically works in a tempo range of 85-95 BPM, a deliberate choice that accommodates intricate lyrical flows while maintaining the momentum of his bombastic arrangements. This mid- pocket allows space for the pitched vocals and orchestral flourishes to breathe, ensuring the beats support narrative-driven hip-hop without overwhelming the performer.

Influences and innovations

Just Blaze's production style drew significant inspiration from the 1990s hip-hop producers who defined the golden era of boom-bap, including , , and Q-Tip, whose meticulous sampling and drum programming laid the foundation for his own rhythmic precision and loop-based arrangements. He has voiced particular admiration for J Dilla's sample flips, praising the producer's ability to transform obscure sources into emotive, off-kilter grooves that pushed the boundaries of hip-hop's textural possibilities. A hallmark of Just Blaze's innovations came in popularizing pitched-up soul samples in mainstream rap, a technique he prominently featured on Jay-Z's 2001 album , where sped-up vocal loops created anthemic, nostalgic energy that revitalized East Coast sounds. This approach directly influenced Kanye West's "" aesthetic on subsequent projects like (2004), marking a shift toward high-pitched, soul-infused beats that blended accessibility with sample manipulation. Additionally, around 2002, Just Blaze was an early adopter of in hip-hop production, integrating it into hybrid analog-digital workflows to layer vinyl samples with digital editing for greater sonic depth and efficiency. Over time, Just Blaze evolved his methods by incorporating modular synthesizers in the , favoring original compositions to craft bespoke sounds and lessen dependence on traditional sampling. Just Blaze is widely credited with bridging East Coast boom-bap's gritty percussion—evident in his crisp, Premier-esque drum patterns—with soulful, melodic layers during the , fostering a hybrid that influenced a generation of producers and expanded hip-hop's emotional range.

Business and other ventures

Label affiliations and entrepreneurship

In 2004, Just Blaze founded Fort Knocks Entertainment, an East Coast hip-hop and R&B and production house distributed through . The imprint served as a platform for emerging talent, with Just Blaze signing Saigon as one of its . Saigon released several mixtapes under the label, including the Warning Shots series, before debuting his album The Greatest Story Never Told in 2011, largely produced by Just Blaze. Following the 2004 merger of with Def Jam, Just Blaze maintained a strong affiliation with the Roc family through his ongoing collaborations with , transitioning into projects associated with after its founding in 2008. As a key producer for Roc Nation-linked efforts, he contributed tracks to artists like and others until at least 2013, leveraging his signature sound to enhance the label's output. Just Blaze's entrepreneurial pursuits extended beyond production into and studio . In , he entered a global publishing administration agreement with Reservoir Media Management for his extensive catalog, including seminal contributions to Jay-Z's The Blueprint, which helped underscore the long-term commercial impact of his work. Additionally, he established of multiple recording studios in New York, providing a foundation for independent creative control and further industry ventures.

Media and non-music projects

In 2025, Just Blaze joined as a mentor in music production programs, sharing expertise from his career with emerging artists.

Recognition

Awards

Just Blaze has earned significant recognition in the music industry, though his award wins are limited compared to his extensive nominations. As of 2025, he has received eight Grammy nominations but no wins, according to the official records.

Nominations and honors

Just Blaze has earned eight Grammy Award nominations over the course of his career, recognizing his production contributions to several landmark hip-hop albums. Notable among these are his shared nomination for Album of the Year for Kanye West's The College Dropout at the in 2005, alongside West and co-producers such as and , as well as a nomination for Best Rap Album for Jay-Z's at the in 2003. Other nominations include Album of the Year for Kendrick Lamar's good kid, m.A.A.d city in 2014, Album of the Year for Eminem's Recovery in 2011, Best Rap Album for Kanye West's in 2006, and Album of the Year for Beyoncé's Lemonade in 2017, as well as Best Contemporary Christian Music Performance/Song for "We Win" by featuring in 2022, highlighting his versatility across rap and R&B projects. Beyond Grammy recognition, Just Blaze has received broader industry honors for his influence on hip-hop production. In August 2018, his hometown of , presented him with the key to the city during a council resolution commending his "outstanding contributions to the music industry" and role as a positive .

References

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  2. https://music.apple.com/us/artist/just-blaze/31015281
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  17. https://www.redbull.com/se-en/Just-Blaze-is-the-blueprint
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  33. https://genius.com/albums/Snoop-dogg/Coolaid
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  54. https://www.instagram.com/p/DAW1XwnyRvL/
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