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Kathy Shower
Kathy Shower
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Kathleen Ann Shower[2] (born March 8, 1953) is an American model and actress. Known as Kathy Shower she is Playboy's Playmate of the Month for May 1985 and Playmate of the Year for 1986. At that time, she was the 3rd oldest( after Dolores Donlon in August 1957 at nearly age 37 and Cindy Brooks in April 1985 at age 33) woman ever to appear as a Playboy Playmate, at age 32, as well as a single mother of two.[3]

Key Information

Biography

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Before and after Playboy, Shower had an acting career, mainly within the action-adventure (American Kickboxer 2, The Further Adventures of Tennessee Buck) and erotic thriller genres (Boundaries, LA Goddess, and Velvet Dreams). Shower also made numerous appearances on mainstream television, guest-starring in episodes of Knight Rider, Three's Company, CHiPs, Simon & Simon, and a 46-episode continuing role in the daytime drama series Santa Barbara. She appeared in To the Limit, starring alongside Anna Nicole Smith. In 2009, Shower completed an independent film entitled Kathy Shower: Playmate Model Mom.

Shower worked as a model for the Tapout clothing company.[4]

At age 43, she was again featured in Playboy in a "Playmates Revisited" pictorial in August 1996.[5]

Selected filmography

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References

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from Grokipedia
Kathy Shower is an American model and actress best known for her appearances as Playboy's Playmate of the Month in May 1985 and Playmate of the Year in 1986. Born Kathleen Ann Schrauer on March 8, 1953, in , Shower began her career in as a model before gaining prominence through , where she was noted as the oldest Playmate at age 33 and a single mother of two children at the time. Following her success, she transitioned into acting, appearing in over 30 projects from 1982 to 2001, primarily in action-adventure and genres. Her notable film roles include Katherine in The Further Adventures of Tennessee Buck (1988), Kat Withers in Commando Squad (1987), and Lisa Moore in L.A. Goddess (1993). Shower also made guest appearances on several television series during the 1980s, showcasing her versatility in episodic roles on shows such as Three's Company, Knight Rider, Simon & Simon, CHiPs, Airwolf, The New Mike Hammer, Crazy Like a Fox, and Santa Barbara. In addition to acting, she received producer credits on select projects and later featured in documentaries exploring her modeling background, including Kathy Shower: Playmate Model Mom (2009). Her career highlights her transition from glamour modeling to on-screen performances, establishing her as a multifaceted figure in 1980s and 1990s entertainment.

Early Life and Education

Childhood and Family Background

Kathy Shower was born Kathleen Ann Schrauer on March 8, 1953, in , a small town near Dayton in the American Midwest. She grew up in this modest Midwestern community, where everyday life revolved around typical small-town routines, including local television repair rather than entertainment production. During her childhood and adolescence, Shower described herself as an "," experiencing a lack of romantic attention and social confidence that later transformed as she matured. By her early thirties, Shower had become a divorced single mother raising two young daughters, Mindy (born 1976) and Melonie (born 1979), in the years leading up to her public recognition. At the time of her May 1985 appearance, Mindy was nine years old and Melonie was six, and both daughters lived with her in a duplex in ' Hancock Park neighborhood, which she affectionately called "The Orphanage" due to the frequent visits from neighborhood children. This period marked significant personal challenges as she balanced motherhood with emerging career ambitions, all prior to her modeling breakthrough.

Academic Pursuits and Early Career Aspirations

Kathy Shower developed an early interest in , aspiring to a on and screen following her high school years in . She relocated to in the to pursue professional opportunities in theater, where she trained and performed in various productions to build her skills. Her dedication to honing techniques through work reflected her commitment to the craft during this formative period. Shower's breakthrough came with a role in the original Broadway production of The Best Little Whorehouse in Texas, where she portrayed the character for 17 months from to 1981. This experience provided her with valuable on-stage training and exposure in a major theatrical run, solidifying her theater background before transitioning to other entertainment avenues. Post-Broadway, Shower moved to to chase television and film roles, facing the common challenges of the industry as a young actress. She endured countless auditions and secured minor guest appearances, such as on in 1982 and in 1982–1983, which offered limited but essential experience. These early efforts highlighted her persistence amid competitive casting processes and sparse opportunities, ultimately leading her toward modeling as a means to advance her visibility in entertainment. In her May 1985 Playboy Playmate Data Sheet, Shower articulated her core aspiration: "To expand my as a successful television and film ," underscoring her unwavering focus on despite the hurdles encountered in her initial years.

Modeling Career

Playboy Milestone

Kathy Shower was selected as Playboy's Playmate of the Month for May 1985 at the age of 32, making her one of the oldest women to appear in that role at the time. As a single mother of two daughters, Mindy (age 9) and Melonie (age 6), she pursued the opportunity after a friend submitted her photos to the magazine, driven by the need for greater visibility in her acting and modeling pursuits. Shower had initially doubted her chances due to her age but viewed the feature as a way to build recognition while balancing motherhood and career ambitions. Her pictorial, photographed primarily by Richard Fegley, emphasized themes of domestic life, personal transformation from a self-described "" to confident womanhood, and the interplay of sexuality with family responsibilities. The feature highlighted her everyday routines as a in , juxtaposed with glamorous poses that celebrated maturity and sensuality, marking a departure from the typical youthful Playmate . In 1986, Shower was crowned Playboy Playmate of the Year, becoming the oldest recipient of the honor at age 33 and further elevating her profile within the publication's history. This achievement opened doors to increased media attention and opportunities, solidifying her breakthrough in the modeling world. Her enduring association with continued a decade later, when she was featured in the magazine's "Playmates Revisited" pictorial in August 1996 at age 43, reflecting on her career trajectory and lasting impact.

Additional Modeling and Endorsements

Following her Playboy success, Kathy Shower diversified her modeling portfolio into commercial and independent endeavors. In the , she modeled for Tapout, a clothing company specializing in apparel, appearing in promotional campaigns that aligned with her established image in glamour and fitness circles. Shower maintained visibility through post- appearances in select magazines, including a "Playmates Revisited" pictorial at age 43, though she increasingly focused on projects emphasizing her personal narrative as a working mother. A notable independent venture was the 2009 self-produced Kathy Shower: Playmate Model Mom, a modeling-centric featuring an extended interview alongside five erotic segments exploring themes of , sensual , and female . This project marked an evolution in her style, shifting toward introspective, documentary-style presentations that blended glamour modeling with reflections on aging, motherhood, and in the industry.

Acting Career

Television Appearances

Kathy Shower transitioned to television acting in the early 1980s, leveraging her modeling background to secure initial guest spots that showcased her as a glamorous supporting character. Her early TV work included roles that emphasized visual appeal, such as girlfriends or incidental figures, helping to establish her on-screen presence beyond print media. Shower's first notable television appearance came in 1982 on Three's Company, where she guest-starred as Millicent in the episode "The Brunch" (Season 7, Episode 9), portraying a character involved in a comedic brunch scenario at Jack's restaurant. In 1982, she appeared in CHiPs as Honey Jean, a supportive figure in "Return to Death's Door" (Season 6, Episode 9), where Ponch confronts his past during a high-stakes chase. In 1983, she appeared as Cindy, an ER nurse and brief romantic interest for Ponch in "Brat Patrol" (Season 6, Episode 17), which focused on a youth patrol program. These roles, often involving flirtatious or alluring dynamics, capitalized on her modeling poise to add visual flair to the action-oriented series. In 1984, Shower continued with guest spots on popular action and detective shows, including The New Mike Hammer in the episode "The Perfect Twenty". She played a model in Airwolf's "Sins of the Past" (Season 2, Episode 6), a tense episode centered on Dominic's family tragedy and a murder investigation, where her brief but striking appearance underscored the show's high-energy aesthetic. On Simon & Simon, she appeared as a girl in a car in the two-part episode "C'est Simon" (Season 4, Episodes 1-2), contributing to the brothers' international case involving a kidnapped client in Paris; this role highlighted her as an incidental yet memorable element in the procedural narrative. Her Playboy Playmate of the Year status in 1986 further boosted her visibility, aiding in casting for more prominent television opportunities. Shower's most substantial television role was her recurring portrayal of Janice Harrison on the Santa Barbara from 1985 to 1986, appearing in 46 episodes as a glamorous entangled in the show's intricate web of romance and intrigue. This extended stint allowed her to develop a layered supporting character, often involved in dramatic confrontations and romantic subplots, marking a significant step in building her acting resume through sustained on-screen exposure. Behind the scenes, Shower noted the demanding pace of soap production, which required quick adaptation from her modeling gigs to scripted dialogue and ensemble dynamics. She also guest-starred in Crazy Like a Fox (1985) as a stewardess in "Fox in Wonderland". From 1985 to 1986, she made two guest appearances on , first as Tori in "Junk Yard Dog" (Season 3, Episode 13), where she aided Michael Knight in a salvage yard scheme involving stolen cars, and later as Claudia Torrell in "Knight of a Thousand Devils" (Season 4, Episode 17), portraying a casino performer caught in a heist plot; these episodes typically cast her in seductive, high-stakes supporting roles that complemented the series' futuristic action. Overall, Shower's television work, spanning over a dozen episodes across multiple series, transitioned her from one-off modeling-inspired cameos to more narrative-driven parts, enhancing her reputation in episodic programming.

Film Roles and Productions

Kathy Shower debuted in feature films with roles in two action-oriented productions in the late 1980s. In Commando Squad (1987), she portrayed Kat Withers, a determined federal agent teaming up with a rogue operative to dismantle a operation in , co-starring Brian Thompson and William Smith. This low-budget action film marked her entry into cinematic adventure narratives, emphasizing high-stakes chases and confrontations. Her follow-up, The Further Adventures of Tennessee Buck (1988), saw her as Barbara Manchester, a wealthy accompanying a boisterous hunter through dangerous Bornean jungles, alongside David Keith in the title role. The adventure tale highlighted survival themes amid exotic locales, showcasing Shower's transition from modeling to on-screen presence in perilous, character-driven scenarios. By the early 1990s, Shower secured several major roles in action and thriller genres, often blending physicality with dramatic tension. In American Kickboxer 2 (1993), she played Lillian, a woman entangled in a web of vengeance and rivalries, supporting leads Dale Cook and in this sequel focused on underground fighting circuits. That same year, Wild Cactus (1993) featured her as Celeste, an ex-lover complicating a couple's getaway turned deadly, co-starring and in an rife with betrayal and seduction. Also in 1993, L.A. Goddess cast her as Lisa Moore, a stuntwoman rising to stardom on a Western set while navigating romance and industry intrigue, opposite David Heavener. These films exemplified her appeal in mid-tier productions, where she often embodied resilient, alluring female leads amid escalating conflicts. Shower frequently appeared in erotic thrillers, a genre that aligned with her modeling background and allowed for nuanced explorations of desire and danger. In Bedroom Eyes II (1989), she depicted Carolyn Ross, the wife of a ensnared in murder and plots, sharing the screen with and . Her role in To the Limit (1995) as Vinnie, a mob wife aiding an ex-CIA agent's revenge quest, paired her with in a fast-paced action-thriller involving assassins and high-octane pursuits. Her work in similar vein, such as Sexual Malice (1993) as Laura Altman—a therapist uncovering dark secrets—reinforced her pattern in suspenseful, sensually charged stories. These projects, typically released directly to video, underscored Shower's versatility in intimate, psychologically layered roles. Shower continued in erotic thrillers and dramas into the late 1990s and early 2000s. In Irresistible Impulse (1996), she played Tina Lovejoy, and in Erotic Boundaries (1997), she explored themes of desire. She appeared as Irene in Shattered Dreams (1998) and in The Vegas Connection (1999). Her final acting credit was as Cindy in Love Letters: A Romantic Trilogy (2001). Throughout her film career, Shower's productions leaned heavily toward action-adventure and erotic thrillers, spanning 1987 to 2001, with occasional forays into independent efforts where she took on producing duties. For instance, in Cyber-C.H.I.C. (1990), she not only starred as the titular robotic operative but served as , contributing to a sci-fi erotic hybrid that fused with thriller elements. Her collaborations with co-stars like Hauser and Smith highlighted ensemble dynamics in genre fare, while release patterns clustered around 1993, reflecting a peak in her cinematic output. This body of work, building on her exposure, established Shower as a staple in B-movie circuits, prioritizing narrative arcs of and peril over mainstream acclaim.

Personal Life

Family Dynamics

Kathy Shower raised her two daughters, Mindy and Melonie, as a single mother while navigating the demands of her modeling and early in the mid-1980s. Following her , she balanced professional pursuits with responsibilities, describing herself as "a , and modeling, and dancing, pursuing a and, at the same time, being , father, grandparent, teacher—all rolled into one." During her of the Month feature in May 1985, Mindy was approximately 9 years old and Melonie was approximately 5, a period when Shower's rising fame required her to manage family life amid increasing public scrutiny. Shower actively involved her daughters in understanding her work to foster openness and mitigate potential confusion from her on-screen roles. She frequently brought Mindy and Melonie to film sets, explaining that her interactions with co-stars were purely professional and devoid of emotional attachment, helping them grasp the boundaries between her career and . The daughters engaged constructively with her pictorials, offering critiques on poses—such as preferring certain angles—rather than expressing offense, which Shower noted as a sign of their maturity and support. The impact of Shower's fame on her family was largely positive, with no reported ill effects from her nude appearances, which she viewed as empowering for women over 30 to pursue ambitions without limitation. Mindy, in particular, demonstrated protectiveness, stating that she would tell teasing peers to "shut up" or face consequences, reflecting the family's emphasis on resilience and mutual support. Motherhood profoundly shaped Shower's professional choices, as she prioritized roles and opportunities that allowed her to maintain stability for her children while serving as a of determination.

Relationships and Later Personal Developments

Kathy Shower was engaged to actor for three months in 1983, following a brief three-month period that began in November 1982. The engagement ended later that year, and no further high-profile romantic relationships have been publicly documented. Prior to her appearance in 1985, Shower had divorced and was raising two daughters, Mindy and Melonie, as a single mother. At age 33, she became the oldest Playmate of the Month at the time, navigating her career transition while prioritizing her responsibilities as a . In a 1986 interview, she described her journey as an inspiration for women over 30 facing similar life changes post-divorce. In her later years, Shower has maintained a low public profile, focusing on personal privacy after her peak in modeling and during the . As of 2025, she is 72 years old.

Legacy and Recognition

Awards and Honors

Kathy Shower earned her first major recognition in the modeling world as Playboy's Playmate of the Month for May 1985, a title accompanied by a standard prize of $25,000 for recipients of the honor. This selection showcased her physical profile, including a height of 5 feet 9 inches, measurements of 35-24-35 inches, and a weight of 122 pounds, as detailed in her official Playmate data sheet. Building on this milestone, Shower was crowned Playboy's Playmate of the Year for during a public announcement ceremony, marking her as one of the publication's top honorees that year. The award included a cash prize exceeding $100,000 along with a XJ6 luxury sedan, consistent with the prestigious perks provided to Playmates of the Year during the era. Despite her subsequent acting pursuits, including a recurring role on the Santa Barbara, Shower received no formal industry awards or nominations for her television or film work. Her honors remain the primary formal recognitions of her career.

Cultural Impact and Post-Career Contributions

Kathy Shower's selection as 's Playmate of the Year in 1986 at the age of 33 marked her as the oldest recipient in the magazine's history up to that point, challenging the conventional image of youth-dominated modeling and inspiring a shift toward greater representation of mature women in the industry. As the first Playmate of the Year chosen directly by popular vote from readers, her success highlighted a demand for diverse body types and life experiences, influencing subsequent features that revisited and celebrated alumni like her in pictorials such as the 1996 "Playmates Revisited." In the 1990s, Shower contributed to the erotic thriller genre through roles in low-budget films that exemplified the era's B-movie aesthetics, including Erotic Boundaries (1997), To the Limit (1995), and L.A. Goddess (1993), where she often portrayed strong, sensual female leads amid suspenseful narratives blending sex and danger. These appearances helped sustain the genre's popularity in direct-to-video markets, emphasizing provocative visuals and empowered female characters that became staples of 1990s exploitation cinema. Following her primary acting and modeling phases after 2000, Shower produced and starred in the 2009 independent documentary Kathy Shower: Playmate Model Mom, which explored themes of , sensual , and through interviews and segments reflecting on her career as a mother and model. She continued modeling for the Tapout clothing company, aligning with apparel.

References

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