King of Pain

"King of Pain" is a song by British rock band the Police, released as the second single from their fifth and final studio album Synchronicity (1983). Written by the band's lead singer and bassist Sting as a post-separation song from his wife, "King of Pain" conjures up symbols of pain and relates them to a man's soul. A&M Records released "King of Pain" as the album's fourth single in the UK, while in many other countries it was released as the second single.

The song received acclaim from music critics, many of whom praised Sting's lyrics and cited the song as a highlight from Synchronicity. It reached No. 3 in the US Billboard Hot 100 chart in October 1983, and No. 1 on the Billboard Top Tracks chart for five weeks in August 1983. In the United Kingdom, it reached No. 17 in January 1984, becoming the band's last UK Top 20 hit.

Multiple artists have covered "King of Pain". Canadian singer-songwriter Alanis Morissette covered the track for her MTV Unplugged album (1999) and released it as the second single from the album.

"King of Pain" was released as the second single in the US and the fourth single in the UK, taken from their fifth and final album, Synchronicity (1983). The song was released after the eight-week appearance of "Every Breath You Take" on top of the charts. Sting's fascination with Carl Jung and, to a greater extent, Arthur Koestler inspired him to write the track. As a Hungarian-born novelist who resided in England, Koestler was enthralled with parapsychology and the unexplained workings of the mind (he wrote the book titled The Ghost in the Machine in the late '60s, after which the Police named their fourth album). A music video was made but only released in Australia.

Engineer/co-producer Hugh Padgham remembers this song as being one of several songs that had been heavily reformed and edited during the mixing stage. He explains:

I remember this one song on Synchronicity, called "King of Pain", which had basically everything going all the way through it. If you listen to it now, it's very stripped down, bits and pieces coming in here and there. Literally everything was recorded all the way through and I really remember that one well — sitting down with Sting coming in one day, when we were mixing and [Sting] going, "This is shit" and I went, "I think you're probably right." The thing at the back of my mind always is trying to keep things simple so you can then hear what's there, as opposed to the kitchen sink style, which is cool, sometimes. Some people do it incredibly well.

The multitrack recording bore little or no resemblance to the final mix that was included on the album. The introductory section with the piano and vocals was recorded separately on a different date and was edited into the main song.

"King of Pain" was written by Sting, while production was done by the Police and Hugh Padgham. The song was inspired by Sting's then-recent separation from his first wife. He remarked, "I conjured up symbols of pain and related them to my soul. A black spot on the sun struck me as being a very painful image, and I felt that was my soul up there on the sun. It's just projecting your state into the world of symbolism, which is what poetry's all about, really."