Kite (Kirsty MacColl album)

In a 1991 interview with Melody Maker, MacColl commented, "With Kite, I felt I had to prove that I wasn't this bimbo girl-next-door I'd been portrayed as. That had been hanging around my neck like a fucking albatross for so long, and I wanted to make the point that, yes, I can write a fucking song, pal!"^[7]

MacColl originally wanted to call the album Al Green Was My Valet, as a parody of the 1941 film title How Green Was My Valley, but Virgin Records were not keen on it. She then had the idea of the title Kite after David Gilmour, who played guitar on two tracks, declined payment for his contribution and suggested that a "kite" [slang for cheque] be sent to Armenia instead as a donation towards the relief of the 1988 Armenian earthquake. MacColl told Ira Robbins in 1990, "I thought that was such a nice image – a little bit of hope and optimism rising above a sea of crap."^[8]

In April 1990, MacColl revealed the album had sold approximately 85,000 copies in the UK.^[8]

Professional ratings

Review scores
Source	Rating
AllMusic	[9]
Entertainment Weekly	B+[10]
Hi-Fi News & Record Review	A:1[11]
New Musical Express	7/10[12]
Record Mirror	[13]
Rolling Stone	[14]
The Rolling Stone Album Guide	[15]
Sounds	[16]

On its release, Dave Jennings of Melody Maker described the album as a "thoughtful, mature, yet sometimes exhilarating LP" and "cerebral but instantly likeable; never wild or abandoned, but always intriguing". Aside from some "tender moments", he considered most of Kite to show MacColl "on the attack", with her "carefully-layered, deadpan vocals" suiting the "anger" in her lyrics.^[17] Simon Williams of New Musical Express considered it "an old-fashioned album" with "proper songs [and] resolutely orthodox instruments". He concluded, "Kite is charming rather than classy. Everything is pleasantly down-to-earth, sweet and sour stories from a woman's point of view which always avoid being emotionally extreme."^[12] Peter Kane of Sounds noted it "boasts some fine tunes about life, love, and the whole damned thing" which is "done in a peculiarly colloquial, very English style" and with "not a hint of pretension". He described the album as "one to be proud of" and one which "deserves to be heard".^[16]

In a retrospective review, AllMusic called Kite "the pinnacle of [MacColl's] achievement" and her "best-sustained work". They felt that MacColl's songwriting was "excellent", with some of her "sharpest and cleverest words and most memorable melodies."^[9] Trouser Press wrote of the album: "This sturdy, provocative collection mixes full-bodied pop styles with some country, adding a film noir story sung in French, a pair of wonderful covers and pointed lyrical assaults on both Margaret Thatcher and shallow pop stars."^[18] The Rolling Stone Album Guide described the album as having a "skillfull, introspective elegance".^[15] In 2024, The Independent included it in their list of the 20 most underrated albums ever, ranking it number 9.^[19]

Kite was re-released in 2005 with ten bonus tracks, including B-sides and alternate mixes.^[20] A 2012 expanded edition released by Salvo Records features a bonus disc with seventeen bonus tracks, also with B-sides and alternate mixes.^[21] Both re-issues were remastered. Demon Records re-issued the original twelve-track album in 2018 on 180g vinyl.^[22]

Adapted from the album's liner notes.^[21][23]

The first disc contains the twelve tracks from the original album.

• 1-9, 11, 13-15 recorded at The Town House
• 6, 10, 12 recorded at Ealing Studios.
• 1, 6, 7, 12, 15 recorded at RAK Studios
• David Gilmour recorded at Olympic Studios
• 1, 5, 10, 11, 13, 14 mixed at Ealing Studios.
• 2-4, 6-9, 12, 15 mixed at Olympic Studios.

^[23]