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Kundakunda
Kundakunda is the name given to the author or authors of sixteen influential Digambara texts, including Niyamasāra ("The Essence of the Restraint"), Pañcāstikāyasāra ("The Essence of the Five Existents"), Samayasāra ("The Essence of the Self"), and Pravacanasāra ("The Essence of the Teaching"). These attributions are questioned, and "only parts of some works are likely to have been written by him," showing "clear signs of interpolations" and multiple authorship.
While dates for "Kundakunda" range from scholarly datings in the 8th c. CE to traditional datings in the 2nd–3rd c. CE, texts attributed to him may reflect multiple authorship, containing layers dating from 350–400 (Pañcâstikāya-sangraha) and 550–600 CE (Samaya-sāra) up to 950–1150 CE. The Kundakunda-core texts were anonymous compilations for several centuries, and it is not until Jayasena's (ca. 1150–1200) commentary on the Pañcâstikāya that an author is explicitly mentioned and a Kundakunda-narrative is created.
The Kundakunda-attributed works show influences from Samkhya, Mahayana Buddhism, and especially Advaita Vedanta, reflected in the distinction between niścayanaya or ‘ultimate perspective’ and vyavahāranaya or ‘mundane perspective’, or the pure atman and the material world.
With the Kundakunda-texts the Digambara developed a mystical tradition focusing on the direct realization of the ultimate perspective of the pure soul, and Kundakunda's emphasis on liberating knowledge has become a mainstream view in Digambara Jainism. Kundakunda was an important inspiration for Shrimad Rajchandra (1867–1901), who in turn inspired Kanji Swami (1890–1980), Rakesh Jhaveri and the Shrimad Rajchandra Mission, and Dada Bhagwan (1908–1988).
While Jain-tradition regards Kundakunda as an author from the 2nd or 3rd century who wrote numerous works, academic scholarship has questioned these datings and attributions, proposing later dates and also proposing multiple authorship.
Balcerowicz discerns seven strata for the Pañcâstikāya-sangraha, starting in 350–400 CE and ending in 950–1150. The Samaya-sāra contains four layers, from 550–600 CE to 950–1150 CE. According to Balcerowicz
we should rather speak of a ‘collective author’ or ‘collective thinker’ known as ‘Kundakunda’. We may, of course apply the conventional authorship of ‘Kundakunda’ to a nucleus of writings that bears certain features that allow us to attribute them to a particular philosophical Digambara tradition of the period between the sixth and early tenth centuries, albeit there is no particular historical person named ‘Kundakunda’ identifible as their author: the historical person Kundakunda may have been an author of one of the historical layers, but we may not even know of which of them.
Likewise, Johnson states that
Kundakunda
Kundakunda is the name given to the author or authors of sixteen influential Digambara texts, including Niyamasāra ("The Essence of the Restraint"), Pañcāstikāyasāra ("The Essence of the Five Existents"), Samayasāra ("The Essence of the Self"), and Pravacanasāra ("The Essence of the Teaching"). These attributions are questioned, and "only parts of some works are likely to have been written by him," showing "clear signs of interpolations" and multiple authorship.
While dates for "Kundakunda" range from scholarly datings in the 8th c. CE to traditional datings in the 2nd–3rd c. CE, texts attributed to him may reflect multiple authorship, containing layers dating from 350–400 (Pañcâstikāya-sangraha) and 550–600 CE (Samaya-sāra) up to 950–1150 CE. The Kundakunda-core texts were anonymous compilations for several centuries, and it is not until Jayasena's (ca. 1150–1200) commentary on the Pañcâstikāya that an author is explicitly mentioned and a Kundakunda-narrative is created.
The Kundakunda-attributed works show influences from Samkhya, Mahayana Buddhism, and especially Advaita Vedanta, reflected in the distinction between niścayanaya or ‘ultimate perspective’ and vyavahāranaya or ‘mundane perspective’, or the pure atman and the material world.
With the Kundakunda-texts the Digambara developed a mystical tradition focusing on the direct realization of the ultimate perspective of the pure soul, and Kundakunda's emphasis on liberating knowledge has become a mainstream view in Digambara Jainism. Kundakunda was an important inspiration for Shrimad Rajchandra (1867–1901), who in turn inspired Kanji Swami (1890–1980), Rakesh Jhaveri and the Shrimad Rajchandra Mission, and Dada Bhagwan (1908–1988).
While Jain-tradition regards Kundakunda as an author from the 2nd or 3rd century who wrote numerous works, academic scholarship has questioned these datings and attributions, proposing later dates and also proposing multiple authorship.
Balcerowicz discerns seven strata for the Pañcâstikāya-sangraha, starting in 350–400 CE and ending in 950–1150. The Samaya-sāra contains four layers, from 550–600 CE to 950–1150 CE. According to Balcerowicz
we should rather speak of a ‘collective author’ or ‘collective thinker’ known as ‘Kundakunda’. We may, of course apply the conventional authorship of ‘Kundakunda’ to a nucleus of writings that bears certain features that allow us to attribute them to a particular philosophical Digambara tradition of the period between the sixth and early tenth centuries, albeit there is no particular historical person named ‘Kundakunda’ identifible as their author: the historical person Kundakunda may have been an author of one of the historical layers, but we may not even know of which of them.
Likewise, Johnson states that
