Community hub
Recent from talks
Knowledge base stats:
Talk channels stats:
Members stats:
National Legion of Decency
The National Legion of Decency, also known as the Catholic Legion of Decency, was an American Catholic group founded in 1934 by the Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences. Members were asked to pledge to patronize only those motion pictures which did not "offend decency and Christian morality". The concept soon gained support from other churches.
Condemnation by the Legion would often diminish a film's chances for success because it meant the population of Catholics, some twenty million strong at the time (plus their Protestant allies), would avoid attending any screening of the film. The efforts to help parishioners avoid films with objectionable content sometimes backfired when it was found that they helped draw attention to those films. Although the Legion was often envisioned as a bureaucratic arm of the Catholic Church, it instead was little more than a loose confederation of local organizations, with each diocese appointing a local Legion director, usually a parish priest, who was responsible for Legion activities in that diocese. Film historian Bernard F. Dick wrote: "Although the Legion was never officially an organ of the Catholic Church, and its movie ratings were nonbinding, many Catholics were still guided by the Legion's classifications."
In 1965, The National Legion of Decency was reorganized as the National Catholic Office for Motion Pictures (NCOMP). In 1980, NCOMP ceased operations, along with the biweekly Review, which by then had published ratings for 16,251 feature films. [citation needed]
From the early days of cinema, the motion picture industry made several attempts to self-regulate the content of films to avoid the creation of numerous state and municipal censorship boards. Most of these efforts were relatively ineffectual.
On December 24, 1908, New York City Mayor George B. McClellan Jr. revoked all moving-picture exhibition licenses in the city pending inspection of the premises due to fire safety concerns regarding the highly flammable celluloid film. He stated that due to complaints from the city's clergy and the Society for the Prevention of Cruelty to Children, upon re-issuance, the licensees were prohibited from operating on Sunday. He further indicated his intention to revoke the license of any motion picture show "...on evidence that pictures have been exhibited by the licensees which tend to degrade or injure the morals of the community."
In 1909, Charles Sprague Smith and about a dozen prominent individuals from the fields of social work, religion, and education, formed a committee, under the auspices of the People's Institute at Cooper Union, to make recommendations to the Mayor's office concerning controversial films. Initially called the New York Board of Motion Picture Censorship it soon became known as the National Board of Motion Picture Censorship. To avoid government censorship of films, the National Board became the unofficial clearinghouse for new movies. The Board's stated purpose was to endorse films of merit and champion the new "art of the people". In March 1916 the Board changed its name to the National Board of Review of Motion Pictures to avoid the controversial word "censorship".
The National Association of the Motion Picture Industry was an industry self-regulatory body created by the Hollywood studios in 1916 to answer demands for film censorship by states and municipalities. The Association devised "Thirteen Points", a list of subjects and storylines they promised to avoid. However, there was no method of enforcement if a studio film violated the Thirteen Points content restrictions, and NAMPI proved ineffective.
After several risqué films and a series of notorious off-screen scandals involving Hollywood stars, political pressure was increasing, with legislators in 37 states introducing almost one hundred movie censorship bills in 1921. Faced with the prospect of having to comply with hundreds, and potentially thousands, of inconsistent and easily changed decency laws to show their movies, the studios chose self-regulation as the preferable option. In 1922, the Motion Picture Producers and Distributors of America (MPPDA) was formed. Will H. Hays was named the association's first president. The goal of the organization was to rehabilitate the image of the movie industry in the wake of the Arbuckle scandal and amid growing calls by primarily Protestant groups for federal censorship of the movies. "Hiring Hays to “clean up the pictures” was, at least in part, a public relations ploy, and much was made of his conservative credentials, including his roles as a Presbyterian deacon and past chairman of the Republican Party."
Hub AI
National Legion of Decency AI simulator
(@National Legion of Decency_simulator)
National Legion of Decency
The National Legion of Decency, also known as the Catholic Legion of Decency, was an American Catholic group founded in 1934 by the Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences. Members were asked to pledge to patronize only those motion pictures which did not "offend decency and Christian morality". The concept soon gained support from other churches.
Condemnation by the Legion would often diminish a film's chances for success because it meant the population of Catholics, some twenty million strong at the time (plus their Protestant allies), would avoid attending any screening of the film. The efforts to help parishioners avoid films with objectionable content sometimes backfired when it was found that they helped draw attention to those films. Although the Legion was often envisioned as a bureaucratic arm of the Catholic Church, it instead was little more than a loose confederation of local organizations, with each diocese appointing a local Legion director, usually a parish priest, who was responsible for Legion activities in that diocese. Film historian Bernard F. Dick wrote: "Although the Legion was never officially an organ of the Catholic Church, and its movie ratings were nonbinding, many Catholics were still guided by the Legion's classifications."
In 1965, The National Legion of Decency was reorganized as the National Catholic Office for Motion Pictures (NCOMP). In 1980, NCOMP ceased operations, along with the biweekly Review, which by then had published ratings for 16,251 feature films. [citation needed]
From the early days of cinema, the motion picture industry made several attempts to self-regulate the content of films to avoid the creation of numerous state and municipal censorship boards. Most of these efforts were relatively ineffectual.
On December 24, 1908, New York City Mayor George B. McClellan Jr. revoked all moving-picture exhibition licenses in the city pending inspection of the premises due to fire safety concerns regarding the highly flammable celluloid film. He stated that due to complaints from the city's clergy and the Society for the Prevention of Cruelty to Children, upon re-issuance, the licensees were prohibited from operating on Sunday. He further indicated his intention to revoke the license of any motion picture show "...on evidence that pictures have been exhibited by the licensees which tend to degrade or injure the morals of the community."
In 1909, Charles Sprague Smith and about a dozen prominent individuals from the fields of social work, religion, and education, formed a committee, under the auspices of the People's Institute at Cooper Union, to make recommendations to the Mayor's office concerning controversial films. Initially called the New York Board of Motion Picture Censorship it soon became known as the National Board of Motion Picture Censorship. To avoid government censorship of films, the National Board became the unofficial clearinghouse for new movies. The Board's stated purpose was to endorse films of merit and champion the new "art of the people". In March 1916 the Board changed its name to the National Board of Review of Motion Pictures to avoid the controversial word "censorship".
The National Association of the Motion Picture Industry was an industry self-regulatory body created by the Hollywood studios in 1916 to answer demands for film censorship by states and municipalities. The Association devised "Thirteen Points", a list of subjects and storylines they promised to avoid. However, there was no method of enforcement if a studio film violated the Thirteen Points content restrictions, and NAMPI proved ineffective.
After several risqué films and a series of notorious off-screen scandals involving Hollywood stars, political pressure was increasing, with legislators in 37 states introducing almost one hundred movie censorship bills in 1921. Faced with the prospect of having to comply with hundreds, and potentially thousands, of inconsistent and easily changed decency laws to show their movies, the studios chose self-regulation as the preferable option. In 1922, the Motion Picture Producers and Distributors of America (MPPDA) was formed. Will H. Hays was named the association's first president. The goal of the organization was to rehabilitate the image of the movie industry in the wake of the Arbuckle scandal and amid growing calls by primarily Protestant groups for federal censorship of the movies. "Hiring Hays to “clean up the pictures” was, at least in part, a public relations ploy, and much was made of his conservative credentials, including his roles as a Presbyterian deacon and past chairman of the Republican Party."