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Lew Harvey
Lew Harvey
Lew Harvey
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Lew Harvey (October 6, 1887 – December 19, 1953) was an American film actor. He appeared in more than 140 films between 1918 and 1950. He was born in Wisconsin, educated in Portland, Oregon,[1] and died in Los Angeles, California.

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Lew Harvey

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Lew Harvey was an American film actor known for his long career as a supporting player in Hollywood productions, spanning the silent film era through the 1940s. Born on October 6, 1887, in Wisconsin, he began appearing in films during the late 1910s and built a prolific resume with roles in both credited character parts and uncredited background appearances. His work included performances in notable pictures such as Frozen River (1929), Hold Everything (1930), Big Boy (1930), and Honky Tonk (1941). In the later stages of his career, Harvey often took small, uncredited roles in major studio films, contributing to productions like Gilda (1946), Angel and the Badman (1947), Johnny Belinda (1948), and Samson and Delilah (1949). He remained active until around 1950, appearing in a wide range of genres including dramas, musicals, and westerns, though he rarely received top billing. Harvey died on December 19, 1953, in Los Angeles, California.

Early life

Birth and background

Lew Harvey, whose real name was Leo Paul Harwas, was born on October 6, 1887, in Wausau, Wisconsin. Wisconsin birth records show an entry for Paul Hawas on that date, with another registration for the same name on October 5, 1887, and variations in the parents' surname including "Harvey." The family had previously lost a son named Paul L. Harwas, born in 1882 and died just four days later, and it has been suggested that Lew may have been named in his memory, a not uncommon practice at the time. He was recorded as standing 5 feet 11 inches (1.80 m) tall. All of the family's other children were born in Wausau, with the family relocating to Portland, Oregon, between 1896 and 1900.

Education and early years

His family relocated to Portland, Oregon, between 1896 and 1900, during his childhood years. No specific details about his education or schools are documented. No information is available on any pre-film occupations or early activities prior to his entry into the motion picture industry.

Silent film career

Collaborations with Harold Lloyd

Lew Harvey frequently collaborated with Harold Lloyd in the late 1910s, appearing in numerous one-reel comedies produced by Hal Roach. His parts were typically minor and supporting, ranging from gang members and policemen to bystanders, villains, or uncredited extras, contributing to the fast-paced ensemble chaos characteristic of Lloyd's early slapstick work. Notable examples include Look Pleasant, Please (1918), where Harvey appeared in a barber shop sequence, and Take a Chance (1918), in which he played an escaped convict. In The Non-Stop Kid (1918), he portrayed one of the suitors competing for the girl's attention, and in The Marathon (1919), he was cast as a policeman amid the film's chaotic chase scenes. These appearances highlight Harvey's role as a reliable supporting player in Lloyd's prolific short film output during this period.

Other silent films

Lew Harvey maintained a steady presence in silent films throughout the 1920s, appearing in supporting and minor roles across various genres separate from his work with Harold Lloyd. These appearances include The Half Breed (1922), The Lighthouse by the Sea (1924), Ranger of the Big Pines (1925), Lady of the Night (1925), Eve's Lover (1925), The Fighting Edge (1926), Wolf's Clothing (1927), Frozen River (1929), and The Greyhound Limited (1929). In most cases, his contributions were uncredited or limited to character parts, consistent with his position as a prolific bit player in Hollywood during the late silent period.

Sound film career

Transition and credited roles

Lew Harvey transitioned to the sound era as Hollywood adopted talking pictures around 1930, following his extensive work in silent films. His late silent performance as Pierre in Frozen River (1929) served as a bridge to this shift. He secured credited roles in early talkies, including Dan Larkin in Hold Everything (1930) and Doc Wilbur in Big Boy (1930). Later credited appearances included Blackie in the Western Honky Tonk (1941) and the Arkansas Kid in Return of the Bad Men (1948). These named roles represented notable exceptions in his career, which spanned over 140 films from 1918 to 1950.

Character and uncredited parts

Lew Harvey was predominantly a character actor in the sound era, frequently appearing in uncredited bit parts and minor roles throughout the 1930s, 1940s, and into the early 1950s. He specialized in tough, rough-edged types such as henchmen, gamblers, guards, policemen, stagehands, bystanders, and assorted "tough guys," with many of these appearances occurring in Westerns, crime films, and low-budget studio programmers where such stock characters were staples of the narrative. Across his career, Harvey amassed more than 140 film credits between 1918 and 1950, though the bulk of his sound-era contributions were brief and uncredited, reflecting the prolific yet largely anonymous nature of his work as a reliable supporting player in Hollywood's studio system. Representative examples include his uncredited role as a henchman in The Finger Points (1931), Ed Curley in The Oklahoma Kid (1939), an ex-con in The Roaring Twenties (1939), a policeman in Gilda (1946), a gambler in Angel and the Badman (1947), and an uncredited part in Samson and Delilah (1949). This pattern of small, often unbilled contributions underscored his status as a dependable utility actor who helped populate the backgrounds and margins of numerous films without achieving starring or prominently credited status.

Death

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