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Lewis MacAdams
Lewis MacAdams
Lewis MacAdams
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Lewis MacAdams (October 12, 1944 – April 21, 2020) was an American poet, journalist, political activist, and filmmaker.[1]

Key Information

Early life and education

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MacAdams was born in San Angelo, Texas and grew up in Dallas, where he graduated from St. Mark's School of Texas in 1962.[1] He then graduated from Princeton University in 1966.[2] He then earned a Master's degree from the University at Buffalo.[3]

Career

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MacAdams was the author of a dozen books and tapes of poetry, and his poems have appeared in many anthologies. In 2001, he published his Birth of The Cool, a cultural history of the idea of cool. As a journalist, MacAdams was a contributing editor of L.A. Weekly and wrote regularly on culture and ecology for Rolling Stone, Men's Journal, the Los Angeles Times, and Los Angeles magazine.[4] MacAdams was the director of the Poetry Center at San Francisco State University from 1975 to 1978.

As a political activist, MacAdams was a cofounder of Friends of the Los Angeles River (FoLAR) established in 1985 (and served as chair on their board of directors). FoLAR was characterized by MacAdams as a "40 year art work" to bring the Los Angeles River back to life. In the years which followed, he became the river's most important and influential advocate. Among FoLAR's many projects are an annual river clean-up, the "Gran Limpieza", which brings 2500 people down to the river every spring to clean up; and an ongoing series of conferences and planning workshops dealing with every aspect of the river. Two of its current major goals are to create a Los Angeles River Conservancy to oversee restoration of the river, and a River Watch program to improve the River's water quality and target polluters[5]

In 1991, MacAdams received the San Fernando Valley Audubon Society's annual Conservation Award.[4] MacAdams' work, The River: Books One, Two & Three, takes the Los Angeles River as its metaphor, weaving the story and song of the poet, activist and journalist as these three roles form the confluence which is the man.[6]

Death

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On April 21, 2020, MacAdams died at the age of 75 from complications of Parkinson's disease. He is survived by his three sons and his daughter.[7]

Selected publications

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Books

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  • City Money: Poems. Burning Water (1966)
  • City Room
  • The Poetry Room. New York: Harper & Row; First Edition (January 1, 1970)
  • A Bolinas Report
  • Tilth
  • Dance, pamphlet. Canton: The Institute of Further Studies; first edition (January 1, 1972)
  • News From Niman Farm, Tombouctou Books, 1976; first edition (November 1976)
  • Live At The Church. Kulchur Foundation (1977)
  • Blind Date, pamphlet. Am Here Books/Immediate Editions; first edition (January 1, 1981)
  • The Angel (with Rita Degli Esposti & Gianantonio Pozzi)
  • Africa and The Marriage of Walt Whitman and Marilyn Monroe. Little Caesar Press (1982)
  • The River, Books One & Two. Palo Alto, CA: Blue Press, 1998
  • Birth of the Cool: Beat, Bebop, and the American Avant-Garde. New York: The Free Press, 2001
  • The Family Trees, (illustrated by Kim Abeles). Palo Alto, CA: Blue Press, 2001
  • A Poem for the Dawn of the Terror Years. Palo Alto, CA: Blue Press, 2003
  • The River: Books One, Two, and Three. Palo Alto, CA: Blue Press, revised second edition, 2007
  • Lyrics. Palo Alto, CA: Blue Press, 2009
  • Dear Oxygen. New Orleans, LA: University of New Orleans Press, 2011

Audiotapes and CD's

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  • To The Russian Women
  • And Now The News
  • Dear Oxygen Audio CD Collaboration with The Dark Bob (2007)
  • "Good Grief" Audio CD Collaboration with The Dark Bob (2015)

Articles

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  • "Poetry and Politics." Talking poetics from Naropa Institute : annals of the Jack Kerouac School of Disembodied Poetics V. 2. Ed. Anne Waldman and Marilyn Webb, Boulder, Colo. : Shambhala, 1979
  • Remembering Jim Carroll. Los Angeles Times. 16 September 2009.[8]
  • Lewis MacAdams and Linda Wagner-Martin (Fall 1968). "Robert Creeley, The Art of Poetry No. 10". The Paris Review. Fall 1968 (44).

Films

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  • Directed (with Richard Lerner), What Happened to Kerouac? (1986)

See also

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References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Lewis MacAdams

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from Grokipedia
Lewis MacAdams was an American poet, journalist, filmmaker, and environmental activist best known for founding Friends of the Los Angeles River (FoLAR) in 1986 and dedicating decades to advocating for the restoration and revitalization of the concrete-channeled Los Angeles River. His symbolic act of cutting a hole in the fence surrounding the river channel that year, followed by walking its bed and declaring permission to speak for it, sparked a movement that shifted public perception of the waterway from a mere flood-control structure to a potential ecological and community asset. Through FoLAR, MacAdams built a nonprofit that grew to tens of thousands of supporters, organized cleanups, education programs, and advocacy that contributed to major federal restoration projects along the river. Born in 1944 in Dallas, Texas, into a family of political activists, MacAdams earned a BA in English from Princeton University and an MA from the State University of New York at Buffalo. He began his career in poetry and journalism, publishing early collections such as City Money (1966) and later works including The River (2007) and Dear Oxygen: New & Selected Poems 1966–2011, while contributing essays to outlets like Rolling Stone, the Los Angeles Times, and L.A. Weekly. He also co-directed the 1986 documentary What Happened to Kerouac? and authored the nonfiction book Birth of the Cool: Beat, Bebop, and the American Avant Garde (2001). After serving as director of the Poetry Center at San Francisco State University from 1975 to 1978 and engaging in early environmental activism in Bolinas, California, he moved to Los Angeles in 1980, where his focus increasingly turned to the Los Angeles River as both muse and cause. MacAdams viewed the river as a metaphor for human history and ecological recovery, blending his poetic sensibility with grassroots organizing to inspire community engagement and policy change. His efforts helped secure protections under the Clean Water Act and advanced plans for habitat restoration, wetlands, bike paths, and public access along sections of the river. He stepped down from FoLAR leadership in 2016, and a park along the river was renamed Lewis MacAdams Riverfront Park in his honor. MacAdams died on April 21, 2020, in Los Angeles from complications related to Parkinson’s disease.

Early life and education

Family background and childhood

Lewis MacAdams was born on October 12, 1944, in San Angelo, Texas, and grew up in Dallas, Texas. He was born into a family of political activists; his parents, Lewis MacAdams Sr. and Marjorie Rosenthal, were politically inclined members of the Dallas community. As a teenager in Dallas, MacAdams demonstrated early commitment to civil rights activism. He rode his bicycle around the city singing "We Shall Overcome" and was arrested for attempting to integrate a local restaurant. This incident reflected his formative exposure to civil rights issues and activism during his youth in Texas.

Education

Lewis MacAdams graduated from St. Mark's School of Texas in Dallas in 1962. He then attended Princeton University, where he earned a Bachelor of Arts degree in English in 1966. MacAdams subsequently pursued graduate studies at the State University of New York at Buffalo, earning a Master of Arts degree. By 1967, he was serving as a teaching fellow in English at the same institution. No further academic degrees are documented.

Poetry career

Published works and collections

Lewis MacAdams authored approximately a dozen books and tapes of poetry over the course of his career, with his poems also appearing in numerous anthologies. His early collections include City Money: Poems (1966), his debut work, The Poetry Room (1970/1971), News From Niman Farm (1976), Live At The Church (1977), and Africa and the Marriage of Walt Whitman and Marilyn Monroe (1982). These early volumes reflect his evolving voice, moving from urban influences to explorations of rural life and broader cultural themes. In later years, MacAdams published The Family Trees (2001), A Poem for the Dawn of the Terror Years (2003), Lyrics (2009), and Dear Oxygen: New & Selected Poems 1966–2011 (2011), the latter serving as a comprehensive retrospective of his poetic output. His most ambitious and sustained project was the long poem sequence The River: Books One, Two & Three, revised in 2007, which uses the Los Angeles River as a central metaphor for personal, political, and ecological reflection. Beyond poetry, MacAdams wrote the prose work Birth of the Cool: Beat, Bebop, and the American Avant-Garde (2001), a cultural history examining mid-20th-century American artistic movements. He also released audio recordings, including the CD Dear Oxygen with The Dark Bob (2007) and Good Grief (CD, 2015).

Themes and style

MacAdams' poetry frequently merged personal reflection with ecological and political concerns, exploring themes of human alienation from nature, the consequences of industrialization, and the potential for environmental and societal renewal. His work interwove intimate experiences—such as love, family, and aging—with broader critiques of materialism, bureaucratic resistance, and ecological degradation, often blending humor, indignation, hope, and anger to articulate visions of restoration. In his later epic poem The River, the Los Angeles River emerged as a central metaphor for transformation, representing not only ecological revival but also human history, collective trauma, and the interplay between boom-and-bust cycles in society and nature. The poem's documentary-like narrative chronicled real events alongside lyric meditations, framing the waterway as a site where dreamers and schemers intersect and where the natural world's struggle for balance mirrors broader human crises. MacAdams' style was plain-spoken, direct, and highly readable, featuring prosy lines and unvarnished observations influenced by Frank O'Hara's urban narratives, Jack Kerouac's spontaneous forms, and Gary Snyder's nature-rooted spirituality, among other Beat Generation and avant-garde poets. He aimed for poetry that excited, surprised, and offered true insights while remaining personal rather than overtly didactic. In the post-9/11 chapbook A Poem for the Dawn of the Terror Years, he contrasted geopolitical violence and human catastrophe with close observations of the natural world, as in lines studying "the arundo donax and the willow—those ancient enemies, invader and invaded—as they battle in the light’s fading, and try to counter the violence with my silence." This juxtaposition underscored his recurring approach of using ecological imagery to reflect on and temper human conflict. MacAdams himself described his leadership of Friends of the Los Angeles River as a "40-year art work" that harnessed creative energies engaging politics, magic, and imagination to bring the degraded river back to life, exemplifying how his poetry blurred boundaries between artistic vision and environmental activism.

Journalism career

Filmmaking

Environmental activism

Founding and leadership of Friends of the Los Angeles River

In 1986, Lewis MacAdams co-founded Friends of the Los Angeles River (FoLAR) after a symbolic performance art action in which he and a few companions cut a hole in the chain-link fence enclosing a concrete section of the river near downtown Los Angeles, entered the channel, and walked its length. This act of civil disobedience declared the waterway open to the public and marked the organization's launch as an effort blending art and activism. MacAdams asked the river for permission to speak on its behalf in the human realm and interpreted its silence as assent, an encounter that shaped his long-term commitment. MacAdams served as FoLAR's inaugural president and later as chair of the board, describing the organization as a "40-year artwork" whose completion he would recognize by the return of steelhead trout to the river. Under his leadership, FoLAR grew to encompass 40,000 supporters and established annual river cleanups alongside education programs to build public awareness and engagement. In 2016, MacAdams stepped down from his leadership positions after three decades, though he remained involved with the organization as an advocate. The Los Angeles River also served as a recurring muse in his poetry.

Major actions, achievements, and policy influence

MacAdams engaged in direct action to protect the Los Angeles River's natural features, most notably throwing himself in front of three D-10 Caterpillar bulldozers preparing to remove large trees near the river's confluence with the Glendale Freeway, an act that halted the machinery that day and drew attention to the need for preservation. He was instrumental in advancing major restoration efforts, including securing approval for a $1-billion federal habitat restoration project along an 11-mile section of the river north of downtown Los Angeles, incorporating wetlands creation, channel widening, public access points, and bike trails. MacAdams also contributed to the 2010 U.S. Environmental Protection Agency declaration of the Los Angeles River as a traditional navigable river under the Clean Water Act across its entire 51-mile length from Chatsworth to Long Beach. Through his work, MacAdams supported FoLAR's annual Gran Limpieza clean-up events, which mobilized thousands of volunteers each spring to remove trash from the river, alongside ongoing planning conferences and workshops to promote restoration initiatives. In recognition of his conservation efforts, he received the San Fernando Valley Audubon Society Conservation Award in 1991.

Personal life and death

Family and relationships

Lewis MacAdams is survived by his three sons, Ocean, Will, and Torii, as well as his daughter, Natalia. He is also survived by his brother Alan and his sister Kathy. At the time of his death, his companion was Sissy Boyd. His son Ocean reflected on his father's multifaceted legacy, describing him as both a legend and a lobbyist.

Health challenges and death

Lewis MacAdams faced significant health challenges in his later years, including a stroke and Parkinson's disease. In 2016, he was recovering from a stroke that impaired his ability to walk and speak, requiring him to use a walker for stability during interviews. These conditions made physical and verbal communication difficult, yet he persisted with projects such as his memoir. MacAdams died on April 21, 2020, at the age of 75, from complications related to Parkinson’s disease, at a healthcare facility in Los Angeles.

Legacy

Honors and lasting impact

In 2017, Marsh Park along the Glendale Narrows section of the Los Angeles River was renamed Lewis MacAdams Riverfront Park to honor his decades-long advocacy for the waterway. A seven-foot concrete monument sculpted by Eugene Daub was unveiled in the park, depicting MacAdams in his signature porkpie hat in stark relief above images of river flora and fauna including frogs, herons, and fish, with his gaze fixed on the horizon. The monument's inscription features one of his favorite phrases: “If it’s not impossible, I’m not interested.” FoLAR spokesman Michael Atkins described the concrete tribute as “concrete staring down concrete,” expressing confidence that MacAdams’ stony likeness would outlast the river channel’s urban runoff infrastructure. MacAdams is remembered as a visionary who reframed the Los Angeles River from a concrete drainage ditch to an ecological asset with potential for recreation, wildlife, and community life. Chief Deputy City Engineer Deborah Weintraub credited him with making the entire region aware of the possibility of centering the river in city life, noting that his unflagging commitment advanced progress for both people and wildlife. He repeatedly articulated the return of steelhead trout to the river as the symbolic ultimate marker of restoration success, stating that a healthy ecology was essential for broader health. His work continues to influence the modern Los Angeles River movement through efforts to restore habitat, create access, and shift public perception of the waterway.
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