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List of programs broadcast by FX
List of programs broadcast by FX
List of programs broadcast by FX
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Current FX logo, used since April 3, 2013

The following are programs broadcast by FX.

Current programming

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Drama

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Title Genre Premiere Seasons Runtime Status
American Horror Story Horror anthology October 5, 2011 12 seasons, 132 episodes 32–73 min Renewed[1]
American Crime Story True crime anthology February 2, 2016 3 seasons, 29 episodes 41–66 min Renewed[2][3]
Shōgun[a] Historical drama February 27, 2024 1 season, 10 episodes 53–70 min Renewed[4]
American Sports Story Sports drama anthology September 17, 2024 1 season, 10 episodes 42–51 min Pending
Grotesquerie Horror drama September 25, 2024 1 season, 10 episodes 30–57 min Pending
Alien: Earth[b] Science fiction horror August 12, 2025 1 season, 8 episodes 54–63 min Renewed[5]
The Lowdown Drama September 23, 2025 1 season, 8 episodes 40–59 min Pending

Comedy

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Title Genre Premiere Seasons Runtime Status
Adults Comedy May 28, 2025 1 season, 8 episodes 20–27 min Renewed[6]

Docuseries

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Title Genre Premiere Seasons Runtime Status
The New York Times Presents Investigative journalism July 10, 2020 3 seasons, 20 episodes 35–74 min Pending
Welcome to Wrexham Sports August 24, 2022 4 seasons, 49 episodes 20–47 min Renewed[7]

Syndicated programming

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Upcoming programming

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Drama

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Title Genre Premiere Seasons Runtime Status
The Beauty[8] Science fiction crime drama January 2026[9] 1 season, 11 episodes TBA Filming[10]
Love Story[11][12][13] Period romance anthology February 2026[14] TBA TBA Filming[14]
The Shards[15] Teen thriller TBA TBA TBA Filming[16]
Untitled Snowfall spin-off[17] Crime drama 2026 TBA TBA Series order
Cry Wolf[18] Psychological thriller miniseries TBA TBA TBA Series order

Pilots

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Drama

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Comedy

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Animation

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In development

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Drama

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Comedy

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Former programming

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Original programming

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Drama

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Comedy

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Miniseries

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Animation

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Docuseries

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Co-productions

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Variety

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Syndicated programming

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Live programming

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  • The FX Apartment
FX Networks leased the first three floors of the building at 212 Fifth Avenue, which overlooks Madison Square Park in New York City. The first floor contained sales offices and the control room, and the third floor contained production offices. Programming was broadcast from a functional apartment on the second floor. The apartment had several rooms. First was a large common room that contained the living room, dining room, and kitchen areas. Other rooms included a small library, a game room (complete with arcade and pinball machines) and a fully functioning restroom. At the rear of the apartment was a large "ballroom" that served several purposes. A third-floor balcony lined the ballroom. The network's shows would often venture into Madison Square Park for some features, especially in the summer. FX's lease on the building expired on December 31, 1998. All furnishings were auctioned and the building has since been renovated.
  • Breakfast Time (1994–96)
An off-the-cuff morning show with lifestyle segments and "roving reporters" (aka "Road Warriors") who visited unique sites across the country each day. This was the network's flagship show and utilized every room of the apartment. Hosted by Tom Bergeron, Laurie Hibberd and Bob the Puppet. Aired 7 a.m. to 9 a.m. ET.
  • Personal fX: The Collectibles Show (1994–98)
The Collectibles Show - similar to Antiques Roadshow, in which collectors would have unique items appraised in-studio, and a "roving reporter" would visit collectors nationwide. Broadcast from the "Dining Room." The last live show to be canceled. Hosted by Claire Carter and John Burke. Aired Noon to 1 p.m. ET.
  • The Pet Department (1994–98)
A call-in/interview show about domesticated pets. Usually broadcast from the "Game Room." Hosted by Steve Walker, Luann Lee, dog trainer Andrea Arden and fX's pet dog Jack. Suzanne Whang replaced Lee after her departure. Aired 2:30 p.m. to 3:00pm ET.
  • Under Scrutiny with Jane Wallace (1994–95)
An in-depth news program broadcast each night from the "Library." Given a CableACE Award for news programming in 1995. The first live show to be canceled. Hosted by Jane Wallace. Aired 7 p.m. to 7:30 p.m. ET.
  • Sound fX (1994–95)
A show dealing with all things music, from the latest major artists to the most creative garage band tactics. Music videos were regularly shown on this show, which originated from the "Ballroom." Hosted by Karyn Bryant, Orlando Jones, and Matt Ostrum. Jeff Probst replaced Jones after his departure. Aired 11 p.m. to Midnight ET.
fX ended each broadcast day with a viewer mail show. Viewers could write, call, or e-mail comments about fX and its shows, and the host would spend 30 minutes each night reading and responding to these comments. Broadcast from the "Kitchen." Hosted by Jeff Probst and Jane Fergus. Aired 12:30 a.m. to 1:00 a.m. ET. Near the end of its run, Backchat was pre-taped and moved to 7:30 p.m. to 8:00 p.m. ET.

Some of the young talent discovered on the fX network that have moved on to larger, more successful projects include:

Before each show aired, and during commercial breaks, a "channel host" would appear and inform viewers about something upcoming within the episode. Some updates featured trivia about the current show, while some were merely observations. These can be compared to in-vision continuity announcers in Britain.

Sports

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Former

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The first venture by fX into sports occurred in September 1995, when The fX Sports Show, an hour-long highlights and analysis show, debuted; it was hosted by Jim Rome and Kevin Frazier, along with the pregame crew and commentators from Fox NFL Sunday providing contributions. Unlike most of fX's other studio programming at the time, it originated from the facilities of Fox Sports in Hollywood, as opposed to the fX Apartment in New York. The show, airing Sunday nights at 11pm, only lasted a single season.[37][38]

Following Fox's partnering with Liberty Media to form Fox Sports Net, Liberty took an equity stake in fX as well (organized under the banner of Fox/Liberty Networks), resulting in fX becoming the national cable home for Fox Sports programming.[39] This included a package of Major League Baseball games – initially aired on Monday nights before moving to Saturday nights in 1998 – and college football;[40] for a short time, newsbreaks provided by Fox Sports News also began to air during FX's primetime lineup.[41]

FX aired selected NASCAR events from the NEXTEL Cup Series and NASCAR Busch Series from February to June of each year from 2001 to 2006 as part of Fox's NASCAR television package. However, coverage ended after the June 30, 2006, Busch Series race at Daytona International Speedway. When NASCAR signed its new contract effective in 2007, FX was left out as Fox retained its rights and gained the right to broadcast weather-delayed races that aired on the network.

See also: NASCAR on Fox and MLB on Fox

The channel also aired one game in the Major League Baseball postseason from 2001 to 2005, on the first Wednesday night of League Championship Series week when MLB schedules two games at the same time. On that night, Fox distributed one game to local affiliates based on a regional coverage map, and the other game aired on the corresponding cable affiliate of FX, the main DirecTV or Dish Network channel, or an alternate channel on the satellite services.

With a new MLB TV contract signed, again excluding FX, the last such broadcast was scheduled for October 11, 2006, but that night's NLCS game between the St. Louis Cardinals and New York Mets was rained out, making the Detroit Tigers-Oakland Athletics game in the ALCS a national broadcast; FX aired the movie Any Given Sunday instead. Both series were played on October 13, but Fox showed both games, with the ALCS during the day and the NLCS at night. Therefore, the Busch Series race, as mentioned above, is officially the last sports event telecast on FX, at least in the foreseeable future. Future LCS games will be split between Fox and TBS.

Other sports events seen on FX have included the NFL's development league-NFL Europa, formerly the World League of American Football; college football; college basketball; and the World Cup of Hockey in 1996.

With the August 2013 launch of national sports cable network Fox Sports 1, FX no longer serves as a cable outlet for Fox Sports.

Current

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The Walt Disney Company acquired exclusive broadcasting rights to the XFL in 2022 and, beginning with the 2023 season, began to air games on FX, in addition to ESPN and ABC.[42][43]

See also

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Notes

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia

List of programs broadcast by FX

View on Grokipedia
from Grokipedia
The List of programs broadcast by FX is a comprehensive enumeration of all television series, miniseries, specials, and other scripted and unscripted content that have aired on the American basic cable network since its debut on June 1, 1994. Originally launched by as "fX" with an emphasis on interactive viewer engagement, live broadcasts from a apartment set, and reruns of classic programming, evolved in the early into a destination for premium-style original content featuring mature themes, complex narratives, and high production values across genres like drama, comedy, horror, and . Following its acquisition by in March 2019 as part of the 21st Century Fox deal, FX—now a of Disney General Entertainment Content—has expanded its output, with many originals premiering on the linear channel before streaming exclusively on , and has earned critical acclaim and numerous for landmark series such as The Shield (2002–2008), (2008–2014), Fargo (2014–present), (2013–2018), (2016–2022), The Bear (2022–present), and Shōgun (2024). The list includes both FX-produced originals and acquired programs, reflecting the network's history of blending groundbreaking storytelling with syndicated fare, and continues to grow with ongoing seasons and new commissions as of 2025.

Current programming

Drama

FX's current drama lineup features acclaimed original series known for complex narratives and high production values, often premiering on the linear channel before streaming on .
TitlePremiere DateSeasons/EpisodesDescription
FargoApril 15, 20145 seasons, 51 episodes (ongoing)Anthology drama inspired by the ' film, with each season featuring a new story and cast exploring in the Midwest. Season 5 premiered in 2023.
ShōgunFebruary 27, 20241 season, 10 episodes (season 2 in production as of November 2025)Historical epic based on James Clavell's novel, following a British sailor's arrival in feudal amid political intrigue. Season 2 casting and directors announced November 2025.
The Old ManJune 16, 20221 season, 7 episodes (season 2 upcoming)Spy thriller starring as a former CIA operative on the run. Renewed for season 2 in 2024.

Comedy

FX's current comedies blend sharp humor with character-driven stories, contributing to the network's reputation for innovative programming.
TitlePremiere DateSeasons/EpisodesDescription
The BearJune 23, 20223 seasons, 28 episodes (season 4 in production as of 2025)Intense dramedy following a chef inheriting his family's Chicago sandwich shop, dealing with family and culinary pressures. Season 3 premiered in 2024.
English TeacherSeptember 10, 20241 season, 10 episodes (season 2 renewed for 2025)Comedy series created by and starring Brian Jordan Alvarez, following an Evanston, Illinois, high school teacher navigating personal and professional challenges. Season 2 announced for November 2025.
It's Always Sunny in PhiladelphiaAugust 4, 200516 seasons, 169 episodes (ongoing)Long-running sitcom about the dysfunctional owners of a Philadelphia bar, known for its dark, absurd humor. Season 16 aired in 2023; new episodes in 2025.

Docuseries and unscripted

FX's docuseries and unscripted programming highlights investigative journalism and social explorations through non-fiction formats, often streaming on Hulu alongside linear broadcasts. These series emphasize real-world stories, from cultural critiques to personal narratives, distinguishing them from scripted content by prioritizing authentic voices and archival footage. Key current entries include ongoing investigative anthologies and recent reality-infused documentaries that address contemporary issues like media influence and institutional accountability.
TitlePremiere DateSeasons/EpisodesDescription
The New York Times PresentsJanuary 6, 20203 seasons, 20 episodes (ongoing)A narrative docuseries featuring standalone episodes drawn from The New York Times' investigative reporting, covering topics such as beauty pageants, equestrian sports, and aviation safety; season 3 includes "How to Fix a Pageant" and "Broken Horses."
Social StudiesOctober 3, 20241 season, 4 episodes (concluded)Directed by Lauren Greenfield, this unscripted series tracks Los Angeles teenagers over a school year, examining social media's role in shaping identity, relationships, and mental health, with themes of body image pressures and online bullying; it earned Emmy recognition in 2025.
American Sports StorySeptember 17, 20241 season, 10 episodes (ongoing anthology)Scripted anthology series dramatizing real-life sports figures; season 1 focuses on Aaron Hernandez. Future seasons planned.
Older seasons of have concluded, providing archival context for evolving journalistic storytelling on FX, though no cancellations have been announced due to sustained viewership on .

Syndicated programming

FX continues to air select syndicated programming to complement its originals, focusing on popular animated and sitcom reruns as of 2025.
TitleOriginal RunDescription
1989–presentAnimated sitcom following the Simpson family in Springfield; reruns air regularly on FX.
1997–2010Animated series about the Hill family in ; ongoing reruns on FX schedule in November 2025.
1999–presentAnimated comedy created by ; reruns continue on FX following 2021 rights expansion.

Sports programming

As of 2025, FX airs select live sports events, primarily preliminary bouts for UFC fights under a partnership with and . Key programming includes UFC prelims for events such as UFC 311, UFC 320, UFC 321, and UFC 322 throughout the year, providing overflow coverage from main cards on FS1. This marks a continuation of FX's role in combat sports, with broadcasts emphasizing high-energy commentary and fighter profiles. No major expansions beyond UFC have been announced for 2025.

Upcoming programming

Drama

Untitled Snowfall spinoff (2026) is a drama series created by that continues the story of Leon Simmons and Wanda Bell in 1990s , exploring their post-Snowfall lives amid evolving social and personal challenges. Starring Isaiah John and reprising their roles, the series was ordered straight-to-series by on November 3, 2025, with a planned 2026 premiere on and Hulu.

Comedy

Adults (season 2, 2026), the FX comedy series created by an ensemble team, follows a group of twenty-somethings in New York navigating adulthood's absurdities. Renewed on October 30, 2025, after its May 2025 debut, the second season stars Malik Elassal, Lucy Freyer, and others, with episodes streaming on in 2026.

Animation and limited series

FX's upcoming programming in the and limited series category features finite narratives designed for self-contained storytelling, often exploring complex themes through innovative formats. While no new animated projects have been announced for 2026 as of November 2025, the network has greenlit several limited series that blend drama with anthology elements, building on the success of prior bounded productions like Fargo. One key project is The Beauty, a sci-fi drama limited to 11 episodes premiering in January 2026. Created by Ryan Murphy and based on the graphic novel by Jeremy Haun and Jason A. Hurley, the series follows two detectives investigating a that enhances but proves fatal, amid a backdrop of corporate greed and . Starring as detective Drew Foster, as his partner Kara Vaughn, , and , it promises a visually striking exploration of beauty standards and mortality, with production emphasizing practical effects alongside digital enhancements for its dystopian aesthetic. Runtimes are expected to range from 45 to per episode. Another anticipated limited series is American Love Story, the fifth installment in Ryan Murphy's American Story anthology franchise, set for a February 2026 premiere during Valentine's Day week. This single-season project chronicles the romance, marriage, and tragic plane crash deaths of John F. Kennedy Jr. and Carolyn Bessette-Kennedy, delving into fame, privilege, and personal turmoil through a period lens. Paul Anthony Kelly portrays JFK Jr., with Sarah Pidgeon as Bessette-Kennedy, supported by a cast including Laura Benanti and Aimee Carrero; episodes will run approximately 50-55 minutes, focusing on historical accuracy with archival-inspired visuals. Additionally, Cry Wolf stands as a greenlit limited series with a 2026 premiere date to be announced. Adapted from the Danish series Ulven Kommer by Maja Jul Larsen, it is created and written by (The Affair) and stars Oscar winners and as emotionally complex women whose lives intersect in a web of deception and psychological tension. Both actresses serve as executive producers, with the narrative emphasizing intimate, character-driven over extended ; anticipated episode lengths are 50-60 minutes.
TitleGenrePremiere DateEpisodesKey Creators/StarsNotes
The BeautySci-fi DramaJanuary 202611Ryan Murphy (creator), , , Adaptation of graphic novel; focuses on fatal beauty-enhancing virus.
American Love StoryPeriod Romance AnthologyFebruary 2026TBARyan Murphy (creator), Paul Anthony Kelly, Part of franchise; JFK Jr. and Carolyn Bessette story.
Cry WolfPsychological Drama2026 (TBA)6 (creator), , Adaptation of Danish series; explores deception and emotional bonds.

Pilots and development projects

In 2025, FX continued to invest in a diverse of pilots, focusing on and comedy genres to test new concepts amid a competitive television landscape. The network ordered several pilots early in the year, emphasizing character-driven stories and ensemble dynamics, with production timelines aiming for potential 2026 pickups. These projects represent uncommitted developments, distinct from series orders, and include attachments from established creators and talent. One notable drama pilot is Seven Sisters, ordered in March 2025 and starring as a lead in a family unraveling narrative. Directed by , the project features a cast including , , , , and , with filming commencing in April. Created by an undisclosed team, it explores interpersonal tensions within a tight-knit family, positioning it as a potential emotional thriller. As of November 2025, it remains in pilot stage without a series commitment. FX greenlit the drama pilot Disinherited in June 2025, written and directed by , known for . The story centers on inheritance disputes and family secrets, starring and in key roles. This single-camera project highlights FX's interest in prestige dramas with literary undertones, though no further production updates have been announced beyond the pilot order. In the comedy space, Movers received a pilot order in July 2025 from Reno 911! alumni and Cathy Shim, who serve as creators and executive producers. The improvised workplace series follows codependent movers navigating chaotic personal lives, emphasizing humor through ensemble improvisation. The cast includes as Rebecca, , and TJ Joachim. It stands as FX's primary comedy pilot development for the year. Another drama pilot, , was ordered in July 2025, starring in a lead role under creators and Gina Welch. The project delves into themes of identity and relocation in a protection program setting, with Brie's character at the core of the tension. It marks FX's exploration of intimate, high-stakes personal dramas, remaining uncommitted to series as of late 2025. FX also ordered the comedy pilot Very Young Frankenstein in October 2025, a to the classic film, starring alongside Spencer House and . Produced by , it focuses on early origins of the mythos with satirical elements, directed by an unconfirmed team. This project revives genre parody traditions at , with no series yet. Regarding early-stage developments, FX's 2025 pilot slate totals at least five orders, a moderate increase from prior years, reflecting strategic caution in post-strike recovery. Updates on older stalled projects, such as unproduced concepts from 2023 like various pitches, indicate minimal progression, with resources redirected to these new pilots. No additional script-stage developments without pilot orders were publicly detailed by November 2025.

Former programming

Drama

FX's drama programming has featured several landmark original series that concluded their runs, leaving significant legacies in television storytelling. These shows often explored complex themes of , , family, and societal undercurrents, with many achieving critical acclaim and awards recognition before their planned or network-decided endings. (2008–2014) was a gritty drama created by that followed the internal conflicts and criminal enterprises of an in California's Central Valley. The series spanned 7 seasons and 92 episodes, concluding with a planned finale that wrapped up the arcs of its central characters amid escalating violence and moral dilemmas. It had a profound cultural impact on the biker genre, popularizing narratives in prestige television and inspiring a wave of similar antihero-driven stories, while achieving FX's highest ratings at the time with its final season averaging over 5 million viewers per episode. The show's end was intentional, allowing Sutter to deliver a conclusive narrative, though post-2014 retrospectives noted Sutter's later departure from projects due to creative clashes. The Americans (2013–2018), a Cold War-era spy thriller created by former CIA officer , depicted Soviet agents posing as an American couple in 1980s , blending with domestic tension. It ran for 6 seasons and 75 episodes, ending as planned after its creators felt the historical timeline had reached a natural close with the Soviet Union's collapse. The series garnered critical praise for its nuanced portrayal of ideological and personal conflicts, securing multiple Emmy wins, including Outstanding Lead Actor for and Outstanding Writing for a Drama Series in its final season. Post-2018, episodes continued in reruns on , but the focus remained on its conclusive 2018 finale, which resolved the spies' fates amid shifting geopolitical realities. A notable spin-off from , Mayans M.C. (2018–2023) shifted the focus to a rival Latino on the California-Mexico border, created by and . The series comprised 5 seasons and 50 episodes, ending in July 2023 due to a network decision by not to renew beyond its fifth season, despite solid viewership, as co-creator James noted the story had reached a satisfying endpoint for its characters' journeys. Post-2023 retrospectives highlighted Sutter's 2019 firing from the show amid complaints of an abrasive workplace environment, which influenced its later creative direction under James alone. Justified (2010–2015), based on Elmore Leonard's stories and developed by , centered on U.S. Marshal enforcing justice in his hometown amid coal country crime. The original run featured 6 seasons and 78 episodes, concluding intentionally after Yost and the team decided the core narrative of Givens' conflicts had fully unfolded. In 2023, FX revived the property as the limited series Justified: , an 8-episode extension set years later in , which served as a former chapter's coda rather than a full continuation, ending with Givens' latest confrontation and personal reckonings. This revival maintained the original's neo-Western tone but classified as a concluded extension, with no further seasons announced. Snowfall (2017–2023), co-created by , Dave Andron, and Eric Amadio, chronicled the 1980s epidemic in through the eyes of a young drug dealer, CIA operatives, and affected communities. It encompassed 6 seasons and 60 episodes, with its final season announced as the endpoint in 2022 to align with the historical crack era's progression toward the 1990s. The 2023 finale provided a tragic analysis of its protagonists' downfalls, emphasizing themes of ambition's cost and systemic fallout, as lead reflected on Franklin Saint's arc ending in isolation and loss. The series' conclusion was planned, avoiding abrupt cancellation, though Singleton's 2019 death midway through production added poignant retrospectives on its authentic depiction of Black and Latino experiences in the drug trade. These concluded dramas influenced later FX productions, such as the historical epic Shōgun, by establishing a template for character-driven, period-infused narratives.

Comedy

FX's comedy programming has historically emphasized boundary-pushing narratives and character-driven humor, with several original series concluding their runs by 2023 and contributing to the network's reputation for innovative television. These shows often blended personal introspection with absurd or surreal elements, evolving from standalone episode structures in the early 2010s to more serialized arcs in later seasons, reflecting broader shifts in comedy toward emotional depth and social commentary. Notable concluded series include Louie, Wilfred, and Better Things, each leaving a distinct legacy on FX's slate. Louie (2010–2015), created by and starring , ran for five seasons and drew from the comedian's semi-autobiographical experiences as a divorced father navigating everyday absurdities in . The series featured a mix of standalone vignettes and loose narrative arcs, earning critical acclaim for its raw, introspective humor, including two in 2012 and 2014 for its innovative storytelling. The series concluded in 2015. In 2017, allegations of against C.K. led FX to end its association with him, resulting in his hiatus from television and prompting discussions on accountability in comedy. Archer, an spy that aired from 2009 to 2023 across 14 seasons, blurred lines between and live-action sensibilities through its adult-oriented wit and ensemble voice cast, including as the titular . Initially structured around episodic missions with overarching spy agency intrigue, the show transitioned to serialized arcs exploring themes like addiction and reinvention, culminating in a 2023 finale that resolved long-running character developments. Voice cast changes, such as Jessica Walter's departure due to health issues in 2021 and her subsequent passing, added emotional layers to the series' evolution, while it garnered multiple Emmy nominations for Outstanding Animated Program. The conclusion marked a pivot in FX's comedy landscape toward more grounded, live-action fare post-2023. Wilfred (2011–2014), an American adaptation of the Australian series, spanned four seasons and centered on a surreal about Ryan () perceiving his neighbor's as a man in a dog suit, exploring and existential themes through hallucinatory humor. The show's format combined episodic misadventures with developing arcs on Ryan's psychological journey, receiving praise for its blend of dark and but concluding after its original run without renewal. It exemplified FX's early experimentation with genre-bending comedies that influenced later network offerings. Better Things (2016–2022), created by and starring , aired for five seasons and depicted the life of single mother balancing acting gigs with raising three daughters in , using semi-improvised dialogue for authentic, slice-of-life humor. Evolving from standalone family vignettes to interconnected arcs on aging and resilience, the series earned Adlon two Emmy nominations for Outstanding Lead Actress in a Series in 2017 and 2019. Its 2022 finale underscored FX's commitment to female-led comedies, leaving a legacy of nuanced portrayals of modern womanhood. The show's syndication on other platforms has extended its reach beyond FX's original broadcast.

Miniseries and limited series

FX's miniseries and limited series represent a cornerstone of the network's programming strategy, offering self-contained narratives that explore complex themes through finite storytelling. These productions typically span 6 to 10 episodes per season, allowing for deep character development and thematic resolution without the need for ongoing . With high production budgets often exceeding those of standard episodic television—frequently in the range of $5-10 million per for prestige projects—these series attract top talent and deliver cinematic quality, emphasizing visual storytelling and philosophical or historical depth. One prominent example is (2020), a sci-fi thriller created and directed by that consists of a single 8-episode season. The series follows a software engineer investigating her boyfriend's disappearance at a secretive tech firm, delving into themes of , , and . Produced with a reported budget estimated at $20-30 million overall, it received critical acclaim for its intellectual ambition and visual effects, earning an 82% approval rating on based on 90 reviews. Mrs. America (2020), a 9-episode , chronicles the battle over the through the lens of conservative activist () and her feminist opponents. This limited series highlights the cultural clashes of , earning widespread praise for its ensemble performances and nuanced portrayal of ideological conflict, with a 96% score from 114 critics. Its high-budget production underscored period authenticity, including detailed recreations of political rallies and interiors. Trust (2018), a 10-episode inspired by the 1973 kidnapping of , examines the dysfunction within America's wealthiest family amid the oil tycoon's reluctance to pay ransom. Directed by and featuring as , the series blends satire and tragedy to critique extreme wealth, achieving a 78% critical approval on from 60 reviews. Its elevated production values supported international filming in and lavish set designs replicating opulent estates. Fosse/Verdon (2019), an 8-episode biographical miniseries, traces the romantic and professional partnership between choreographer Bob Fosse (Sam Rockwell) and dancer Gwen Verdon (Michelle Williams) across five decades. Focusing on their collaborative triumphs and personal struggles, it garnered an 80% Rotten Tomatoes rating from 87 critics for its innovative blend of dance sequences and narrative drama. The production's substantial budget enabled authentic recreations of Broadway productions and musical numbers. The Old Man (2022–2024), initially conceived with limited-series intent, unfolded over two seasons totaling 17 episodes in a spy thriller format starring as a retired CIA operative evading assassins. The narrative emphasizes themes of aging, loyalty, and redemption in a post-Cold War world, concluding without renewal in December 2024. Critically, it held an 80% score across 76 reviews, lauded for Bridges' performance and tense action, though its expansion beyond one season slightly diluted the original self-contained vision. High production costs, driven by location shooting and practical effects, aligned with FX's prestige standards.
TitleYearsEpisodesGenre/ThemeCritical Reception (Rotten Tomatoes)
20208Sci-fi thriller; philosophical 82% (90 reviews)
Mrs. America20209; feminist politics96% (114 reviews)
Trust201810 drama; family wealth and 78% (60 reviews)
Fosse/Verdon20198Biographical; artistic partnership80% (87 reviews)
The Old Man2022–202417 (2 seasons)Spy thriller; retirement and pursuit80% (76 reviews)
These series exemplify FX's commitment to bold, auteur-driven limited formats that prioritize narrative closure and cultural impact over longevity.

Animation

FX's foray into original began in the late , aiming to capture mature audiences with irreverent humor and sophisticated visuals, exemplified by the launch of Archer in 2009 as a cornerstone of its push into the genre. This initiative expanded in the early 2010s with short-lived series like and , produced in collaboration with studios such as , which specialized in blending traditional 2D animation with 3D elements for dynamic spy parodies and comedic narratives. By 2023, FX had solidified its reputation in through these efforts, though the slate remained selective compared to competitors. Archer (2009–2023) stands as FX's longest-running original , spanning 14 seasons and 145 episodes in a format that satirizes tropes through a dysfunctional agency's antics. Produced by in , the show innovated stylistically by integrating 3D-generated backgrounds with hand-drawn 2D characters, creating a retro-modern aesthetic reminiscent of cartoons while allowing for fluid action sequences. voiced the lead, , a self-absorbed secret agent, alongside a ensemble including as and as , contributing to its Emmy-nominated . The series concluded in December 2023, marking the end of FX's flagship animation pre-merger expansions. Unsupervised (2012), FX's first original animated comedy post-Archer, ran for one season of 13 episodes, following two suburban teenagers left to their own devices amid parental neglect and absurd escapades. Also animated by , it employed a clean, exaggerated 2D style to heighten the chaos of adolescent independence, drawing from creators , Rob Rosell, and Scott Marder's live-action roots for sharp dialogue. Key voices included as the optimistic Gary, as the cynical Joel, and as the sharp-witted Megan, emphasizing relatable yet over-the-top teen dynamics. The series ended after its initial run, reflecting FX's experimental phase in animation before focusing on longer-form successes. Chozen (2014) delivered a single season of 10 episodes, centering on a white, gay rapper's post-prison quest for hip-hop redemption through battle raps and family drama in a raunchy, music-infused . Produced by Rough House Pictures with support from Trinity Animation, it featured a vibrant, graffiti-inspired 2D style that amplified the rap battle energy and urban satire, setting it apart from FX's spy-focused fare. provided the voice for protagonist Chozen, with Michael Peña as his brother Ricky, as sidekick Crisco, and as love interest Destiny, infusing the show with improvisational flair from its and circuit talents. Canceled after one season, it highlighted FX's brief diversification into hip-hop during its early expansion.

Docuseries and unscripted

FX's early docuseries and unscripted programming in the 1990s focused on interactive and lifestyle content, providing foundational non-fiction fare before the network's shift to scripted originals. These shows emphasized viewer engagement and everyday topics, often live or talk-based, and concluded as FX evolved its identity. Key former entries include lifestyle and talk series from the network's launch era. Breakfast Time (1994–1996) was an early morning talk show hosted by Laurie Gallicano and John Walsh, blending news, interviews, and viewer calls in a casual format. Personal fX: The Collectibles Show (1994–1998) explored hobbies and collectibles with guest experts and audience segments, airing weekly to highlight personal passions. The Pet Department (1994–1998) featured pet care advice, animal segments, and veterinary tips, concluding after four years as FX reduced live unscripted blocks. These early unscripted series exemplified FX's initial experimental phase in , paving the way for later documentary efforts while filling schedules with accessible, interactive content.

Syndicated programming

FX's reliance on syndicated programming was particularly prominent in its early years, when the network filled much of its schedule with reruns of established series to build viewership while developing original content. One of the key acquisitions was the off-network rights to in 1995, with reruns airing on FX from that year through 2001, until a legal settlement between producer and . opened the series to broader syndication markets, leading to its discontinuation on the network. In 1999, FX secured pay-TV syndication rights to Ally McBeal and The Practice, both produced by , for record-high prices, allowing reruns to premiere in fall 2001 and continue into the mid-2000s. These shows aired regularly until approximately 2004, after which FX phased them out in favor of expanding its slate of original scripted series, such as and , to differentiate from competitors. Another significant example was , whose reruns ran on FX from September 1998 to August 2003, providing consistent late-night and weekend programming before the rights shifted to the amid FX's strategic pivot toward edgier, premium-style originals. More recently, syndicated reruns of aired on FX starting in September 2021, following an expansion of rights across Disney-owned networks, but concluded with its final episode premiere on March 14, 2024, as streaming platforms like absorbed more off-network content and FX prioritized new productions amid industry shifts to on-demand viewing. In the 2024–2025 period, additional syndicated holdovers faced discontinuation due to rising costs and the rise of streaming, with shows like dropping from FX schedules in 2023 after its ABC run ended, reflecting broader trends where cable networks reduced rerun blocks to focus on live sports and exclusives.

Sports programming

FX's sports programming began in the mid-1990s as part of its early efforts to differentiate itself in the cable landscape, focusing on supplemental coverage of major league events produced by its parent company's sports division. From 1996 to the early 2000s, the network aired select games, including Monday night telecasts starting in 1997 under a rights deal that extended Fox's broadcast coverage to cable audiences. These broadcasts featured regional and national matchups, with production emphasizing fast-paced commentary and highlights to appeal to younger viewers, though viewership remained modest compared to the flagship Fox network's offerings. The MLB coverage ended after the 2000 season due to contract expiration and a shift in FX's strategy toward original scripted content. In 2001, FX expanded into motorsports by partnering with for races, broadcasting weekly events including night races and select daytime contests as part of a six-year, $2.4 billion deal shared among networks. This marked FX's most prominent sports era, with the channel handling overflow from 's primary slate, such as the All-Star Race and Dover Speedway events, reaching an average of several million viewers per race during peak years. The partnership concluded at the end of 2006 when rights shifted to and TNT under a new centralized agreement, amid declining overall cable sports audiences and FX's pivot to premium dramas like . FX also carried NFL Europa games from 1995 to 2003, providing U.S. exposure for the developmental league with two weekly broadcasts on Saturdays and Sundays, including and the championship. The coverage highlighted emerging talents like and featured innovative rules testing, but low viewership and the league's financial struggles led to contract non-renewal after 2003; the league itself folded in 2007 due to ongoing losses exceeding $30 million annually. This period exemplified FX's role in niche international sports during its formative years from to the , before a full transition to entertainment programming. Earlier, from 1999 to 2001, FX aired select WWE SmackDown! episodes as part of overflow from UPN's primary broadcast, focusing on taped highlights and regional syndication to build wrestling's cable footprint. The arrangement ended with the 2001 contract renewal favoring broadcast exclusivity. FX's sports era largely wound down by the late 2000s, driven by expiring rights deals, rising production costs, and a strategic emphasis on high-impact original series that boosted the network's prestige and ratings. Pre-2023 viewership for remaining sports overflow had declined amid cord-cutting trends, prompting FX to limit such content. A brief revival occurred with the XFL, where FX aired select regular-season games in the 2023, 2024, and 2025 seasons under an ESPN partnership through 2027.

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