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List of the Beatles' instruments

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List of the Beatles' instruments

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List of the Beatles' instruments

The Beatles started out like most other rock and roll bands, employing a standard guitars/bass/drums instrumentation. As their touring days wound down, they became a full-time studio band. Their scope of experimentation grew, as did the palette of sounds. This article attempts to list the instruments used to achieve those results.

Not listed are instruments played by the Beatles’ session players such as cello, violin, saxophone, trumpet, French horn or the 41-piece orchestra heard on "A Day in the Life".

Both John Lennon and George Harrison used the Gibson J-160E, an acoustic guitar with an electric pickup at the base of the fretboard. The resonant character of the full acoustic body, combined with the electric pickup, meant that this guitar was susceptible to feedback, employed to great effect on the intro to "I Feel Fine". Lennon also used a Framus Hootenanny twelve-string acoustic, which can be seen in the movie Help! and heard on the title song and "You've Got to Hide Your Love Away". This twelve-string guitar accounted for audibly richer rhythm guitar parts on songs like these, in comparison to the six-string Gibsons. After Sgt. Pepper's Lonely Hearts Club Band, Lennon moved on to a Martin D-28 from C. F. Martin & Company (alternating between the J-160E and the D-28 for The Beatles) while Harrison upgraded to a Gibson J-200 Jumbo (which Lennon used on "Two of Us" and other acoustic tracks on Let It Be). Harrison later gave the guitar to Bob Dylan in 1969.

Upgrading from a 1959 Höfner Club 40 guitar, purchased from Hessy's Music Shop in Liverpool, Lennon primarily used a Rickenbacker 325 Capri from 1960 until 1964. He purchased the guitar in Hamburg in its original natural finish and used the guitar extensively throughout the Cavern Club performances. In early 1963 he sent the guitar off to be refinished in its more popular black finish. This is the way the guitar appeared on The Ed Sullivan Show performance in February 1964. Shortly thereafter, he upgraded to a brand new Rickenbacker 325, a much-improved version of his 325 Capri. Rickenbacker specially made a 325/12. During the Christmas shows of 1964, Lennon dropped the new Rickenbacker 325 which made a huge crack in the neck and headstock. British instrument distributor Rose Morris sent a replacement Rickenbacker 325 with a sound hole and in a red fire glo finish. The guitar is called a Rickenbacker 325 1996. Lennon used the guitar for the shows until the other 325 was repaired. In 1968 during the recording of The Beatles, drummer Ringo Starr left the group during tensions and when he returned, Lennon gave the Rickenbacker 325 1996 to Starr. He has had it ever since. During the Help! sessions, Lennon and Harrison acquired matching 1961 Fender Stratocasters.

His second Country Gentleman was given away to a friend (Harrison was an avid sharer of instruments) and is now retained by Ringo Starr. For decades, it was believed that Harrison's first Country Gentleman fell off the Beatles' car in December 1965 and was crushed by a lorry. However, with the rediscovery of McCartney's Höfner 500/1 bass, which has a mismatched tuning key (replaced a few days after the lorry incident when McCartney broke one of his tuning keys), it is now known that Harrison's 1963 Gretsch Tennessean (originally thought to have been stolen in 1969 along with McCartney's 1961 Höfner), or theorized possibly both the Tennessean and first Country Gentleman fell off of the Beatles' car and were crushed.

In 1964 Harrison introduced the electric twelve-string guitar into mainstream pop. His Rickenbacker 360/12 twelve-string was a prototype. Only the second twelve-string guitar Rickenbacker ever made, it was delivered specially to him during their first visit to New York City. Harrison's use of the 12-string inspired Roger McGuinn of the Byrds to start using one too. He also used a Ramirez Classical Guitar which can be heard in "And I Love Her" and seen used throughout the film A Hard Day's Night. Harrison used a Gibson SG around 1966 for promotional purposes; these can be seen in the promotional videos for "Paperback Writer" and "Rain", in addition to film of the recording session for "Hey Bulldog". He eventually gave this guitar to Pete Ham of Badfinger. Around 1968 Harrison also used a 1957 Gibson Les Paul model on a few songs, which was given to him by Eric Clapton and was once in the possession of, among other musicians, John Sebastian of The Lovin' Spoonful. Originally a "gold top" model, the guitar was refinished with a dark red stain before it got to Harrison and was nicknamed "Lucy". The guitar can be seen in the "Revolution" promotional video and the Let It Be film. Also seen in that film is a rosewood Fender Telecaster, given to him by Fender, used on Let It Be and Abbey Road (1969).

Lennon and Harrison both purchased Epiphone Casinos in the spring of 1966. Paul McCartney acquired his Casino in 1964. They were used extensively by John and Paul during the recording of the Revolver album and continued to be used throughout their remaining years along with other instruments by John and Paul. Lennon extensively used his Casino as can be witnessed in the film of their final concert at Candlestick Park in 1966, as well as in the Let it Be film when playing in their studio in London. Lennon's Casino was double-tracked to get sufficient distortion to satisfy Lennon in the intro to Revolution. Although they purchased the guitars with sunburst finishes, both Harrison and Lennon later stripped the finishes off the guitars, claiming it allowed the guitars to "breathe" better. Lennon's stripped-down Casino can be seen in video footage of the famous rooftop concert. Lennon used a Casino almost exclusively from 1966 until the group's break-up and he is even seen with it during the sessions for his Imagine album.

Paul McCartney's electric guitar parts (solos on "Ticket to Ride", "Another Girl", "Taxman", "Drive My Car", "Carry That Weight" and "Good Morning Good Morning" to name a few) were chiefly performed on his own Epiphone Casino or sunburst Fender Esquire. For recordings with acoustic parts played by McCartney ("Yesterday"), he favoured a 1964 Epiphone Texan FT-79. In 1968, he started using a D-28 from C. F. Martin & Company.

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