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"Hey Bulldog"
Sheet music cover
Song by the Beatles
from the album Yellow Submarine
Released13 January 1969 (1969-01-13)
Recorded11 February 1968
StudioEMI, London
Genre
Length3:09
LabelApple
SongwriterLennon–McCartney
ProducerGeorge Martin
Promotional film
"Hey Bulldog" on YouTube

"Hey Bulldog" is a song by the English rock band the Beatles released on their 1969 soundtrack album Yellow Submarine. Credited to Lennon–McCartney, but written primarily by John Lennon, it was finished in the recording studio by both Lennon and Paul McCartney.[1] The song was recorded during the filming of the "Lady Madonna" promotional film, and, with "Lady Madonna", is one of the few Beatles songs based on a piano riff.

Background and composition

[edit]

John Lennon began composing "Hey Bulldog", originally "Hey Bullfrog",[2] after United Artists requested another song by the Beatles for Yellow Submarine, the upcoming soundtrack album for their animated film of the same name.[3][4] Demo recordings made in the winter of 1967–68 at his Kenwood estate in Weybridge include the melody that later became the song's chorus, as well as a section working out the "she can talk to me" passage.[5]

The finished composition of "Hey Bulldog" is in common time (4
4) and employs a shifting key,[6] changing between B major, A major and B minor.[7] Commentators have variously described the song as hard rock,[8][9] blues-based rock,[10] psychedelic rock,[11] pop rock,[12] acid rock[13] or a simple rock number.[14][15] In a beginning reminiscent of the Beatles' cover of Barrett Strong's "Money (That's What I Want)",[16] the song's opening piano riff is played in octaves before being doubled in a higher register by two guitars and a lower bass register.[17] The song includes two bridges and two middle verses, with the bridge closer in style to a refrain. The song's introductory riff repeats throughout the song, appearing at the end of the refrain and the outro, as well as further influencing the refrain.[6] The song's lyrics utilize heavy word play,[6] which Lennon later said "[mean] nothing".[4]

Recording

[edit]

The Beatles went to EMI's Studio Three on 11 February 1968 to record a promotional film for "Lady Madonna",[3] but decided upon arrival to record a new song instead.[18] Lennon suggested his half-completed idea "Hey Bullfrog",[3] which he and Paul McCartney finished while in the studio.[2] McCartney later recalled misreading Lennon's handwritten lyrics, changing "measured out in news" to "measured out in you", which Lennon preferred to the original.[19][20]

There's a little rap at the end between John and I, we went into a crazy little thing at the end. We always tried to make every song different because we figured, why write something like the last one? We've done that.[21]

– Paul McCartney on "Hey Bulldog", 1997

George Martin produced the session, assisted by balance engineer Geoff Emerick.[18] The camera crew remained in the studio with the band as they recorded the basic track,[22] featuring piano, drums, tambourine, bass guitar[18] and rhythm guitar.[22] As the band neared the end of the basic track for "Hey Bulldog", McCartney attempted to make Lennon laugh by barking like a dog.[20][note 1] Lennon changed the song's name to "Hey Bulldog",[3] though the title phrase does not appear until the outro.[6]

After the band had recorded ten takes, the last attempt was marked "best".[18] The camera crew left as the band continued working on the song with various overdubs onto take ten,[22] including off-beat drums from Ringo Starr, a distorted Gibson SG from George Harrison for the song's intro, double tracked vocals from Lennon and a harmony vocal from McCartney.[3] Borrowing Harrison's SG, Lennon recorded a lead guitar solo.[24][note 2]

That was a really fun song. We were all into sound texture in those days and during the mixing we put ADT (automatic double tracking) on one of the "What did he say? Woof woof" bits near the end of the song. It came out really well.[18]

– Balance engineer Geoff Emerick on "Hey Bulldog", 1988

After the band finished adding overdubs, Martin and Emerick mixed the song for mono twice. While the Beatles would often ad lib offhandedly at the end of recordings, their other songs faded out before this became audible.[18] Martin and Emerick decided to instead leave the dog barks, shouts and screams in the final recording,[18] at one point adding heavy compression to some of Lennon's dialogue and dog noises.[26] They raised the song in pitch slightly, running the playback fast. With the mono version intended for use in the animated film, Emerick returned to Studio Three on 29 October 1968 to mix the song for stereo, this version being included on the original soundtrack LP.[22]

Release

[edit]

Apple released Yellow Submarine in the US on 13 January 1969, with "Hey Bulldog" sequenced as the fourth track, between "All Together Now" and "It's All Too Much".[27] Release in the UK followed four days later.[28] Emerick praised McCartney's bass playing on the recording, describing it as his most inventive since that of Sgt. Pepper's Lonely Hearts Club Band.[25]

During these sessions, a film crew photographed the Beatles recording the song at EMI's Abbey Road studios for a promotional film to be released during their scheduled four-month retreat to India (which was later edited together as a promotional film for the single "Lady Madonna").[29]

The song was used in a segment of the animated film Yellow Submarine. Initially, it appeared only in some European theatrical prints. It was cut from the American version by the movie's producer Al Brodax as he and the group felt the film was too long.[30] It was restored for the film's 1999 re-release. To promote the reissue, Apple went back to the original footage shot for the "Lady Madonna" promo film and restructured it for use as a promotional clip for "Hey Bulldog" (as it is possible to identify what they were playing, and therefore possible to synchronise the music with the original footage). The 1999 clip was included in the three-disc versions (titled 1+) of the Beatles' 2015 video compilation 1.[31]

Personnel

[edit]

According to Walter Everett,[3] except where noted:

Accolades

[edit]

In 2018, the music staff of Time Out London ranked "Hey Bulldog" at number 28 on their list of the best Beatles songs.[32] Rolling Stone ranked the song at number 81 in its list of the 100 best Beatles songs.[33]

Notes

[edit]

References

[edit]

Sources

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hey Bulldog

View on Grokipedia
from Grokipedia
"Hey Bulldog" is a song by the English rock band , written primarily by with contributions from and credited to the partnership. Recorded on 11 February 1968 at EMI Studios in during a promotional video shoot for the band's single "," it features a prominent riff and playful vocal interplay, including barking ad-libs between Lennon and McCartney at the fade-out. The track was released on the Beatles' soundtrack album Yellow Submarine on 13 January 1969 in the United States and 17 January 1969 in the United Kingdom. Originally titled "Hey Bullfrog," the song evolved during the session when McCartney improvised a dog's bark, prompting the title change and adding to its whimsical, R&B-influenced energy. This 10-hour recording session marked the first time attended a studio session and was the last track the band completed before their retreat to for training with , making it a notable endpoint to their pre-experimental phase. The lineup included Lennon on lead vocals, piano, and rhythm guitar; McCartney on bass, backing vocals, and tambourine; on lead guitar; and on drums, with producing and engineering. Despite its energetic , Lennon later dismissed the as nonsensical, stating in a 1980 interview, "It's a good-sounding record that means nothing." Initially omitted from the animated film Yellow Submarine—with a still image substituted in its place—the song was restored for the 1999 re-release, highlighting its enduring appeal among fans for its raw, collaborative spirit. Over the years, "Hey Bulldog" has been covered by artists including and performed live by figures like , who praised it as a "quintessential rocker."

Background

Inspiration and writing

"Hey Bulldog" was primarily authored by , with the credit as was standard for compositions. The song originated as an impromptu creation during a promotional filming session for on 11 February 1968 at EMI Studios (now ) in . Lennon brought in a half-formed idea initially titled "Hey Bullfrog," which he developed on the spot to fill time while the film crew set up. The spontaneous recording was prompted by Paul McCartney's suggestion to write something new to entertain the crew and avoid wasting studio time, leading Lennon to sketch out the initial piano riff and lyrics in the moment. The playful "hey bulldog" emerged from ad-libbed barking and howling between Lennon and McCartney during the session, transforming the nonsensical call-and-response into the song's signature ending and title. Lennon later described it as "a good-sounding record that means nothing," emphasizing its lighthearted, unpretentious origins over deeper intent. This session in Studio Three marked one of the Beatles' final fully collaborative efforts as a unit, captured just before their trip to for training and amid rising internal tensions that would soon strain group dynamics. The track's creation during a break in the "" filming highlighted the band's lingering creative synergy in early 1968, before individual projects began to dominate.

Composition

"Hey Bulldog" is credited to the songwriting partnership, though it is predominantly the work of . The song features a simple verse-refrain structure centered on a two-measure riff in , which establishes the track's driving foundation and recurs throughout. This riff-based format draws influence from earlier songs such as "," emphasizing a repetitive, hypnotic motif that propels the composition forward. Key musical elements contribute to the song's rock-oriented sound, including a driving that maintains momentum, bluesy guitar licks provided by that add a gritty edge, and Lennon's raw vocal delivery, which incorporates playful ad-libs mimicking a dog's bark in the outro. The harmonic progression relies primarily on I-IV-V-vi chords (E-A-B-F#m in the ), with the dominant B7 adding blues-inflected tension that underscores the playful yet vigorous tone. Clocking in at approximately 3:11 with a of around 102 BPM, "Hey Bulldog" was crafted for rapid composition and recording, reflecting ' evolving efficiency in the studio during late 1967. This concise framework allows the song's energetic and harmonic simplicity to shine, making it a standout example of their mid-to-late period rock style.

Recording

Studio sessions

The recording of "Hey Bulldog" took place on February 11, , at (now ) in Studio Three, , during an afternoon session that began around 4 p.m. and wrapped up the basic track in under three hours. The Beatles had originally gathered to film a promotional clip for "," but upon arrival, they opted to lay down this new track, which had recently composed. Producer oversaw the session, with engineer handling the technical aspects on the four-track recording machine. The band completed the rhythm track in ten takes, with selected as the master; this featured Lennon's live and guide vocal alongside the core . Overdubs followed immediately, including , , and vocal harmonies, all captured efficiently to maintain momentum. A distinctive production touch came at the session's end, when barked like a to amuse Lennon, who joined in with imitations and playful banter; this ad-libbed sequence was retained and looped via tape manipulation to create the song's barking outro effect. Although recorded specifically for inclusion in the animated film Yellow Submarine, "Hey Bulldog" was ultimately omitted from the final soundtrack, which prioritized earlier material. To bolster the accompanying album's second side with fresh content, the track was added to Yellow Submarine upon its release in January 1969, marking a key production decision to repurpose the session's output.

Personnel

The recording of "Hey Bulldog" featured the core members of performing all instrumental and vocal parts, with no additional session musicians involved, marking one of the group's final collaborative efforts where all four members participated fully during a period of increasing individual pursuits in 1968. provided lead vocals, played piano and guitar, contributed backing vocals, and participated in the barking sound effects added during the outro. Paul McCartney handled , , added backing vocals, and joined Lennon in creating the barking effects that inspired the song's title change from an original reference. George Harrison performed on lead guitar, delivering the track's bluesy solo. Ringo Starr played drums throughout the session. The production was overseen by George Martin as producer. Geoff Emerick served as balance engineer.

Release

Initial release

"Hey Bulldog" first appeared on the Beatles' Yellow Submarine soundtrack album, released on January 13, 1969, in the United States by Apple Records and on January 17, 1969, in the United Kingdom. The song served as the fourth track on side one of the original LP, following "Yellow Submarine," "Only a Northern Song," and "All Together Now." Although recorded specifically for the Yellow Submarine film's soundtrack, "Hey Bulldog" was omitted from the movie because producers deemed its energetic and somewhat aggressive tone unsuitable for the whimsical animated narrative. It was subsequently added to the album to provide additional original Beatles material after other potential tracks were rejected or repurposed, helping to justify the full-price release alongside orchestral pieces by George Martin. The song was never issued as a commercial single during the Beatles' active years in the 1960s. The Yellow Submarine album, featuring "Hey Bulldog" prominently among its four new Beatles songs, peaked at number 2 on both the UK Albums Chart and the US Billboard 200, held from the top spot by the band's preceding double album, The Beatles. The LP's packaging incorporated artwork directly inspired by the film's animation, including a vibrant depiction of the yellow submarine and stylized illustrations of the band members in the fantastical Pepperland setting.

Reissues and remasters

"Hey Bulldog" first appeared on compact disc with the 1987 release of the Yellow Submarine album, which compiled the song alongside other tracks from the 1969 soundtrack. The track was also included on the 1988 compilation Past Masters Volume Two, which collected non-album singles and B-sides from 1965 to 1970. In 1999, a remixed version of "Hey Bulldog" was featured on Yellow Submarine Songtrack, an updated soundtrack album that replaced the original orchestral tracks with new stereo mixes of the Beatles' songs. This remix, produced by Peter Cobbin, isolated elements of the recording, with the barking sound effects—added spontaneously by John Lennon and Paul McCartney during the outro—prominently placed in the right stereo channel, highlighting their playful improvisation. An isolated backing track from these sessions further reveals the layered percussion and bass lines supporting the effects. The song became available for streaming in 2015 when the Beatles' catalog was released on platforms including Apple Music and Spotify, coinciding with remastered versions of their albums. As of November 2025, "Hey Bulldog" has accumulated over 25 million streams on Spotify, reflecting its enduring popularity among digital listeners. The 2018 Yellow Submarine 50th Anniversary box set included both the 1999 stereo remix and the original 1968 mono mix of "Hey Bulldog" on CD, alongside the remastered soundtrack album and bonus audio content. In 2023, a new stereo mix was released as part of the expanded 1967–1970 (Blue Album) reissue, enhancing the clarity of the vocal harmonies between Lennon and McCartney. No major updates to the track were announced in 2025.

Promotion and media

Promotional film

The promotional film for "Hey Bulldog" was shot on February 11, 1968, at EMI Studios (now ) in during the song's recording session. It was directed by Tony Bramwell, a longtime associate of who served as head of Apple Films. The black-and-white footage captures the Beatles performing the song live in Studio Three, showcasing their playful camaraderie amid the recording process. John Lennon leads on piano and vocals, while Paul McCartney, George Harrison, and Ringo Starr contribute to the instrumentation; notable antics include Lennon and McCartney barking and howling like dogs, with humorous dialogue during the vocal overdubs. Originally intended as a promotional clip for the single "," the footage was repurposed for "Hey Bulldog" after the band spontaneously decided to record the new track that day, making efficient use of the filming setup. An edited version of the film, synced to the "" audio track, first aired on the BBC's on March 14, . The full "Hey Bulldog" edit was rediscovered in the mid-1990s and released in 1999 as part of the promotional materials, with further inclusion in the 2015 video compilation 1+. The 2015 remastering effort by preserved the original monochrome format to maintain its authentic, gritty aesthetic from the session.

Usage in media

The song "Hey Bulldog" gained renewed visibility through its inclusion in the 1999 re-release of the animated film Yellow Submarine, where a previously omitted sequence featuring the track was restored, depicting the battling the Blue Meanies with the song's energetic riff driving the action. This addition aligned with the film's remastered soundtrack album, , enhancing the movie's musical narrative for a new generation of viewers. In video games, "Hey Bulldog" appeared as a playable track in , released in 2009 by and Games, allowing players to perform the song's piano-driven blues-rock arrangement in a virtual studio setting from the game's storyline. The inclusion highlighted the track's rhythmic intensity, with isolated instrument parts enabling full-band simulations of its layered vocals and guitar work. The song also featured in the children's animated television series (2016), specifically in the episode titled "Hey Bulldog," where insect characters inspired by Beatles lore use the track to explore themes of friendship and adventure, adapting its playful lyrics into a narrative about helping a lost puppy. This episode, part of a original series drawing from Beatles catalog, introduced the song to younger audiences through animated storytelling and simplified instrumentation.

Musical style and analysis

Structure and instrumentation

"Hey Bulldog" follows a straightforward rock structure consisting of an introduction, two verses, a refrain (chorus), an instrumental verse featuring a guitar solo, another verse, a second refrain, and an outro that fades out while extending the refrain without a final verse. The song is in B major and written in 4/4 time, with a tempo of approximately 102 beats per minute, creating a driving, mid-tempo groove that shifts dynamically from restrained verses to more intense refrains. The arrangement is built around John Lennon's prominent piano riff, which opens the introduction and recurs throughout, providing the song's rhythmic and harmonic foundation; this is supported by Paul McCartney's and Ringo Starr's , including fills that lock tightly with the bass for propulsion. George Harrison contributes , notably in the instrumental verse where his solo employs techniques for a raw, expressive tone, while McCartney adds to the basic track. Vocals are handled primarily by Lennon on lead, with McCartney joining for harmonies in the verses and double-tracking applied to the refrains for added thickness. Key production decisions enhance the track's energetic and playful character, including overdubs of additional drums and to build intensity. The outro features an improvised barking overdub by Lennon and McCartney, introduced spontaneously during the session to inject chaotic fun and extending the fade-out with ad-libbed exchanges. These elements contribute to a raw, energy reminiscent of the band's contemporaneous "," though tempered with humorous improvisation.

Lyrics and themes

"Hey Bulldog" features lyrics characterized by playful nonsense and surreal imagery, primarily written by with contributions from . The verses juxtapose animal references like "Sheepdog standing in the rain" and "Bullfrog doing it again" with abstract emotional observations, such as "Some kind of is measured out in miles" and "Some kind of innocence is measured out in years," creating a whimsical, dreamlike quality without linear narrative. The chorus offers a simple invitation to connect—"You can talk to me / If you're lonely you can talk to me"—amid lines evoking isolation and misunderstanding, like "Childlike no one understands" and " frightened of the dark." The outro shifts to repetitive calls of "Hey bulldog," culminating in ad-libbed barking that reinforces the animal motif. Thematically, the song emphasizes lighthearted absurdity, aligning with Lennon's penchant for nonsensical during a period of personal and band tension in early 1968. Lennon described it as "a good-sounding record that means nothing," underscoring its lack of deeper intent and focus on sonic fun rather than profound message. McCartney assisted in refining the on the spot, notably altering "Some kind of is measured out in news" to "measured out in you" for rhythmic flow, while the title evolved from "Hey Bullfrog" during improvised studio banter. This spontaneous development highlights the song's whimsical essence, blending vague references to and self-perception with humorous . Lennon's lead vocal delivery, delivered in a sneering, energetic tone, amplifies the ' dog-like playfulness, particularly in the snarling repetition of "Hey bulldog" that evokes a canine bark without implying serious . In interviews, Lennon emphasized the absence of political or heavy commentary, distinguishing it from his more pointed works and prioritizing pure, joyful absurdity. The result is a track rooted in levity, offering a momentary release through its eccentric, feel-good charm.

Reception and legacy

Critical reception

Upon its release as part of the Yellow Submarine soundtrack album in January 1969, "Hey Bulldog" received limited attention from critics, who largely dismissed the album as filler material amid the Beatles' more ambitious psychedelic output. The album was perceived as a contractual obligation rather than a creative peak. In the decades following, the song gained recognition as an underrated gem, with retrospective analyses highlighting its raw energy and playful execution. A 2009 Pitchfork review of the remastered Yellow Submarine praised "Hey Bulldog" as a "tough and funky piano-driven rocker," noting it as the album's standout track for its infectious drive and the evident camaraderie between John Lennon and Paul McCartney during recording. Lennon and McCartney both reflected positively on the track in later interviews, emphasizing its spontaneous fun. In his 1980 Playboy interview, Lennon called it "a good sounding record," appreciating its lively production despite claiming it held no deeper meaning. McCartney, in a 1994 discussion, recalled collaborating closely with Lennon to complete the song, describing the studio session as joyful and the result as "a good one to play." By the 2020s, "Hey Bulldog" had solidified its status among critics and fans as a vital deep cut, often celebrated for its gritty riff and vitality. Rolling Stone's 2020 ranking of the 100 greatest Beatles songs placed it at number 81, commending its barking interplay and rock edge as a snapshot of the band's late-1960s chemistry. In a fan-voted "connoisseur's list" compiled by MOJO magazine, it ranked second among overlooked tracks. The 2023 remix of the Yellow Submarine album by Giles Martin further revitalized appreciation for the track through enhanced audio clarity.

Covers and cultural impact

"Hey Bulldog" has been covered by numerous artists across genres, highlighting its enduring appeal as a raw, energetic Beatles track. In 1972, the all-female rock band Fanny delivered a powerful rock rendition on their album Fanny Hill, infusing the song with a gritty, female-led edge that contrasted the original's playful chaos. Toad the Wet Sprocket offered an acoustic interpretation in 1997 for the soundtrack to I Know What You Did Last Summer, emphasizing the song's introspective lyrics with a mellow, alternative rock vibe. Alice Cooper included a hard rock version on the 2006 tribute album Butchering the Beatles: A Tribute, featuring guest musicians like Steve Vai and bringing a theatrical intensity to the barking motif. More recently, Jeff Lynne of Electric Light Orchestra joined Dave Grohl for a live orchestral-infused performance in 2014 at the Grammy Salute to the Beatles, blending ELO's symphonic style with Foo Fighters' drive. The song has also influenced hip-hop through sampling, particularly in the late . DJ Frane's 1999 track "I Can Do My Thang" incorporated the iconic piano riff and barking sounds, adapting ' groove into an electronic hip-hop context. This usage exemplifies how "Hey Bulldog" transcended rock boundaries, appearing in and tributes that underscore its rhythmic versatility. Culturally, "Hey Bulldog" achieved status in the , boosted by increased TV and radio airplay tied to the animated film Yellow Submarine and its re-releases, which introduced the track to new generations. It symbolizes ' playful, experimental side during their late-1960s transition, with the improvised dog barks representing spontaneous studio creativity. The song's influence persists in modern indie scenes, as seen in Spoon's live cover at the 2019 75th Birthday Concert and ' 2021 acoustic live version, keeping its whimsical energy alive. Among accolades, "Hey Bulldog" ranked second in Mojo magazine's reader-voted list of connoisseurs' songs, behind only "," affirming its status among dedicated fans. It has been frequently cited in lists of underrated tracks, including Culture's 2019 selection and Ultimate Classic Rock's 2020 overview, praising its and overlooked brilliance.

References

  1. https://www.beatlesbible.com/songs/hey-bulldog/
  2. https://www.songfacts.com/facts/the-beatles/hey-bulldog
  3. https://www.beatlesbible.com/1968/02/11/recording-mixing-hey-bulldog/
  4. https://www.the-paulmccartney-project.com/song/hey-bulldog/
  5. http://www.beatlesebooks.com/hey-bulldog
  6. https://www.beatlesinterviews.org/dba10sub.html
  7. https://www.guitarworld.com/artists/bassists/paul-mccartney-on-hey-bulldog
  8. https://www.icce.rug.nl/~soundscapes/DATABASES/AWP/hb.shtml
  9. https://tabs.ultimate-guitar.com/tab/the-beatles/hey-bulldog-chords-700757
  10. https://songbpm.com/@the-beatles/hey-bulldog---remastered-2009
  11. https://chordify.net/nl/chords/hey-bulldog-guitar-lesson-how-to-play-hey-bulldog-by-the-beatles-24-7-guitar-with-howard-hart
  12. https://www.the-paulmccartney-project.com/session/recording-and-mixing-hey-bulldog/
  13. https://americansongwriter.com/the-story-behind-hey-bulldog-by-the-beatles-and-how-it-was-their-last-group-effort/
  14. https://www.siriusxm.com/blog/hey-bulldog-9-things-you-didnt-know-about-this-overlooked-beatles-song
  15. https://www.guitarworld.com/features/george-harrison-beatles-hey-bulldog-tone
  16. https://www.thebeatles.com/yellow-submarine
  17. https://www.beatlesbible.com/1969/01/13/us-lp-yellow-submarine/
  18. https://www.discogs.com/master/54565-The-Beatles-Yellow-Submarine
  19. http://www.beatlesebooks.com/yellow-submarine-soundtrack
  20. https://www.beatlesbible.com/1969/01/17/uk-lp-yellow-submarine/
  21. https://www.officialcharts.com/artist/10363/beatles/
  22. https://www.discogs.com/release/4898081-The-Beatles-Yellow-Submarine
  23. https://www.allmusic.com/album/past-masters-vol-2-mw0000651835
  24. https://www.beatlesbible.com/albums/yellow-submarine-songtrack/
  25. https://somethingelsereviews.com/2013/08/09/deep-beatles-hey-bulldog-1969/
  26. https://www.stuff.tv/news/beatles-are-coming-spotify-apple-music-and-more-tonight/
  27. https://kworb.net/spotify/artist/3WrFJ7ztbogyGnTHbHJFl2_songs.html
  28. https://superdeluxeedition.com/news/the-beatles-yellow-submarine-reissue-on-dvd-blu-ray-and-cd/
  29. https://www.analogplanet.com/content/expanded-50th-anniversary-180g-3lp-sets-beatles%25E2%2580%2599-legendary-red-and-blue-albums-offer
  30. https://www.the-paulmccartney-project.com/film/hey-bulldog/
  31. https://webgrafikk.com/blog/the-beatles-music-videos/
  32. https://www.beatlesbible.com/1999/09/13/album-release-yellow-submarine-songtrack/
  33. https://www.the-paulmccartney-project.com/film/lady-madonna/
  34. https://www.vanityfair.com/culture/2015/11/director-michael-lindsay-hogg-beatles-videos
  35. https://rockband.fandom.com/wiki/Hey_Bulldog
  36. https://www.imdb.com/title/tt11166170/
  37. https://www.musicnotes.com/sheetmusic/the-beatles/hey-bulldog/MN0061525
  38. https://www.thebeatles.com/hey-bulldog
  39. https://pitchfork.com/reviews/albums/13429-yellow-submarine/
  40. http://www.beatlesinterviews.org/dba10sub.html
  41. https://www.the-paulmccartney-project.com/interview/the-club-sandwitch-interview/
  42. https://www.rollingstone.com/music/music-lists/100-greatest-beatles-songs-154008/
  43. https://www.thebeatles.com/mojo-unveils-what-youve-decided-ultimate-list-connoisseurs-beatles-songs
  44. https://www.whosampled.com/cover/125825/Toad-the-Wet-Sprocket-Hey-Bulldog-The-Beatles-Hey-Bulldog/
  45. https://www.bbc.com/culture/article/20190618-the-most-underrated-beatles-songs
  46. https://genius.com/The-beatles-hey-bulldog-sample/covers
  47. https://ultimateclassicrock.com/underrated-beatles-songs/
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