Liz Phair

Elizabeth Clark Phair (born April 17, 1967) is an American singer-songwriter and musician. Born in New Haven, Connecticut, Phair was raised primarily in the Chicago area. After graduating from Oberlin College in 1990, she attempted to start a musical career in San Francisco; however, she returned to her home in Chicago, where she began self-releasing audio cassettes under the name Girly-Sound. The tapes led to a recording contract with the independent record label Matador Records.

Phair's 1993 debut studio album, Exile in Guyville, was released to acclaim; it has been ranked by Rolling Stone as one of the 500 Greatest Albums of All Time. Phair followed this with her second album, Whip-Smart (1994), which earned her a Grammy Award nomination for Best Female Rock Vocal Performance, and Whitechocolatespaceegg (1998). Ten years after the release of her debut, Phair's fourth album, Liz Phair (2003), released on Capitol Records, moved towards pop rock, earning her a mainstream audience but alienating critics; the single "Why Can't I?" peaked at number 32 on the Billboard Hot 100.

After the release of her fifth album, Somebody's Miracle (2005), Phair left Capitol and released her sixth album Funstyle independently in 2010. In 2018, it was announced that Matador Records would be releasing a retrospective set for Phair's debut album Exile in Guyville, which includes remastered recordings from her original Girly Sound demo tapes. Phair released her seventh studio album, Soberish, in 2021. As of 2011, Phair had sold over three million records worldwide.

Phair was born in New Haven, Connecticut, on April 17, 1967. She was adopted at birth by Nancy, a historian and museologist, and John Phair, later an AIDS researcher and head of infectious diseases at Northwestern Memorial Hospital; her mother later worked as a professor at the Art Institute of Chicago. She has one older brother, also adopted. On being adopted, Phair has said: "My parents were very responsible ... They were perfect about it ... I've never tried to find [my biological] parents. My friend who was adopted from the same home requested information and got back a four-page letter about her (the friend's) mother's life. She said it was jaw-dropping." Phair was raised as a Christian.

Phair spent her early life in Cincinnati until age nine, when her family relocated to the Chicago suburb of Winnetka, Illinois. She graduated from New Trier High School in 1985. During high school, Phair was involved in student government, yearbook, and the cross country team, and took AP Studio Art her senior year, among other advanced-level classes. She attended Oberlin College in Oberlin, Ohio, where she graduated in 1990 with a B.A. in art history.

Phair's entry into the music industry began when she met guitarist Chris Brokaw, a member of the band Come. Brokaw was dating one of Phair's friends, and stayed at their loft in SoMa one weekend. After living in San Francisco for a year, Phair went broke and returned to Illinois, moving back in to her family's home. There, she began writing lyrics and playing guitar, recording songs on a four-track tape recorder in her bedroom. She used the name Girly-Sound on these recordings. She became part of the alternative music scene in Chicago and became friends with Material Issue and Urge Overkill, two of Chicago's upstart bands to go national in the early 1990s, as well as Brad Wood and John Henderson, head of Feel Good All Over, an independent label in Chicago.

After asking Wood what the "coolest" indie label was, Phair called up Gerard Cosloy, co-president of Matador Records, in 1992 and she asked him if he would put out her record. Coincidentally, Cosloy had just read a review of Girly Sound in Chemical Imbalance that very day and told Phair to send him a tape. Phair sent him a tape of six Girly Sound songs. Cosloy recalls: "The songs were amazing. It was a fairly primitive recording, especially compared to the resulting album. The songs were really smart, really funny, and really harrowing, sometimes all at the same time. ... I liked it a lot and played it for everybody else. We usually don't sign people we haven't met, or heard other records by, or seen as performers. But I had a hunch, and I called her back and said O.K."

Cosloy offered a $3,000 advance, and Phair began working on a single, which turned into the 18 songs of Exile in Guyville.