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Lyubov Popova
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Lyubov Popova
Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; 24 April 1889 – 25 May 1924) was a Russian-Soviet avant-garde artist, painter and designer.
Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy.
Popova grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home. She was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. Between 1912 and 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger at Académie de La Palette in Paris.
Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian icons, the paintings of Giotto, and the works of the 15th- and 16th-century Italian painters which interested her the most.[citation needed]
In 1909 she traveled to Kiev, then in 1910 to Pskov and Novgorod. The following year she visited other ancient Russian cities, including St. Petersburg, to study icons. In 1912 she worked in a Moscow studio known as "The Tower" with Ivan Aksenov and Vladimir Tatlin, and also visited Sergei Shchukin's collection of modern French paintings.
In 1912–1913 she studied art with Nadezhda Udaltsova in Paris, where she met Alexander Archipenko, and Ossip Zadkine in 1913. After returning to Russia that same year, she worked with Tatlin, Udaltsova, and the Vesnin brothers.
In 1914 she traveled in France and Italy during the development of Cubism and Futurism.
Popova was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy.
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Lyubov Popova
Lyubov Sergeyevna Popova (Russian: Любо́вь Серге́евна Попо́ва; 24 April 1889 – 25 May 1924) was a Russian-Soviet avant-garde artist, painter and designer.
Popova was born in Ivanovskoe, near Moscow, to the wealthy family of Sergei Maximovich Popov, a very successful textile merchant and vigorous patron of the arts, and Lyubov Vasilievna Zubova, who came from a highly cultured family. Lyubov Sergeyevna had two brothers and a sister: Sergei was the eldest, then Lyubov, Pavel and Olga. Pavel became a philosopher and the guardian of his sister's artistic legacy.
Popova grew up with a strong interest in art, especially Italian Renaissance painting. At eleven years old she began formal art lessons at home. She was first enrolled in Yaltinskaia's Women's Gymnasium, then in Arseneva's Gymnasium in Moscow. By the age of 18 she was studying with Stanislav Zhukovsky, and in 1908 entered the private studios of Konstantin Yuon and Ivan Dudin. Between 1912 and 1913, she began attending the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger at Académie de La Palette in Paris.
Popova traveled widely to investigate and learn from diverse styles of painting, but it was the ancient Russian icons, the paintings of Giotto, and the works of the 15th- and 16th-century Italian painters which interested her the most.[citation needed]
In 1909 she traveled to Kiev, then in 1910 to Pskov and Novgorod. The following year she visited other ancient Russian cities, including St. Petersburg, to study icons. In 1912 she worked in a Moscow studio known as "The Tower" with Ivan Aksenov and Vladimir Tatlin, and also visited Sergei Shchukin's collection of modern French paintings.
In 1912–1913 she studied art with Nadezhda Udaltsova in Paris, where she met Alexander Archipenko, and Ossip Zadkine in 1913. After returning to Russia that same year, she worked with Tatlin, Udaltsova, and the Vesnin brothers.
In 1914 she traveled in France and Italy during the development of Cubism and Futurism.
Popova was one of the first female pioneers in Cubo-Futurism. Through a synthesis of styles she worked towards what she termed painterly architectonics. After first exploring Impressionism, by 1913, in Composition with Figures, she was experimenting with the particularly Russian development of Cubo-Futurism: a fusion of two equal influences from France and Italy.
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