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Loveworm
Retro-style art of a large pink worm with several other smaller worms around it next to a yellow brick wall.
EP by
Released26 April 2019 (2019-04-26)
Genre
Length25:45
LabelDirty Hit
Producer
Beabadoobee chronology
Patched Up
(2018)
Loveworm
(2019)
Space Cadet
(2019)

Loveworm is the third extended play by Filipino-English singer-songwriter Beabadoobee. The EP, recorded and produced by Pete Robertson (formerly of The Vaccines) and Joseph Rodgers, was released on 26 April 2019 through independent record label Dirty Hit. It marks a departure from the folk-influenced, lo-fi sound of her previous two EPs, Lice (2018) and Patched Up (2018), incorporating a wider variety of instrumentation and exploring a range of genres. The EP was not preceded by any singles, but was released alongside a one night headliner at Oslo in East London.[1]

Background and release

[edit]

The conception of Loveworm dates back to November 2018, where a video posted to Bea's Instagram captioned "Another song I wrote eeK" shows her playing an early version of 1999.[2] Over the following months, Bea continued to post short demos to her Instagram account, before eventually posting a short clip of a studio version of Disappear on 7 March 2019,[3] followed by a similar clip of Angel on March 22, with the caption teasing: "...[EP out next month losers!]"[4] Both of these snippets differ slightly from their respective final releases. On the 23rd, just 3 days before the EP was released, Bea officially announced the project, stating: "These collection of songs are probably some of my favourite songs [I've] written so far [...] This ones pretty different so get ready [to] head bang and cry ofc." Loveworm was released on April 26. On the same day, Billboard published an article in which Bea explains the inspiration and story behind each song on the record.[5]

Concept and composition

[edit]

With the EP's release, Bea issued a statement, explaining the inspiration behind the project:

Hi, Loveworm is out where I live. This EP means so much to me. Love is hard and at times it could be the best thing ever... but I think it's important to go through all the shitty parts to really appreciate the beauty of it. This is a very personal and special EP, it helped me a lot whilst I was writing it, and I hope it will help you too. Lots of love, Bea x

For Complex, Bea said: "[This EP] was inspired by all the music I listened to during a hard time in my life. It helped me forget about everything. From The Moldy Peaches to Pavement to Daniel Johnston, music was always a means of escapism for me. I wanted to make songs that could belong to one of my playlists. Something people can dance and cry to."

Sonically, the EP is a significantly band-focused, indie rock departure from the lo-fi, folk-influenced sound of Bea's previous projects, Lice (2018) and Patched Up (2018). Described by Pitchfork as "straying further from the sheepish melancholy of bedroom pop,"[6] many of the tracks on the record feature the extensive use of electric guitar, drums, electric bass, and synthesizers, allowing for a "lusher,"[7] "more ambitious"[8] sound in comparison to her previous EPs. Acoustic guitar, piano, and orchestral arrangements are also present throughout the record, developing off of the sonic elements explored in Patched Up.[9] The EP has drawn comparisons to the likes of Elliott Smith, Dinosaur Jr.,The Moldy Peaches, Pavement, and Mazzy Star.[10][8] Every song on the EP is written in Open D (DADF#AD) tuning.

Lyrically, every song on the record focuses on an aspect the theme of love, including "how love can consume someone so much and all of a sudden disappear," and "how a tiny crush can leave someone in denial and [...] confused."[5] For i-D, Bea stated that the entire EP is about her relationship with her boyfriend at the time, Soren Harrison.[10] "Every song is basically part of a journey through these couple of months we went through that were quite rough," she told Graham Corrigan of Complex. "I remember him calling me after listening to the whole EP, and he was like, “I figured out a lot of things,” and I said, “Holy shit, thanks Loveworm!”"[8]

Critical reception

[edit]

The EP was received well online, with critics noting Bea's strong lyricism[11] and grunge-toned instrumentation.[10] Alex Gardner of Complex described the EP as "[maintaining] a visceral, raw sound that balances the sweeping melancholy of '90s rock with the trademark intimacy of the current DIY style that is often the starting point for today's young musicians."[8] Glenn Rowley of Billboard wrote that "the new project finds [Beabadoobee] wading through seven confessional tracks with her signature languid vocals, pointed songwriting chops and jangly, grunge-inspired sound."[5] Amy Smolcic of Wickedd Child stated that the EP is "best listened to as a complete EP," going on to explain that "each track appears as if it were a page straight out of her diary — every word is weighted by the pain and aches of love, as well as the light at the end of the tunnel when it's over."[11] Alim Kheraj of i-D stated of the EP: "Her sound [...] is intimate; close confessional vocals matched with stargazy guitars. But now, thanks to the studio time, she’s making things bigger. One thing remains, though: a DIY sense of rawness, unaffected by industry bullshit or concerns over streaming algorithms."[10] Robin Murray of Clash Magazine described the EP as "a game-changing slice of extra-dimensional pop, with Beabadoobee's remarkable vision smeared across seven tracks."

Bedroom Sessions

[edit]

On 9 July 2019, Beabadoobee released an acoustic adaptation of Loveworm, titled Loveworm (Bedroom Sessions). Described by Jess Myers of Ones to Watch as "[offering] an elevated, delicate aesthetic that stays true to [her] softer musical tones,"[12] each track on the EP is a one-take recording of Bea and an acoustic guitar, drawing similarities to the demos she had been posting earlier that year, as well as the lo-fi elements of her earlier music.[13] In the lead up to the EP's release, a set of videos were posted to the artist's YouTube channel, showcasing the live takes of the tracks on the EP, recorded from Bea's bedroom.

Track listing

[edit]
Loveworm track listing
No.TitleLength
1."Disappear"4:08
2."1999"3:11
3."Apple Cider"2:58
4."Ceilings"3:59
5."Angel"3:13
6."You Lie All the Time"4:11
7."Soren"4:01
Total length:25:45

Charts

[edit]
Chart performance for Loveworm (Bedroom Sessions)
Chart (2023) Peak
position
Scottish Albums (OCC)[14] 65
UK Independent Albums (OCC)[15] 28

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
Loveworm is the third extended play (EP) by Filipino-British singer-songwriter Beabadoobee, released on 26 April 2019 through the independent record label Dirty Hit.[1][2] The seven-track project was produced by Pete Robertson and Joseph Rodgers and features a lo-fi bedroom pop sound influenced by 1990s indie and alternative rock.[3][4] The EP's tracklist includes "Disappear", "1999", "Apple Cider", "Ceilings", "Angel", "You Lie All The Time", and "Soren", with the latter serving as a personal dedication.[5] Beabadoobee, born Beatrice Laus on 3 June 2000 in Iloilo City, Philippines, and raised in London, England, drew from her early musical inspirations, including bands like The Pixies and Sonic Youth, to craft the intimate and nostalgic vibe of Loveworm.[6][7] Following her previous EPs Lice (2018) and Patched Up (2018), Loveworm marked a significant step in Beabadoobee's rising profile, garnering attention for its raw emotional depth and contributing to her breakthrough in the indie music scene.[8] A limited-edition pink vinyl pressing was issued on 7 June 2019.[5]

Background

Development

Beabadoobee, whose real name is Beatrice Laus, drew inspiration for the Loveworm EP from her personal experiences with love and relationships during her late teens. At age 18, she channeled the emotional intensity of these formative romantic encounters into the project's themes, exploring how love can consume, transform, and abruptly vanish, as seen in tracks reflecting innocence, frustration, and unhealthy attachments.[9][10] The EP marked a deliberate shift in Laus's songwriting toward a more energetic, rock-infused style, diverging from the lo-fi folk and bedroom pop of her earlier releases. Influenced by 1990s indie and grunge acts such as Pavement, Sonic Youth, Dinosaur Jr., and the Smashing Pumpkins, she aimed for a band-oriented sound that incorporated heavier guitars, driving rhythms, and raw emotional delivery, contrasting her previous introspective, acoustic-driven work. This evolution was also shaped by broader anti-folk inspirations like The Moldy Peaches and Weezer, emphasizing playful yet gritty dynamics.[9][11][12] Laus announced Loveworm on April 23, 2019, via social media, teasing its distinct vibe with the comment, "This ones uh pretty different so get ready head bang and cry ofc." Positioned as her third EP following Lice (February 2018) and Patched Up (December 2018), the project was set for release on April 26 through Dirty Hit.[13][14]

Recording and production

The Loveworm EP was recorded and produced by Pete Robertson, the former drummer of The Vaccines, alongside co-producer and engineer Joseph Rodgers.[15][16] Sessions took place in late 2018 or early 2019 in London, marking a shift from Beabadoobee's previous bedroom-recorded projects.[16] The production emphasized a raw, visceral energy inspired by 90s grunge and alternative rock, with Robertson and Rodgers focusing on live takes to evoke a sense of immediacy.[10][17] Unlike her earlier solo lo-fi efforts, the EP incorporated contributions from Beabadoobee's live band, including bassist Eliana Sewell and drummer Louis Semlekan-Faith, to build a fuller indie rock arrangement featuring prominent drums, bass, and guitars.[18][17] This collaboration allowed for dynamic layering of distorted guitars and shifts in intensity, particularly in tracks like "Disappear" and "Ceilings," enhancing the EP's grungy, 90s-inflected texture.[10][19]

Composition and lyrics

Musical style

Loveworm marks a notable shift in Beabadoobee's sound, moving from the lo-fi, folk-influenced aesthetics of her earlier works like Lice and Patched Up toward a more band-oriented indie rock approach infused with dream pop and bedroom pop elements. The EP incorporates mid-tempo grooves and fuzzy, reverb-heavy guitars that evoke a hazy, immersive texture, blending noisy distortions with lo-fi production techniques for an intimate yet expansive feel. This evolution is evident in the full-band arrangements, which prioritize a raw, alt-rock energy over solo acoustic simplicity. The songs generally adhere to concise verse-chorus structures, with most tracks clocking in at 3 to 4 minutes, allowing for tight, focused builds that emphasize emotional propulsion without excess. For instance, "1999" features a driving rhythm underpinned by subtle wailing chords and moody reverb guitars, creating a mature progression that balances restraint and momentum.[20] In contrast, "Apple Cider" introduces a shoegaze-like haze through upbeat guitar melodies and a climactic solo, shifting to a punchier, more danceable tempo while maintaining the EP's overall dreamy haze.[21] Instrumentation centers on electric guitars with fuzzy distortions, steady bass lines, punchy drums, and occasional orchestral flourishes or subtle electronics, all supporting Beabadoobee's signature soft, breathy vocals that recall 1990s alternative rock intimacy.[22] Tracks like "Angel" amplify this with heavier guitar riffs and marching percussion, evoking a head-banging intensity amid the melodic hooks.[20] The EP's sonic palette draws comparisons to Dinosaur Jr. for its noisy textures layered over catchy melodies and to Elliott Smith for the confessional closeness paired with stargazy guitar work.

Themes and influences

Loveworm's lyrics center on the emotional turbulence of young love, heartbreak, nostalgia, and vulnerability, drawing directly from Beabadoobee's personal experiences in relationships during a challenging period.[10] The seven tracks form a confessional narrative arc, progressing from intense infatuation and conflict to introspective reflection and tentative appreciation, as Beabadoobee described the EP as capturing "a journey through these couple of months we went through that were quite rough."[15] This raw, diary-like approach stems from her relationship with then-boyfriend Soren Harrison, infusing the songs with intimate details that only they fully understood. Specific tracks highlight these motifs through vivid, relational vignettes. In "Angel," Beabadoobee explores longing and vulnerability tied to seeking comfort in unhealthy dependencies, portraying a "sick cycle" of addiction-like love that traps the narrator in emotional loops.[10] "You Lie All the Time" delves into deception and obsessive attachment, capturing the frustration of being enamored with a dishonest partner despite repeated betrayals, which Beabadoobee framed as both "funny and honest."[10] Nostalgia permeates "1999," evoking retro romance through the pain of being unable to let go amid recurring frustrations, as the narrator grapples with deep love clashing against exhaustion from "all the same old shit."[10] Meanwhile, "Soren," named after her partner, shifts to introspective solitude, reflecting on fading memories and the solace found in emotional closeness amid isolation.[23] "Ceilings" addresses emotional barriers by emphasizing gratitude and openness, serving as a reminder to cherish connections with others, nature, and family without taking them for granted.[10] The songwriting draws from a DIY ethos rooted in 1990s indie and grunge scenes, where confessional vulnerability was key to raw expression. Specific lyrical influences include 90s grunge acts like Dinosaur Jr. and The Smashing Pumpkins, which informed the EP's themes of entrapment and emotional rawness, as well as folk-leaning songwriters like Angelo de Augustine for chord progressions evoking quiet reflection.[10] This blend creates a narrative that evolves from turbulent passion—"Disappear" illustrates love's consuming then vanishing nature, based on a close acquaintance's experience—to a more contemplative close, underscoring growth through relational trials.[10]

Release and promotion

Announcement and singles

Beabadoobee officially announced her third EP, Loveworm, on April 23, 2019, via her social media accounts and in partnership with her label Dirty Hit, three days prior to its release date of April 26. The announcement featured teaser clips of the tracks "1999" and "Ceilings," generating initial excitement among fans for the project's fuller sound compared to her earlier acoustic work.[13][24] No formal singles were released from Loveworm ahead of its launch, but "1999" and "Ceilings" were spotlighted in promotional videos and curated playlists to leverage their catchiness and potential for virality on platforms like TikTok and Spotify. These tracks were positioned as key highlights of the EP's indie rock vibe, drawing on Beabadoobee's established ability to craft relatable, lo-fi-inspired hooks.[10][25] The pre-release buzz for Loveworm built on Beabadoobee's growing online following, which had surged following the 2017 viral success of her debut track "Coffee" on YouTube. The EP was marketed as a maturation step, emphasizing collaborative production and live energy to appeal to her expanding fanbase.[26][27]

Formats and artwork

Loveworm was initially released as a digital download and for streaming on April 26, 2019, through platforms including Bandcamp, with purchases including high-resolution artwork files for personal use.[28] Physical editions followed in June 2019 via Dirty Hit Records, comprising a 12-inch vinyl EP pressed in light pink and a matching pink cassette, both limited to standard runs without initial CD production.[29] These formats emphasized the EP's lo-fi aesthetic, with the vinyl playing at 33⅓ RPM and the cassette offering a portable analog option for the seven-track project.[24] The cover artwork adopts a minimalist, retro-inspired design in soft pastel hues, centering on an illustration of a large pink worm encircled by smaller companion worms, evoking a playful yet intimate visual motif that aligns with the EP's themes of personal connection.[5] This imagery appears consistently across digital, vinyl, and cassette editions, with inner sleeves and labels incorporating subtle worm motifs for cohesive branding.[29]

Reception

Critical reception

Loveworm garnered widespread acclaim from music critics upon its April 2019 release, with reviewers highlighting its emotional depth and innovative fusion of bedroom pop with alternative elements. Clash Magazine described the EP as a "game-changing slice of extra-dimensional pop," praising Beabadoobee's remarkable vision that unified its seven tracks into a cohesive, precocious statement.[30] Billboard commended the confessional quality of the lyrics, likening them to diary entries of teenage angst, paired with the artist's languid vocals, fuzzed-out guitars, and dreamy production that evoked 90s nostalgia in tracks like "Apple Cider."[10] Similarly, in a retrospective profile, Crack Magazine noted how Loveworm's intimate romantic themes laid the groundwork for Beabadoobee's evolving songwriting, blending chamber folk influences with raw vulnerability.[31] While the EP's production was lauded for its raw energy and balance of intimacy and expansiveness—particularly in NME's assessment of it as a successful toeing of personal and grand scales—some critiques addressed minor pacing issues in quieter moments.[32] For example, Heart Eyes Magazine observed that, despite its pure-hearted bedroom pop aesthetics, Loveworm could feel a bit slow at times, especially in subdued tracks like "Soren," though this did not detract from its overall emotional pull.[22] These outlets reflected a strong critical consensus. By 2025, Loveworm is regarded as a pivotal early milestone in Beabadoobee's career, influencing the confessional lyricism and genre-blending heard in her subsequent albums, such as Fake It Flowers (2020).[31]

Commercial performance

Upon its release in April 2019, Loveworm achieved modest digital sales in the United Kingdom and the United States, failing to enter major album charts at the time.[10] A vinyl repress issued in November 2023 marked the EP's first chart appearance, peaking at number 49 on the UK Independent Albums Chart for one week.[33] The related Loveworm (Bedroom Sessions) edition, also reissued that month, reached number 28 on the same chart and number 65 on the Scottish Albums Chart, each for one week.[34] By November 2025, Loveworm had surpassed 270 million streams on Spotify, fueled by inclusions in editorial playlists and organic social media sharing. The EP resonated strongly within global indie music communities but did not secure entries on the Billboard Hot 100 or principal US album charts. Its enduring appeal aligned with Beabadoobee's rising profile, culminating in the 2023 vinyl reissues amid her mainstream successes.[35]

Track listing

All tracks are written by Beatrice Laus and produced by Pete Robertson and Joseph Rodgers.[36]
No.TitleLength
1."Disappear"4:08
2."1999"3:11
3."Apple Cider"2:58
4."Ceilings"3:59
5."Angel"3:13
6."You Lie All the Time"4:11
7."Soren"4:01

Personnel

Beabadoobee Pete Robertson Joseph Rodgers Daniel Bath
  • drums
Oscar Lang
  • additional guitar, producer
Chris Fraser
  • A&R
Soren's Room
  • art direction
Jacob Portrait
  • mastering
Blackksocks
  • photography
Credits adapted from the Loveworm / Patched Up compilation release, applicable to Loveworm.[37]

Loveworm (Bedroom Sessions)

Production and release

Loveworm (Bedroom Sessions) was released on July 9, 2019, as an acoustic companion to Beabadoobee's original Loveworm EP, presenting stripped-down versions of its tracks recorded in an intimate bedroom environment.[38][39] The project aimed to provide a raw, folk-inflected alternative to the original's fuller sound, drawing directly from Beabadoobee's early lo-fi aesthetic that defined her initial breakout with homemade recordings like "Coffee" in 2017.[40][41] This adaptation capitalized on the buzz surrounding the original EP, which had garnered attention through viral streams and critical praise earlier that year.[42] The sessions were produced by Joseph Rodgers, with Beabadoobee handling much of the creative direction to emphasize vulnerability and simplicity, featuring primarily her vocals and guitar.[43] Recorded shortly after the original EP's April 2019 launch, the tracks were captured in a casual home setup to preserve an unpolished, personal feel, contrasting the more structured production of the debut version. Minimal collaborators were involved, underscoring Beabadoobee's solo ethos at the time and allowing the music to evoke the quiet introspection of late-night songwriting.[41] Distribution focused on digital platforms as the primary format, available via streaming services like Spotify and Apple Music in FLAC and other high-quality files.[44] A limited neon pink vinyl edition was later issued by Dirty Hit on November 9, 2023, marking a physical release for collectors.[45] Promotion centered on YouTube, where individual bedroom session videos—such as those for "1999," "Ceilings," and "Angel"—were uploaded starting in late June 2019, building anticipation through visual glimpses of the recording process and amassing views that extended the EP's reach.[46][47][48]

Style and content

The Loveworm (Bedroom Sessions) EP features stripped-back acoustic renditions of the original seven tracks, performed solely with Beabadoobee's vocals and guitar, shifting the sound from the full-band indie rock arrangements of the 2019 Loveworm EP to a lo-fi folk aesthetic characterized by intimate fingerpicking and subtle strumming.[40][42] This reduction emphasizes a cozy, delicate mood, with slower tempos and minimal production that heighten the vulnerability in her delivery, contrasting the original's layered instrumentation, electric guitars, and rhythmic drive.[40] For instance, "1999 (Bedroom Session)" is shortened to 2:48 from its original 3:11 length, featuring gentle acoustic picking that amplifies its nostalgic melancholy over the upbeat indie pop energy of the first version. The content remains faithful to the original track structures, revisiting themes of heartbreak, longing, and introspection across the same songs—"Disappear," "1999," "Apple Cider," "Ceilings," "Angel," "You Lie All the Time," and "Soren"—but with a more exposed emotional rawness that strips away band distortion and percussion.[38] In "Ceilings (Bedroom Session)," clocking in at 3:40 compared to the original's 3:59, the entrancing guitar picking and unadorned vocals convey a deeper sense of heartache, transforming the track's hazy indie rock vibe into a heartfelt, almost confessional lullaby.[40] Similarly, "Apple Cider (Bedroom Session)" evolves from a flirty, drum-driven piece to a tender and pensive acoustic take at 2:50, underscoring subtle tempo adjustments that foster greater intimacy throughout the roughly 22-minute runtime.[40][49] Critics praised the EP's warmth and accessibility, noting how the solo format makes the material feel more genuine and dreamy, with One to Watch describing it as "somber lullabies that somehow make you feel so warm and full, yet so sad and pensive."[40] Reviews highlighted the raw intimacy of Beabadoobee's vocals paired with the guitar, positioning the sessions as a superior, more subdued complement to the original's energy, ideal for evoking a calming, reflective atmosphere.[50][51]

References

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