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Loving the Alien
"Loving the Alien" is a song by the English singer David Bowie. It was the opening track to his sixteenth studio album Tonight (1984). One of two tracks on the album written solely by Bowie, an edited version of the song was released as a single in May 1985, nine months after the release of lead single "Blue Jean" and eight months after the album's release. "Loving the Alien" peaked at number 19 on the UK Singles Chart. "Loving the Alien" inspired the title of Christopher Sandford's 1997 biography of Bowie and the 2018 Bowie box set release, Loving the Alien (1983–1988).
"Loving the Alien" was one of two tracks on the Tonight album written solely by Bowie. Reportedly influenced by Donovan Joyce's book The Jesus Scroll, lyrically the song features Bowie critiquing religious violence throughout history. As a demo, the song was titled "1". The singer said the track "...came about because of my feeling that so much history is wrong – as is being rediscovered all the time – and that we base so much on the wrong knowledge that we've gleaned." He recorded a demo in Montreux, Switzerland, before recording the song for the album. Bowie later said that the production on the song undid the power of the lyric, saying he preferred the demo version, and in a separate interview lamented "You should hear 'Loving the Alien' on demo. It's wonderful on demo. I promise you! (laughs). But on the album, it's ... not as wonderful."
The song was recorded during the sessions for Tonight at Le Studio in Morin-Heights, Canada, between May and June 1984. The song was co-produced by Bowie, Derek Bramble and Hugh Padgham. Musicians who played on the song included Bowie's regular collaborator Carlos Alomar on guitar, Omar Hakim on drums, Carmine Rojas on bass, Sammy Figueroa on percussion, Mark Pender on trumpet and Guy St Onge on marimba. The string arrangement was composed by the producer Arif Mardin. Like the recording sessions for his previous album Let's Dance (1983), Bowie played no instruments, and he delegated almost all responsibility for the music to the musicians, only occasionally offering critical input.
In his book The Word and Music of David Bowie, the author James E. Perone described the music as fitting within the "plastic soul" stylings of his 1975 album Young Americans, albeit one that resembles R&B rather than soul. He described some of the lyrics as ageing well into the 20th century, particularly the references to "Palestine a modern problem" and "Terror in a best lair plan". Bowie's biographer Nicholas Pegg describes the marimba line as representative of the Tonight album embracing world music. Bowie himself said that the "ah-ah-ah" backing vocals were taken from Philip Glass's opera Einstein on the Beach (1976). Pegg said they were reminiscent of Laurie Anderson's song "O Superman" (1981).
"Loving the Alien" was first released on the Tonight album as the opening track on 24 September 1984, with a length of 7:11. A remixed version by Steve Thompson and Michael Barbiero, with a length of 4:43, was released as a single in May 1985, nine months after the release of lead single "Blue Jean" and eight months after the release of the album. The single's B-side, "Don't Look Down", a cover of Iggy Pop's song and included on Tonight, are remixed on both the 7" and 12" single release. Bowie reportedly decided to release the song as a single after reading a review of the Tonight album that suggested the song could be a hit. It performed moderately on the UK Singles Chart, reaching number 19.
An accompanying music video was co-directed by Bowie and David Mallet. The video features Bowie performing the song on an M. C. Escher-like set with two exotic-dressed backing musicians. The original video included a short shot of Bowie with a nosebleed; this original version was only released on the 1987 video single "Day-In Day-Out", and all subsequent releases of the video have the nosebleed scene edited out.
Many critics have highlighted "Loving the Alien" and "Blue Jean" as the standouts of the Tonight album. Yo Zushi of the New Statesman described the song as a "seven-minute masterpiece". Thomas Inskeep of Stylus Magazine called "Loving the Alien" one of the most downright pretty songs" in Bowie's catalogue, praising the production as "gorgeously evocative" and felt it complemented Bowie's lyrics and vocals. While critical of much of Bowie's 1980s output in his appraisal of Best of Bowie in 2002, BBC reviewer Chris Jones stated: "Loving the Alien does have a strange, distant beauty to it. Like watching a ballet through a telescope."
Bowie's biographers have given the song mixed reviews. David Buckley called it "the only track on the [Tonight] album with the gravitas of much of [Bowie's] earlier work". Perone believed that, despite a "promising chorus hook", the music of the verses was not memorable. He also felt that Arif Marden's string arrangement created a mellow atmosphere that made the edgier lyrics lose their impact in translation. Pegg agreed, saying that the song is a "terrific piece of songwriting" that gets "dragged from the heights by insipid, over-elaborate production". Christopher Sandford said the song contains one of Bowie's best lyrics, and Chris O'Leary described it as "a would-be masterpiece that aimed for the heights of 'Station to Station' and missed".
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Loving the Alien
"Loving the Alien" is a song by the English singer David Bowie. It was the opening track to his sixteenth studio album Tonight (1984). One of two tracks on the album written solely by Bowie, an edited version of the song was released as a single in May 1985, nine months after the release of lead single "Blue Jean" and eight months after the album's release. "Loving the Alien" peaked at number 19 on the UK Singles Chart. "Loving the Alien" inspired the title of Christopher Sandford's 1997 biography of Bowie and the 2018 Bowie box set release, Loving the Alien (1983–1988).
"Loving the Alien" was one of two tracks on the Tonight album written solely by Bowie. Reportedly influenced by Donovan Joyce's book The Jesus Scroll, lyrically the song features Bowie critiquing religious violence throughout history. As a demo, the song was titled "1". The singer said the track "...came about because of my feeling that so much history is wrong – as is being rediscovered all the time – and that we base so much on the wrong knowledge that we've gleaned." He recorded a demo in Montreux, Switzerland, before recording the song for the album. Bowie later said that the production on the song undid the power of the lyric, saying he preferred the demo version, and in a separate interview lamented "You should hear 'Loving the Alien' on demo. It's wonderful on demo. I promise you! (laughs). But on the album, it's ... not as wonderful."
The song was recorded during the sessions for Tonight at Le Studio in Morin-Heights, Canada, between May and June 1984. The song was co-produced by Bowie, Derek Bramble and Hugh Padgham. Musicians who played on the song included Bowie's regular collaborator Carlos Alomar on guitar, Omar Hakim on drums, Carmine Rojas on bass, Sammy Figueroa on percussion, Mark Pender on trumpet and Guy St Onge on marimba. The string arrangement was composed by the producer Arif Mardin. Like the recording sessions for his previous album Let's Dance (1983), Bowie played no instruments, and he delegated almost all responsibility for the music to the musicians, only occasionally offering critical input.
In his book The Word and Music of David Bowie, the author James E. Perone described the music as fitting within the "plastic soul" stylings of his 1975 album Young Americans, albeit one that resembles R&B rather than soul. He described some of the lyrics as ageing well into the 20th century, particularly the references to "Palestine a modern problem" and "Terror in a best lair plan". Bowie's biographer Nicholas Pegg describes the marimba line as representative of the Tonight album embracing world music. Bowie himself said that the "ah-ah-ah" backing vocals were taken from Philip Glass's opera Einstein on the Beach (1976). Pegg said they were reminiscent of Laurie Anderson's song "O Superman" (1981).
"Loving the Alien" was first released on the Tonight album as the opening track on 24 September 1984, with a length of 7:11. A remixed version by Steve Thompson and Michael Barbiero, with a length of 4:43, was released as a single in May 1985, nine months after the release of lead single "Blue Jean" and eight months after the release of the album. The single's B-side, "Don't Look Down", a cover of Iggy Pop's song and included on Tonight, are remixed on both the 7" and 12" single release. Bowie reportedly decided to release the song as a single after reading a review of the Tonight album that suggested the song could be a hit. It performed moderately on the UK Singles Chart, reaching number 19.
An accompanying music video was co-directed by Bowie and David Mallet. The video features Bowie performing the song on an M. C. Escher-like set with two exotic-dressed backing musicians. The original video included a short shot of Bowie with a nosebleed; this original version was only released on the 1987 video single "Day-In Day-Out", and all subsequent releases of the video have the nosebleed scene edited out.
Many critics have highlighted "Loving the Alien" and "Blue Jean" as the standouts of the Tonight album. Yo Zushi of the New Statesman described the song as a "seven-minute masterpiece". Thomas Inskeep of Stylus Magazine called "Loving the Alien" one of the most downright pretty songs" in Bowie's catalogue, praising the production as "gorgeously evocative" and felt it complemented Bowie's lyrics and vocals. While critical of much of Bowie's 1980s output in his appraisal of Best of Bowie in 2002, BBC reviewer Chris Jones stated: "Loving the Alien does have a strange, distant beauty to it. Like watching a ballet through a telescope."
Bowie's biographers have given the song mixed reviews. David Buckley called it "the only track on the [Tonight] album with the gravitas of much of [Bowie's] earlier work". Perone believed that, despite a "promising chorus hook", the music of the verses was not memorable. He also felt that Arif Marden's string arrangement created a mellow atmosphere that made the edgier lyrics lose their impact in translation. Pegg agreed, saying that the song is a "terrific piece of songwriting" that gets "dragged from the heights by insipid, over-elaborate production". Christopher Sandford said the song contains one of Bowie's best lyrics, and Chris O'Leary described it as "a would-be masterpiece that aimed for the heights of 'Station to Station' and missed".