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Man in a Suitcase

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Man in a Suitcase

Man in a Suitcase is a British television private eye thriller series produced by Lew Grade's ITC Entertainment. It originally aired in the United Kingdom on ITV from 27 September 1967 to 17 April 1968. ABC broadcast episodes of Man in a Suitcase in the United States from 3 May to 20 September 1968.

Man in a Suitcase was effectively a replacement for Danger Man, whose production had been curtailed when its star Patrick McGoohan had decided to create his own series, The Prisoner. Many of the Danger Man production crew moved over to Man in a Suitcase, which was initially to be titled McGill after its lead character. As with several ITC productions, the series was to use an American star in an attempt to boost the show's sales in the USA. An early choice was Jack Lord, but the part of McGill eventually went to Richard Bradford, a method actor who was spotted after appearing opposite Marlon Brando in the 1966 movie The Chase. The series was created by Richard Harris and Dennis Spooner. Neither writer had any further involvement with the series—Spooner was mostly involved with producing his own series, The Champions—and the lead character changed somewhat from their original conception of a hard-boiled, wise-cracking detective.

McGill was a former intelligence agent, who had been forced to resign from the service six years before the opening episode, having been practically accused of treason. Unable to clear his name or return to the USA, McGill makes ends meet by working as a travelling private detective and bounty hunter based in Britain, living out of his suitcase (hence the title). His cases generally took him to different parts of Europe, and on a couple of occasions to Africa.

The theme tune was composed by Ron Grainer and it was later reused as the theme for Chris Evans' entertainment show TFI Friday. The incidental music was supplied by Albert Elms.

In the pilot episode, "Man from the Dead", the reason for McGill's disgrace is revealed. During an assignment six years earlier, he discovered that a top western scientist called LeFarbe was preparing to defect to the USSR. Though he planned to intercept the defector, he was ordered to stand down by his superior Harry Thyssen. Shortly afterwards, LeFarbe went over to the Soviets. Accused of complicity in the defection, McGill was unable to call on Thyssen to clear his name, as his superior had been drowned in a sailing accident, and he was forced to resign from the service amid much negative publicity. Six years on, McGill discovers that Thyssen is still alive, his death having been faked. He is now working as a sailor on a Russian freighter, in which capacity he acts as a courier of secret information from LeFarbe. The scientist is in fact a double agent, now highly placed in the Soviet scientific community to provide valuable intelligence. As McGill's diligence nearly blew open this important operation, his superiors had no choice but to make him a very public scapegoat, to maintain the illusion of the LeFarbe defection as genuine. On the series's first broadcast on ATV Midlands "Man from the Dead" was screened as the sixth episode; "Brainwash", thought to be a stronger tale, was in fact broadcast first.[citation needed]

Building on this foundation, Man in a Suitcase is a series very much about betrayal, mistrust and deceit. Because of his unofficial, semi-legal status, McGill often finds himself being hired by unscrupulous clients and unwittingly used for criminal ends, or set up as a fall guy. On several occasions, characters from his past with US intelligence draw him into dangerous situations; and he can also be blackmailed or tricked into participating in espionage missions, as he is the perfect deniable operative. A number of the series writers were new to ITC, and this resulted in a show that was markedly different from the usual light-hearted adventure and espionage fantasy of such series. It highlighted character-based drama grounded in a cynical view of the real world, making it more akin to the spy novels of John le Carré and Len Deighton.

As developed by Bradford, the characterisation of McGill is complex. As a man who feels betrayed by life and his country, he can appear outwardly as surly, moody and uncommunicative, but this masks a sensitive interior. McGill feels compassion for those who were the victims in his cases, and would try to help them, often at his own cost.

The level of violence portrayed in the show was unprecedented for an ITC series. This was partly because of Bradford's concerns that the stories and characters should remain real. Unlike most TV action heroes of the time, McGill would not get cleanly knocked unconscious and then recover without effect; Bradford took great pains to depict the character as wounded and concussed. In addition to beatings, McGill is several times shot and stabbed, and ends more than one episode recovering in hospital.

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