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Man or Muppet
"Man or Muppet" is a song from Walt Disney Pictures' 2011 musical comedy film The Muppets, written by singer-songwriter Bret McKenzie. Performed by the film's main characters, Gary (Jason Segel) and Walter (Peter Linz), the song also features Bill Barretta and Jim Parsons portraying the contrasting identities of Gary and Walter, respectively. The song was released by Walt Disney Records on November 22, 2011, as part of the film's original soundtrack.
"Man or Muppet" won Best Original Song at the 84th Academy Awards and the Sierra Award for Best Song. It was also nominated for Best Song Written for Visual Media at the 55th Annual Grammy Awards, Best Original Song at the 16th Satellite Awards and Best Song at the 17th Critics' Choice Awards, in which two other songs from the film, "Life's a Happy Song" and "Pictures in My Head", were also nominated, with the former winning.
In the film, the song is performed by Gary (Jason Segel), Walter (Peter Linz), a Muppet form of Gary (Bill Barretta), and Walter's human form (Jim Parsons).
The song is a piece that reflects Gary and Walter questioning what their true identities are. Through the course of the film, Gary is oblivious to the desires of his longtime girlfriend, Mary (Amy Adams), and instead offers to sacrifice his time to assist the rest of the Muppets return to fame. This leads to a conflict between him and a distraught Mary, who returns to her home in Smalltown without him. Meanwhile, his younger brother, Walter, despite his respect and admiration for the Muppets, experiences an identity crisis as he comes to terms with the dilemma of having to choose between becoming part of the Muppets—which has been his lifelong dream—or continuing his ordinary life alongside Gary and Mary.
During this song, Gary and Walter see alternate versions of themselves—while wandering the streets, Gary sees himself as a Muppet in a shop window and trolley, and Walter sees himself as a human (Parsons) in a circle of mirrors inside the Muppet Theatre. At one point, Gary and Walter (each with their respective counterpart) come together in an abstract, recondite musical setting, dressed in white tuxedos and playing pianos facing each other. At the song's conclusion, both characters ultimately accept who they really are; Gary declares himself a "Man" (but "a Muppet of a man") and Walter a "Muppet" (but "a very manly Muppet"). Gary and Mary are later seen reconciling after Gary goes back to Smalltown and apologizes to her.
I think everyone has had that crisis at some point, trying to figure out whether they are a man or a Muppet ... I like the idea of people having that crisis, driving around, trying to figure it out.
The film's writers, Nicholas Stoller and Segel, informed McKenzie that he had to avoid alluding to the term "puppet", stating that the Muppet characters view themselves as actual people, and never as sentient puppet figures.
McKenzie cited power ballads written by artists such as Eric Carmen and Harry Nilsson as inspiration for the song's tone. He also stated that the main reason for the song's inclusion in the film was to have the characters resolve the problem of coming to accept their true selves.
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Man or Muppet
"Man or Muppet" is a song from Walt Disney Pictures' 2011 musical comedy film The Muppets, written by singer-songwriter Bret McKenzie. Performed by the film's main characters, Gary (Jason Segel) and Walter (Peter Linz), the song also features Bill Barretta and Jim Parsons portraying the contrasting identities of Gary and Walter, respectively. The song was released by Walt Disney Records on November 22, 2011, as part of the film's original soundtrack.
"Man or Muppet" won Best Original Song at the 84th Academy Awards and the Sierra Award for Best Song. It was also nominated for Best Song Written for Visual Media at the 55th Annual Grammy Awards, Best Original Song at the 16th Satellite Awards and Best Song at the 17th Critics' Choice Awards, in which two other songs from the film, "Life's a Happy Song" and "Pictures in My Head", were also nominated, with the former winning.
In the film, the song is performed by Gary (Jason Segel), Walter (Peter Linz), a Muppet form of Gary (Bill Barretta), and Walter's human form (Jim Parsons).
The song is a piece that reflects Gary and Walter questioning what their true identities are. Through the course of the film, Gary is oblivious to the desires of his longtime girlfriend, Mary (Amy Adams), and instead offers to sacrifice his time to assist the rest of the Muppets return to fame. This leads to a conflict between him and a distraught Mary, who returns to her home in Smalltown without him. Meanwhile, his younger brother, Walter, despite his respect and admiration for the Muppets, experiences an identity crisis as he comes to terms with the dilemma of having to choose between becoming part of the Muppets—which has been his lifelong dream—or continuing his ordinary life alongside Gary and Mary.
During this song, Gary and Walter see alternate versions of themselves—while wandering the streets, Gary sees himself as a Muppet in a shop window and trolley, and Walter sees himself as a human (Parsons) in a circle of mirrors inside the Muppet Theatre. At one point, Gary and Walter (each with their respective counterpart) come together in an abstract, recondite musical setting, dressed in white tuxedos and playing pianos facing each other. At the song's conclusion, both characters ultimately accept who they really are; Gary declares himself a "Man" (but "a Muppet of a man") and Walter a "Muppet" (but "a very manly Muppet"). Gary and Mary are later seen reconciling after Gary goes back to Smalltown and apologizes to her.
I think everyone has had that crisis at some point, trying to figure out whether they are a man or a Muppet ... I like the idea of people having that crisis, driving around, trying to figure it out.
The film's writers, Nicholas Stoller and Segel, informed McKenzie that he had to avoid alluding to the term "puppet", stating that the Muppet characters view themselves as actual people, and never as sentient puppet figures.
McKenzie cited power ballads written by artists such as Eric Carmen and Harry Nilsson as inspiration for the song's tone. He also stated that the main reason for the song's inclusion in the film was to have the characters resolve the problem of coming to accept their true selves.