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Manlio Rocchetti
Manlio Rocchetti
Manlio Rocchetti
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Manlio Rocchetti (28 November 1943 – 9 January 2017) was an Italian makeup artist who won an Academy Award at the 1989 Academy Awards for Best Makeup for the film Driving Miss Daisy, which he shared with Lynn Barber and Kevin Haney.[3]

Key Information

His career started in 1960 and continually worked on makeup until 2012. He often worked with Martin Scorsese.[4]

He also won an Emmy for the makeup in Lonesome Dove.

References

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Manlio Rocchetti

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Manlio Rocchetti was an Italian makeup artist renowned for his transformative work in film and television, most notably winning the Academy Award for Best Makeup for the 1989 film Driving Miss Daisy, which he shared with Lynn Barber and Kevin Haney. He also received a Primetime Emmy Award for Outstanding Achievement in Makeup for the 1989 miniseries Lonesome Dove. Born in Rome on November 28, 1943, Rocchetti built a career spanning more than five decades, contributing to a wide range of international productions as a key makeup artist, department head, and supervisor. Rocchetti frequently collaborated with director Martin Scorsese, providing makeup expertise on acclaimed films including Gangs of New York (2002) and Shutter Island (2010). His credits also encompass major works such as Brokeback Mountain (2005), The Untouchables (1987), and Driving Miss Daisy, where his subtle aging and character enhancement techniques earned widespread recognition. He died on January 9, 2017, in Florida at the age of 73. Rocchetti's legacy endures through his influential contributions to character-driven cinema and prestige television, blending technical precision with artistic sensitivity across Hollywood and independent projects.

Early Life

Family Heritage and Entry into Makeup Craft

Manlio Rocchetti was born on November 28, 1943, in Rome, Italy. As a fourth-generation member of the Rocchetti family, he belonged to an artisan tradition dating back to the founding of the family atelier in 1874, which specialized in crafting handmade wigs for the performing arts. Rocchetti collaborated closely with his brother Luigi, and together they represented the fourth generation in running the business, drawing on long years of family experience to meet the needs of productions and performers. His entry into the makeup and wig craft occurred through immersion in the family atelier, where he received training via traditional apprenticeship. This hands-on education focused on meticulous manual techniques, including taking precise measurements of actors' heads, creating custom head models or blocks for prominent performers, and plaiting hair strand by strand to construct natural-looking pieces. A core principle of the Rocchetti approach emphasized achieving apparent naturalness through the seamless integration of wig and makeup, a result accomplished only by employing countless precise tactics during both the wig-making and application phases. Later, Rocchetti coordinated the Advanced Course in Make-up for the Performing Arts at the Academy of Costume and Fashion in Rome.

Career

Early Work in Italian Cinema

Manlio Rocchetti began his career in 1960, joining the family atelier Rocchetti e Rocchetti, a renowned Rome-based business specializing in handmade wigs and makeup services for theater and cinema since its founding in 1874. As the fourth generation of his family to continue this tradition alongside his brother Luigi, Rocchetti focused on crafting period-accurate hairpieces and makeup designs that supported the visual storytelling of Italian productions during the post-war era. The atelier's long-standing expertise enabled precise responses to directors' requirements, ensuring authentic historical appearances and artistic integration of hair and makeup into film narratives. In these early years, Rocchetti contributed to projects led by some of Italy's most influential directors, including Roberto Rossellini, Luchino Visconti, Michelangelo Antonioni, Vittorio De Sica, Pier Paolo Pasolini, Franco Zeffirelli, and Federico Fellini. His work emphasized meticulous period reconstruction, drawing on the atelier's accumulated knowledge to create wigs and makeup that aligned with the stylistic and historical demands of Italian cinema. These collaborations established Rocchetti within the Italian film industry before his later shift to international productions.

Transition to International Productions

In the 1980s, Manlio Rocchetti began shifting from his established work in Italian cinema to international English-language productions, leveraging his family's long tradition in wig-making and period hairstyling to support historical and character-driven projects. One of his early Hollywood-adjacent contributions came as personal consultant to Robert De Niro on Brian De Palma's The Untouchables (1987), assisting with the actor's period appearance in the Prohibition-era drama. He further expanded into international work with special effects makeup on the 1988 gothic horror film Haunted Summer, contributing to the film's atmospheric transformations. This period of transition culminated in his involvement in the CBS miniseries Lonesome Dove (1989), where he served as makeup supervisor and shared the Primetime Emmy Award for Outstanding Achievement in Makeup for a Miniseries or a Special with Jean Black and Carla Palmer. These projects helped establish his reputation abroad ahead of greater Hollywood recognition.

Oscar-Winning Breakthrough and 1990s Projects

Manlio Rocchetti's breakthrough in Hollywood came with his Oscar-winning work on Driving Miss Daisy (1989), where he created the makeup that enabled Jessica Tandy to portray the aging Daisy Werthan over a span of 25 years, transforming her appearance from a woman in her early 70s to her late 90s with subtle, realistic prosthetics and aging techniques, while also providing character makeup for Morgan Freeman as Hoke Coleburn and other supporting roles. He shared the Academy Award for Best Makeup at the 62nd Academy Awards in 1990 with Lynn Barber and Kevin Haney, marking his first and only Oscar win. This achievement followed his Emmy Award for Outstanding Makeup for a Miniseries or a Special for the 1989 miniseries Lonesome Dove. Throughout the 1990s, Rocchetti continued to contribute to high-profile projects, applying his expertise in natural-looking character and period makeup. He served as the key makeup artist on the 1994 TV movie Roswell, recreating authentic 1940s appearances and military personnel looks for the historical drama about the famous UFO incident. Later in the decade, he handled special makeup effects on the 1998 film Great Expectations, directed by Alfonso Cuarón, focusing on detailed character transformations and realistic enhancements for the contemporary adaptation of the classic novel. His work in this period emphasized subtlety and believability in makeup design to support dramatic storytelling and period authenticity without drawing attention to the effects themselves.

Collaborations with Martin Scorsese and 2000s Films

Manlio Rocchetti developed a notable collaboration with director Martin Scorsese beginning in the early 2000s, contributing his makeup expertise to several of the filmmaker's prestige productions. He worked as part of the makeup department on Gangs of New York (2002) and provided special effects makeup for the film. The work earned him a shared BAFTA nomination for Best Make Up & Hair alongside Aldo Signoretti. Rocchetti served as makeup department head on Brokeback Mountain (2005) and All the King's Men (2006), taking leadership roles in the makeup departments for these acclaimed dramas. He continued his association with Scorsese as makeup department head on Shutter Island (2010), which received an OFTA nomination for Best Makeup and Hairstyling including Rocchetti among the team. In the same period, he was chief makeup artist on The American (2010) and makeup supervisor on Parker (2013). These projects highlighted his consistent involvement in major international features during the 2000s and early 2010s.

Television Work and Later Career

Rocchetti contributed to television miniseries throughout his career, earning notable recognition from the Primetime Emmy Awards. As part of the makeup team that included Jean Black and Carla Palmer, he won the Emmy for Outstanding Achievement In Makeup For A Miniseries Or A Special for the CBS production Lonesome Dove (1989). He later received a nomination in the category Outstanding Makeup For A Miniseries, Movie Or A Special (Non-Prosthetic) as key makeup artist on the TNT miniseries Caesar (2004), alongside Luigi Rocchetti. In his later years Rocchetti focused on dramatic and period productions, frequently serving as makeup supervisor or key makeup artist on large-scale projects. His career extended through credits up to 2012, including work on A.C.A.B. – All Cops Are Bastards, for which he received a nomination for Best Make-up Artist at the David di Donatello Awards.

Teaching and Influence on the Craft

Manlio Rocchetti coordinated the Advanced Course in Makeup for the Performing Arts at the Accademia Costume e Moda in Rome, where he served as a key educator in training the next generation of professionals in the field. He drew upon his extensive experience to guide students in advanced techniques, focusing on the practical application of makeup in theatrical and cinematic contexts. His teaching philosophy emphasized the pursuit of "apparently perfect naturalness" in the integration of wigs and makeup, achieved through countless precise tactics that ensured seamless and believable results. Rocchetti insisted that no "magic" existed in the craft; instead, excellence resulted from adherence to tradition, years of accumulated experience, and a keen understanding of the specific needs of producers and hairdressers on set. Rocchetti's influence on the craft also stemmed from the apprentice system in his family's atelier and the use of a head model collection, which provided hands-on training opportunities and helped preserve traditional methods for future practitioners. This approach built upon his family heritage as a foundation for his educational contributions.

Awards and Recognition

Personal Life

Death

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