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Maria Krahn
Maria Krahn
Maria Krahn
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Maria Krahn (1896–1977) was a German actress.

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Selected filmography

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Maria Krahn

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''Maria Krahn'' is a German actress known for her prolific career spanning stage, film, and television, with supporting and character roles in numerous German productions from the 1930s through the late 1960s. Born on 7 October 1896 in Cologne, Germany, Krahn trained at the acting school of Louise Dumont and began her professional career with theater engagements in Bochum, followed by stints in Frankfurt, Hamburg, and Berlin starting in 1933. She entered the film industry during the early sound era, where she became a reliable presence in supporting parts, often portraying mothers, aunts, wives, or other mature characters, and also worked as a dubbing artist. Her notable film appearances include ''Pillars of Society'' (1935), ''Die lustigen Weiber'' (1936), ''Das doppelte Lottchen'' (1950), and ''The Miracle of Father Malachia'' (1961), with her career continuing into television productions after World War II. Krahn was married to director Hans Hinrich from 1928 until his death in 1974; during the Nazi period, she successfully advocated for a special work permit for him due to his partial Jewish ancestry. She died in 1977 in Gelsenkirchen, West Germany.

Early life

Birth and background

Maria Katharina Hubertina Krahn was born on 7 October 1896 in Cologne (Köln), Germany. No further details about her parents, siblings, or childhood environment are documented in available sources beyond her birthplace.

Acting training and early engagements

Maria Krahn received her acting training at the Schauspielschule of Louise Dumont in Düsseldorf after completing her formal schooling. This education provided her with the foundational skills for her stage career. Her first professional engagement came at the Schauspielhaus Bochum, where Intendant Saladin Schmitt secured her position. She subsequently performed in theaters in Frankfurt am Main and Hamburg, gaining experience in major regional venues before transitioning to Berlin.

Career

Stage career

Maria Krahn was a member of the prestigious Reinhardt-Bühnen ensemble in Berlin, where she performed until 1933. This engagement associated her with one of Germany's most renowned theatrical institutions under Max Reinhardt's influence. After World War II, Krahn returned intensively to theater work, which became her primary professional activity for the remainder of her career. She performed at the Wuppertaler Bühnen from 1955 to 1959. Beginning in 1960, she was engaged at the Städtische Bühnen Gelsenkirchen and later returned to the Schauspielhaus Bochum. She continued acting on stage into her later years, maintaining theater as her core profession despite occasional film appearances in the postwar period.

Film career

Maria Krahn entered the film industry with the advent of sound films, making her debut in the 1931 production Schneider Wibbel. She quickly became a prolific supporting actress in German cinema, appearing in 53 feature films between 1931 and 1945. These roles typically cast her as middle-aged women in character parts, such as mothers, aunts, or landladies. Her notable pre-1945 appearances included Das Mädchen Johanna (1935), Liselotte von der Pfalz (1935), Der große König (1940), Ich klage an (1941), and Die goldene Stadt (1942). These films showcased her reliability in ensemble casts during the era's prolific output. Following World War II, Krahn returned to film sporadically, with a role in Das doppelte Lottchen (1950). Her last known film appearance came in Das Wunder des Malachias (1961). Post-1945, her primary professional activity remained in theater.

Voice acting

Maria Krahn was also active as a Synchronsprecherin, providing German voice dubs for foreign films in addition to her on-screen and stage work. This secondary career focused primarily on post-war dubbing projects during the 1950s, overlapping with her later film appearances. Documentation of her voice acting is relatively limited compared to her acting credits, but specialized dubbing databases record a small number of confirmed roles, typically supporting or maternal characters. These include dubbing Lillian Gish as Mrs. Summers in Der lautlose Krieg (1958), Camino Carrigo as Pater Manuels Mutter in Das Wunder von Fatima (1951), Ann Shoemaker as Mrs. Feller in Schweigegeld für Liebesbriefe (German dub 1951), Mimi Aguglia as Mama Roma in Schrei der Großstadt (German dub 1950), and Doris Kenyon as Königin Anna in Der Mann mit der eisernen Maske (German dub 1950). Additional credits noted in some sources cover roles such as Annie Hemery as Irene in Das Frauenhaus von Marseille (1954) and Clelia Matania as Mrs. Albotocchi in Der Skandal (1954). Her dubbing contributions were modest in scope and remain less documented than her visible acting roles, reflecting the niche nature of voice work in German cinema at the time.

Personal life

Marriage and family

Maria Krahn married the film and theater director Hans Hinrich in 1928. Hinrich, born November 27, 1903, was known for his work as a director in both theater and film. The marriage lasted until Hinrich's death on October 30, 1974. In 1935, during the Nazi regime, Hinrich was denied membership in the Reichskulturkammer due to his classification as a "Half Jew," which barred him from professional work. Krahn intervened on his behalf and successfully obtained a temporary special permit allowing him to continue directing for a period. No sources document any children from the marriage or other personal relationships for Krahn.

Death

Later years and passing

Maria Krahn spent her later years primarily engaged with the Städtischen Bühnen in Gelsenkirchen, where she had been active on stage from 1960 onward, following earlier theater work in nearby cities. Her involvement with the Gelsenkirchen theater was connected to her marriage to Hans Hinrich, the former general intendant of the municipal stages. In 1969, she celebrated her golden stage jubilee, commemorating 50 years as an actress and highlighting her long association with the regional theater scene. Her film work remained sparse in this period; her final role came in 1961 with Das Wunder des Malachias. Krahn died on 19 December 1977 in Gelsenkirchen at the age of 81. Documentation of her later years is limited, consistent with her career as a supporting actress in German film and theater.
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