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Marines' Hymn
The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala. Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years. Authorized by the Commandant of the Marine Corps in 1929, it is the oldest official song in the United States Armed Forces. The "Marines' Hymn" is typically sung at the position of attention as a gesture of respect, akin to a national anthem. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies.
The line "To the shores of Tripoli" refers to the First Barbary War, and specifically the Battle of Derna in 1805. "The Halls of Montezuma" refers to the Battle of Chapultepec on 12/13 September 1847 during the Mexican–American War, where a force of Marines stormed Chapultepec Castle. Strictly, the usage "Halls of Montezuma" is poetic license, as the building which the Marines stormed had been erected by the Spanish rulers of Mexico, more than two centuries after the Aztec Emperor Montezuma was overthrown. At the time of the assault, the fort was actually the newly founded Mexican Military Academy. Prior to Mexican independence one of the Spanish viceroys had built a personal residence on the hill (1786). However, in Aztec times Chapultepec Hill and its hot springs were a royal spa.[citation needed]
Marine Corps tradition maintains that the red stripe worn on the dress-blues trousers of officers and noncommissioned officers, and commonly known as the blood stripe, commemorates the high number of Marine NCOs and officers killed storming the castle of Chapultepec in September 1847. As noted,
While the lyrics are said to date from the 19th century, no pre-20th century text is known. The author of the lyrics is likewise unknown. Legend has it that a Marine on duty in Mexico penned the hymn. The unknown author transposed the phrases in the motto on the Colors so that the first two lines of the Hymn would read: "From the Halls of Montezuma, to the Shores of Tripoli", favoring euphony over chronology.
The music is from the "Gendarmes' Duet" (or the "bold gendarmes") from the revision in 1867 of the Jacques Offenbach opera Geneviève de Brabant, which debuted in Paris in 1859. Correspondence between Colonel Albert S. McLemore and Walter F. Smith (the second leader of the United States Marine Band) traces the tune:
Major Richard Wallach, USMC, says that in 1878, when he was in Paris, France, the aria to which the Marines' Hymn is now sung was a very popular one.
The name of the opera and a part of the chorus was secured from Wallach and forwarded to Smith, who replied:
Major Wallach is to be congratulated upon a wonderfully accurate musical memory, for the aria of the Marine Hymn is certainly to be found in the opera Genevieve de Brabant... The melody is not in the exact form of the Marine Hymn, but is undoubtedly the aria from which it was taken. I am informed, however, by one of the members of the band, who has a Spanish wife, that the aria was one familiar to her childhood and it may, therefore, be a Spanish folk song.
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Marines' Hymn
The "Marines' Hymn" is the official hymn of the United States Marine Corps, introduced by the first director of the USMC Band, Francesco Maria Scala. Its music originates from an 1867 work by Jacques Offenbach with the lyrics added by an anonymous author at an unknown time in the following years. Authorized by the Commandant of the Marine Corps in 1929, it is the oldest official song in the United States Armed Forces. The "Marines' Hymn" is typically sung at the position of attention as a gesture of respect, akin to a national anthem. However, the third verse is also used as a toast during formal events, such as the birthday ball and other ceremonies.
The line "To the shores of Tripoli" refers to the First Barbary War, and specifically the Battle of Derna in 1805. "The Halls of Montezuma" refers to the Battle of Chapultepec on 12/13 September 1847 during the Mexican–American War, where a force of Marines stormed Chapultepec Castle. Strictly, the usage "Halls of Montezuma" is poetic license, as the building which the Marines stormed had been erected by the Spanish rulers of Mexico, more than two centuries after the Aztec Emperor Montezuma was overthrown. At the time of the assault, the fort was actually the newly founded Mexican Military Academy. Prior to Mexican independence one of the Spanish viceroys had built a personal residence on the hill (1786). However, in Aztec times Chapultepec Hill and its hot springs were a royal spa.[citation needed]
Marine Corps tradition maintains that the red stripe worn on the dress-blues trousers of officers and noncommissioned officers, and commonly known as the blood stripe, commemorates the high number of Marine NCOs and officers killed storming the castle of Chapultepec in September 1847. As noted,
While the lyrics are said to date from the 19th century, no pre-20th century text is known. The author of the lyrics is likewise unknown. Legend has it that a Marine on duty in Mexico penned the hymn. The unknown author transposed the phrases in the motto on the Colors so that the first two lines of the Hymn would read: "From the Halls of Montezuma, to the Shores of Tripoli", favoring euphony over chronology.
The music is from the "Gendarmes' Duet" (or the "bold gendarmes") from the revision in 1867 of the Jacques Offenbach opera Geneviève de Brabant, which debuted in Paris in 1859. Correspondence between Colonel Albert S. McLemore and Walter F. Smith (the second leader of the United States Marine Band) traces the tune:
Major Richard Wallach, USMC, says that in 1878, when he was in Paris, France, the aria to which the Marines' Hymn is now sung was a very popular one.
The name of the opera and a part of the chorus was secured from Wallach and forwarded to Smith, who replied:
Major Wallach is to be congratulated upon a wonderfully accurate musical memory, for the aria of the Marine Hymn is certainly to be found in the opera Genevieve de Brabant... The melody is not in the exact form of the Marine Hymn, but is undoubtedly the aria from which it was taken. I am informed, however, by one of the members of the band, who has a Spanish wife, that the aria was one familiar to her childhood and it may, therefore, be a Spanish folk song.