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Mario Gas
Mario Gas
Mario Gas
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Mario Gas Cabré is a Spanish actor and director.[1] and winner of a Goya Award.

Key Information

Born in Montevideo, Uruguay, on February 5, 1947, while his actor parents were on tour he has Uruguayan citizenship. He is one of the most important figures of the performing arts of Spain and began his acting career in University and took it up seriously after he failed to complete the law course he was enrolled in.

Family

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He comes from a large acting family. His father, Manuel Gas, was a singer and actor. His mother, Anna Cabré, (sister of actor Mario Cabré), was a dancer. His daughter Miranda Gas is also a well known Spanish actress.

He is married to theatrical actress Vicky Peña, and they have two children, Orestes and Miranda Gas.

Career

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Mario Gas, has directed more than fifty plays. He was also a stage Director of Opera productions like La Traviata and Un ballo in maschera by Giuseppe Verdi; Madama Butterfly by Giacomo Puccini and L'elisir d'amore by Gaetano Donizetti.

As a film actor, he has been involved in more than thirty films, with some directors such as Jaime Camino, Vicente Aranda, Bigas Luna, Luis García Berlanga, Félix Rotaeta, Ventura Pons and Josep Maria Forn. He has also done voiceover work for actors such as Ben Kingsley, John Malkovich and Geoffrey Rush.

In 1996, he was awarded the Premi Nacional de Teatre de Catalunya, by the Generalitat de Catalunya, for his theatrical production of Sweeney Todd. In 1998, he was awarded a Ciutat of Barcelona in the performing arts for his productions of Guys and Dolls and La reina de bellesa de Leenane.

In 2004, he was appointed director of the Spanish Theatre of Madrid. In September 2006, he was involved in a controversy over a performance.[2] At the time, Gas had the backing of number of people in the world of culture.[3] He left his post as director of the Spanish Theatre in 2012.[4]

Theater Work

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  • 2012: Follies, producción del Teatro Español.
  • 2011: Un tranvía llamado Deseo, producción del Teatro Español.
  • 2011: Un frágil equilibrio, de Edward Albee.
  • 2008: Las troyanas, co-producción de Festival de Mérida y Teatro Español. Versión del texto original de Eurípides, escrita por Ramón Irigoyen.
  • 2008: Sweeney Todd (reposición), Teatro Español.
  • 2007: Ascensión y caída de la ciudad de Mahagonny, de Bertolt Brecht.
  • 2007: Homebody/Kabul, de Tony Kushner.
  • 2005: A Electra le sienta bien el luto, de Eugene O'Neill.
  • 2003: Zona zero, de Neil LaBute.
  • 2002: El sueño de un hombre ridículo, de Fiodor Dostoievski.
  • 2002: Las criadas, de Jean Genet.
  • 2001: La Mare Coratge i els seus fills, de Bertolt Brecht. TNC
  • 2001: Lulú, de Frank Wedekind. TNC
  • 2001: The Full Monty, de Terrence McNally y David Yazbek. Teatre Novedades.
  • 2000: Top Dogs, de Urs Widmer.
  • 2000: A little night music, de Hugh Wheeler y Stephen Sondheim. Teatre Grec.
  • 2000: Olors, de Josep Maria Benet i Jornet, TNC
  • 1999: La habitación azul, de David Hare. 1999
  • 1998: Guys & Dolls, de Loesser/Swerling/Burrows, Teatre Nacional de Catalunya.
  • 1998: Master Class, de Terrence McNally. Teatro Marquina de Madrid.
  • 1998: La reina de la bellesa de Leenane, de Martin McDonagh. La Perla Lila i Bitó Produccions. Teatre Villarroel.
  • 1995: Sweeney Todd, de Hugh Wheeler y Stephen Sondheim. CDGC/Teatre Poliorama.
  • 1995: La gata sobre el tejado de zinc, de Tennessee Williams. Teatro Principal de Valencia.
  • 1995: Martes de Carnaval, de Ramón María del Valle-Inclán. Centro Dramático Nacional.
  • 1994: Otelo de William Shakespeare. Festival Grec '94
  • 1993: Golfus de Roma, de Stephen Sondheim. Festival de Teatro Clásico de Mérida.
  • 1992: El tiempo y los Conway, de J.B. Priestley. Teatre Condal
  • 1986: La Ronda, de Arthur Schnitzler. CDGC/Teatre Romea
  • 1984: L'ópera de tres rals, de Bertolt Brecht y Kurt Weill. Centre Dramàtic de la Generalitat de Catalunya/Teatro Romea de Barcelona.
  • 1968: El adefesio, de Rafael Alberti.

Filmography

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References

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Mario Gas

View on Grokipedia
from Grokipedia
Mario Gas is a Spanish actor and stage director known for his prolific career spanning theatre, opera, film, and television, with a particular emphasis on directing over one hundred productions in Spain. Born in Montevideo, Uruguay, to Catalan artist parents, he trained in Barcelona's university and independent theatre scenes during the 1960s and built his professional life primarily in Catalonia and Madrid. Gas has held prominent leadership roles in the arts, including directing the 1976 Festival Grec in Barcelona, multiple editions of the Autumn Festival, the Olympic Arts Festival, and serving as artistic director of Madrid's Teatro Español from 2004 to 2012. His directing work encompasses numerous operas at major venues such as the Gran Teatre del Liceu, Teatro Real, and Teatro de la Zarzuela, including productions of Il barbiere di Siviglia, La traviata, Madama Butterfly, and L’elisir d’amore. As an actor, he has appeared in films including Cambio de sexo and Amic/Amat, and provided Spanish voice dubbing for performers such as John Malkovich and Ben Kingsley. His contributions have earned him recognitions such as the National Theatre Award of the Generalitat de Catalunya, the Butaca Prize, and the Max Prize.

Early life

Birth and family background

Mario Gas was born on February 5, 1947, in Montevideo, Uruguay, during an artistic tour of his parents in South America. His father, Manuel Gas, was a singer and actor, while his mother, Anna Cabré, was a dancer and actress, and the sister of the renowned bullfighter and actor Mario Cabré. He was born into a family with deep roots in the performing arts, where his parents were recognized as brilliant singers and actors who performed across various stages. This heritage in theater, music, and spectacle, often summarized by the Spanish proverb "de casta le viene al galgo" (talent comes from lineage), provided the foundational context for his early exposure to the world of performance. His birth in Uruguay occurred accidentally amid his parents' professional travels, underscoring the itinerant nature of their artistic lives within the Catalan show business tradition.

Relocation to Spain and early influences

Mario Gas was born in Montevideo, Uruguay, in 1947 while his parents—actor and singer Manuel Gas and dancer Ana Cabré—were on tour. The family, deeply connected to the Catalan performing arts world through Cabré's lineage (she was the sister of bullfighter and actor Mario Cabré), subsequently relocated to Spain and settled in Barcelona. In Barcelona, Gas enrolled in law studies at the University of Barcelona but abandoned them to dedicate himself fully to theater, an activity in which he had already begun participating during his university years. His early exposure to the performing arts came primarily from his family's professional environment, where he was immersed in acting, singing, and dance from childhood. This transition to Barcelona positioned him within Spain's vibrant theatrical scene, particularly the Catalan tradition, which shaped his initial engagement with performance and laid the groundwork for his later career.

Acting career

Theater acting

Mario Gas began his acting career at a young age within his family's theater company, led by his father Manuel Gas, where he performed as an actor, dancer, or assistant director while learning the profession through demanding work and preparation under his parents' guidance. He has described acting as a challenging vocation with significant highs and lows. In 1964, at around age 18, he joined the GOGO Teatro Experimental Independiente company at the Institut d'Estudis Nord-americans in Barcelona, making his start there as an actor in plays including Friedrich Dürrenmatt's The Marriage of Mr. Mississippi. He later played the central role of Doctor Leduc in Arthur Miller's Incident at Vichy, premiered at the IEN in 1968. As part of Barcelona's independent theater scene in the 1960s and 1970s, Gas performed in several notable productions. He appeared in Rafael Alberti's El adefesio at the Institut d'Estudis Nord-americans in 1968 and in a professional version at Teatre Capsa in 1969. Other early roles included Arnold Wesker's Tot amb patates with the Grup de Teatre Independent at the Casino de l'Aliança del Poblenou in 1969, and a double bill of John Millington Synge's La boda del hojalatero and La sombra del valle at the Saló Diana in 1977. In the 1980s, he took part in Michael Frayn's Pel davant i pel darrere at the Teatre Condal in 1985, which achieved significant public success, and portrayed the Comte in Arthur Schnitzler's La ronda at the Teatre Romea and later Teatre Condal in 1986. Gas continued acting regularly across subsequent decades, often in major classical and contemporary works. He performed in Heiner Müller's Edip, tirà at the Teatre Poliorama in 1991, alongside Rosa Novell. In 2005, he appeared in Eugene O'Neill's A Electra le sienta bien el luto at the Festival de Teatre Clàssic de Mèrida and in Sófocles' Electra in a version by José Sanchis Sinisterra. He starred in the monologue Mi suicidio by Henri Roorda, directed by Fernando Bernués for Tanttaka Teatroa, which toured Spain in 2002 and was seen at Temporada Alta in 2004. Later performances included the title role in William Shakespeare's Julio César at Madrid's Teatro Marquina in 2013, James Tyrone in Eugene O'Neill's El largo viaje del día hacia la noche (opposite Vicky Peña) at the same theater in 2014, and a leading part in Juan Villoro's El filósofo declara at the Teatre Romea in 2016. Over more than fifty years, he has sustained a consistent acting presence on Catalan and Spanish stages, though his profile has become more prominently associated with directing.

Film acting

Mario Gas has appeared in numerous Spanish and international feature films since the early 1970s, establishing himself as a reliable character actor in dramatic and ensemble roles. His screen work often complements his extensive theater background, bringing nuanced performances to cinematic projects. He made his early film appearances in titles such as Las largas vacaciones del 36 (1976) and Cambio de sexo (1977), directed by Vicente Aranda. In the 1980s, he acted in Barrios altos (1987) and notably in El placer de matar (1988), for which he received the Francisco Rabal Award for Best Actor at the Murcia Week of Spanish Cinema. He also had a minor role in the American action comedy Beverly Hills Cop (1984). Gas earned particular acclaim in the late 1990s for his supporting performance in Amic/Amat (Beloved/Friend, 1999), directed by Ventura Pons, which brought him a Goya Award nomination for Best Supporting Actor in 2000. He also appeared in El pianista (1998), El largo invierno (1992), and Chatarra (1991) during this period. His film credits continued into the 2000s and beyond with roles in Adela (2000), El coronel Macià (2006), La vampira de Barcelona (2020), and Occidente (2020). More recently, he had a small role in the international production Dune: Part Two (2024).

Television acting

Mario Gas has appeared in a range of Spanish and Catalan television productions, often taking on supporting or recurring roles that highlight his dramatic range. One of his most substantial television commitments came with the Catalan crime drama Nit i día (2016), in which he portrayed Fermí Cases Ferrer across 13 episodes. He also contributed to the widely viewed historical series Isabel, appearing as Francesc de Verntallat in three episodes during 2013. In the political comedy miniseries Vota Juan (2019), Gas played Antonio Jiménez Montaño in two episodes. More recently, he joined the cast of the educational drama HIT in 2024, portraying Gustavo Ibarra in seven episodes. His television acting credits further include the role of Marquès de Camps in the 2006 TV production El coronel Macià and Armandão in the 2013 miniseries Descalzo sobre la tierra roja (Barefoot on Red Soil), along with a guest appearance in Nico & Sunset (2014).

Directing career

Theater directing

Mario Gas has established himself as one of Spain's most versatile and prolific theater directors, having staged more than fifty plays across a career spanning several decades. His work encompasses a wide range of dramatic traditions, from Spanish Golden Age and modern classics to international contemporary pieces and musical theater adaptations, often presented at major institutions such as the Centro Dramático Nacional, Teatre Nacional de Catalunya, and Teatro María Guerrero. From 2004 to 2012, Gas served as artistic director of the Teatro Español in Madrid, where he shaped the theater's programming while directing several productions himself, contributing significantly to its role as a key venue for both classic revivals and new interpretations of modern works. During this period and beyond, he helmed notable stagings including Martes de Carnaval by Ramón María del Valle-Inclán in 1995 for the Centro Dramático Nacional, La gata sobre el tejado de zinc by Tennessee Williams in 1995, Incendios by Wajdi Mouawad in 2016 at Teatro La Abadía, and El concierto de San Ovidio by Antonio Buero Vallejo in 2018 at Teatro María Guerrero. His more recent directing credits reflect continued engagement with powerful contemporary drama, such as Todos Pájaros by Wajdi Mouawad in 2025 at Teatros del Canal and Pedro Páramo, an adaptation of Juan Rulfo's novel, in 2020 at Naves del Español. Gas's approach frequently highlights intense character studies and thematic depth, drawing from his extensive acting background to inform nuanced ensemble work across diverse theatrical forms.

Film and television directing

Mario Gas's directing work in film and television has been limited compared to his prolific career in theater and opera directing. His credits in screen media include the short film Tango (1975), the television movies La ronda (1987) and El temps i els Conway (1993, an adaptation of J.B. Priestley's play broadcast by Televisió de Catalunya), and the TV special 100 años de cine español (1996). He has also directed filmed versions of some of his stage productions, such as Sweeney Todd (1996) and El pianista (1998), as well as opera productions like Madama Butterfly (2018). These occasional projects highlight his versatility beyond live stage work, though they remain secondary to his primary contributions in theatrical and operatic direction.

Dubbing and voice work

Awards and nominations

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