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Mario Pisu
Mario Pisu
Mario Pisu
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Mario Pisu (21 May 1910 – 17 July 1976) was an Italian actor and voice actor.[1]

Key Information

Biography

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Born in Montecchio Emilia, Pisu was considered to be one of the most elegant performers of the Italian cinema. He began his career on stage and screen in 1935, making his debut appearance in The Joker King and also making frequent on-stage collaborations with Andreina Pagnani, Evi Maltagliati, Rina Morelli, Paolo Stoppa and Gino Cervi. Pisu appeared in 90 films between 1935 and 1976 and among his most popular appearances includes the 1965 film Juliet of the Spirits starring Giulietta Masina. He also appeared on television.[2][3]

Pisu was also a popular voice actor and dubber.[4] With a very modulated voice, he dubbed actors such as Gregory Peck, John Wayne, Ward Bond, Walter Pidgeon, Lee J. Cobb, Robert Mitchum, Victor Mature, Fred MacMurray, Kenneth Tobey and many more. In Pisu's animated roles, he voiced Captain in the Italian dub of the 1961 animated film One Hundred and One Dalmatians.

Personal life and death

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Pisu was the older brother of the actor Raffaele Pisu.[5] He was married to Lilli Trucchi and they had a son, Silverio.

Pisu died in Velletri from a cerebral hemorrhage on 17 July 1976, at the age of 66.

Selected filmography

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Pisu in Juliet of the Spirits (1965)

Voice work

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Dubbing

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Films (Animation, Italian dub)

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Year Title Role(s) Ref
1961 One Hundred and One Dalmatians Captain [6]
1968 Asterix and Cleopatra Amonbofis [7]

References

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[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Mario Pisu

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Mario Pisu was an Italian actor and voice actor known for his roles in prominent Italian films of the mid-20th century, particularly his collaborations with director Federico Fellini in 8½ (1963) and Juliet of the Spirits (1965). He also appeared in notable works such as The Organizer (1963) and contributed to Italian cinema through acting, dubbing, directing, and screenwriting credits across theater, film, and television. Born on May 21, 1910, in Montecchio Emilia, Italy, Pisu developed a career that spanned several decades, beginning in the theater before moving into film roles during the 1940s. His work encompassed character parts in classic Italian productions and voice acting for international films dubbed into Italian, showcasing his versatility and elegant screen presence. He died on July 17, 1976, in Velletri, Italy. Pisu's contributions helped define aspects of postwar Italian cinema, where he often portrayed sophisticated or authoritative figures in ensemble casts and auteur-driven projects. His involvement in dubbing further extended his influence in bringing foreign performances to Italian audiences during a key era of the industry.

Early life

Birth and family background

Mario Pisu was born on May 21, 1910, in Montecchio Emilia, Italy. He was the older brother of actor Raffaele Pisu. He was the father of actor Silverio Pisu and uncle of actor Antonio Pisu.

Career

Theater career

Mario Pisu began his career in theater during the early 1930s, establishing himself as a respected "primo attor giovane" with a clear diction and refined stage presence, though he rarely secured stable leading roles. Described as tall, handsome, and elegant, he was valued for his measured, incisive performances in supporting capacities rather than as a principal protagonist. He collaborated frequently with prominent figures of the Italian stage, including Andreina Pagnani, Evi Maltagliati, Rina Morelli, Paolo Stoppa, and Gino Cervi. In 1945, Luchino Visconti engaged Pisu for the prologue in the Italian production of Jean Anouilh’s Antigone, praising his limpida dizione for the role. The production, which premiered at Rome's Teatro Eliseo on October 18, 1945, featured Rina Morelli as Antigone, Olga Villi as Ismene, and Paolo Stoppa among the cast. Visconti reconfirmed him for subsequent major stagings, including the Italian premiere of Arthur Miller's Morte di un commesso viaggiatore (Death of a Salesman) in 1951, where Pisu portrayed Uncle Ben. He returned to work with Visconti again in 1955 for Anton Chekhov's Zio Vanja (Uncle Vanya), playing Alexandr Vladimirovic Serebriakov alongside performers such as Rina Morelli. Pisu transitioned to cinema in the 1930s while continuing his stage work.

Film career

Mario Pisu began his film career in 1935, making his debut in Passaporto rosso (Red Passport) as Capitano Alberto Rodriguez and appearing in other early titles such as L'aria del continente. His early work in the 1930s and 1940s included supporting roles in Italian productions, with notable appearances during the wartime period in Noi vivi (We the Living, 1942) as Viktor Dunaev and its sequel Addio Kira! (1942) as Victor Dunaev. In the post-war years and into the 1950s and 1960s, Pisu established himself as a prolific character actor, often portraying elegant or authoritative figures in a variety of genres, including historical epics such as Hercules (1958) and Hannibal (1959). He gained particular recognition for his collaborations with Federico Fellini, playing Mario Mezzabotta in 8½ (1963) and Giorgio, the husband of Giulietta Masina's character, in Juliet of the Spirits (1965). He also appeared in Mario Monicelli's The Organizer (1963). During the 1970s, Pisu continued in supporting roles in Italian genre films, including The Boss (1973) as Onorevole Gabrielli, The Sensuous Nurse (1975) as Leonida Bottacin, Nick the Sting (1976) as Phil, and the posthumously released Sorbole... che romagnola (1977) as The Vicar. Over the course of his on-screen career, he appeared in approximately 90 films between 1935 and 1976, consistently contributing as a reliable supporting and character actor in Italian cinema.

Voice acting career

Mario Pisu developed a prolific career as a voice actor and dubber in Italian cinema, becoming one of the most active and recognizable voices of his generation during the mid-20th century. His warm and modulated voice was particularly well-suited to authoritative and rugged characters, leading him to specialize in dubbing Hollywood stars in Westerns, action films, and war dramas. He was especially prominent as the Italian voice for John Wayne, providing the dubbing in films such as Seven Sinners (1940), The Spoilers (1942), Fort Apache (1948), and Flying Leathernecks (1951). His work extended to other major stars including Gregory Peck, Robert Mitchum, Victor Mature, Ward Bond, Walter Pidgeon, Lee J. Cobb, Fred MacMurray, Anthony Quinn, and Jack Hawkins, often in roles that emphasized strength and gravitas. Notable specific credits include Victor Mature in After the Fox (1966), Edmond O'Brien in The Longest Day (1962), and Antonio Prieto in A Fistful of Dollars (1964). He also occasionally dubbed Italian actors, such as Raf Vallone in Anna. In animation, Pisu voiced the Captain (the horse) in the Italian dub of One Hundred and One Dalmatians (1961) and Von Klappe in Asterix and Cleopatra (1968). His extensive dubbing portfolio, spanning several decades and numerous productions, cemented his status as one of the era's leading Italian dubbers.

Directing and screenwriting

Mario Pisu's work as a director and screenwriter was notably limited compared to his prolific acting and voice acting career. He directed the 1954 film La grande avventura, his only confirmed directing credit. He also contributed to the film's screenplay, serving as one of its writers alongside others. This marked his primary involvement in screenwriting, with no other significant writing credits widely documented. These efforts reflected a brief extension of his multifaceted presence in Italian cinema during the mid-1950s.

Personal life

Marriage and family

Mario Pisu was married to the actress Lilli Trucchi. The couple had a son, Silverio Pisu, who appeared as a child actor in a few films during the early 1940s, including some alongside his father, before later becoming a comic book scriptwriter.

Death

Death

Mario Pisu died on July 17, 1976, in Velletri, Italy, at the age of 66 from a cerebral hemorrhage. He had remained active in his career until that year, appearing in films released in 1976.
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