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Masonic manuscripts
There are a number of masonic manuscripts that are important in the study of the emergence of Freemasonry. Most numerous are the Old Charges or Constitutions. These documents outlined a "history" of masonry, tracing its origins to a biblical or classical root, followed by the regulations of the organisation, and the responsibilities of its different grades. More rare are old hand-written copies of ritual, affording a limited understanding of early masonic rites. All of those that pre-date the formation of Grand Lodges found in Scotland and Ireland, and show such similarity that the Irish rituals are usually assumed to be of Scottish origin. The earliest Minutes of lodges formed before the first Grand Lodge are also located in Scotland. Early records of the first Grand Lodge in 1717 allow an elementary understanding of the immediate pre-Grand Lodge era and some insight into the personalities and events that shaped early-18th-century Freemasonry in Britain.
Other early documentation is included in this article. The Kirkwall Scroll is a hand painted roll of linen, probably used as a floorcloth, now in the care of a lodge in Orkney. Its dating and the meaning of its symbols have generated considerable debate. Early operative documents and the later printed constitutions are briefly covered.
The Old Charges of the masons' lodges were documents describing the duties of the members, to part of which (the charges) every mason had to swear on admission. For this reason, every lodge had a copy of its charges, occasionally written into the beginning of the minute book, but usually as a separate manuscript roll of parchment. With the coming of Grand Lodges, these were largely superseded by printed constitutions, but the Grand Lodge of All England at York, and the few lodges that remained independent in Scotland and Ireland, retained the hand-written charges as their authority to meet as a lodge. Woodford, Hughan, Speth and Gould, all founders of Quatuor Coronati Lodge, and Dr Begemann, a German Freemason, produced much published work in the second half of the nineteenth century, collating, cataloguing, and classifying the available material. Since then, aside from the occasional rediscovery of another old document, little has been done to update the field.
The oldest, the Regius poem, is unique in being set in verse. The rest, of which over a hundred survive, usually have a three part construction. They start with a prayer, invocation of God, or a general declaration, followed by a description of the Seven Liberal Arts (logic, grammar, rhetoric, arithmetic, geometry, music and astronomy), extolling Geometry above the others. There follows a history of the craft, and how it came to the British Isles, usually culminating in a general assembly of masons during the reign of King Athelstan. The last part consists of the charges or regulations of the lodge, and the craft of masonry in general, which the members are bound to maintain.
The earliest masonic documents are those of their early employers, the church and the state. The first claimed by modern Freemasons as the lineal ancestors of their own Charges relate to the self-organisation of masons as a fraternity with mutual responsibilities. From the reign of Henry VI to the Elizabethan period, that is from about 1425 to 1550, surviving documents show the evolution of a legend of masonry, starting before the flood, and culminating in the re-establishment of the craft of masonry in York during the reign of King Athelstan.
The Halliwell Manuscript, also known as the Regius Poem, is the earliest of the Old Charges. It consists of 64 vellum pages of Middle English written in rhyming couplets. In this, it differs from the prose of all the later charges. The poem begins by describing how Euclid "counterfeited geometry" and called it masonry, for the employment of the children of the nobility in Ancient Egypt. It then recounts the spread of the art of geometry in "divers lands." The document relates how the craft of masonry was brought to England during the reign of King Athelstan (924–939). It tells how all the masons of the land came to the King for direction as to their own good governance, and how Athelstan, together with the nobility and landed gentry, forged the fifteen articles and fifteen points for their rule. This is followed by fifteen articles for the master concerning both moral behaviour (do not harbour thieves, do not take bribes, attend church regularly, etc.) and the operation of work on a building site (do not make your masons labour at night, teach apprentices properly, do not take on jobs that you cannot do, etc.). There are then fifteen points for craftsmen which follow a similar pattern. Warnings of punishment for those breaking the ordinances are followed by provision for annual assemblies. There follows the legend of the Four Crowned Martyrs, a series of moral aphorisms, and finally a blessing.
The origins of the Regius are obscure. The manuscript was recorded in various personal inventories as it changed hands until it came into possession of the Royal Library, which was donated to the British Museum in 1757 by King George II to form the nucleus of the present British Library. It came to the attention of Freemasonry much later, this oversight being mainly due to the librarian David Casley, who described it as "a Poem of Moral Duties" when he catalogued it in 1734. It was in the 1838–39 session of the Royal Society that James Halliwell, who was not a Freemason, delivered a paper on "The early History of Freemasonry in England", based on the Regius, which was published in 1840. The manuscript was dated to 1390, and supported by such authorities as Woodford and Hughan; the dating of Edward Augustus Bond, the curator of manuscripts at the British Museum, to fifty years later was largely sidelined. Hughan also mentions that it was probably written by a priest.
Modern analysis has confirmed Bond's dating to the second quarter of the fifteenth century, and placed its composition in Shropshire. This dating leads to the hypothesis that the document's composition, and especially its narrative of a royal authority for annual assemblies, was intended as a counterblast to the statute of 1425 banning such meetings.
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Masonic manuscripts
There are a number of masonic manuscripts that are important in the study of the emergence of Freemasonry. Most numerous are the Old Charges or Constitutions. These documents outlined a "history" of masonry, tracing its origins to a biblical or classical root, followed by the regulations of the organisation, and the responsibilities of its different grades. More rare are old hand-written copies of ritual, affording a limited understanding of early masonic rites. All of those that pre-date the formation of Grand Lodges found in Scotland and Ireland, and show such similarity that the Irish rituals are usually assumed to be of Scottish origin. The earliest Minutes of lodges formed before the first Grand Lodge are also located in Scotland. Early records of the first Grand Lodge in 1717 allow an elementary understanding of the immediate pre-Grand Lodge era and some insight into the personalities and events that shaped early-18th-century Freemasonry in Britain.
Other early documentation is included in this article. The Kirkwall Scroll is a hand painted roll of linen, probably used as a floorcloth, now in the care of a lodge in Orkney. Its dating and the meaning of its symbols have generated considerable debate. Early operative documents and the later printed constitutions are briefly covered.
The Old Charges of the masons' lodges were documents describing the duties of the members, to part of which (the charges) every mason had to swear on admission. For this reason, every lodge had a copy of its charges, occasionally written into the beginning of the minute book, but usually as a separate manuscript roll of parchment. With the coming of Grand Lodges, these were largely superseded by printed constitutions, but the Grand Lodge of All England at York, and the few lodges that remained independent in Scotland and Ireland, retained the hand-written charges as their authority to meet as a lodge. Woodford, Hughan, Speth and Gould, all founders of Quatuor Coronati Lodge, and Dr Begemann, a German Freemason, produced much published work in the second half of the nineteenth century, collating, cataloguing, and classifying the available material. Since then, aside from the occasional rediscovery of another old document, little has been done to update the field.
The oldest, the Regius poem, is unique in being set in verse. The rest, of which over a hundred survive, usually have a three part construction. They start with a prayer, invocation of God, or a general declaration, followed by a description of the Seven Liberal Arts (logic, grammar, rhetoric, arithmetic, geometry, music and astronomy), extolling Geometry above the others. There follows a history of the craft, and how it came to the British Isles, usually culminating in a general assembly of masons during the reign of King Athelstan. The last part consists of the charges or regulations of the lodge, and the craft of masonry in general, which the members are bound to maintain.
The earliest masonic documents are those of their early employers, the church and the state. The first claimed by modern Freemasons as the lineal ancestors of their own Charges relate to the self-organisation of masons as a fraternity with mutual responsibilities. From the reign of Henry VI to the Elizabethan period, that is from about 1425 to 1550, surviving documents show the evolution of a legend of masonry, starting before the flood, and culminating in the re-establishment of the craft of masonry in York during the reign of King Athelstan.
The Halliwell Manuscript, also known as the Regius Poem, is the earliest of the Old Charges. It consists of 64 vellum pages of Middle English written in rhyming couplets. In this, it differs from the prose of all the later charges. The poem begins by describing how Euclid "counterfeited geometry" and called it masonry, for the employment of the children of the nobility in Ancient Egypt. It then recounts the spread of the art of geometry in "divers lands." The document relates how the craft of masonry was brought to England during the reign of King Athelstan (924–939). It tells how all the masons of the land came to the King for direction as to their own good governance, and how Athelstan, together with the nobility and landed gentry, forged the fifteen articles and fifteen points for their rule. This is followed by fifteen articles for the master concerning both moral behaviour (do not harbour thieves, do not take bribes, attend church regularly, etc.) and the operation of work on a building site (do not make your masons labour at night, teach apprentices properly, do not take on jobs that you cannot do, etc.). There are then fifteen points for craftsmen which follow a similar pattern. Warnings of punishment for those breaking the ordinances are followed by provision for annual assemblies. There follows the legend of the Four Crowned Martyrs, a series of moral aphorisms, and finally a blessing.
The origins of the Regius are obscure. The manuscript was recorded in various personal inventories as it changed hands until it came into possession of the Royal Library, which was donated to the British Museum in 1757 by King George II to form the nucleus of the present British Library. It came to the attention of Freemasonry much later, this oversight being mainly due to the librarian David Casley, who described it as "a Poem of Moral Duties" when he catalogued it in 1734. It was in the 1838–39 session of the Royal Society that James Halliwell, who was not a Freemason, delivered a paper on "The early History of Freemasonry in England", based on the Regius, which was published in 1840. The manuscript was dated to 1390, and supported by such authorities as Woodford and Hughan; the dating of Edward Augustus Bond, the curator of manuscripts at the British Museum, to fifty years later was largely sidelined. Hughan also mentions that it was probably written by a priest.
Modern analysis has confirmed Bond's dating to the second quarter of the fifteenth century, and placed its composition in Shropshire. This dating leads to the hypothesis that the document's composition, and especially its narrative of a royal authority for annual assemblies, was intended as a counterblast to the statute of 1425 banning such meetings.