Hubbry Logo
Michael BenthallMichael BenthallMain
Open search
Michael Benthall
Community hub
Michael Benthall
logo
7 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Michael Benthall
Michael Benthall
Michael Benthall
View on Wikipedia
from Wikipedia

Michael Pickersgill Benthall CBE (8 February 1919 – 6 September 1974) was an English theatre director.

Key Information

Background

[edit]

Michael Benthall was born in Mayfair on 18 February 1919, the son of the British businessman and public servant Sir Edward Charles Benthall and Ruth, Lady Benthall (née Ruth McCarthy Cable), daughter of Ernest Cable, 1st Baron Cable.[1] He attended Eton College and Christ Church, Oxford.[1] He left Oxford in 1938 to begin an acting career.[1] During World War II, he served with the Royal Artillery and was a major.[1]

Career

[edit]

His first connection with the Old Vic was during the 1944 season when the company, owing to enemy action, had been forced to relocate to the New Theatre (now the Noël Coward Theatre) where Benthall directed a production of Hamlet jointly with Tyrone Guthrie.[2]

Benthall provided the scenario for two ballets by Arthur Bliss: Miracle in the Gorbals (1944), and Adam Zero (1946).[1] He was the artistic director of the Old Vic between 1953 and 1962, and produced all of the Shakespeare plays in the First Folio over five years.[3]

A few years later, he directed I'm Solomon, a musical remake of an Israeli musical called King Solomon and Shalmai the Shoemaker ("Shlomo ha'Melech ve'Shalmai ha'Sandlar") that ran in Jaffa in the Summer of 1967. I'm Solomon starred Dick Shawn, Salome Jens and Carmen Mathews. Ernest Gold, who had written the score for the movie Exodus (1960), wrote the music. Geoffrey Holder choreographed the show. Benthall then directed Coco starring Katharine Hepburn with music by André Previn and lyrics by Alan Jay Lerner.[1] Later came Her First Roman, a musical version of George Bernard Shaw's Caesar and Cleopatra.[1]

Personal life

[edit]

As an undergraduate at Oxford, Benthall met Robert Helpmann, who had been fulfilling an invitation to dance there.[1] The two men formed a romantic relationship that was to last for 36 years. The couple lived and worked together quite openly for the remainder of Benthall's life.

Benthall died from cirrhosis at the Royal Free Hospital in London on 6 September 1974, aged 55.[1]

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Michael Benthall

View on Grokipedia
from Grokipedia
Michael Benthall was a British theatre director known for his influential tenure as director of the Old Vic Theatre Company from 1953 to 1962, during which he oversaw the first complete cycle of Shakespeare's plays performed by a single company in modern times. He also directed notable Broadway productions, including As You Like It with Katharine Hepburn and the musical Coco, the latter earning him a Tony Award nomination for Best Director of a Musical. Benthall began his career with work at the Shakespeare Memorial Theatre in Stratford-upon-Avon between 1947 and 1951 before taking the helm at the Old Vic, where his ambitious Shakespeare repertory revitalized the company's reputation. He received the Commander of the Order of the British Empire (CBE) in 1960 for his services to theatre. His collaborations extended to long-term professional and personal association with dancer and actor Robert Helpmann. Born in London in 1919, Benthall died in 1974 at the age of 55. His legacy lies in his commitment to classical theatre and his contributions to both British and American stage productions.

Early Life and Education

World War II Service

Theatre Career

Early Directing Work

Michael Benthall transitioned from acting to directing in the early 1940s, building on his professional acting debut in 1938 with a role in Traitor's Gate in London. During World War II, while working in a Glasgow gun factory, he conceived the idea for the ballet Miracle in the Gorbals, providing its scenario for a one-act work choreographed by Robert Helpmann, with music by Arthur Bliss and designs by Edward Burra, which premiered at Sadler's Wells Theatre in October 1944. He similarly supplied the scenario for Helpmann's subsequent ballet Adam Zero in 1946, also set to music by Bliss. In 1944, Benthall co-directed Hamlet with Tyrone Guthrie for the Old Vic Company at the New Theatre in London, opening on February 11, with scenery and costumes by Leslie Hurry and Robert Helpmann starring in the title role. Following the war, his directing focused prominently on Shakespeare at the Shakespeare Memorial Theatre in Stratford-upon-Avon, where he staged Hamlet in 1947, followed by King John, The Merchant of Venice, another Hamlet, and King Richard II in 1948. He also directed King Henry VIII and Hamlet there in 1949, alongside non-Shakespeare works such as The Government Inspector at St Martin's Theatre in London (1948–1949) and The Taming of the Shrew at the New Theatre (1948–1949). Benthall's early 1950s directing included productions at venues such as the Adelphi Theatre in London in 1950 and St James's Theatre in 1951, notably Caesar and Cleopatra (opening April 24, 1951). At Stratford, he directed The Tempest in 1951 (opening June 26), with designs by Loudon Sainthill, and continued work there into 1952. These pre-1953 credits demonstrated his versatility across ballet scenarios, classical Shakespeare, and modern plays, establishing his reputation as a director before his appointment at the Old Vic.

Old Vic Artistic Directorship (1953–1962)

Michael Benthall was appointed artistic director of the Old Vic in 1953, assuming leadership of the theatre following earlier changes in management and building on his prior associations with the company. He held the position until 1962, directing the Old Vic's artistic and administrative operations for nine years. In this role, Benthall oversaw a repertory system that featured large ensemble casts performing in rotating seasons of plays, enabling the company to maintain a stable group of actors across multiple productions. He was responsible for season planning, company management, and key administrative decisions that sustained the theatre's operations during this period. Benthall also directed select productions himself during his tenure, including Doctor Faustus at the Old Vic in 1961–1962. His leadership emphasized the maintenance of a professional repertory ensemble and the presentation of diverse classical works.

Shakespeare First Folio Cycle

During his artistic directorship at the Old Vic Theatre, Michael Benthall conceived and implemented a five-year plan to stage all 36 plays included in Shakespeare's First Folio. Inaugurated in 1953, the cycle aimed to present the complete set of these plays and was successfully concluded in 1958, marking only the second time the Old Vic had achieved this feat—the first occurring in 1923–24. For the duration of the project, the theatre presented exclusively Shakespeare productions. The cycle opened with a production of Hamlet in 1953, starring Richard Burton in the title role. Benthall oversaw the ambitious undertaking, directing several of the productions himself while engaging notable actors across the series, including a young Judi Dench who made her Shakespearean debut during the cycle. The project re-established the Old Vic's historic connection to Shakespeare's works and fostered lasting enthusiasm for the playwright among younger audiences. The successful completion of the Five Year Folio Plan was commemorated in 1958 when Queen Elizabeth II inaugurated a new theatre annexe dedicated to the achievement. Widely regarded as a landmark in Shakespearean theatre history, the cycle demonstrated Benthall's commitment to comprehensive presentation of the canon and reinforced the Old Vic's reputation as a premier venue for Shakespeare's plays.

International Tours

The Old Vic Company, under Michael Benthall's direction, undertook several major international tours to present Shakespearean productions abroad during his artistic directorship. These tours extended the company's reach beyond London and supported the dissemination of its Shakespearean repertoire globally. In 1955, the Old Vic embarked on a six-month tour of Australia, performing in Sydney, Melbourne, Brisbane, Adelaide, and Perth. Directed by Benthall, the tour featured three Shakespeare plays: The Merchant of Venice, The Taming of the Shrew, and Measure for Measure, with Katharine Hepburn and Robert Helpmann in starring roles. The company toured the United States in 1956–1957 and again in 1958–1959. The 1956–1957 tour included a production of King Richard II, which opened in New York on October 23, 1956, as part of a repertoire of four plays presented by the Old Vic. In 1958–1959, the company performed at the Broadway Theatre in New York, staging Twelfth Night and Hamlet, both directed by Benthall with a style emphasizing clarity, swift pacing, and sophisticated staging; John Neville starred as Hamlet and in other leading roles. In 1957–1958, the Old Vic participated in the Théâtre des Nations festival in Paris at the Théâtre Sarah-Bernhardt, presenting productions directed by Benthall, including Hamlet. In 1961, the company toured Russia and Poland, with a production of Macbeth running from January to February under Benthall's direction. Some productions from the company's First Folio cycle were featured across these international engagements.

Later Theatre Productions

After leaving the Old Vic in 1962, Michael Benthall directed fewer productions than during his artistic directorship, shifting focus toward musical theatre and occasional classical revivals. In 1966, he staged Macbeth at the Chichester Festival Theatre. He subsequently directed three Broadway musicals. I'm Solomon opened on April 23, 1968, and closed after four performances on April 27, 1968. Her First Roman, a musical adaptation of George Bernard Shaw's Caesar and Cleopatra with music, lyrics, and book by Ervin Drake, starred Richard Kiley and Leslie Uggams; Benthall served as original director but was replaced by Derek Goldby during tryouts, and the production closed in October 1968 after incurring a reported $575,000 loss. Benthall's final major stage work was Coco (1969), a musical about designer Coco Chanel with book and lyrics by Alan Jay Lerner and music by André Previn; it reunited him with Katharine Hepburn, who starred in the title role, and earned him a Tony Award nomination for Best Direction of a Musical. His post-Old Vic output remained limited compared to his earlier prolific career.

Television Productions

Personal Life

Death and Honours

References

  1. https://www.nytimes.com/1974/09/09/archives/michael-benthall-is-dead-at-55-directed-the-old-vic-for-9-years.html
  2. https://www.imdb.com/name/nm0072740/
  3. https://www.oxfordreference.com/display/10.1093/oi/authority.20110803095459559
  4. https://www.nationaltrust.org.uk/visit/shropshire-staffordshire/benthall-hall/stars-stage-and-screen
  5. https://voicesofbritishballet.com/timeline/1944-robert-helpmann-creates-miracle-in-the-gorbals-for-sadlers-wells-ballet-at-the-princes-theatre-london-with-music-by-arthur-bliss-and-designs-by-edward-burra/
  6. https://www.findagrave.com/memorial/199215831/michael_pickersgill_benthall
  7. https://collections.vam.ac.uk/item/O1173417/hamlet-costume-design-hurry-leslie/
  8. https://theatricalia.com/person/26s/michael-benthall/past?page=2
  9. https://theatricalia.com/person/26s/michael-benthall
  10. https://www.abouttheartists.com/productions/88619-the-tempest-at-shakespeare-memorial-theatre-june-26-1951
  11. https://theatricalia.com/person/26s/michael-benthall/past
  12. https://www.nytimes.com/1952/04/11/archives/changes-at-old-vic-hugh-hunt-to-direct-london-theatre-guthrie.html
  13. https://tseliot.com/the-eliot-hale-letters/letters/l1147
  14. https://theatricalia.com/place/2b/the-old-vic-london-london
  15. https://www.oldvictheatre.com/stories/a-history-of-shakespeare-at-the-old-vic/
  16. https://theshakespeareblog.com/2018/05/the-old-vic-at-200/
  17. https://www.oldvictheatre.com/stories/the-old-vic-on-tour-australia-1955/
  18. https://www.jstor.org/stable/2867559
  19. https://www.newyorker.com/magazine/1958/12/27/the-theatre-new-vics-for-old
  20. https://theatricalia.com/play/t/macbeth/production/9j3
  21. https://www.ibdb.com/broadway-production/im-solomon-3390
  22. https://www.nytimes.com/1968/10/29/archives/her-first-roman-over-saturday-575000-lost-kiley-suggests-that-shaw.html
  23. https://www.thecrimson.com/article/1968/8/2/her-first-roman-pby-the-time/
  24. https://www.ibdb.com/broadway-production/coco-3309
  25. https://www.broadwayworld.com/shows/creative.php?showid=2730
Add your contribution
Related Hubs
User Avatar
No comments yet.