Michael Craig-Martin

Sir Michael Craig-Martin CBE RA (born 28 August 1941) is an Irish-born contemporary conceptual artist and painter. He is known for fostering and adopting the Young British Artists, many of whom he taught, and for his conceptual artwork, An Oak Tree. He is an emeritus Professor of Fine Art at Goldsmiths. His memoir and advice for the aspiring artist, On Being An Artist, was published by London-based publisher Art / Books in April 2015.

Michael Craig-Martin was born in Dublin, but spent most of his childhood in Washington, D.C. For eight years, he attended a Roman Catholic primary school, which was operated by religious sisters, followed by the English Benedictine Priory School (now St. Anselm's Abbey School), where pupils were encouraged to look at religious imagery in illuminated glass panels and stained-glass windows. He gained an interest in art through one of the priests, who was an artist, and was also strongly impressed by a display in the Phillips Collection of work by Mark Rothko.

Craig-Martin studied in Lycée Français in Bogotá, Colombia, where his father had employment for a while. Drawing classes in the Lycée by an artist, Antonio Roda, gave him a wider perspective on art. His parents had no inclinations towards art, although they did have on display in their home Picasso's Greedy Child.^{[verification needed]} Back in Washington, he attended drawing classes given there by artists, then in 1959 attended Fordham University in New York for English Literature and History, while also starting to paint.

In mid-1961 Craig-Martin studied art at the Académie de la Grande Chaumière in Paris, and in the autumn he began a painting course at Yale University, where the teaching was strongly influenced by the multi-disciplinary experimentation and minimalist theories on colour and form of Josef Albers, a former head of department. Craig-Martin later said,^{[citation needed]} "Everything I know about colour comes from that course". Tutors on the course included artists Alex Katz and Al Held.

Craig-Martin has lived and worked in London since 1966. From his early box-like constructions of the late 1960s, he moved increasingly to the use of ordinary household objects. In the late 1970s he began to make line drawings of ordinary objects, creating over the years an ever-expanding vocabulary of images which form the foundation of his work to this day. During the 1990s the focus of his work shifted decisively to painting, with the same range of boldly outlined motifs and vivid color schemes applied both to works on canvas, and to increasingly complex installations of wall paintings.

In 1973, he exhibited the seminal piece An Oak Tree. The work consists of a glass of water standing on a shelf attached to the gallery wall, next to which is a text using an argument to explain why it is in fact an oak tree. Nevertheless, on one occasion when it was barred by Australian Customs officials from entering the country as vegetation, he was forced to explain it was really a glass of water. The work was bought by the National Gallery of Australia in 1977, and the Tate gallery has an artist's copy.

From 1973, Craig-Martin was a tutor at Goldsmiths College and, during the 1980s, was a significant influence on the emerging YBA generation, including Damien Hirst. He was also helpful in promoting the Freeze show to established art-world figures. In 1995, he curated Drawing the Line: a comprehensive touring exhibition on the history of line drawing at the Southbank Centre, London. Craig-Martin and his influence were described in an article in the Observer regarding the mentors of British art, entitled Schools of Thought. Craig-Martin has been a trustee of the Tate Gallery and is a trustee of the National Art Collections Fund.

Since 2011, Craig-Martin has been working on powder-coated steel forms that describe everyday objects and appear like line drawings in the air. The first series was shown in the gardens of Chatsworth House in Derbyshire, in 2014, where the sculptures were sunk into the soil of the grounds.