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Post-credits scene

A post-credits scene (also known as a stinger, end tag, or credit cookie) is a short teaser clip that appears after the closing credits have rolled and sometimes after a production logo of a film, TV show, or video game has run. It is usually included to reward the audience for having the patience to watch through the credits sequence; it may be a scene written for humor or to set up a sequel.

Sometimes, one or more mid-credits scenes are also inserted partly through the closing credits, typically for the purpose of maintaining the audience's attention so they do not need to wait for the entire credits roll to finish for a teaser.

Post-credits scenes may have their origins in encores, an additional performance added to the end of staged shows in response to audience applause. Opera encores were common practice in the 19th century, when the story was often interrupted so a singer could repeat an aria, but fell out of favor in the 1920s due to rising emphasis on dramatic storytelling rather than vocal performance.

The first general release film to feature a post-credits scene is The Silencers, released in March 1966. The scene depicts lead character Matt Helm (played by Dean Martin) lying shirtless on what appears to be a rotating sofa along with 10 scantily-clad women. He kisses two women before rubbing his face and muttering, "Oh my god." During the scene, text overlays reads "Coming Up Next" and "Matt Helm Meets Lovey Kravezit."

In 1979, The Muppet Movie uses a framing device in which the characters themselves watch the movie unfold in a theater. During the credits, the Muppets get up from their seats, talk to each other and joke around (thus incentivizing the real audience to stick around and see what happens next). In the final moment after the credits, Animal yells at the audience to "GO HOME!" before sighing "buh-bye" and passing out from exhaustion.

The use of such scenes gained popularity throughout the 1980s at the end of comedy films. In 1980, Airplane! ended with a callback to an abandoned taxicab passenger who was not a primary character. Enhanced application continued in 1985 with Young Sherlock Holmes (see below); in Masters of the Universe (1987), Skeletor's head emerges from the water at the bottom of the pit, saying "I'll be back!" The Muppet Movie also began a trend of using such scenes to break the fourth wall, even when much of the rest of the film had kept it intact. The scenes were often used as a form of metafiction, with characters showing an awareness that they were at the end of a film, and sometimes telling the audience directly to leave the theatre. Films using this technique include Ferris Bueller's Day Off (in which the title character frequently breaks the fourth wall during the film) and the musical remake of The Producers. The post-credits scene in the latter film also includes a cameo appearance by Producers screenwriter Mel Brooks.

Post-credits scenes also appeared on the long-running television show Mystery Science Theater 3000, introduced in the 1990 episode Rocket Attack U.S.A., continuing until the end of the series. With few exceptions, they highlighted moments from the films that were either particularly nonsensical or had simply caught the writers' attention.

Stingers lacking the metafictional aspects also gained prominence in the 1980s, although they were still primarily used for comedy films. Post-credits scenes became useful places for humorous scenes that would not fit in the main body of the film. Most were short clips that served to tie together loose ends—minor characters whose fates were not elaborated on earlier in the film, or plot lines that were not fully wrapped up. For example, all five Pirates of the Caribbean films include such scenes. Napoleon Dynamite features a stinger that reveals that Kip and LaFawnduh get married, a scene that was included in its wide release. In the film The Cannonball Run, bloopers from the film are shown. One of the stars in that picture, Jackie Chan, later featured outtakes during the credits of many of his films, often showing him getting injured doing his own stunts.

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