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Midas Consoles
Midas Consoles
Midas Consoles
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Midas is a company that designs professional audio consoles. Founded in London in 1970 by Jeff Byers and Charles Brooke, today the company is part of the Music Tribe group of brands.

Key Information

Midas consoles are used by audio engineers for live sound mixing. Applications for these consoles includes Front of House (FOH) and monitor console positions. Midas also markets the digital audio distribution components that are commonly used with their digital consoles as stand-alone digital snakes, or larger multi-site audio distribution networks.

History

[edit]

Originally founded in 1970 by Jeff Byers and Charles Brooke as Midas Amplification, a London manufacturer of solid state guitar amps, the company relocated near Euston Station in London, next door to Martin Audio, in 1972, and began producing the PR System modular mixer in 1974. Midas mixers were adopted by the tour sound market, and used by Clair Brothers Audio on the concert tours of Elvis Presley, Yes (band), Billy Joel, and The Beach Boys. Pink Floyd used Midas consoles on their Animals Tour in 1977 and The Wall Tour in 1979, and Frank Zappa used Midas consoles on his 1980 World Tour. Midas experienced success in the musical theatre market as well, with their consoles used for productions of Evita and Cats.[1]

Midas launched the XL, the first of a series of large-format professional touring consoles, at the New York AES Convention in 1986. Development of the XL was costly, and in December 1987 the assets of Midas Audio Systems Ltd. were purchased by Klark Teknik. Under this new ownership, Midas released the XL2 in 1988, the XL3 in 1990, and the XL4 in 1995.[1][2] The XL3 and XL4 established Midas as a leading live console manufacturer for the next two decades,[3] and the XL series would grow to include the XL200, and XL250, as well as smaller models targeted at the club and regional sound market.

A Midas Heritage 3000 mixing console on the right at the Front of House position at an outdoor concert.

Beginning in 1998, Midas introduced the Heritage series consoles, including the H3000, H2000, H1000, and H4000.

Midas introduced their first digital console, the flagship XL8, at Musikmesse Frankfurt in 2006. Notable XL8 features included three preamps per channel to enable front of house, monitor and broadcast control surfaces to be fed from the same input rack, dual redundant master control processors, and integration with the Klark Teknik Helix EQ system via the Rapide remote. In September 2008 at the annual PLASA tradeshow, Midas introduced the PRO6 Live Audio System, the second networked digital audio system from Midas. Employing technologies developed from the XL8, the PRO6 offered similar audio performance in a more compact form factor.

In 2010, Midas introduced the PRO3 and PRO9 digital consoles, along with the VeniceF digital-analog hybrid ("Digi-Log") console, which replaced the Venice analog console. At the 2011 PLASA show, Midas unveiled the PRO2 and PRO2C consoles, which offered Midas digital features from the larger PRO and XL8 consoles in a more compact package and a lower price point.[4] The following year at InfoComm, Midas introduced the PRO1 digital console, with an even smaller physical footprint and lower price point than the PRO2/PRO2C.[5]

A 19-inch rack holding several professional audio devices including a Midas XL88 8×8 matrix mixer at the bottom

In January 2014 at the NAMM Show in Anaheim, California, Midas introduced the M32 ($4,999 MSRP in USA), based largely on parent company Music Tribe's highly-successful Behringer X32 mixer, sharing most of the X32's operating system, but utilizing Midas' Pro series microphone preamps. (X32 uses slightly different Midas-designed preamps, with Cirrus Logic A/D converters and a sample rate of 48 kHz. Midas Pro preamps are 96 kHz and use Midas' own MIDAS-8000 8-channel A/D converter, which reportedly has better performance numbers than Cirrus Logic chips used by most other console makers).

At that same time, Midas began retiring much of its analog console product line, including the Heritage, Legend, and Siena series, while maintaining the Verona analog console and VeniceF and VeniceU analog-digital hybrid versions of the original Venice console an active part of Midas' product line.

Linux is used at the core of all Midas digital consoles. This is mentioned prominently in their marketing materials, as well as in their preference for Linux development and kernel programming experience in job postings for development positions. At the core of all Midas Pro desks is standard PC motherboard with 4GB flash card (for OS and data storage).

Midas became part of the Telex Group, which was subsequently acquired by the Bosch Group in January 2006. In December 2009, Midas and Klark Teknik were acquired by Music Group, a holding company chaired by Uli Behringer. Music Group was later rebranded as Music Tribe.[6][7]

References

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Midas Consoles

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Midas Consoles is a British manufacturer of high-end mixing consoles, renowned for their use in live sound reinforcement, touring, recording studios, and broadcast applications. Founded in in 1970 by Jeff Byers and Charles Brooke, the company initially produced amplifiers and speaker cabinets before transitioning to audio mixers in the early . The company's early success came with the PR System and PRO4 consoles in 1974, which featured innovative built-in active crossovers and gained popularity among touring acts such as and Delicate Productions. By the 1980s, Midas introduced the modular PRO40 series, establishing itself as an industry leader in analogue mixing technology. The flagship XL series, launched in 1986, included models like the XL3 (developed in 1988 with 40 input channels, VCA faders, and flexible routing) and the XL4 (1995 pinnacle of analogue design), which became staples in professional live sound. Midas consoles have been used on major tours by artists including , Led Zeppelin, , , and . In 1987, following financial difficulties, was acquired by Klark Teknik, which supported further development, including the Heritage series (H3000 in 1998 through H4000 in 2002) and the transition to digital consoles with the XL8 in 2006. The PRO series followed in the late , with models like the PRO6 (2008), PRO2 (2011), and PRO1 (2012), incorporating advancements such as the million-cycle PRO FADER for precise motorized control. In 2009, acquired and Klark Teknik from Bosch, integrating them into a portfolio that includes brands like and Turbosound, while maintaining Midas's focus on premium preamplifiers and console design. Midas consoles have earned numerous awards, including the Plasa Award in 1996, Live Sound Tin Ear Awards in 1995 and 1997, and M.I.P.A. Awards in 2012 and 2013, solidifying their reputation as a benchmark for audio quality in professional environments. As of 2025, continues to innovate with new digital consoles such as the HD-Air and HD Neon16 prototype. Even today, legacy models like the XL4 remain specified on high-profile tour riders, underscoring the enduring legacy of in the audio industry.

History

Founding and Early Development

Midas Amplification was founded in 1970 in by Jeff Byers and Charles Brooke, who began operations from Byers' West Hampstead flat, focusing on the production of transistorised guitar amplifiers and speaker cabinets to meet the demands of the emerging scene. In 1972, the company relocated to a larger facility on Stanhope Street near Euston Station, adjacent to Martin Audio, which facilitated early collaborations. Initial amplifier lines, such as the "Block" series, featured modular enclosures housing multiple power units totaling 1 kW output, with configurations like four 250 W channels into 8-ohm loads, providing robust impedance handling for live applications. By the mid-1970s, expanded into modular public address (PA) systems, developing fully integrated setups that combined speakers, amplifiers, crossovers, and mixers to address the growing needs of touring live music productions. This shift was driven by Byers' road experience with bands like , leading to the launch of the PRO4 (PR) modular system in 1974, which included the PR 004 input module renowned for its high-fidelity and equalization capabilities. In 1975, introduced its first dedicated monitor console, equipped with a built-in active crossover, which was adopted by systems like Clair Brothers for high-profile tours featuring artists such as , Yes, and . The late 1970s marked the establishment of ' reputation for high-fidelity audio in rock and pop tours, with custom consoles deployed for Pink Floyd's 1977 quadraphonic setups and the 1979 105-channel system for tour, emphasizing clarity and in demanding live environments. These developments in modular mixing systems laid the groundwork for Midas' evolution into specialized analog consoles.

Key Milestones and Acquisitions

In the , introduced the modular PRO40 series, which became a mainstay for professional applications and further established the brand's leadership in analog mixing technology. In 1986, launched its flagship XL series console at the New York Convention, introducing a that revolutionized live sound reinforcement by allowing customizable configurations for large-scale touring and installations. This innovation set new standards for flexibility and audio quality in professional environments, with subsequent models like the XL2 in 1988 further solidifying the series' reputation. The XL3 earned the Plasa Award for Product Excellence in 1996, while the XL4 received the Live Sound Tin Ear Award in 1997, highlighting the series' industry impact. Corporate changes marked significant growth in the late and . In December 1987, following the winding up of Midas Audio Systems Ltd., Klark Teknik acquired the company's assets, integrating into its operations and relocating production to , . This acquisition preserved ' engineering expertise while expanding its resources. In December 2009, —chaired by Uli —acquired and Klark Teknik from Bosch Communications Systems, bringing the brand under the Music Tribe umbrella and enabling further global expansion. The early saw the introduction of the "purple series" analog consoles, offering more affordable yet high-quality options for mid-sized applications. The Heritage 3000 debuted in 1998 with its distinctive purple finish, followed by the Heritage 2000 in 1999, the Heritage 1000 in , the Legend 3000 in 2002 as the world's first "Tri-Purpose" console for live, broadcast, and recording, the Heritage 4000 around 2003, and the 8-Bus in 2004. These models broadened ' market reach while maintaining the brand's analog heritage. In the late 2000s, Midas advanced its digital offerings with the PRO series, including the PRO6 in 2008, PRO2 in 2011, and PRO1 in 2012, featuring innovations like the million-cycle PRO FADER for precise motorized control. Midas transitioned to the digital era prominently with the M32 digital mixing console, unveiled at the 2014 NAMM Show as an accessible 40-input platform featuring Midas PRO preamplifiers. Building on earlier digital efforts like the 2006 XL8, the HD series emerged in the late 2010s, with the Heritage-D HD96 globally launched in 2019 and the lightweight HD96-AIR introduced at ISE 2024, earning Best of Show at InfoComm 2024. The HD96 has been endorsed by major artists, including Deep Purple and YES for their 2024 US tour, underscoring its touring reliability. In 2025, the HD series received a major V2.3 firmware update in November, adding new effects like BBX and Reaper integration, while Midas unveiled the HD Neon16 prototype at ISE 2025 as a compact addition to the lineup.

Products

Analog Mixing Consoles

Midas's analog mixing consoles, produced primarily from the through the early , established the brand's reputation for high-fidelity audio processing in live sound environments. These consoles emphasized robust construction, precise control, and superior , featuring common elements such as Class-A preamplifiers for transparent gain staging, transformer-balanced inputs and outputs to minimize and interference, and modular frame designs that allowed for expandable configurations and easier . The XL series, introduced in the late 1980s, represented Midas's breakthrough in large-format analog mixing. The flagship XL3 model, launched in 1988 following Klark Teknik's acquisition of the company, featured a standard 40-channel inline design (with optional frames up to 48 channels) configurable for front-of-house or monitor applications, with dual faders per channel for flexible routing between line and monitor paths. It included motorized "flying" faders for automated mixing, VCA groups for subgroup control, and 16 auxiliary sends, all housed in a modular steel frame with extender options. The series, including precursors like the XL (1986) and XL2 (1988), was produced through the 1990s, with the XL4 evolving as a more advanced variant offering 45 mix buses and an 18x8 matrix, but production of the XL3 tapered off in the early 2000s as digital alternatives emerged. Building on the XL legacy, the Heritage series delivered enhanced processing in the late 1990s and early 2000s. The Heritage 3000, debuted in 1998 and configurable up to 48 channels (expandable to 52), incorporated a 4-band parametric EQ on each channel with sweepable frequencies and shelving options on high/low bands, alongside comprehensive dynamics processing including compression, expansion, and gating per channel. It supported 24 group/aux buses, an 8x8 matrix for output routing, and VCA with 400 scene recalls, making it a staple for major tours. The Heritage 4000, launched in 2003, extended this with up to 40 auxiliary sends for monitor-heavy applications, retaining the same 4-band parametric EQ and adding advanced matrix routing on its 48-channel frame, while maintaining the series' transformer-balanced I/O and modular expandability. Production of both models continued into the mid-2000s but was discontinued by the early amid the shift to digital consoles. The "" series, named for its distinctive cosmetic finish and introduced in the early , offered more compact and cost-effective analog options without compromising core quality. The , launched in as a 24-channel compact console, utilized a tri-purpose design for FOH, monitor, or dual mixing, with 8-bus routing, parametric EQ, and modular 8-channel PCB construction for reliability in smaller venues. Larger formats included the (2004), an 8-bus FOH console available in 24- to 64-channel configurations with matrix routing for complex output management, and the (2005), its monitor counterpart with 16 dedicated aux sends and similar channel counts, both featuring the series' Class-A preamps and transformer-balanced connectivity. These models were produced through the late and discontinued in the as focused on digital innovations.

Digital Mixing Consoles

Midas entered the digital mixing console market by leveraging its renowned analog preamplifiers and workflow philosophies, introducing models that preserved the tactile, intuitive feel of analog desks while incorporating digital advantages such as extensive routing, effects processing, and networking capabilities. This evolution allowed engineers to transition from classic analog consoles without sacrificing the brand's signature sound quality and reliability. The M32 series, launched in 2014, marked Midas's push into more accessible digital formats with the M32 model as a 40-input channel console featuring 32 Midas PRO microphone preamplifiers, 25 time-aligned and phase-coherent mix buses, and integrated USB recording for up to 32 channels. Its design emphasized portability and ease of use, including wireless control via through a dedicated app, enabling remote adjustments during live performances or studio sessions. The series expanded with variants like the rack-mountable M32R and the compact M32C, all supporting networking for integration with stage boxes and maintaining low-latency processing at 48 kHz sampling rates. Building on this foundation, the PRO2, introduced in 2011 and refined through the mid-2010s, offered a 64-channel digital console with motorized faders that emulated the analog workflow of earlier desks, providing 27 mix buses and support for up to 160 inputs and outputs via Klark Teknik's networking protocol. This model incorporated eight onboard Midas preamplifiers and allowed for seamless expansion, blending digital flexibility with the hands-on control preferred by touring professionals accustomed to analog surfaces. Dante compatibility was later added via optional cards, enhancing interoperability in networked environments. In the , the HD series emerged as Midas's flagship digital lineup, exemplified by the HD96 model within the Heritage-D family, launched in 2019 and updated through 2025 with features like 144 input channels, 123 mix buses, and a 96 kHz sample rate for . Recent additions include the HD96-AIR (2024) and the prototype HD Neon16 (announced 2025), enhancing portability and channel count options. The HD96 includes 120 time-aligned mix buses, a 21-inch multi-touchscreen for intuitive navigation, and advanced with 64-bit summing, drawing directly from Midas's analog heritage through emulative modes that replicate the response of classic consoles like the Heritage 3000. As of 2025, integrations such as Channel AI (introduced in 2023) for automated gain staging and enhanced effects further bridge analog warmth with digital precision. Complementing these consoles, Midas offers expansion via the stage boxes, such as the DL16 and DL32, which provide additional remote-controllable preamps and I/O over or Dante networks, enabling scalable setups for large productions. The software ecosystem, including the Cloud platform introduced in recent years, supports remote mixing and showfile synchronization, allowing engineers to access and adjust mixes from anywhere via cloud connectivity. This with analog-era designs ensures that digital Midas consoles retain the brand's legacy of sonic excellence and ergonomic familiarity in modern applications.

Technology and Design

Signature Components and Innovations

Midas microphone preamplifiers, a hallmark of the brand's analog and digital consoles, employ discrete transistor designs optimized for transparency and warmth, achieving equivalent input noise (EIN) figures as low as -128 dBu at 60 dB gain with a 150-ohm source impedance across a 22 Hz to 22 kHz bandwidth. These preamps deliver exceptional headroom, handling input levels up to +24 dBu without attenuation, ensuring distortion-free performance even with high-output sources. In analog models such as the XL4, the channel strips incorporate a 4-band parametric equalizer derived from the acclaimed XL3 design, featuring two fully parametric midrange bands (100 Hz to 2 kHz and 400 Hz to 8 kHz) with variable from 0.1 to 2 octaves, alongside switchable bass and treble sections that operate in traditional shelving mode or convert to parametric via bell switches for enhanced flexibility. The Heritage 3000 series extends this with per-channel dynamics processing, including a versatile and gate/expander, enabling precise control over transient response and directly on individual inputs. Transitioning to digital consoles, Midas introduced proprietary networking protocols (SuperMAC), which supports up to 48 bidirectional channels at 96 kHz over standard Ethernet cabling with a latency of 62.5 μs per link, and HyperMAC, which supports up to 192 bidirectional channels at 96 kHz with a latency of 41.7 μs per link; both enable redundant, low-jitter audio distribution for large-scale live environments. The HD series further advances at 96 kHz sampling rates with 64-bit floating-point precision, minimizing phase errors and preserving sonic integrity across 144 inputs and 123 mix buses. Digital models universally feature motorized "flying" rated for over one million cycles, which smoothly transition to preset positions during scene changes, complemented by comprehensive snapshot for instant recall of mixes, , and parameters. A key proprietary innovation across digital lines is the remote control of microphone preamplifiers via AES50-connected stageboxes like the , allowing gain, , and high-pass filtering adjustments from the console interface up to 100 meters away, eliminating the need for local tweaks during performances. Recent advancements include the HD96-AIR series, launched in 2024, which incorporates a 21-inch interface and enhanced portability for live applications, as well as the NEON16 networking solution announced at ISE 2025. These elements, protected under Klark Teknik's including patents for SuperMAC and HyperMAC technologies, underscore ' focus on seamless, high-fidelity integration in workflows.

Manufacturing and Build Quality

Midas consoles feature a predominantly space-frame design, utilizing durable and lightweight materials such as carbon fiber, aluminum alloys, and high-impact steel to ensure structural integrity and portability in demanding live environments. This construction provides rigidity while reducing overall weight, making the consoles suitable for touring applications without compromising performance. For instance, the M32 series employs multiple aluminum alloys in its sub-frame to optimize the performance-to-weight ratio. The in Midas consoles, such as the PRO series motorized , are engineered for exceptional , with a 100 mm travel track rated for up to 1 million cycles. These touch-sensitive incorporate precision components, including semi-precious metals for wiper contacts and a conductive T-bar mechanism, ensuring smooth operation and reliable in professional settings. This high-endurance design minimizes maintenance needs during extended use. Input/output panels on Midas consoles utilize premium connectors, including balanced XLR and TRS inputs/outputs, which are selected for their ruggedness and reliability in high-vibration touring scenarios. These connectors support robust cabling standards, contributing to the overall durability of the I/O system. Manufacturing occurs at Music Tribe's state-of-the-art facility in , , equipped with and optical inspection systems for , while research and development is centered in , . Consoles are designed with environmental resilience in mind, operating reliably within a range of 5°C to 40°C and featuring auto-ranging universal power supplies for global adaptability. This allows consistent performance in varied live conditions, though installation in excessive or is not recommended.

Applications and Legacy

Use in Live Sound and Touring

Midas consoles have long been a staple in professional live sound environments, particularly for high-profile touring productions where reliability and audio fidelity are paramount. Since the , models like the XL4 and Heritage series have been widely adopted for front-of-house (FOH) mixing on major arena and stadium tours. For instance, ' (2002–2003) employed two Midas XL4 consoles at FOH, handled by engineer Robbie McGrath, to manage the complex mixes required for their global performances across large venues. Similarly, utilized Midas XL4 consoles for FOH duties during their early 2000s , contributing to their renowned live sound quality. These analog flagships, known for their robust construction and exceptional preamplifiers, set industry standards for touring rigs during that era. In the , ' digital offerings, such as the HD96 series, continue this legacy with enhanced scalability suited to modern touring demands. These consoles support over 100 channels through cascading stage boxes like the DL32 and DL16, enabling seamless expansion for massive productions in venues exceeding 50,000 capacity. The networking protocol ensures ultra-low latency—typically under 1 ms—critical for synchronized audio in large-scale setups with multiple zones and . This allows touring crews to deploy redundant systems quickly, minimizing downtime during load-ins and outs, as seen in recent U.S. tours like Yes in 2023, where the HD96-24 provided 144 input channels for intricate live mixes. Prominent case studies underscore Midas' role in flagship events. At the 2014 Super Bowl XLVIII halftime show, a Midas X-42 was used as outboard processing for monitors, handling the high-stakes audio for ' performance in a environment with challenges. More recently, has repeatedly featured Midas gear; in 2023, AF Live supplied an HD96 console for FOH on major stages, supporting broadcast feeds with its 96 kHz sample rate and matrix outputs for clean multi-camera mixes. In 2024, the HD96-24 powered Blossoms' set on the Woodsies Stage, demonstrating its portability and precision for festival logistics. These deployments highlight Midas' versatility in delivering broadcast-quality audio alongside live reinforcement. As of 2025, Midas consoles integrate deeply with monitor systems and personal mixing solutions in live rigs, enhancing performer control without compromising FOH workflow. The DP48 personal monitor mixer connects via to consoles like the M32 or HD series, allowing up to 48 channels of independent mixing for in-ear monitors on . Complementing this, apps like M32-Q enable personal adjustments from devices, integrated directly with the console's ecosystem for low-latency tweaks during performances. This setup is standard in mid-sized tours and festivals, where it reduces cable runs and supports hybrid analog-digital transitions, as showcased in recent ISE demonstrations of the full live audio ecosystem. Broadcast extensions, such as direct matrix feeds from the HD96, further streamline event coverage.

Influence in Recording and Broadcast

Midas consoles have played a significant role in environments since the , with early custom designs featuring exceptional microphone preamplifiers that captured the of rock performances. For instance, a bespoke desk commissioned in 1977 was used at a for multi-track sessions, valued for its modular architecture and high-headroom preamps that provided a warm, analog character to tracks. Similarly, the PRO5 console was employed by during his 1980 world tour for simultaneous 24-track, 8-track, and stereo recordings, highlighting Midas's capability in mobile studio applications where analog warmth enhanced the fidelity of live captures. In broadcast settings, Midas systems have been integral to high-profile live-to-air productions, integrating seamlessly with television and radio workflows. The HD Series, including models like the HD96-24, supports advanced digital processing at 96 kHz with extensive I/O options compatible with broadcast standards such as Dante networking, enabling multi-format outputs for integration into SDI and IP-based systems like NDI in hybrid environments. These consoles have been deployed for events like the Eurovision Song Contest and the Brit Awards, where automation features allow precise control for live broadcasts, ensuring low-latency mixing and reliable signal distribution to air. Post-2020, the series has facilitated hybrid analog-digital workflows in broadcast, combining analog preamp warmth with digital recall for remote production. The legacy of extends to shaping industry standards in recording and broadcast, particularly through its high-headroom preamplifiers, which offered over 70 dB of gain without and influenced subsequent designs in both analog and digital consoles. These preamps, first prominent in the PRO4 series, set benchmarks for clarity and headroom that competitors like later incorporated into their digital lines, such as the X32, to emulate Midas's signature sound. In archival contexts, restored vintage Midas consoles, including models, have been utilized in remastering projects to reprocess recordings, preserving the original analog warmth during digital transfers. Modern advancements, such as the mCloud platform introduced post-2020, have enhanced broadcast collaboration by enabling cloud-based synchronization of show files, presets, and remote access to console parameters, supporting distributed teams in live-to-air productions. This integration allows engineers to collaborate on mixes from remote locations, streamlining workflows in hybrid setups where analog front-ends feed into digital broadcast chains.

References

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