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Mike Altman
Mike Altman
Mike Altman
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Michael Altman (born August 21, 1975) is an American lightweight rower. He won a gold medal at the July 2008 World Rowing Championships in Ottensheim with the lightweight men's eight.[1] At the August 2008 Summer Olympics, he came eleventh with the lightweight coxless four.[2]

Key Information

Altman received his undergraduate degree at the Walsh School of Foreign Service after graduating from Redwood High School. He went on to earn his MBA at UCLA.[citation needed]

References

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Mike Altman

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''Mike Altman'' is an American songwriter and filmmaker known for writing the lyrics to "Suicide Is Painless," the iconic theme song from the 1970 satirical war film ''MAS*H'', at the age of 14. He composed the lyrics—music by Johnny Mandel—in about five minutes after his father, director Robert Altman, sought a deliberately irreverent and "stupid" tone for the film's opening theme. Born Michael Altman in 1955, he is the son of acclaimed director Robert Altman and actress Lotus Corelli. Altman has maintained a career in the film industry as a producer, director, writer, and cinematographer, though his songwriting credit remains his most prominent achievement. He wrote and directed the short film ''Snuffed Animals'' (2007) and produced ''American Songwriter'' (2012), among other projects. The enduring popularity of "Suicide Is Painless," which also served as the theme for the long-running television series adaptation of ''MAS*H'', has cemented his place in entertainment history.

Early life

Family background

Michael Altman, known professionally as Mike Altman, was born in 1955 as Michael Altman. He is the son of acclaimed film director Robert Altman and actress Lotus Corelli. Robert Altman's marriage to Lotus Corelli was his second marriage and took place during the early 1950s, with sources indicating periods such as approximately 1954 to 1957 or similar ranges, resulting in two sons including Mike. Growing up as the child of a prominent director provided Altman early exposure to the film industry, which later contributed to his first creative involvement in one of his father's projects.

Creation of "Suicide Is Painless"

"Suicide Is Painless" was created specifically for Robert Altman's 1970 film MAS*H, where Mike Altman contributed the lyrics at his father's request. Composer Johnny Mandel was hired to write the music for the film's "Last Supper" scene, with Robert Altman stipulating that the song must be titled "Suicide Is Painless" and be "the stupidest song ever written." Robert Altman first attempted to write the lyrics himself but abandoned the effort after two days, telling Mandel, "I’m sorry but there’s just too much stuff in this 45-year-old brain. I can’t write anything nearly as stupid as what we need." He then assigned the task to his teenage son Mike, remarking, "All is not lost. I’ve got a 15-year-old kid who’s a total idiot." Accounts of Mike Altman's age at the time vary, with some sources citing 14 and others—drawing from Johnny Mandel's recollection of Robert Altman's words—citing 15 during the 1969 creation process. Mike Altman completed the lyrics in approximately five minutes. He received official credit as lyricist alongside composer Johnny Mandel. The song was originally performed in the film's Last Supper scene by an actor accompanying himself on guitar and was later added to the opening credits in a vocal version. It subsequently became the theme for the MAS*H television series.

Career

Songwriting and soundtrack credits

Mike Altman's sole known songwriting credit is as lyricist for "Suicide Is Painless," the theme song from the 1970 film MASH*, composed by Johnny Mandel. The song earned Altman a soundtrack credit for the film, where it is featured in an instrumental version during the title sequence. Subsequent credits for Altman have arisen from licensing of the song for use in other productions, rather than new compositions. A version of the song appears on the soundtrack for the 2003 German film Anatomy 2 (Anatomie 2), credited with music by Johnny Mandel and lyrics by Mike Altman. No additional original songwriting or composition credits are documented for Altman beyond this work, with later soundtrack listings deriving exclusively from reuses of "Suicide Is Painless."

Producing credits

Mike Altman has credits as a producer on a limited number of independent film and media projects. He served as producer on the 2012 documentary American Songwriter, which examines the craft and lives of various songwriters. Altman was also the executive producer on the 2007 short film Snuffed Animals. These producing roles represent his involvement in smaller-scale, independent productions, distinct from his father Robert Altman's extensive mainstream filmmaking career.

Directing and writing credits

Mike Altman is credited as the director and writer of the independent short film Snuffed Animals (2007). He also served as cinematographer and editor on the project, contributing to multiple aspects of its production as is common in small-scale independent filmmaking. This short film represents his only known directing and writing credits. Altman additionally took on the role of executive producer for Snuffed Animals. No other directing or writing credits are documented for him in available records.

Legacy

Royalties and financial success

The lyrics Mike Altman wrote for "Suicide Is Painless" generated substantial royalties, driven by the song's release as a single and its prominent use as the theme music for the long-running MAS*H television series. In a 1981 appearance on The Tonight Show with Johnny Carson, director Robert Altman stated that his son Mike had earned over $1 million in royalties from the song up to that point, primarily through residuals from the television series. Robert Altman contrasted this figure with his own compensation, noting that he received $70,000 for directing the 1970 film MAS*H. This disparity illustrated the long-term financial success of the song's enduring popularity beyond the original film.

Cultural impact

"Suicide Is Painless," with lyrics written by Mike Altman at the age of 14, stands as one of the most recognizable theme songs in entertainment history due to its association with the MASH* franchise. The song was created for the 1970 film MASH* directed by Altman's father Robert Altman, where it featured prominently in a key scene, with music composed by Johnny Mandel. Its instrumental version became the enduring opening and closing theme for the MASH* television series, which ran for 11 seasons and solidified the melody's place in popular culture. The track's cultural influence extends beyond the franchise through various covers and recognitions. A notable example is the 1992 cover by Manic Street Preachers, released as a charity single that reached No. 7 on the UK Singles Chart. Additionally, "Suicide Is Painless" was ranked No. 66 on the American Film Institute's "100 Years...100 Songs" list of the greatest songs in American film. The remarkable fact that a teenager penned the lyrics for a major Hollywood production further distinguishes its legacy within the broader context of film and television music.

Areas of limited information

Publicly available information about Mike Altman remains limited primarily to his teenage contribution as lyricist of "Suicide Is Painless" for the 1970 film MASH*, with sparse details extending beyond that early achievement. Reliable sources such as IMDb and music databases provide only basic biographical facts, including his birth in 1955 as Michael Altman and his parentage as the son of director Robert Altman and actress Lotus Corelli, but offer no information on his education, places of residence, or personal life developments after the 1970s. Coverage of his career is confined to a handful of credits as producer and director on independent projects, such as Snuffed Animals (2007) and American Songwriter (2012), with no substantial record of major works or ongoing professional activity in recent decades. Databases tracking his songwriting contributions list exclusively "Theme from MAS*H (Suicide Is Painless)" and note no additional compositions. No detailed interviews, autobiographies, or in-depth profiles appear in credible media outlets, and references to Altman in later years are rare and typically tied to retrospectives about his father's career or the enduring royalties from the song rather than his own independent path. This scarcity underscores the reliance on primary sources like film and music databases for verified facts, while broader aspects of his life and work remain undocumented in the public domain.
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