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Milton Raison
Milton Raison
Milton Raison
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Milton Raison (1903–1982) was an American screenwriter for both film and television. He was also known as George Milton, George Wallace Sayre, and George Sayre. His first credit was Air Hostess in 1933, which he co-wrote with Keene Thompson.[1] Over the next 20 years, he wrote the screenplay, story, or both for over 70 films. With the advent of television, he also worked on several TV shows during the 1950s.

Key Information

His credits during the 1930s include Strictly Dynamite (1934), The Shadow (1937), Torture Ship (1939), and The Man They Could Not Hang (1939). His 1940s credits include Tumbledown Ranch in Arizona (1941), Sheriff of Sage Valley (1942), Anna May Wong's last starring role in 1943's Lady from Chungking, The Contender (1944), Alaska (1944), Forever Yours (1945), the 1945 Charlie Chan film, The Shanghai Cobra, and Rocky (1948). In the 1950s he penned A Modern Marriage (1950), Southside 1-1000, Topeka (1953), The Homesteaders, and his final film credit, 1953's Old Overland Trail. In 1962 he received a story credit when A Modern Marriage was re-made as Frigid Wife.[2]

His first television credit was in 1952, when he wrote an episode of Boston Blackie. Other television credits include The Adventures of Kit Carson, The Roy Rogers Show, and The Millionaire. His final credit was in 1960 on The Texan.

Filmography

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(Per AFI database)[2]

References

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Milton Raison

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''Milton Raison'' was a Russian-born American screenwriter known for his prolific contributions to film and television scripts over several decades, beginning in the 1930s. He also wrote novels and poetry under his own name and the pseudonym George Milton. Raison started his professional life as a reporter for several New York newspapers before serving as a theatrical press agent during the 1920s. He transitioned into screenwriting, collaborating on feature films and later television productions, with notable works including State Department: File 649, Web of Danger, and various other genre pictures. In addition to scriptwriting, he published mystery novels featuring a Hollywood drama critic protagonist and contributed to radio and other media during his career. Born in Vyatka, Russia, on August 30, 1903, and died in North Hollywood, California, on January 20, 1982, Raison left a lasting mark on mid-20th-century entertainment through his versatile output across writing disciplines.

Early life

Birth and family

Milton Raison was born on August 30, 1903, in Paris, France. He was the son of Lazarus Raison (also known as Louis Raison) and Rachael Kahn (also spelled Rachel Kagan). Raison emigrated to the United States with his parents at the age of three. This early relocation to New York established his American upbringing.

Journalism and early professional experience

Milton Raison began his professional career as a reporter for several New York newspapers. He later worked as a theatrical press agent during the 1920s, promoting stage productions and handling publicity in the vibrant New York theater scene. In 1932, Raison transitioned to screenwriting and began his association with Metro-Goldwyn-Mayer (MGM), which prompted his move to California to pursue opportunities in the film industry. This shift marked the end of his early journalism and publicity work in New York and the start of his long career in motion pictures.

Film screenwriting career

Entry into Hollywood and 1930s credits

Milton Raison entered Hollywood screenwriting in the early 1930s after a background in Broadway publicity and co-producing the 1931 revue Shoot the Works with Heywood Broun. Amid the economic hardships of the Great Depression, he was among several writers invited by Metro-Goldwyn-Mayer to develop screenplays around 1932. His first film credit came with Air Hostess (1933), where he provided the adaptation and co-wrote the screenplay with Keene Thompson for Columbia Pictures. He followed this with additional dialogue contributions to Strictly Dynamite (1934). In 1936, Raison supplied the original story for Country Gentlemen. He wrote the story for the mystery picture The Shadow (1937), also released as The Circus Shadow. Raison concluded his 1930s credits with the original story and screenplay for The Girl from Rio (1939). These early assignments were largely for B-movies and modest studio productions, characteristic of many screenwriters' output during the decade.

1940s B-movies and key collaborations

In the 1940s, Milton Raison emerged as a prolific contributor to Hollywood's B-movie circuit, scripting numerous low-budget westerns, action pictures, and war-themed films for studios like Monogram Pictures and Producers Releasing Corporation. His output during this decade focused heavily on fast-paced genre fare, including several entries in series featuring recurring cowboy teams and lone gunslingers. Among his western credits were Tumbledown Ranch in Arizona (1941), an original screenplay for a Monogram Pictures Range Busters entry directed by S. Roy Luby, and Sheriff of Sage Valley (1942), another original screenplay in the Billy the Kid series. Raison also wrote additional westerns such as Billy the Kid's Smoking Guns (1942) and Rolling Down the Great Divide (1942), frequently under the pseudonym George Milton. Raison achieved notable collaborations with actress Anna May Wong in two wartime B-films. He supplied the original screenplay for Bombs Over Burma (1942), directed by Joseph H. Lewis and released by Producers Releasing Corporation. He co-wrote the story for Lady from Chungking (1942), also for Producers Releasing Corporation and directed by William Nigh, which marked Wong's last starring role in a theatrical feature film. Raison's other significant 1940s work included the mystery The Phantom of 42nd Street (1945), for which he co-wrote the screenplay with Jack Harvey. This period represented the height of his feature film screenwriting activity before his transition to television writing in the following decade.

1950s film contributions

In the 1950s, Milton Raison’s contributions to feature films diminished considerably compared to his extensive work in the 1940s, as his career increasingly gravitated toward television writing. His remaining film credits were confined to the early years of the decade and primarily involved low-budget productions, including several Westerns and occasional crime dramas, often for studios such as Republic Pictures. In 1950, Raison provided the original story for the crime noir SOuthside 1-1000, directed by Boris Ingster and starring Don DeFore as a Secret Service agent infiltrating a counterfeiting ring. That same year, he contributed the original story to the action film Western Pacific Agent. In 1952, he wrote the screenplay for the Western Old Oklahoma Plains and served as writer on Street Bandits. Raison’s final feature film credits came in 1953 with original screenplays for the Westerns Topeka, starring Bill Elliott, and The Homesteaders, also with Elliott, along with writing duties on Old Overland Trail. These projects marked the end of his screenwriting for theatrical films as he shifted focus to television.

Television and radio writing

Radio scripts

Milton Raison maintained an active career as a radio writer from the 1930s into the 1950s, contributing scripts to a range of programs that spanned variety, comedy, mystery, adventure, and western genres. His earliest known radio work involved multiple episodes and spots for the Chase and Sanborn Coffee Hour, featuring Jimmy Durante, with contributions documented from 1933 through 1941. During the mid-1940s, Raison wrote for several comedy and mystery series, including multiple episodes of Here Comes Elmer starring Al Pearce from January to June 1945, scripts for The Adventures of Bill Lance in 1944 and 1945, the Nero Wolfe episode "The Case of the Mysterious Guest" co-written with Carl L. Gass in November 1945, Hollywood Mystery Time's "The Case of the Stuntman’s Death" also co-written with Gass, spots for The Beulah Show in October 1945, and an episode of The Joan Davis Show in December 1945. Additional radio credits from this period include work on The Sweeney and March Show outlines in 1951 and several scripts for Wild Bill Hickok in 1951. Raison's preserved radio materials also encompass other titles and concepts such as Flippen’s Flats co-written with Gass, The Sterling Holloway Show, I Deal in Crime, and various audition pieces and ideas for programs like Silver Theatre and The Story Behind the Hit, reflecting his versatility in audio storytelling during the medium's peak years. His radio contributions, particularly in action and western-oriented series in the later years, shared thematic similarities with his subsequent television work in the western genre.

Television credits and western genre focus

In the 1950s and 1960s, as opportunities in low-budget feature films diminished, Milton Raison turned increasingly to television writing, where he established himself as a prolific contributor to the era's popular western and action series. His work during this period reflected a strong emphasis on the western genre, with scripts that often featured frontier adventures, lawmen, outlaws, and moral conflicts typical of the format dominating early television. Raison's television credits include episodes for The Lone Ranger, The Gene Autry Show, The Texan (1958), Colt .45, Frontier Doctor, Adventures of Kit Carson, and Mark Saber. These series allowed him to apply his experience with action-driven narratives from radio and film to the episodic demands of television, producing scripts for multiple installments across several seasons. His involvement in these programs underscores his specialization in westerns and related action-adventure content, contributing to the genre's widespread popularity on the small screen during the post-World War II era. This prolific output in television marked a significant phase in Raison's career, enabling him to sustain a steady writing career amid changes in the entertainment industry.

Literary works

Mystery novels

Milton Raison wrote a series of mystery novels featuring Tony Woolrich, a New York drama critic and amateur sleuth who investigates murders in theatrical and entertainment settings. Woolrich appeared in five novels published between 1936 and 1947. The series often reflected Raison's own background in Hollywood screenwriting by incorporating authentic depictions of the film industry, particularly in later entries. The series began with The Phantom of Forty-Second Street (Macaulay, 1936), co-credited in some sources to Jack Harvey, in which Woolrich solves a string of murders committed by a homicidal maniac disguised as historical figures such as Napoleon. After a long gap, the series resumed with Nobody Loves a Dead Man (Murray & Gee, 1945), where Woolrich travels to Hollywood as a technical adviser on a film project, only to investigate a real murder that uses the exact method he recommended altering in the script to avoid implausibility. The novel highlights the precarious financial state of studios in the 1940s, where the death of a lead actor threatens bankruptcy due to heavy investment in a single production. Further novels in the series include The Gay Mortician (Murray & Gee, 1946), No Weeds for the Widow (Murray & Gee, 1947), and Murder in a Lighter Vein (Murray & Gee, 1947), which continued to center on Woolrich's deductive efforts amid entertainment-world intrigue.

Poetry and other writings

Milton Raison was also recognized as a poet and author beyond his prolific output in screenwriting and mystery novels, though detailed records of his poetic works or other literary contributions remain scarce in accessible sources. Specific titles, publication dates, or collections of his poetry are not widely documented, suggesting that these aspects of his career were either private, unpublished, or less prominent compared to his genre fiction and media writing. This limited visibility aligns with the overall secondary status of his non-screenwriting literary endeavors in biographical accounts.

Personal life

Family and marriages

Milton Raison married Ruth R. Waterbury on December 9, 1922, in Manhattan, New York City. The marriage was brief; his wife charged the nineteen-year-old writer with indiscretion at the Hotel Claridge that same year. He later married Geraldine Grace Reardon on June 30, 1950, in Los Angeles, California. Raison had two sons: Patrick Joseph, born February 5, 1942, and Jonathan Michael, born March 31, 1950, and died February 26, 1993.

Pseudonyms and alternative identities

Milton Raison used the pseudonym George Milton in some of his writing credits. George Milton appears as an alternative name for Raison in professional databases. This pseudonym was used in credits for original stories and screenplays, often in B-western and action films involving collaborative writing. For example, in His Brother's Ghost (1945), the original story is credited to George Wallace Sayre (as George Milton) and Milton Raison (as George Milton). Similar collaborative credits under George Milton appear in Billy the Kid's Smoking Guns (1942) and Wild Horse Phantom (1944). Raison collaborated with writer George Wallace Sayre on several projects, with credits sometimes shared under the George Milton pseudonym.

Death and legacy

Final years and passing

In his later years, Milton Raison resided in North Hollywood, California, where he had settled after relocating there in the mid-1950s. He continued writing television scripts through the 1960s, though his last produced credits date to around 1960, marking the effective end of his active screenwriting career. Raison died on January 20, 1982, at the age of 78, in North Hollywood, California.

Posthumous recognition

Milton M. Raison's papers, covering the period from 1937 to 1971, are preserved in a dedicated archival collection documented through Archives West, offering researchers access to scripts, correspondence, and related materials from his extensive career in radio, television, and literature. This collection serves as a key resource for understanding his contributions to mid-20th century genre writing and screenwriting, particularly in understudied areas of popular entertainment. Despite his prolific output in B-movies and television, Raison has received limited mainstream posthumous recognition, with his legacy largely confined to niche film databases and occasional mentions in reviews of forgotten works. The archival preservation highlights the scholarly value of his body of work for those studying Hollywood's lower-budget production era and genre fiction traditions.
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