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Model horse
Model horses are scale replicas of real horses. They originated simultaneously – but independently – in the United States, Canada, and the United Kingdom, followed later by Sweden (UK-influenced), Germany (US-influenced), and Australia. They encompass a wide variety of fanbase activities, from those who simply like to collect, to those who show their models at model horse shows. Unlike model cars or trains, model horse collectibles do not need to be assembled from kits, although they can be altered to the collector's liking.
In the late 1960s, UK collectors came together through PONY magazine, and several clubs and newsletters were born, the most important being The Postal Pony Club. From this was created the Lindfield Model Showing Association and later Model Horse News (MHN), a bi-monthly magazine which ran until 1989. In 1979, The International Arabist magazine appeared, which though restricted to Arab horses and their descendants, was the first magazine to actively seek to unite hobbyists from around the world. While MHN remained largely in the original tradition of Julips, etc., TIA promoted realism through custom Breyers. TIA changed its name to Model Horse International (MHI) to reflect its move away from purely Arabian interest, but the magazine folded around 1989. MHN also folded around this time, but was replaced by Model Horses Unlimited (MHU) catering for both realistic and more traditional models, and which is still in existence today.
During the 1960s, hobbyists such as Ellen Hitchins, Simone Smiljanic, and Marney Walerius began to organize photo shows. One of the earliest known clubs was the IMHA, or International Model Horse Association, which was run by Hitchins and Smiljanic. Many young hobbyists got their start after reading a short article about model horse collecting, which was published in the March 1969 issue of Western Horseman magazine. In the 1970s, US model horse collectors decided that their horses should be doing something else than just sitting on a shelf. They began to seek each other out, and early model horse magazines such as Breyer's Just About Horses and Model Horse Showers Journal were the means for collectors to socialize. Realism became the goal and the hobby grew a larger fanbase. With more techniques being shared, the shift in realism became more apparent. For example, an early bridle might have been made out of string. Today it would be made from leather, and include actual miniature bits.
Clubs also formed as an outlet for collectors. Most clubs are devoted to particular breeds, performance activities (such as racing, eventing etc.) or regions, and just like real horse clubs, there are year-end awards, club events, point programs and newsletters for members.
The earliest popular brands of mass-produced model horses in the UK and the US strongly influenced the collecting and showing trends in these two countries - the latex-bodied and haired Julips in the UK, and the injection moulded, hard plastic Breyers in the United States.
Model horses have long been popular toys, mainly as mounts for soldiers or figures for model farms - essentially accessories for action figures. In 1920, Britains Ltd became one of the first companies to mass-produce these types of figures. Over the years their range of equine figures expanded though they remained generic action figures; Roy Selwyn-Smith created some very detailed 54 mm ('mini') horses for Britains Ltd.
Julip Horses Ltd, in 1947, created the first mass-produced, stand-alone equine figures. Originally, Julips were stuffed soft toys in the tradition of companies such as Edith Reynolds, but later switched to hand-casting in latex (Julip Originals). Other companies such as Isis, Pegasus, and Otway, soon released their own lines of latex composition (the forerunner of resin) equines. Pamela du Boulay took the latex models to the next level with the creation of Rydal models in 1969 - highly accurate, airbrushed sculptures, each an artist original.
In 2008, Helen and Alice Moore launched a line of detailed latex models, the Equorum Model Horse Stud. Hobby artist Donna Chaney, known for her porcelain figures, introduced a small number of latex equine molds known as RubberNedz in 2015.
Hub AI
Model horse AI simulator
(@Model horse_simulator)
Model horse
Model horses are scale replicas of real horses. They originated simultaneously – but independently – in the United States, Canada, and the United Kingdom, followed later by Sweden (UK-influenced), Germany (US-influenced), and Australia. They encompass a wide variety of fanbase activities, from those who simply like to collect, to those who show their models at model horse shows. Unlike model cars or trains, model horse collectibles do not need to be assembled from kits, although they can be altered to the collector's liking.
In the late 1960s, UK collectors came together through PONY magazine, and several clubs and newsletters were born, the most important being The Postal Pony Club. From this was created the Lindfield Model Showing Association and later Model Horse News (MHN), a bi-monthly magazine which ran until 1989. In 1979, The International Arabist magazine appeared, which though restricted to Arab horses and their descendants, was the first magazine to actively seek to unite hobbyists from around the world. While MHN remained largely in the original tradition of Julips, etc., TIA promoted realism through custom Breyers. TIA changed its name to Model Horse International (MHI) to reflect its move away from purely Arabian interest, but the magazine folded around 1989. MHN also folded around this time, but was replaced by Model Horses Unlimited (MHU) catering for both realistic and more traditional models, and which is still in existence today.
During the 1960s, hobbyists such as Ellen Hitchins, Simone Smiljanic, and Marney Walerius began to organize photo shows. One of the earliest known clubs was the IMHA, or International Model Horse Association, which was run by Hitchins and Smiljanic. Many young hobbyists got their start after reading a short article about model horse collecting, which was published in the March 1969 issue of Western Horseman magazine. In the 1970s, US model horse collectors decided that their horses should be doing something else than just sitting on a shelf. They began to seek each other out, and early model horse magazines such as Breyer's Just About Horses and Model Horse Showers Journal were the means for collectors to socialize. Realism became the goal and the hobby grew a larger fanbase. With more techniques being shared, the shift in realism became more apparent. For example, an early bridle might have been made out of string. Today it would be made from leather, and include actual miniature bits.
Clubs also formed as an outlet for collectors. Most clubs are devoted to particular breeds, performance activities (such as racing, eventing etc.) or regions, and just like real horse clubs, there are year-end awards, club events, point programs and newsletters for members.
The earliest popular brands of mass-produced model horses in the UK and the US strongly influenced the collecting and showing trends in these two countries - the latex-bodied and haired Julips in the UK, and the injection moulded, hard plastic Breyers in the United States.
Model horses have long been popular toys, mainly as mounts for soldiers or figures for model farms - essentially accessories for action figures. In 1920, Britains Ltd became one of the first companies to mass-produce these types of figures. Over the years their range of equine figures expanded though they remained generic action figures; Roy Selwyn-Smith created some very detailed 54 mm ('mini') horses for Britains Ltd.
Julip Horses Ltd, in 1947, created the first mass-produced, stand-alone equine figures. Originally, Julips were stuffed soft toys in the tradition of companies such as Edith Reynolds, but later switched to hand-casting in latex (Julip Originals). Other companies such as Isis, Pegasus, and Otway, soon released their own lines of latex composition (the forerunner of resin) equines. Pamela du Boulay took the latex models to the next level with the creation of Rydal models in 1969 - highly accurate, airbrushed sculptures, each an artist original.
In 2008, Helen and Alice Moore launched a line of detailed latex models, the Equorum Model Horse Stud. Hobby artist Donna Chaney, known for her porcelain figures, introduced a small number of latex equine molds known as RubberNedz in 2015.
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