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Modern Jive
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and various other dance styles, the main difference being the simplification of footwork by removing syncopation such as chassé. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive.
Modern Jive was developed in the United Kingdom during the 1980s at three London clubs: Ceroc, LeRoc, and Cosmopolitan Jive. The style was based on a type of Jive that evolved in France after World War II when American dances such as the jitterbug were popular due to the presence of the American military.
Modern Jive was not created in France, but its origin owes something to the French version of Le Bop. The dance commonly known as Modern Jive is different from Le Bop, a high tempo dance. Michel Ange Lau played a major role in the change from Le Bop to Modern Jive at a club called Centre Charles Peguy). Two British people, James Cronin and Christine Keeble, saw Le Bop in France and wanted to learn the dance when they returned to London. They were among Lau's students. The style of music played at discos was changing, and high tempo dances like Rock and Roll and Le Bop were becoming less popular.
The change in music prompted the birth of Modern Jive; in 1980 Lau and the Le Bop dancers changed the timing of Le Bop, causing a revolution in the dance. This change in timing not only allowed Lau and his students to dance to a much larger variety of music but also to create more intricate moves.
Modern Jive adapts moves from other dance styles such as West Coast Swing, Salsa, Ballroom and Latin. The key to understanding Modern Jive is the beginner moves. These 60-plus moves continually reinforce the absolutes to the dance. The consistencies allow modern jive dancers to dance together, despite their preferences.
Due to Modern Jive's unique timing it has the ability to be danced to a wide variety of tempos (extremes 60bpm - 180bpm, typically 110bpm - 140bpm, although this varies considerably with geography), and the dance is generally danced to 2 beats in 4. It's danced to the stressed beats 1, 3, 5, & 7; it's on these beats the dancers are in position (moving through the less-stressed beats 2, 4, 6, & 8), e.g. a classical Yo Yo has 8 positions danced to 16 beats of music.
The step back at the start of each move: this was derived from the Rock Step and changed to a simple step back when the timing changed. The step back creates the in & out or concertina motion that many people consider to be an essential part of the dance style; both dancers step away from each other at the start of a move / pattern, to achieve tension and compression/extension in the connection point. This extension assists lead and follow technique, but perhaps more importantly the step back into extension is the consistent part that allows an infinite number of moves to be joined in any order, depending on which handhold or other connection the lead is using.
The follow's right hand is key to the dance, each beginner move starts with the follow's right hand (sometimes both hands), whenever the follow spins or the hand is released it's the right hand that they need to offer.
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Modern Jive
Modern Jive is a dance style derived from swing, Lindy Hop, rock and roll, salsa and various other dance styles, the main difference being the simplification of footwork by removing syncopation such as chassé. The term "French Jive" is occasionally used instead, reflecting the origins of the style, as is the term "Smooth Jive". The word "modern" distinguishes it from ballroom Jive.
Modern Jive was developed in the United Kingdom during the 1980s at three London clubs: Ceroc, LeRoc, and Cosmopolitan Jive. The style was based on a type of Jive that evolved in France after World War II when American dances such as the jitterbug were popular due to the presence of the American military.
Modern Jive was not created in France, but its origin owes something to the French version of Le Bop. The dance commonly known as Modern Jive is different from Le Bop, a high tempo dance. Michel Ange Lau played a major role in the change from Le Bop to Modern Jive at a club called Centre Charles Peguy). Two British people, James Cronin and Christine Keeble, saw Le Bop in France and wanted to learn the dance when they returned to London. They were among Lau's students. The style of music played at discos was changing, and high tempo dances like Rock and Roll and Le Bop were becoming less popular.
The change in music prompted the birth of Modern Jive; in 1980 Lau and the Le Bop dancers changed the timing of Le Bop, causing a revolution in the dance. This change in timing not only allowed Lau and his students to dance to a much larger variety of music but also to create more intricate moves.
Modern Jive adapts moves from other dance styles such as West Coast Swing, Salsa, Ballroom and Latin. The key to understanding Modern Jive is the beginner moves. These 60-plus moves continually reinforce the absolutes to the dance. The consistencies allow modern jive dancers to dance together, despite their preferences.
Due to Modern Jive's unique timing it has the ability to be danced to a wide variety of tempos (extremes 60bpm - 180bpm, typically 110bpm - 140bpm, although this varies considerably with geography), and the dance is generally danced to 2 beats in 4. It's danced to the stressed beats 1, 3, 5, & 7; it's on these beats the dancers are in position (moving through the less-stressed beats 2, 4, 6, & 8), e.g. a classical Yo Yo has 8 positions danced to 16 beats of music.
The step back at the start of each move: this was derived from the Rock Step and changed to a simple step back when the timing changed. The step back creates the in & out or concertina motion that many people consider to be an essential part of the dance style; both dancers step away from each other at the start of a move / pattern, to achieve tension and compression/extension in the connection point. This extension assists lead and follow technique, but perhaps more importantly the step back into extension is the consistent part that allows an infinite number of moves to be joined in any order, depending on which handhold or other connection the lead is using.
The follow's right hand is key to the dance, each beginner move starts with the follow's right hand (sometimes both hands), whenever the follow spins or the hand is released it's the right hand that they need to offer.