Money Can't Buy was a one-off, 75-minute concert show held on 15 November 2003 at the Carling Apollo in London to promote Australian singer Kylie Minogue's ninth studio album Body Language (2003). Its title alludes to the fact that tickets were not for sale and limited to invited guests and competition winners. The total cost of staging the concert was £1 million. William Baker and Alan MacDonald served as creative and art directors, respectively, while Michael Rooney and Steve Anderson worked on the choreography and musical arrangements.

Minogue primarily performed tracks from Body Language during the show, although previously released singles were also included in the setlist. The concert was streamed live on AOL.com and broadcast on television channels ITV1 and Network Ten a few days later. It was released as a DVD, entitled Body Language Live, on 12 July 2004.

Following the global success of her eighth studio album Fever, Minogue began working on her ninth studio album Body Language. Aiming to create a dance-pop album inspired by electronic music from the 1980s, Minogue enlisted collaborators such as Cathy Dennis, Dan Carey, Emiliana Torrini, Johnny Douglas and Mantronix. To promote Body Language, a one-off concert show was organised to be held at entertainment venue Carling Apollo, London, on 15 November 2003 – two days before the release of the album.

For the show, Minogue collaborated with creative director William Baker and art director Alan MacDonald. Baker and MacDonald had previously worked with the singer on her KylieFever2002 tour. The musical arrangements were handled by Steve Anderson, while the dance routines were choreographed by Michael Rooney. Display hardware manufacturer Barco was hired to provide 100 square metres large LED displays, which were set up on the stage behind Minogue. They were used to show animations and high resolution graphics. Minogue wore five different costumes during the 75-minute-long show. Fashion houses like Balenciaga, Chanel, and Helmut Lang designed these costumes. Minogue was backed by 12 dancers and a full-piece band. The seating capacity of the show was restricted to 4000 spectators and the entire staging of the show cost £1 million.

The concert was entitled "Money Can't Buy" as no tickets were made available for purchase publicly; only competition winners and guests with invitations were allowed to attend the show. Additionally, Minogue donated two tickets to the National Society for the Prevention of Cruelty to Children (NSPCC). These tickets were auctioned at a charity ball for the society's "Full Stop" campaign. The Sydney Morning Herald found it surprising that Minogue chose to perform in an "intimate" setting as she had chiefly embarked on large arena tours in the past. The newspaper felt it was similar to Madonna's decision to perform at a small show at Brixton Academy, London, in 2000. Before the show, Minogue held a media press conference and discussed the development of Money Can't Buy, saying: "It's been pretty intense. I'm trying to look pretty calm but it has been an intense few weeks leading up to this. There's going to be a few old [songs in the set list], but they're not-very-oldies. We're stepping marginally back in time. It's always difficult choosing which songs to play from the new album and then what's going to work. There's a couple of surprises in store and there's a couple of real 'train spotter' surprises."

The concert was divided into four segments (in chronological order): "Paris By Night", "Bardello", "Electro", and "On Yer Bike." "Paris By Night" opened with the Body Language-track "Still Standing", which Minogue sang from atop an eight-metre long black beam suspended in the air. She continued singing as the beam slowly descended to the stage. The performance of "Still Standing" was followed by "Red Blooded Woman", another track from Body Language, and "On a Night Like This". The latter's performance was inspired by the 1952 musical Singin' in the Rain and featured "dancers spinning iridescent red umbrellas against LCD displays of digital drizzle." During this segment, Minogue donned a Brigitte Bardot-inspired look and was dressed in a black and white striped jersey, black corset and trousers. Images of the Eiffel Tower and Notre Dame de Paris were displayed on the LED screens as backdrops to the segment.

The "Bardello" act commenced with a mashup of Minogue's 1998 single "Breathe" and "Je t'aime... moi non-plus", a 1969 French duet between Serge Gainsbourg and Jane Birkin. Craig MacLean from the Daily Telegraph described the backup dancers during this segment as "Tour de France cyclists moonlighting as Moulin Rouge hostesses." Performances of "After Dark" and "Chocolate", two songs from Body Language, followed.

"Quasi-Japanese symbols", illuminated on the LED displays, served as backdrops for the performance of "Can't Get You Out of My Head", which was the first song of the "Electro" segment. Back-up dancers dressed in bondage-inspired costumes performed "robotic push-ups" as part of the dance routine. Minogue then again performed two Body Language-tracks, "Slow" (the lead single) and "Obsession", before closing the segment with "In Your Eyes".