Hubbry Logo
Hammersmith ApolloHammersmith ApolloMain
Open search
Hammersmith Apollo
Community hub
Hammersmith Apollo
logo
8 pages, 0 posts
0 subscribers
Be the first to start a discussion here.
Be the first to start a discussion here.
Hammersmith Apollo
Hammersmith Apollo
Hammersmith Apollo
View on Wikipedia
from Wikipedia

The Hammersmith Apollo, called the Eventim Apollo[1] for sponsorship reasons, previously and still commonly known as the Hammersmith Odeon, is a live entertainment performance venue opened in 1932 as a cinema named the Gaumont Palace.[2][3] Located in Hammersmith, London, it is an art deco Grade II* listed building.[4]

Key Information

History

[edit]

Designed by Robert Cromie, who also renovated the Prince of Wales Theatre,[1] in the Art Deco style, it opened in 1932 as the Gaumont Palace, with a seating capacity of nearly 3,500 people, being renamed the Hammersmith Odeon in 1962. It has had a string of names and owners, most recently AEG Live and Eventim UK.[5][6] It became a Grade II listed building in 1990. The venue was later refurbished and renamed Labatt's Apollo following a sponsorship deal with Labatt Brewing Company (1993 or 1994).

In 2002, the venue was again renamed, this time to Carling Apollo after Carling brewery struck a deal with the owners, US-based Clear Channel Entertainment, now IHeartMedia. The event was marked by rock band AC/DC playing a one-off concert. All 5,000 tickets sold out in 4 minutes. In 2003, the stalls seats were made removable and now some concerts have full seating whilst others have standing-only in the stalls. In the latter format, the venue can accommodate around 5,000 people. The venue's listing was upgraded to Grade II* status in 2005. In 2006, the venue reverted to its former name, the Hammersmith Apollo. In 2007, the original 1932 Compton pipe organ, still present from the building's days as a cinema, was restored. The building was then bought by the MAMA Group.

On 14 January 2009, a placing announcement by HMV revealed that by selling additional shares, the company would raise money to fund a joint venture with the MAMA Group, to run eleven live music venues across the United Kingdom, including the Hammersmith Apollo. As a result, the venue was named HMV Apollo from 2009 until 2012. Other venues purchased include The Forum in London's Kentish Town, the Birmingham Institute and Aberdeen's Moshulu.[7] The venue was sold by HMV Group in May 2012 to AEG Live and CTS Eventim.[8] In 2013, the venue was closed for an extensive refurbishment which was carried out by architect Foster Wilson.[9] The venue reopened as the Eventim Apollo on 7 September 2013, with a concert performance by Selena Gomez.[1][10]

The Compton pipe organ

[edit]
Restored organ console, 2007

The original 1932 Compton pipe organ remains installed at the Apollo and was fully restored to playing condition in 2007.[11] It has a four-manual console which rises through the stage on a new lift and about 1,200 organ pipes housed in large chambers above the front stalls ceiling. Having fallen into disrepair, the organ was disconnected in the 1990s and the console removed from the building. At the insistence of English Heritage and the local council, however, it was reinstated and the entire organ restored. At a launch party, on 25 July 2007, an invited audience and media representatives witnessed a recital by Richard Hills.[12]

[edit]
View of the stage and proscenium, 2007

Many bands have released live albums, videos or DVDs of concerts held at the Apollo, such as Queen, Black Sabbath, Rush, DIO, Hawkwind, Iron Maiden, Celtic Frost, Kings of Leon, Tears for Fears, Bananarama, Dire Straits, Frank Zappa, Sophie Ellis-Bextor, David Bowie, Bruce Springsteen and the E Street Band, Japan, Erasure, Spear of Destiny, Motörhead, and Robbie Williams. In September 1979 Gary Numan recorded his Touring Principle show at the venue. Kate Bush released a video and record EP of her concerts at the Odeon from her first tour in 1979. Duran Duran recorded at the Hammersmith Odeon on 16 November 1982 and released Live at Hammersmith '82!. Depeche Mode made one of its first concert videos for a Danish television at the Hammersmith on 25 October 1982. Dire Straits played the final two concerts of their eight-month long Love Over Gold Tour at the Odeon on 22–23 July 1983, and the resulting album Alchemy: Dire Straits Live was released the following year.

Kylie Minogue performed a one-off concert in the venue in 2003 and released a DVD of the performance in 2004. Minogue also performed the last show of her Anti Tour in the venue on 3 April 2012. Girls Aloud released a DVD of their concert at the Apollo in 2005. A DVD of a Bruce Springsteen concert held there in 1975 was released as part of the Born to Run 30th Anniversary Edition package; later the CD Hammersmith Odeon London '75 was released. Melodic death metal band In Flames also released a DVD that featured footage of a December 2004 performance there. Comedian and actor Eddie Izzard's show Glorious was also released as a DVD. Rush recorded their 1978 performance and later included it in their three-disc set, Different Stages. American musician Tori Amos released a series of six live albums in 2005 known as The Original Bootlegs, one of which was recorded at the Apollo. Photographs of The Who outside the Hammersmith Odeon appear on their 1973 album Quadrophenia. Pink Floyd guitarist David Gilmour performed three nights at the venue in April 1984 which was documented on the David Gilmour Live 1984 concert film. These shows are of note as Roy Harper guested on "Short and Sweet" and Gilmour's Pink Floyd bandmate Nick Mason played drums on "Comfortably Numb". In 1984 the London-based band Iron Maiden recorded side 4 of their double live album 'Live After Death' at the venue. Iron Maiden's affection for the Hammersmith Odeon previously resulted in the filming of a 1982 performance which was subsequently released as Beast over Hammersmith.[13]

Other acts have made music videos featuring clips from performances at the Apollo; Kelly Clarkson made a special version of her "Breakaway" video using clips from her concert at the Apollo in 2006.

The Hammersmith Apollo is seen in the American romantic comedy film Just My Luck where McFly perform. In the movie, the venue stands-in for the Hard Rock Café. It is also the location in The Football Factory where the Chelsea fans board the bus for Liverpool. It is mentioned in the poem "Glam Rock: The Poem" by the poet Robert Archambeau. The exterior of the (then) Gaumont Palace was used as the "Grand" cinema in the 1957 British film The Smallest Show on Earth.

Noteworthy performances

[edit]

1950s

[edit]
  • On 25 March 1958, Buddy Holly performed two shows at the venue. An altercation after the first with Joe B. Mauldin saw Holly lose the caps to two of his front teeth; he effected a temporary repair with chewing gum and performed the second show with the gum in place.[14] These were his last shows in the United Kingdom.

1960s

[edit]

1970s

[edit]
  • The photo booklet that forms part of The Who's Quadrophenia album features pictures of the venue (particularly within the centre spread;) the photos of the main character (Jimmy) waiting, kneeling beside his GS Scooter outside the venue as the members of the band take their groupies to a limo were taken during a photo shoot.
  • On 28 October 1972, the "Giants of Jazz", a group consisting of jazz musicians Dizzy Gillespie, Kai Winding, Sonny Stitt, Thelonious Monk, Al McKibbon and Art Blakey – played two concerts at the Hammersmith at 6:30 and 9:30 P.M.
  • In July 1973, David Bowie performed his final concert as Ziggy Stardust at the venue. The concert was filmed by American documentary filmmaker D. A. Pennebaker, who intercut scenes of fans outside the venue, Bowie in the dressing room, with the concert footage. The film was not released until 1979, and is now available on DVD as Ziggy Stardust & The Spiders From Mars.
  • In December 1974, Elton John played a televised Christmas concert for the BBC's Old Grey Whistle Test.[16]
  • In November and December 1975, Queen performed several shows at the Hammersmith Odeon during the A Night at the Opera Tour. The show of 24 December was broadcast by the BBC and released in 2015 on CD, Vinyl and DVD/Blu-ray as A Night at the Odeon – Hammersmith 1975.[17]
  • On 14 April 1976 Steve Harley and the Cockney Rebels recorded live at the Hammersmith Odeon. Some performances are available on their "The Best Years Of Our Lives" triple album.
  • On 15–16 May 1976, KISS made their first UK appearances, supported by UK rockers Stray; tickets sold out in 2 hours for their two-night stay.
  • Genesis featured in a 6-night run, 09-14 June 1976, making the UK debut of their "A Trick of the Tail" tour. This was the band's first post-Peter Gabriel album and tour, with Phil Collins stepping out from behind his drum kit to front the vocals. Bill Bruford, formerly of YES, stepped in on drums for this tour before giving way to Chester Thompson on subsequent tours.
  • In 1976, much of Thin Lizzy's live album Live and Dangerous was recorded at the Hammersmith on the Johnny The Fox Tour. Again in 1981, Lynott and his gang appeared in the venue for the recording of the BBC's In Concert. The disc are released as a part of the Box Set At The BBC, in 2011. Some of this tracks also appeared in the deluxe editions of Chinatown and Thunder and Lightning. Finally, the double live album Life/Live was recorded in the venue in 1981 and 1983, with the participation of guitarists Eric Bell, Brian Robertson and Gary Moore. The guitarist Snowy White participated on three tracks recorded in 1981 in the same venue.
  • The progressive rock band Camel recorded some tracks in 1976 for the release of a future live album. The album was released in 1978, and is called A Live Record. The entire concert was released and made part of the deluxe edition of Moonmadness. The same concert was broadcast by the BBC and released in DVD format. The DVD was called Moondances.
  • In November 1977, The Tubes played 10 shows and recorded the live double album What Do You Want from Live at the Hammersmith. The album was released in February 1978.
  • In 1978, Black Sabbath, with Ozzy Osbourne still a member, held concerts celebrating 10 years of career in the venue. The opening band was Van Halen. The concert was recorded and released on video and later on DVD, with the name Never Say Die: A Decade of Black Sabbath. In 30–31 December 1981, the band now with Dio recorded their concerts at this venue. The gig was released on disc and vinyl in 2007, and later as part of the Deluxe edition of Mob Rules. In 1994 the show in Apollo was recorded and released one year later titled Cross Purposes Live.
  • On 24 February 1978, Sweet played their first concert at Hammersmith Odeon. It was to be their last British show featuring singer Brian Connolly.
  • On 20 February 1978, Rush recorded 11 tracks from their "A Farewell to Kings" tour, including tracks from all of their first five albums. These tracks were not released at the time. They were included as a bonus disc on their 10 November 1998 release of Different Stages Live which included recordings from both their 1994 Counterparts and 1997 Test for Echo tours.
  • Whitesnake recorded tracks for their live album Live...in the Heart of the City on 23 November 1978. The album also included tracks that were later recorded (also at the Hammersmith Odeon) on 23 and 24 June 1980.[18] Years later, David Coverdale and this gang appears in Hammersmith for the recorded of Live... In the Still of the Night album and DVD set.
  • The albums 461 Ocean Boulevard and Slowhand of the guitarist Eric Clapton were reissued in double CD deluxe format accompanied with a live album recorded at the venue, depicting tours of 1974 and 1976.
  • Frank Zappa recorded parts of his 1979 album Sheik Yerbouti and parts of his 1981 album Tinsel Town Rebellion at the venue. Zappa's triple album Hammersmith Odeon, recorded in 1978, was released posthumously in 2010 by the Zappa Family Trust.
  • Kate Bush also performed the same year, and released a live video and record EP of her 1979 concerts.
  • On 13–15 December 1979, Cliff Richard played at the Hammersmith Odeon during the Rock'n'Roll Juvenile Tour.
  • In December 1979, Queen, the Clash, Elvis Costello, the Who, the Pretenders and Paul McCartney and Wings and many more artists played several nights. The Hammersmith Odeon hosted the four-night Concerts for the People of Kampuchea, a benefit concert to raise money for Cambodian victims of the dictator Pol Pot, of which Queen played the first night. Paul McCartney and Kurt Waldheim organised the event.
  • The Police played three shows at Hammersmith Odeon in late 1979 promoting their Reggatta de Blanc album (1979-09-22, 1979-09-23 and 1979-12-18).

1980s

[edit]
  • In 1980, the rock band UFO, without Michael Schenker, recorded the BBC programme In Concert. In 1981, they again played in the venue for the same programme. These two discs are in the UFO on Air: At the BBC, released in 2013.
  • In May 1980, the English/Australian instrumental band Sky played two nights (19th & 20th) at the Hammersmith Odeon during the tour of their popular Sky 2 album. The concert was filmed and later broadcast (in two parts) on BBC TV's "Rhythm on Two" on 24 & 31 July 1980. The concert is now available on DVD. The venue's Compton organ was played briefly by keyboardist Francis Monkman for their encore of the Toccata.
  • British heavy metal group, Iron Maiden, played at Hammersmith Odeon 24 times between 1980–2005. In 1980, Iron Maiden played two consecutive nights opening for Judas Priest. In 1981 the band played here their a very first headline show with French band Trust as the support act.[19][20] Iron Maiden show from 1982 was recorded and published as the Beast over Hammersmith double live CD being a part of Eddie's Archive box released in 2002.[21] The clips from that night were used as a part of 12 Wasted Years (1987) documentary and The History of Iron Maiden – Part 1: The Early Days DVD released in 2004. Between 1983 and 1988, the band played multiple sold out nights, including six shows in 1986 as a part of Somewhere on Tour 1986/87.[22][23] The fourth side of double live album Live After Death was recorded during the four nights played by the band as a part of World Slavery Tour.[24][25] In 1990, Iron Maiden played here their first show in London with a new member, guitarist Janick Gers.[26]
  • Miles Davis played in 1982 with his Jazz fusion band. The concert was released some years later in DVD.
  • Def Leppard recorded the videos of Let It Go, High & Dry (Saturday Night), and Bringing on the Heartbreak at the venue.
  • In December 1985, Hawkwind filmed a concert from their Chronicle of the Black Sword tour. The recordings were subsequently released as the Live Chronicles album and The Chronicle of the Black Sword video.
  • In 1983, Dire Straits recorded the concerts for a future release. Finished launching in 1984 the double album Alchemy and a video with the same name. The video was remastered and released on DVD and Blu-ray in 2009, in its full version.
  • The black metal band Venom released a double album in 1985 called Eine Kleine Nachtmusik. One of the discs was recorded in the venue. The band was banned in 1984 because they ruined the ceiling of the theatre with a show of fireworks (during the track Countess Bathory). The show was recorded and released on video in 1984 with the name Seven Dates to Hell, with opening by the young Metallica. The following year, the band recorded the concert at this venue for a television special, named Live from London. Both shows were released on DVD during the 2000s.
  • In 1980, Blondie performed one of their most famous shows. Robert Fripp joined them on guitar, and their live cover of "Heroes" (which was later used as a B-Side) was recorded there. In addition, some more live tracks recorded were later used as bonus tracks on the 2001 rerelease of the Eat to the Beat album.
  • On 20 September 1980, Randy Rhoads performed one of his first shows, with new musical soulmate Ozzy Osbourne, on the Blizzard of Ozz Tour, they returned on 26 October.
  • In 1982, Duran Duran performed during promotion for their Rio album. The concert was filmed and released as Live at Hammersmith '82! in 2009, as a CD-DVD combo pack.
  • On 25 October 1982, Depeche Mode performed there as part of their A Broken Frame Tour. The concert was filmed and parts were released as Live at Hammersmith Odeon London in 2006, as a DVD included in the remastered album, A Broken Frame.
  • In 1982, Elton John performed a series of concerts with his reunited "Classic" band, promoting his albums The Fox and Jump Up!. A concert on Christmas Eve featured a medley of Christmas carols and a rare live duet of "Don't Go Breaking My Heart" with Kiki Dee.
  • In 1982, Japan played a six-night residency from 17 to 22 November. These were the band's final performances in the UK and the final night's performance was recorded and then released in 1983 on VHS and audio as Oil on Canvas.
  • In 1983, Marillion performed the final date of their tour supporting their debut album, Script for a Jester's Tear. This also marked the final performance with drummer Mick Pointer. The performance was filmed and released as Recital of the Script.
  • In 1984, Pink Floyd guitarist David Gilmour performed three shows at the venue on his About Face solo tour, which was documented on the concert video David Gilmour Live 1984.
  • On 21 September 1986, Metallica performed at the Odeon during their Master of Puppets Tour. This is one of the band's last performances with bassist Cliff Burton, who was killed in a bus crash, six days later and also featured guitarist John Marshall as James Hetfield was recovering from a skateboard accident. This performance formed the basis for the Hammersmith Apollo's appearance in video game Guitar Hero: Metallica in 2009, complete with Master of Puppets-themed stage.
  • Between 15 and 20 December 1986, the Norwegian band a-ha held 6 concerts at the Hammersmith Odeon.[27]
  • At the start of the seminal Public Enemy album, It Takes a Nation of Millions to Hold Us Back, they are heard addressing the Hammersmith Odeon crowd at a concert there in 1987. Due to trouble outside the venue before and after the show, the Hammersmith Odeon refused to host any rap groups for several years afterwards.
  • On 10 July 1987, the first Soviet rock musicians ever to perform in Britain Autograph and Dialogue at Russian Rock Gala during Capital Music Festival.

1990s

[edit]
  • During the early 1990s, the venue played host to stage productions such as Joseph and the Amazing Technicolor Dreamcoat.
  • Following 4 sold out shows on their 'Slippery When Wet' UK tour in November 1986, Bon Jovi returned to the venue on 10 January 1990 during their second visit to the UK on their New Jersey Syndicate Tour to play a special one-off show, in aid of Nordoff-Robbins Music Therapy.
  • In March 1991, the venue played host to CCM and pop star Amy Grant during her Heart In Motion Tour.
  • In summer of 1992, Erasure played 8 consecutive nights at the Hammersmith Odeon on the opening of their "Phantasmagorical Entertainment Tour".
  • Megadeth Recorded their Performance on 30 September 1992, for a Concert DVD in support for their album Countdown to Extinction
  • Dio Recorded their previously unreleased "Live in London-Hammersmith Apollo 1993" Performance on 12 December 1993, a Blu-ray Disc released in 2014 in support for their then recent album Strange Highways.
  • Musical theatre star Michael Ball has performed at the Hammersmith Apollo on nine occasions—each time selling out.[citation needed] His concerts in December 1993 and 1994, were recorded by BBC Radio 2. He also recorded his 2003, 2007 and 2013 concerts for DVD release.
  • Black Sabbath recorded their Cross Purposes Live album/video, with singer Tony Martin, on Wednesday 13 April 1994.
  • In July 1995, Riverdance made its UK debut at the Apollo, selling out its initial four-week run and returning in the fall for another 19 weeks, breaking box office records in the process.
  • In November 1997, Scottish comedian Billy Connolly performed five sold out nights.
  • On 14 July 1998, Doctor Dolittle, a musical by Leslie Bricusse (based on his 1967 film and the Hugh Lofting children's books) made its world premiere starring Phillip Schofield. The production closed on 26 June 1999.
  • On 14 December 1999, Blast! a new musical based on American Drum and Bugle Corps premiered at the Hamersmith Apollo. A PBS special of the London production aired on 5 August 2000.

2000s

[edit]
  • In October 2002, Prince played 3 nights of his 'One Nite Alone... Tour'.
  • On 21 October 2003, rock band AC/DC performed at the Apollo. The event sold out online in just four minutes. The lead singer Brian Johnson was suffering from a lung infection on the night of the gig.[28][29]
  • On 15 November 2003, Kylie Minogue launched her studio album Body Language with a press conference and a one-off show entitled Money Can't Buy, no tickets were offered for sale publicly and only invited guests and competition winners attended the show.
  • In 2004, the venue was part of the Carling Live 24 event, which saw Feeder play their only date of that year. The venue also spawned the BBC television series Live at the Apollo, originally titled Jack Dee Live at the Apollo
  • On 2 September 2005, Iron Maiden performed a special fund raising sold-out show during their Eddie Rips Up the World Tour for former drummer Clive Burr, who was suffering from multiple sclerosis.
  • On 25 November 2006, Video Games Live presented the first ever UK video game concert at the Hammersmith Apollo as part of their 2006 World Tour. A parody of the Hammersmith Odeon was made for Guitar Hero III: Legends of Rock, called Ye Olde Royal Odeon. The game Guitar Hero: Metallica features the real Hammersmith Apollo as a playable venue.
  • On 18 and 19 December, comedy rock duo Tenacious D performed on their Pick of Destiny Tour, Neil Hamburger opened on both dates.
  • On 19 June 2007, OMD filmed their Architecture & Morality and more comeback-tour in this theatre.
  • In September 2008, comedian Michael McIntyre performed shows around theatres in the UK and his filmed performance at the Hammersmith Apollo became the best selling debut comedy DVD of all time.
  • In March 2009, SpongeBob SquarePants: The Musical (The Sponge Who Could Fly) premiered at the Apollo.
  • On 11 July 2009, Thunder played their last concert in a sold out Hammersmith Apollo, as being the last stop on their 20 Years & Out tour. The show was also filmed and recorded for a last Thunder live DVD.
  • On 29 November 2009, British Christian rock band Delirious? played their farewell concert at the venue. The show was sold out and was recorded for a live album and DVD.[30]
  • On 15 December 2009, the Apollo hosted the UK premiere of It Might Get Loud, a documentary film that covers the careers of guitarists The Edge, Jimmy Page, and Jack White. Page was the only star of the film to attend the UK premiere.

2010s

[edit]
Led Zeppelin answering questions at a press conference for the premiere of Celebration Day at the Hammersmith Apollo in 2012
Kate Bush – Before the Dawn, Hammersmith Apollo

2020s

[edit]

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Hammersmith Apollo

View on Grokipedia
from Grokipedia
The Eventim Apollo, commonly known as the Hammersmith Apollo, is a historic entertainment venue located in , , , originally opened on 28 March 1932 as the Gaumont Palace cinema and renowned for its role as a premier concert hall hosting legendary musical acts since the 1960s. Designed by architect Robert Cromie in the style, the venue features a fan-shaped auditorium with an original capacity of 3,487 seats, a 35-foot-deep stage, and 20 dressing rooms, including a restored Compton 4Manual/15 Ranks theatre organ that adds to its theatrical heritage. Over the decades, it has undergone several name changes—becoming the Hammersmith Odeon in 1962, Labatt’s Apollo in 1992, and reverting to Hammersmith Apollo before adopting its current name in 2013—while evolving from a cinema to a multifunctional space for live music, comedy, and broadcasting, such as the BBC's Live at the Apollo series. The venue's cultural significance is underscored by its history of hosting iconic performers, including , , and during its Odeon era, as well as later stars like and contemporary acts that draw large audiences to its preserved single-auditorium layout. A major refurbishment in 2013, led by Foster Wilson, restored its interiors and modernized facilities, ensuring its status as one of the United Kingdom's largest and most influential for live entertainment.

Venue Overview

Location and Architecture

The Eventim Apollo, commonly known as the Hammersmith Apollo, is situated at 45 Queen Caroline Street in , , W6 9QH, within the London Borough of Hammersmith and Fulham. This location places it directly opposite the Broadway Centre shopping area and in close proximity to major links, including Hammersmith Underground station on the District, , and Hammersmith & City lines, as well as numerous bus routes and the nearby spanning the River Thames. The venue's position enhances its accessibility, serving as a prominent landmark in the local community since its establishment. Architecturally, the Hammersmith Apollo is a Grade II* listed building exemplifying style, designed by the renowned theatre architect Robert Cromie and constructed between 1930 and 1932 for initial use as a cinema and variety theatre. Groundbreaking occurred in 1930, with completion and official opening on 28 March 1932, featuring a facade that spans 57.9 meters (190 feet) in width and incorporates load-bearing brickwork combined with steel framing for structural efficiency. The exterior design emphasizes symmetrical elegance with nine pairs of double entrance doors, while interior motifs include geometric mouldings on the walls, deep ceiling coves, and remnants of original signage elements restored during later conservation efforts. The auditorium itself covers an expansive footprint, measuring approximately 51.8 meters (170 feet) in width at the rear, underscoring its scale as one of the largest surviving original in the . Key design elements contribute to the venue's functional and aesthetic integrity, including a simple moulded arch that is 19.21 meters (63 feet) wide and 9.41 meters (31 feet) high, framing a depth of 35 feet to optimize projection and staging. The fan-shaped configuration, paired with a broad that minimally overhangs the stalls (extending only beyond the first dozen rows), ensures excellent sightlines and acoustics throughout, supported by a massive 56-ton girder across the balcony front for stability. These features, including the 102-foot depth of the stalls area, reflect Cromie's innovative approach to blending grandeur with practicality in early 20th-century design.

Capacity and Facilities

The Hammersmith Apollo, now known as the Eventim Apollo, originally featured a of 3,487 when it opened in 1932, designed to accommodate cinema and audiences in its fan-shaped divided into stalls, , and upper levels. In 2003, the stalls seating was removed to enable flexible configurations for standing events, altering the venue's operational scale while preserving the multi-tiered layout for improved sightlines. Since then, the capacity is 3,655 for fully seated events or up to 5,300 with partial standing (as of 2025); a major renovation in 2013 restored the interiors and modernized facilities. Backstage facilities support large-scale productions with 10 dedicated dressing rooms serving as production offices and preparation spaces, alongside a service yard for loading bays and deliveries. Green rooms provide additional artist amenities, contributing to the venue's reputation for professional event hosting. The interior, with its restored marble staircases and mosaic floors, subtly influences the modern layout by maintaining an intimate atmosphere across the tiers. Technical infrastructure includes an in-house sound system featuring K2 line arrays in stereo configuration, installed to deliver high-fidelity audio for diverse events. Lighting rigs were upgraded with energy-efficient LED fixtures during the 2013 refurbishment, including multi-colored installations on the facade and interior for enhanced visual production capabilities. Rigging supports robust setups via Prolyte modular staging, offering a 750 kg/m² loading capacity to facilitate quick transformations between seated and standing formats. Accessibility features prioritize inclusive experiences, with two step-free platforms in the rear stalls accommodating up to eight users plus companions, accessible directly from the street. Hearing loops are available throughout the for assisted listening, and lowered bar counters on the ground floor further support mobility needs.

Historical Development

Construction and Early Years

The Hammersmith Apollo, originally the Gaumont Palace, was commissioned by the Gaumont-British Picture Corporation as part of the 1930s boom in British cinema construction, which saw the rapid expansion of grand picture houses to meet growing public demand for film entertainment. Designed by architect Robert Cromie for developer Israel Davis, the venue incorporated Art Deco elements typical of the era's theatrical architecture. Construction emphasized functionality and spectacle, resulting in a fan-shaped auditorium with a 35-foot-deep stage, 64-foot-wide proscenium, and capacity for 3,487 seated patrons, making it one of the largest cinemas in the UK at the time. The Gaumont Palace officially opened on 28 March 1932, with an inaugural programme featuring screenings of A Night Like This starring and with , supported by a live spectacle involving 80 performers and a symphony orchestra. This blend of and live variety acts established the venue's dual purpose from the outset, though films dominated the schedule in line with Gaumont-British's focus on cinematic exhibition. Early operations centered on presenting Hollywood and British productions, interspersed with occasional variety performances that leveraged the venue's advanced facilities, including a Compton 4-manual for musical accompaniment. During , the Gaumont Palace, like other British cinemas, faced initial closure orders in September 1939 but quickly reopened amid rising attendance as audiences sought from wartime hardships; blackouts and disrupted evening shows, yet the venue adapted by scheduling matinees and contributing to morale-boosting entertainment efforts. Post-war recovery in the late 1940s and 1950s saw continued emphasis on film programming under ownership from 1941, with attendance peaking due to economic recovery and the popularity of American imports. By the early 1960s, the venue increasingly hosted live theatre productions and emerging concerts, including variety bills and early rock 'n' roll acts such as performances by artists like and , foreshadowing its evolution into a premier live entertainment space.

Name Changes and Ownership

The Hammersmith Apollo, originally opened as the Gaumont Palace in 1932, underwent its first major renaming in 1962 to the Odeon, marking a shift toward live under the management of , which controlled the Gaumont circuit. This name persisted for over three decades until 1993, when a £2 million sponsorship agreement with led to its rebranding as the Labatt's Apollo, reflecting the growing influence of corporate sponsorships in the venue's operations. In 2002, ownership by Clear Channel Entertainment prompted another change to the Carling Apollo, tied to a sponsorship deal with the that aimed to leverage the brand's association with music events. The venue remained under Clear Channel until 2007, when it was sold to the MAMA Group as part of a by Live Nation, with the transaction for the Hammersmith Apollo and the adjacent Forum valued at $26.9 million. In 2009, MAMA entered a with Group, acquiring a 50% stake in a portfolio of 11 venues including the Apollo for £18.25 million, resulting in the renaming to HMV Apollo to promote the retailer's music interests. Financial pressures on culminated in the 2012 sale of the venue to a between AEG Presents and for £32 million, establishing the current dual ownership structure. The following year, the venue reopened as the Eventim Apollo, aligning with CTS Eventim's European ticketing operations, though "Hammersmith Apollo" remains the widely used . These evolutions in naming and ownership have been driven by commercial partnerships in brewing and music retail sectors, adapting the to modern entertainment demands while its Grade II* listed status, upgraded in 2005, ensures preservation of its architectural integrity amid changes.

Renovations and Heritage Status

The Hammersmith Apollo received Grade II listed status from on 26 March 1990, acknowledging its fine 1930s architecture and largely unaltered interior decoration. This designation was upgraded to Grade II* on 26 July 2004, reflecting its exceptional architectural interest as a prime example of cinema design, with elaborate mouldings, shallow aedicules, and deep ceiling coves, as well as its historic role as an iconic since the 1960s. The upgrade rationale emphasized the building's status as the best surviving work by architect Robert Cromie, its technical innovations like economical steel-frame construction supporting a wide , and its cultural significance, including the rare surviving Compton installed above the . Preservation efforts have focused on balancing the venue's historical integrity with its ongoing contemporary use as a live entertainment space. The Grade II* listing specifically highlights challenges in maintaining architectural features like the ornate and original fixtures while adapting for modern safety and accessibility standards, ensuring the building's role in London's is sustained without compromising its Art Deco merit. This approach was evident in the 2007 restoration of the Compton pipe organ, which integrated with venue-wide maintenance to revive a key historical element while supporting current operations. A major renovation in 2013, costing £5 million and funded by owners AEG and Eventim, addressed these preservation needs through comprehensive upgrades. The project reconfigured seating to enhance comfort and increase capacity slightly to 3,655 while improving sightlines, modernized the sound system with an array and lighting infrastructure, and incorporated enhancements such as updated systems compliant with regulations. The venue closed for nine weeks from early July to 7 September 2013 to allow this historically sensitive work, overseen by architects Foster Wilson, which restored original elements like marble staircases and ornate plaster while introducing subtle modernizations. Post-2020 updates have included minor accessibility improvements, such as enhanced wheelchair platforms in the stalls and step-free access provisions, to better accommodate diverse audiences while adhering to heritage guidelines. These ongoing efforts underscore the commitment to evolving the venue's facilities without altering its protected character.

Signature Features

The Compton Pipe Organ

The Compton pipe organ at the Hammersmith Apollo was constructed and installed in 1932 by the Organ Company specifically for the Gaumont Palace cinema, the venue's original name, to provide musical for silent films and live shows. This instrument, a classic example of a British cinema organ from the , features a four-manual console with 15 ranks, including stops such as Open Diapason 8', Horn Diapason 8', Tibia Clausa 8', Tuba Horn 8', and Orchestral Oboe 8', enabling a versatile tonal palette for theatrical effects. The organ's technical design incorporates for precise control of the pipe valves, with the pipework distributed across two chambers above the stage . The console, positioned in the , was engineered to rise on a hydraulic lift, allowing the to be visible to the during performances and integrating seamlessly with the venue's architecture. In its operational prime, the organ supported a succession of resident organists, including Stanley Tudor from 1932 to 1935 and Robin Richmond until 1947, who used it to underscore films and variety acts. Following the cinema's transition to a concert venue in the 1960s and declining use thereafter, the organ was partially dismantled, with its console disconnected and stored in the mid-1990s, rendering it unplayable. Restoration efforts began around 2004 and culminated in 2007 under HWS Associates (later integrated with Taylor-Hammond Associates), involving comprehensive releathering of components, repairs to windchests and pipework, thorough cleaning, resurrection of the original blower, and reconnection of the console via a new main cable and multiplexer system. The revitalized instrument was officially relaunched on 25 July 2007 with a recital by renowned organist Richard Hills, attended by an invited audience and media. The organ was preserved as a heritage element during the broader 2013 venue renovation. In contemporary use, the Compton organ appears in occasional dedicated recitals and organ concerts, as well as providing atmospheric interludes for select events, such as comedian Dara Ó Briain's 2010 performance recording. Ongoing maintenance is handled by specialist organ technicians to ensure its functionality.

Auditorium and Technical Specifications

The auditorium of the Eventim Apollo features a classic stage measuring 19.2 meters (63 feet) wide at the proscenium opening and 10.7 meters (35 feet) in depth, providing ample space for elaborate productions while maintaining the venue's intimacy. The stage extends 26.76 meters (87 feet 9 inches) behind the proscenium, supported by a fly tower reaching 18.29 meters (60 feet) to the grid at the back, enabling complex scenery and lighting setups. Acoustic treatments, including original oak-paneled walls and adjustable drapery systems, contribute to balanced sound reflection, enhancing clarity for live performances without overwhelming the space's natural resonance. Technical infrastructure has evolved significantly since the venue's 1932 origins, with a major in 2013-2014 upgrading the production capabilities to modern standards. The original analog systems were replaced with processing, including a front-of-house (FOH) SD11 console offering 48 mic/line inputs and 16 outputs for precise mixing. Lighting remains hire-in based, supported by over 100 channels in typical setups, while the rigging includes 40 double-purchase lines and up to 16 flying points on the stage grid, each with a 1-tonne load capacity, allowing for versatile overhead configurations. These updates, including the installation of a modular Prolyte StageDex platform system for flexible floor configurations, ensure the venue can adapt to diverse event formats efficiently. The acoustic profile of the is particularly well-suited to rock and pop concerts, featuring a natural reverb that supports energetic performances with clear vocal and instrumental projection. Post-2013 enhancements, such as the K2 system with 12 elements per side, six SB28 subwoofers per side, and distributed fills including ARCS and Kara cabinets, provide uniform coverage and high intelligibility across the seating areas, minimizing dead spots and enhancing low-frequency response for amplified music. Acoustic absorbers integrated into the under-balcony and foyer areas further refine the sound, reducing excessive buildup while preserving the venue's lively character. Production facilities include a dedicated FOH mixing position equipped with the aforementioned console and recording capabilities for high-quality captures. Video projection screens, installed as part of the upgrades, support visual enhancements for concerts and corporate events, with multiple points for rear- or front-projection setups. The venue's broadcast infrastructure enables of performances, as demonstrated in various 2020s events transmitted in high-definition via platforms like On Air Events.

Performances and Events

1930s to 1960s

In the , the Gaumont Palace primarily functioned as a cinema but incorporated variety acts and stage shows alongside film screenings, marking its early role in live entertainment. Notable performers included , who appeared during this period as part of the venue's cine-variety programming. The Compton was frequently utilized to accompany musical films and provide interludes, enhancing the theatrical experience for audiences. Film premieres, such as the 1932 opening program featuring "A Night Like This" with , drew large crowds to the 3,487-seat auditorium. During the 1940s, the venue adapted to wartime needs under management from 1941, hosting Entertainments National Service Association (ENSA) troop shows to boost civilian and military morale. These performances, often featuring variety acts and concerts, provided essential escapism amid air raids and rationing, with the large stage accommodating ensemble productions. The 1950s saw the emergence of rock 'n' roll at the Gaumont Palace, highlighted by and ' final appearances on March 25, 1958, where they performed two shows to enthusiastic crowds. This event underscored the venue's shift toward , building on its cinema roots with increased live bookings. In the early 1960s, following the 1962 renaming to Hammersmith Odeon, the venue diversified into jazz and pop, exemplified by and His Orchestra's concert on January 13, 1963. held residencies featuring multiple performances with , capitalizing on the British Invasion's momentum. ' early major run of 20 nights (twice nightly) from December 1964 to January 1965 further solidified its status as a music hub, with attendance peaking at near-capacity for the 3,500-seat house.

1970s to 1990s

The 1970s marked a transformative era for the Hammersmith Odeon, as it solidified its status as a premier venue for rock performances amid the shifting UK music landscape from progressive rock to glam and hard rock. On 3 July 1973, David Bowie concluded his Ziggy Stardust Tour with a sold-out show, dramatically announcing the retirement of his alter ego onstage in front of approximately 3,500 fans, an event later documented in the concert film Ziggy Stardust and the Spiders from Mars. This performance exemplified the venue's role in hosting theatrical, high-energy rock spectacles that influenced glam rock's visual and performative elements. Later that year, the venue hosted multiple nights of emerging hard rock acts, drawing consistent crowds that underscored its importance in London's live circuit during the genre's expansion. In 1975, Queen recorded their Christmas Eve concert at the Odeon, capturing a festive set featuring tracks from their early albums like and A Night at the Opera, performed before a full house of over 3,000 attendees. Released officially in 2015 as A Night at the Odeon – 1975, the recording highlighted the band's rising theatricality and the venue's superior acoustics for live albums, contributing to Queen's breakthrough in the rock scene. The decade saw the Odeon navigate the punk and new wave transitions, booking acts that bridged with emerging punk energy, maintaining sell-out attendance averaging 3,000 to 3,500 per show and establishing it as a vital stop on the touring circuit. The 1980s elevated the Hammersmith Odeon to arena rock prominence, with the venue accommodating larger productions and international tours as rock diversified into new wave and heavy metal. U2 performed multiple nights during their 1983 War Tour, including shows on 14, 15, 20, and 21 March, where they debuted material from War to enthusiastic crowds of around 3,500, marking a key moment in their ascent to global stardom. Similarly, Dire Straits recorded portions of their 22–23 July 1983 concerts for the live album Alchemy, released in 1984, capturing extended improvisations on tracks like "Sultans of Swing" before packed houses that showcased the venue's suitability for intricate guitar-driven performances. Iron Maiden's frequent appearances, including sold-out runs in 1982 and 1984 supporting albums like The Number of the Beast, exemplified the Odeon's heavy metal legacy, with the band playing there 24 times overall from 1980 to 2005, often drawing maximum capacity crowds of 3,500 and fostering a dedicated fanbase during the NWOBHM movement. The Police, fresh from their late-1970s breakthrough, returned for early 1980s dates amid new wave's peak, building on their 1979 Reggatta de Blanc Tour shows at the venue to maintain its reputation for high-energy pop-rock bookings with consistent attendance exceeding 3,000. Throughout the decade, the Odeon played a pivotal role in the UK's live music ecosystem, hosting transitions from punk to arena rock and sustaining vibrant crowds that reflected the era's genre evolutions. Entering the 1990s, the venue underwent refurbishment and was renamed Labatt's Apollo in 1992 following a sponsorship deal with Labatt Brewing Company, which supported upgrades to seating and facilities while influencing a broader range of pop and alternative bookings to align with commercial trends. This period saw the Apollo embrace Britpop and alternative rock, with consistent attendance of 3,000 or more for key shows, reinforcing its central position in London's mid-sized concert scene amid the shift from grunge to indie influences. The sponsorship era facilitated diverse programming, including high-profile alt-rock acts that drew from the venue's rock heritage, ensuring sold-out nights and cultural relevance through the decade's musical transitions.

2000s to Present

In the 2000s, the Hammersmith Apollo continued to attract major rock acts, with delivering a highly anticipated one-off performance on 21 October 2003 that sold out in just four minutes, accommodating approximately 5,000 fans and marking a significant revival for the veteran band. The venue also hosted influential shows, such as Radiohead's concerts on 19 and 20 May 2006 during their tour promotion, blending intimate acoustics with experimental soundscapes to captivate audiences. The 2010s brought greater diversity in genres and global appeal following the venue's 2013 renovation, which enhanced its technical capabilities for larger productions. The reopening event on 7 September 2013 featured as the headliner for her Tour, drawing a sold-out crowd and signaling the Apollo's renewed focus on contemporary pop. British artists like performed there on 19 and 20 September 2011 amid her 21 album promotion, while took the stage on 15 October 2012 during an early leg of his rising career tours, emphasizing the venue's role in nurturing homegrown talent. The era also saw a surge in K-pop events, exemplified by Monsta X's energetic show on 17 June 2018, which highlighted synchronized choreography and fan engagement for an international audience, and Eric Nam's fan concert on 15 June 2019, blending pop and indie influences. The 2020s tested the venue's resilience amid the COVID-19 pandemic, which forced closure from March 2020 and led to widespread postponements, including the musical Sister Act being delayed to summer 2022. Reopening aligned with UK guidelines in May 2021 at reduced capacity—initially limited to 1,000 seated—before returning to full 5,000-person operations by July 2021, with added safety protocols like enhanced ventilation and contactless entry. Adaptations included virtual and streamed offerings via the On Air platform to maintain audience connection during restrictions. Reunion and contemporary acts resumed prominently, such as Blur's intimate album playthrough of The Ballad of Darren on 25 July 2023, broadcast live to extend reach beyond physical attendees. Into 2024 and 2025, bookings reflect broad appeal, featuring indie rock from Ryan Adams on 2 April 2025 and film-score concerts like Disney In Concert, alongside tribute-style events such as Love Actually in Concert on 13 December 2024. In November 2025, the venue hosted performances by Amy Macdonald and Gary Numan, continuing its tradition of diverse live entertainment. These selections underscore the Apollo's adaptability to modern entertainment, including hybrid formats with global streaming and post-pandemic capacity tweaks for health compliance.

Cultural Impact

The Hammersmith Apollo has been prominently featured in several films, often standing in for other iconic venues to capture its grandeur and atmosphere. In the 2006 romantic comedy Just My Luck, starring , the British band performs a scene at the Apollo, which serves as a substitute for New York's , highlighting the venue's role in showcasing emerging pop acts. Similarly, the exterior and interior of the Apollo appear in action sequences of Kingsman: The Golden Circle (2017), where it represents a high-profile event space during a dramatic raid. Other films, such as (2017) and (2016), have utilized the venue's facade and auditorium for period-specific scenes evoking mid-20th-century entertainment culture. In television, the Apollo has served as a central filming location for music and comedy programming, reinforcing its status as a hub for live performance broadcasts. The BBC's Later... with Jools Holland marked its 30th anniversary with a special live episode recorded at the venue in October 2022, featuring a diverse lineup of artists performing in front of over 3,000 audience members, broadcast later that year. Additionally, the long-running stand-up comedy series Live at the Apollo (2004–present) is entirely filmed there, with episodes capturing comedians like Jack Dee and Russell Howard delivering routines to packed houses, establishing the space as synonymous with British humor on screen. Concert documentaries have also immortalized performances at the venue, such as the 1983 film Ziggy Stardust and the Spiders from Mars, which documents David Bowie's final show as his alter ego at the then-Hammersmith Odeon in 1973, blending archival footage with interviews to explore rock persona mythology. The venue's cultural footprint extends to literature and music videos, where it symbolizes rock history and live spectacle. In David Bowie's memoir : The Life and Times of Ziggy Stardust (co-authored with Mick Rock, 2002), the author reflects on the 1973 finale as a pivotal moment in his career transformation, detailing the show's theatricality and audience impact through personal anecdotes and photographs. In music videos, artists have incorporated live footage from Apollo performances; for instance, Kelly Clarkson's 2004 "Breakaway" features clips from her concert there, edited to enhance the song's themes of escape and reinvention. These representations underscore the Apollo's enduring allure as a backdrop for artistic evolution in media.

Legacy and Notable Recordings

The Hammersmith Apollo has left an indelible mark on through several iconic live recordings captured during performances at the venue. Queen's A Night at the Odeon – Hammersmith 1975, recorded on December 24, 1975, and released in 2015, documents the band's energetic Christmas Eve show, originally broadcast by the , featuring tracks from their early albums like and A Night at the Opera. Similarly, Dire Straits' double live album Alchemy: Dire Straits Live, recorded over three nights from July 22 to 24, 1983, and released in 1984, captures the band's expanding popularity with extended renditions of hits such as "Sultans of Swing" and "Telegraph Road," peaking at No. 3 on the charts and No. 2 in the . The Who's performances at the venue in late 1979, part of the Concerts for the People of Kampuchea, contributed to live releases including footage and audio from December 28, 1979, highlighting their raw energy during the era of . The venue has served as a crucial "finishing school" for emerging and established rock acts, honing their stage presence amid London's vibrant music scene. Genesis' Duke Tour in 1980 featured multiple nights at the venue from March 27 to 29, showcasing the band's evolving progressive rock sound post-Duke album and marking a key step in their transition to arena rock status. These residencies influenced the UK rock landscape by providing a high-profile platform for technical innovation and audience connection. Beyond specific recordings, the Hammersmith Apollo's legacy lies in its enduring contribution to live music heritage, having hosted thousands of performances since its 1932 opening as a cinema turned hall. From the onward, it became a cornerstone for legendary acts like , , and , fostering a tradition of intimate yet grand-scale rock events that shaped British culture. By 2025, the venue continues to draw global artists, with ongoing events underscoring its role in preserving and evolving live entertainment traditions.

References

  1. https://www.eventimapollo.com/venue-info/venue-history
  2. https://database.theatrestrust.org.uk/resources/theatres/show/2575-hammersmith-apollo
  3. https://www.theguardian.com/music/2013/sep/06/hammersmith-apollo-art-deco-refurbishment
  4. https://www.lbhf.gov.uk/celebrating-hf/heritage-trails/black-music-history-trail/hammersmith-odeon-eventim-apollo
  5. https://www.pharoscontrols.com/about/news/hammersmith-eventim-apollo-london/
  6. https://www.eventimapollo.com/venue-info/getting-here
  7. http://www.arthurlloyd.co.uk/Hammersmith.htm
  8. https://cinematreasures.org/theaters/3774
  9. https://www.eventimapollo.com/live-event-hire
  10. https://www.eventimapollo.com/uploads/images/Eventim-Apollo-Special-Events.pdf
  11. https://www.eventimapollo.com/corporatehire
  12. https://media.headbox.com/spaces/5607/documents/3655/document.pdf
  13. https://www.fulhamsw6.com/page/shared/common/hfapollo003.htm
  14. https://www.prolyte.com/solutions/venues/eventim-apollo-gets-state-of-the-art-upgrade-with-prolyte-staging
  15. https://www.eventimapollo.com/venue-info/access-requirements
  16. https://www.londontheatredirect.com/venue/eventim-apollo-london
  17. https://www.bfi.org.uk/sight-and-sound/features/uk-cinemas-during-world-war-2
  18. https://www.setlist.fm/venue/gaumont-palace-hammersmith-london-england-43d20b47.html
  19. https://www.independent.co.uk/news/media/talk-of-the-trade-a-name-to-remember-2325245.html
  20. https://www.theguardian.com/business/2002/jan/09/marketingandpr.media
  21. https://d1io3yog0oux5.cloudfront.net/_a7c4a3ce7697fbd73b6e8524af1535ee/livenationentertainment/news/2007-03-30_Live_Nation_Acquires_Significant_Stake_in_Academy__608.pdf
  22. https://www.theguardian.com/business/marketforceslive/2009/dec/23/hmvgroup-musicindustry
  23. https://www.theguardian.com/business/2012/jun/01/hmv-sell-hammersmith-apollo-32m
  24. https://theatrecrafts.com/pages/home/venues/uk-london-hammersmith-apollo/
  25. https://historicengland.org.uk/listing/the-list/list-entry/1252993
  26. http://www.ssfweb.co.uk/hws/html/project1.html
  27. https://www.nme.com/news/music/various-artists-3194-1255624
  28. https://premierconstructionnews.com/2014/04/25/re-opening-the-apollo/
  29. https://www.archilovers.com/projects/203181/hammersmith-apollo.html
  30. https://www.cinema-organs.org.uk/venues/eventim-apollo-london/
  31. https://taylor-hammond.com/hammersmith-apollo.html
  32. https://stories-of-london.org/the-compton-apollo-hammersmith/
  33. https://www.arthurlloyd.co.uk/Hammersmith.htm
  34. https://www.fast-and-wide.com/faw-news/fast-news/7309-apollo-hammersmith
  35. https://www.avinteractive.com/news/gds-illuminates-eventim-apollo-16-12-2013/
  36. https://onair.events/venue/eventim-apollo
  37. https://www.genesis-publications.com/news/1958-buddy-hollys-final-uk-appearance
  38. https://www.setlist.fm/setlist/duke-ellington-and-his-orchestra/1963/hammersmith-odeon-london-england-bfa1d36.html
  39. https://www.beatlesbible.com/1965/12/10/live-odeon-cinema-hammersmith-london/
  40. https://www.bowiebible.com/1973/07/03/live-hammersmith-odeon-london-2/
  41. https://www.discogs.com/master/916145-Queen-A-Night-At-The-Odeon
  42. https://livemusicexchange.org/blog/gig-going-on-londons-periphery-charting-the-mainstream-in-the-margins-kevin-milburn/
  43. https://www.u2.com/tour/id/42
  44. https://open.spotify.com/track/6C9rm8Yz05seTiOfqRPVUk
  45. https://www.ironmaiden.com/tour/iron-maiden-1980/
  46. https://www.setlist.fm/setlist/the-police/1979/hammersmith-odeon-london-england-4bc6b3f2.html
  47. https://blabbermouth.net/news/ac-dc-sell-out-london-gig-in-four-minutes
  48. https://www.setlist.fm/setlist/adele/2011/hmv-hammersmith-apollo-london-england-5bd01f18.html
  49. https://pastdates.edsheeran.com/
  50. https://www.theguardian.com/music/2018/jun/18/monsta-x-review-k-pop-princes-prove-that-too-much-is-never-enough
  51. https://www.youtube.com/watch?v=OnycfWJWuJQ
  52. https://www.thestage.co.uk/news/production-news/coronavirus-sister-act-musical-postponed-in-london-to-2021
  53. https://www.londontheatre.co.uk/theatre-news/news/coronavirus-roadmap-guide-to-the-four-steps-of-theatre
  54. https://www.nme.com/news/music/blur-hammersmith-apollo-ballad-darren-old-b-sides-rarities-setlist-footage-watch-3473677
  55. https://www.concertarchives.org/venues/hammersmith-apollo
  56. https://www.eventimapollo.com/events
  57. https://www.manchestereveningnews.co.uk/whats-on/film-news/mcflys-forgotten-cameo-rom-com-30312899
  58. https://www.bbc.co.uk/programmes/m001f7v1
  59. https://www.theguardian.com/music/2003/jan/12/davidbowie.music
  60. https://www.universalmusic.ca/press-releases/queen-a-night-at-the-odeon-hammersmith-1975/
  61. https://www.udiscovermusic.com/stories/dire-straits-alchemy-album/
  62. https://archive.org/details/thewhohammersmithodeon28Dec1979
  63. https://www.setlist.fm/setlist/genesis/1980/hammersmith-odeon-london-england-33df40a5.html
  64. https://aegworldwide.com/divisions/real-estate/eventim-hammersmith-apollo
Add your contribution
Related Hubs
User Avatar
No comments yet.