Recent from talks
Nothing was collected or created yet.
Monia Chokri
View on WikipediaMonia Chokri (born 27 June 1982) is a Canadian actress and filmmaker.
Key Information
Life and career
[edit]Born in Quebec City in 1982,[1] Chokri began her acting career after she completed her studies at Conservatoire d'art dramatique de Montréal in 2005.[2] Her mother is of Scottish descent, while her father is Tunisian with Berber roots.[3]
In addition to having played in several theatre productions in Montreal, Chokri has received notable roles in films presented at the Cannes Film Festival directed by Québécois filmmakers who are better known outside of Canada, namely Denys Arcand and Xavier Dolan. In Heartbeats, she played Marie, a young woman who falls in love with the same man as her gay male best friend Francis, played by Dolan, who also directed. The quality of her acting has been noted by critics, notably in Les Inrockuptibles[4] and Le Monde.[5]
At the end of 2010, the readers of Les Inrockuptibles named Chokri #4 on their list of the top actresses of the year for her performance in Heartbeats.
Her debut as a director, the short film An Extraordinary Person (Quelqu'un d'extraordinaire), was released in 2013 and won the Prix Jutra for Best Live Action Short Film at the 16th Jutra Awards.[6] Her feature debut, A Brother's Love (La femme de mon frère), premiered at the 2019 Cannes Film Festival.[7]
Babysitter, in which she was both the director and an actress, was released in 2022. She received a Canadian Screen Award nomination for Best Lead Performance in a Film at the 11th Canadian Screen Awards in 2023.[8]
Filmography
[edit]- Days of Darkness (L'Âge des ténèbres), 2007 – Aziza
- Frédérique au centre, 2008 – Frédérique
- Hier, demain, hier, 2009 – Maya
- Heartbeats (Les Amours imaginaires), 2010 – Marie
- Laurence Anyways, 2012 – Stéfanie Belair
- Clémenceau, 2012 – Charlotte Beauséjour
- Gare du Nord, 2013 – Joan
- Nouvelle adresse, 2014–2015
- All Yours (Je suis à toi), 2014
- Endorphine, 2015
- The Saver, 2015
- Heal the Living, 2016
- A Taste of Ink, 2017 – Julia
- Ravenous (Les Affamés), 2017 – Tania
- Emma Peeters, 2018 – Emma
- A Brother's Love (La femme de mon frère), 2019 – director, screenwriter
- We Are Gold (Nous sommes Gold), 2019 – Marianne
- Before We Explode (Avant qu'on explose), 2019
- Babysitter, 2022 – Nadia; also director
- Falcon Lake, 2022 – Violette
- The Nature of Love (Simple comme Sylvain), 2023 – director, screenwriter
- Love Me Tender, 2025 - Sarah
- Out of Love, 2025 - Nicole, It will competing for Crystal Globe at the KVIFF.[9]
Awards and nominations
[edit]References
[edit]- ^ "Cher journal : Monia Chokri". CBC.ca (in French). Retrieved 2024-06-05.
- ^ "Monia CHOKRI". Festival de Cannes. Retrieved 2024-06-05.
- ^ "Monia Chokri et Hafsia Herzi : filiations et racines". France Culture (in French). 2019-05-22. Retrieved 2024-06-05.
- ^ "« Les Amours imaginaires », superbe mosaïque pop et rétro « Cannes 2010". Archived from the original on 2010-06-20. Retrieved 2012-12-03.
- ^ "Critique : " Les Amours imaginaires ", de Xavier Dolan (Un certain regard) | le Monde à Cannes". Archived from the original on 2012-12-10. Retrieved 2012-12-03.
- ^ "Chutes extraordinaires et royaumes mortels – 7 courts québécois". 24 images (in Canadian French). Retrieved 2024-06-05.
- ^ a b "The 2019 Official Selection". Festival de Cannes. 2019-04-18. Retrieved 2024-06-05.
- ^ a b Pugh, Joseph (2023-03-17). "Clement Virgo's Brother, sci-fi comedy Viking among leading nominees for Canadian Screen Awards". CBC News. Retrieved 2024-06-05.
- ^ "Catalogue of Films". Karlovy Vary International Film Festival. 4 June 2025. Retrieved 28 June 2025.
- ^ Townsend, Kelly. "Babysitter wins Best Feature at 2023 Canadian Film Fest". Playback. Retrieved 2024-06-05.
- ^ "Full List of 2024 Canadian Screen Awards Nominations for Bell Media". Bell Media. 2024-03-06. Retrieved 2024-06-05.
- ^ "Tout le Palmarès du 72e Festival de Cannes". Festival de Cannes (in French). 2019-05-25. Retrieved 2024-06-05.
- ^ "Xavier Dolan, Pedro Almodovar, Ken Loach to compete at Cannes Film Festival". CBC News. 2019-04-18. Retrieved 2024-06-05.
- ^ "The films of the Official Selection 2023". Festival de Cannes. 2023-04-13. Retrieved 2024-06-05.
- ^ Goldstein, Gregg (2023-05-18). "John Cameron Mitchell Leads Cannes' Queer Palm Jury: 'Any Awards Help to Dignify Work'". Variety. Retrieved 2024-06-05.
- ^ Mabille, Marthe (2024-02-24). "César 2024 : le palmarès complet de la 49e cérémonie". Vogue France (in French). Retrieved 2024-06-05.
- ^ Vlessing, Etan. "Gerontophilia, Diego Star win big at Festival du Nouveau Cinema". Playback. Retrieved 2024-06-05.
- ^ "Canadian talent comes out in force at the 2013 Locarno International Film Festival". Telefilm Canada. 2013-07-22. Retrieved 2024-06-05.
- ^ "Monia Chokri". Cinéfondation (in French). Archived from the original on May 18, 2022. Retrieved 2024-06-05.
- ^ "Finalistes et lauréats 2013". Gala Québec Cinéma (in French). Retrieved 2024-06-05.
- ^ "Finalistes et lauréats 2014". Gala Québec Cinéma (in French). Retrieved 2024-06-05.
- ^ "«Viking» et «Babysitter» sont en tête des nominations du Gala Québec Cinéma". Le Devoir (in French). 2023-11-14. Retrieved 2024-06-05.
- ^ Thompson, Anne (2014-03-12). "SXSW Fest Wrap & Competition Award Winners". IndieWire. Retrieved 2024-06-05.
- ^ "Russian animation snags top prize at the Tampere Film Festival". Cineuropa. 2014-03-11. Retrieved 2024-06-05.
- ^ "WIFF ANNOUNCES 2023 PRIZE IN CANADIAN FILM NOMINEES". Windsor International Film Festival. 2023-09-14. Retrieved 2024-06-05.
External links
[edit]- Monia Chokri at IMDb
Monia Chokri
View on GrokipediaEarly life and education
Family background
Monia Chokri was born on June 27, 1982, in Quebec City, Quebec, Canada.[6] Her father, Ahmed Chokri, is a Tunisian painter of Berber descent who emigrated to Montreal in the late 1970s as a leftist political exile.[7] Her mother, of Scottish origin with Scandinavian ancestry, is a French speaker who also held leftist political affiliations, including involvement in the Communist Party in France.[7][4] This multicultural heritage profoundly shaped Chokri's early identity, blending Québécois, North African Berber, and European influences. She grew up in Quebec City, where her family resided, immersed in both local French-Canadian culture and the immigrant experiences of her father.[8] Chokri has reflected on this complexity, stating, "My mother is of Scottish origin and is a French-speaker, I also have Scandinavian ancestors, my Tunisian father is not Arab but Berber, the identity means many things and nothing at the same time."[7] Her parents' political activism exposed her to ideas of social justice and cultural hybridity from a young age, fostering a worldview that later informed her artistic perspectives.[4] As a child, Chokri spent every other summer in Tunisia with her father, strengthening her ties to Berber and North African traditions amid the North African landscape.[8] Growing up in a household led by a painter father, she was surrounded by creative expression, which likely sparked her early fascination with the arts, including eventual interests in performance and storytelling.[7] These formative experiences in Quebec City, combining familial exile narratives and artistic environments, contributed to her nuanced understanding of identity and belonging.[7]Academic training
Monia Chokri received her formal training in the performing arts at the Conservatoire d'art dramatique de Montréal, a prestigious institution dedicated to professional development in dramatic arts.[9] She enrolled in the acting program, which provided intensive instruction tailored to the demands of theatre, film, television, and emerging media, with a strong emphasis on stage acting techniques and dramatic interpretation.[9] This curriculum, rooted in classical and contemporary dramatic traditions, equipped students with the skills necessary for versatile performance across genres.[9] Completing the rigorous three-year program, Chokri graduated in 2005, marking the culmination of her academic journey in Montreal's vibrant arts scene.[2] Her education at the conservatory not only honed her technical abilities in voice, movement, and character development but also immersed her in collaborative theatrical environments that foreshadowed her professional path.[10] During her studies, Chokri participated in practical stage exercises and productions integral to the program's hands-on approach, laying the groundwork for her entry into theater.[11]Professional career
Acting beginnings
Monia Chokri began her professional acting career shortly after graduating from the Conservatoire d'art dramatique de Montréal in 2005, where she honed her skills in dramatic arts.[12] Her film debut came in 2007 with a supporting role as Aziza in Denys Arcand's Days of Darkness (original French title: L'Âge des ténèbres), a satirical drama exploring midlife crises among Montreal intellectuals. In this ensemble piece, Chokri portrayed a young Arab woman, marking her entry into Québécois cinema alongside established actors like Marc Labreche and Sylvie Moreau. The film premiered at the Cannes Film Festival and received critical attention for its sharp social commentary, providing Chokri with an early platform in a major production.[4] Chokri's breakthrough arrived through her collaborations with director Xavier Dolan, beginning with the role of Marie in Heartbeats (2010, original French title: Les Amours imaginaires). As the confident, stylish best friend of protagonist Francis, Chokri's performance captured the nuances of unrequited desire and platonic tension in a love triangle set against Montreal's vibrant social scene. The film, which Dolan wrote, directed, and starred in, premiered at Cannes' Directors' Fortnight and earned international acclaim for its stylish aesthetics and emotional depth. Building on this momentum, Chokri reunited with Dolan in Laurence Anyways (2012), playing Stéfanie Belair, the pragmatic sister of the central character Fred. Her portrayal added layers of familial support and subtle conflict to the film's exploration of transgender identity and enduring love over a decade, contributing to the movie's selection for Un Certain Regard at Cannes. These roles established Chokri as a key figure in Dolan's ensemble, showcasing her ability to embody complex, introspective women in intimate, character-driven narratives.[13][14][15][4] Expanding beyond Dolan's orbit, Chokri took on the lead role of Joan in the 2013 French film Gare du Nord, directed by Claire Simon. In this semi-improvised drama intersecting lives at Paris's bustling train station, Chokri depicted a restless young woman navigating personal turmoil and fleeting connections, blending documentary-style realism with narrative fiction. The film premiered at the Berlin International Film Festival and highlighted her versatility in international co-productions, transitioning from supporting parts to more prominent, introspective leads. She has continued acting in subsequent years, including roles in Love Me Tender and Out of Love in 2025, with the latter competing for the Crystal Globe at the Karlovy Vary International Film Festival.[16][17][18] Parallel to her screen work, Chokri maintained an active presence in Montreal's theater scene following her 2005 graduation, performing in various stage productions that emphasized her classical training. She has described her roots as firmly in theater, where she tackled diverse roles before gaining prominence in film, allowing her to refine her craft in live performances across the city's vibrant dramatic landscape.[19]Directorial debut and evolution
Monia Chokri transitioned to directing while continuing her acting career, drawing on her on-screen experience to craft intimate, character-driven narratives that probe interpersonal tensions. Her directorial debut came with the short film An Extraordinary Person (original title: Quelqu'un d'extraordinaire), released in 2013, which follows a socially awkward scholar grappling with authenticity at a bachelorette party. The film earned critical acclaim, including the Prix Jutra for Best Live Action Short Film in 2014, marking Chokri's emergence as a promising filmmaker.[2] Chokri's first feature film, A Brother's Love (original title: La femme de mon frère), premiered in the Un Certain Regard section at the 2019 Cannes Film Festival, where it received the Jury's Coup de Cœur award. The comedy-drama centers on the fraught sibling relationship between an unemployed graduate, Sophia, and her overprotective brother Karim, whose romance with Sophia's gynecologist disrupts their dynamic and exposes underlying family resentments. Through sharp dialogue and wry humor, the film delves into themes of codependency, gender roles, and emotional boundaries within familial bonds.[20] Building on this foundation, Chokri directed Babysitter in 2022, a psychosexual comedy adapted from Catherine Léger's play, which premiered at the Sundance Film Festival in the Midnight section. The story revolves around Cédric, a man ousted from his job after a sexist joke goes viral, and his family's upheaval following the arrival of a enigmatic babysitter, Amy; Chokri herself stars as Nadine, Cédric's depressed wife and new mother navigating postpartum struggles. Her follow-up, The Nature of Love (original title: Simple comme Sylvain), released in 2023 and also premiering at Cannes in Un Certain Regard, shifts to a philosophy professor, Sophia, torn between her stable marriage and a passionate affair with a rugged contractor, Sylvain, examining class differences, infidelity, and the philosophical underpinnings of romantic attachment.[21][22] Chokri's directorial evolution reflects a deepening focus on feminist and introspective narratives, evolving from familial intimacies in her debut to broader critiques of gender dynamics and relational authenticity in later works, often blending comedic satire with surreal elements and 1970s-inspired visual flair. Her decision to act in her own films, such as portraying the beleaguered Nadine in Babysitter and a supporting role in The Nature of Love, allows for heightened authenticity in depicting women's inner conflicts and societal pressures. This approach underscores her commitment to empathetic portrayals of female agency amid patriarchal constraints.[23][22] As of November 2025, Chokri's oeuvre continues to garner international attention, with her films featured in retrospectives and festivals, including ongoing involvement with the Karlovy Vary International Film Festival, where The Nature of Love has been highlighted for its fresh take on romantic tropes. While no new directorial projects have been announced, her influence persists through these screenings and collaborations that extend her thematic explorations.[24]Filmography
As actress
Chokri began her acting career in the mid-2000s, initially focusing on theater before transitioning to film and television, where she has portrayed a range of supporting and leading roles in both Canadian and international productions.[25]Film and Television
| Year | Title | Role | Type | Notes |
|---|---|---|---|---|
| 2006 | L'âge des ténèbres (Days of Darkness) | Aziza | Film | Supporting role in Denys Arcand's ensemble drama.[25] |
| 2007 | Frédérique au centre | Frédérique | Short film | Lead role in Anne Émond's short.[25] |
| 2009 | Hier, aujourd'hui, hier | Maya | Short film | Supporting role.[25] |
| 2010 | Les amours imaginaires (Heartbeats) | Marie | Film | Supporting role in Xavier Dolan's romantic drama; part of the central love triangle.[25] |
| 2011 | Mirador (TV series) | Patricia | TV | Supporting role in one episode.[25] |
| 2011 | Les rescapés (TV series) | Tanya | TV | Supporting role.[25] |
| 2012 | Laurence Anyways | Stéfanie Belair | Film | Supporting role in Xavier Dolan's transgender romance.[25] |
| 2012 | Gare du Nord | Joan | Film | Supporting role in Claire Simon's ensemble piece.[25] |
| 2012 | Le Gentleman (TV series) | Annick Morinville | TV | Supporting role.[25] |
| 2012 | Clémenceau, un géant | Charlotte | TV movie | Supporting role.[25] |
| 2013 | Entre chien et loup | Sophie | Short film | Supporting role.[25] |
| 2013 | Mensonges (TV series) | Julie Caron | TV | Supporting role.[25] |
| 2013–2015 | Nouvelle adresse (TV series) | Magalie | TV | Recurring supporting role across multiple episodes.[25] |
| 2014 | Le pédophile | Johanne | Short film | Supporting role.[25] |
| 2014 | Endorphine | Daphné de Koninck / Kate | Film | Dual lead roles in André Turpin's psychological drama.[25] |
| 2015 | Compte tes blessures (The Cut) | Julia | Film | Supporting role.[25] |
| 2015 | Hier, aujourd'hui, hier (Yesterday, Today, Yesterday) | Maya | Film | Supporting role.[26] |
| 2015 | Réparer les vivants (Heal the Living) | Jeanne | Film | Supporting role in Katell Quillévéré's medical drama.[25] |
| 2016 | Les affamés | Tania | Film | Supporting role in Robin Aubert's horror film.[25] |
| 2017 | L'appartement | Suzie | Short film | Supporting role.[25] |
| 2017 | Pauvre Georges! | Emma Mauvin | Film | Supporting role.[25] |
| 2017 | Nous sommes gold (We Are Gold) | Marianne | Film | Supporting role.[25] |
| 2017 | Emma Peeters | Emma | Film | Lead role in Nicole Palo’s dramedy.[25][27] |
| 2017 | Avant qu'on explose | Psy | Film | Supporting role.[25] |
| 2017 | Sur-vie (TV series) | Véronique Dufaux | TV | Supporting role.[25] |
| 2018 | Les scènes fortuites | Josie | Film | Supporting role.[28] |
| 2019 | Fragile (TV series) | Camille Bachand | TV | Supporting role.[25] |
| 2020 | Résonance | Sophie | Short film | Supporting role.[25] |
| 2021 | Falcon Lake | Violette | Film | Supporting role in Charlotte Le Bon's coming-of-age story.[25][29] |
| 2022 | Babysitter | Nadine | Film | Lead role; also directed the film.[30][29] |
| 2023 | La nature de l'amour (The Nature of Love) | Françoise | Film | Lead role; also directed the film.[25] |
| 2023 | Room 999 | Self | Short film | Acting role in short documentary-style piece.[31] |
| 2024 | Où vont les âmes | Ève | Film | Lead role.[25] |
| 2024 | Mercato | Lina Fedjari | Film | Supporting role in Tristan Séguéla's sports drama.[32] |
| 2025 | Des preuves d'amour (Love Letters) | Nadia Hamadi | Short film | Supporting role.[33] |
| 2025 | Love Me Tender | Sarah | Film | Supporting role in Anna Cazenave Cambet's drama.[29][34] |
Theater
Chokri has maintained an active presence in Quebec's theater scene since graduating from the Conservatoire d'art dramatique de Montréal in 2005, performing in over a dozen productions, often in contemporary and classical works at major Montreal venues. Notable credits post-2005 include leading and supporting roles that highlight her versatility in ensemble and solo performances, without overlap with her directorial work.[35][25]- 2006: L'évangile selon Salomé – Hérodiade (supporting), directed by Alexandre Marine, Théâtre Prospéro.[35]
- 2006: Le songe de l'oncle – Maria Maskaliova (supporting), directed by Igor Ovadis, Théâtre Denise-Pelletier.[35]
- 2007: Le diable en partage – L'ange (supporting), directed by Reynald Robinson, Espace Libre.[35]
- 2008: Ailleurs – Teta (supporting), directed by Serge Mandeville, Théâtre Prospero.[35]
- 2009: Tentations – Aixa (supporting), directed by Martin Faucher, Théâtre des Quat'Sous.[35]
- 2009–2010: Je ne voudrais (pas) crever – Luce (lead), directed by Reynald Robinson, Théâtre du Bunker/Aux Écuries/Théâtre Périscope.[35]
- 2010: Les mauvaises herbes – Lina Perçu (lead), directed by Benoît Vermeulen, Théâtre Bouches Décousues/Maison Théâtre (tour).[35]
- 2013: La fureur de ce que je pense – La fille des serpents (supporting), directed by Marie Brassard, Espace GO.[35]
- 2015: Peepshow – Beautiful (lead), directed by Marie Brassard, Espace GO.[35][25]
- 2020: Lysis – Role unspecified (ensemble), directed by Fanny Britt and Alexia Bürger (after Aristophane), TNM.[35]
