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Monte Montague
Monte Montague
from Wikipedia

Walter Harry "Monte" Montague[1][2] (April 23, 1891 – April 6, 1959)[1] was an American film actor and stuntman.[3][4] He appeared in more than 190 films between 1920 and 1954.

Key Information

Early life

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Born in Somerset, Kentucky and raised in Cincinnati, Ohio,[1][5][6][7][8][9] Montague was one of four children born to Nannie Davis and Oliver H. Montague.[7][10][11]

A circus tumbler at age seven,[4] Montague was eventually recognized as among "filmdom's most noted circus clowns", as well as "one of the best screen comedians in the profession."[12] The years preceding his 1920 screen debut featured stints with Ringling Brothers, Hagenbech and Wallace, Barnum and Bailey, Al G. Barnes, Sells Floto, and Cooper and Lentz.[13]

Personal life and death

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On February 13, 1923, Montague married Mary Margaret Basolo.[14][15] They had one child, Mary Louise Montague,[11] who worked briefly as a child actress in films during the 1920s,[16] appearing at least once—billed alternately as "Baby Montague" or "Monte Mongtague Jr."—alongside her father, in 1927's The Rambling Ranger.[17][18]

Montague died in 1959 at age 67, in Burbank, California,[3] survived by his wife, his mother, his daughter, and all three siblings.[11]

Partial filmography

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References

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Revisions and contributorsEdit on WikipediaRead on Wikipedia
from Grokipedia
''Monte Montague'' is an American film actor and stuntman known for his prolific career spanning over three decades, appearing in more than 190 films primarily as a character actor in B-Westerns and serials, often in uncredited roles as villains, henchmen, and other supporting parts. Born Walter Harry Montague on April 23, 1891, in Somerset, Kentucky, he began performing as a child in circuses as a clown, acrobat, and tumbler, later working in vaudeville before entering Hollywood films around 1921. He served two stints in the U.S. Army, including during World War I, and doubled for actors in silent Westerns featuring stars such as Jack Hoxie, Ken Maynard, and Hoot Gibson. With the advent of sound films, Montague became a dependable presence in low-budget Westerns and cliffhanger serials from studios including RKO and Republic Pictures, working frequently with directors like Ray Taylor and Henry MacRae, and appearing alongside actors such as Tim Holt, George O'Brien, Gene Autry, Roy Rogers, and in serials including Flash Gordon (1936) and Dick Tracy (1937). His roles typically involved minimal dialogue, portraying gang members, townspeople, deputies, or similar background figures, contributing to his status as a classic utility player of the era's B-movies. Montague continued acting in bit parts into the mid-1950s before his death on April 6, 1959, in California due to coronary issues.

Early Life

Birth and Early Years

Walter Harry Montague, professionally known as Monte Montague, was born on April 23, 1891, in Somerset, Kentucky. His parents were Oliver H. Montague and Nanny Davis, both born in West Virginia. The 1900 census shows the family living in Cincinnati, Ohio, where nine-year-old Walter attended school; he had younger brothers Roy M. and Frederick W. He began working in a circus around age 10 as a clown, acrobat, and tumbler, and later performed in vaudeville.

Career

Entry into Silent Films

Monte Montague entered the silent film industry in 1920 with his earliest credited appearances in the serial Elmo the Fearless and the film The Flaming Disc, where he played Batt Hogan. His background as a circus acrobat, tumbler, and clown from a young age provided physical skills that transitioned naturally into stunt work and action-oriented roles in early Hollywood productions. Following these initial credits, he quickly became involved in silent westerns, appearing in A Western Demon (1922) as Joe Dalton and The Secret of the Pueblo (1923). These early roles were typically small supporting parts or villainous characters in low-budget features and serials, reflecting the prolific but modest nature of his beginnings in the genre. Biographical accounts indicate he may have started with stunt doubling, including work for actor Elmo Lincoln in silent-era productions, before securing on-screen acting credits. By the mid-1920s, he had established a steady presence in westerns alongside stars like Hoot Gibson and others, though his early silent work remained largely in secondary capacities.

Peak Period in Westerns

Monte Montague's most prolific and defining phase as a film actor occurred during the 1930s and early 1940s, when he established himself as a ubiquitous bit player and utility performer in low-budget B-Westerns and serials produced mainly by Republic Pictures, RKO Radio Pictures, and Universal. The bulk of his career output concentrated in this period, with most roles uncredited and involving brief screen time. He specialized in rough-hewn supporting types typical of the genre, such as henchmen, gang members, posse riders, barflies, deputies, wagon drivers, townsmen, and ranch hands, often with minimal or no dialogue as he contributed atmosphere to fast-paced stories featuring singing cowboys and frontier action. Representative examples include his role as Al Abel (a henchman) in the Buck Jones serial The Red Rider (1934), as Nebraska (a henchman) in Treachery Rides the Range (1936), and as Buck Dawson in Arizona Legion (1939). Other characteristic appearances were as a henchman in Sunset Serenade (1942) and in various uncredited parts in Tim Holt and George O'Brien RKO Westerns. Montague frequently worked in Republic and RKO productions alongside stars such as Roy Rogers, Gene Autry, Tim Holt, and George O'Brien, while earlier in the period he appeared in films connected to Buck Jones and Tim McCoy. A more substantial part came in Prairie Law (1940), where he portrayed the number-three man in a gang, bossing other henchmen with several visible scenes and lines of dialogue. His reliable presence in these modest productions made him a familiar face in the B-Western landscape of the era, though he rarely received screen credit or billing.

Later Career and Supporting Roles

In his later career, Monte Montague transitioned from prominent henchman and character roles to predominantly uncredited bit parts and background appearances in Western films during the 1940s and 1950s. Following a prolific period in B-westerns and serials, his screen presence diminished, with work becoming sparser between 1943 and 1946 before resuming around 1947 in minor supporting capacities. He frequently portrayed townsmen, barflies, bartenders, ranch hands, drivers, and similar atmospheric figures in second-feature Westerns produced by studios such as Republic and RKO. Most of these roles were uncredited, reflecting a shift to utility player status in his later decades, though he occasionally received minor billing or small speaking parts. Montague's activity continued regularly through the early 1950s but grew increasingly limited after 1953. His credits in this period include uncredited appearances in Calamity Jane (1953) as Pete, Destry (1954) as a townsman, and Border River (1954) as a bartender. He also made a single television appearance in 1952 as Williams in an episode of Adventures of Wild Bill Hickok (credited as Monty Montague). His final screen roles came in 1956, with uncredited parts as a townsman in The Fastest Gun Alive and as Will Moore in Showdown at Abilene. Montague amassed 223 acting credits across his career, the vast majority in Westerns and serials. No formal retirement is documented; his on-screen work simply tapered off in his mid-60s.

Personal Life

Family and Personal Details

Limited information is available on Monte Montague's personal life beyond his career. He was married to Mary M. Montague (1903–1972), and they had one daughter, Mary Louise Montague (born c. 1924). Montague resided in California for much of his adult life, primarily in Burbank during his film career.

Death

Final Years and Passing

Monte Montague passed away on April 6, 1959, at the age of 67 in Glendale, California. He died at Behrens Memorial Hospital from coronary occlusion after the condition persisted for 10 days, with contributing chronic arteriosclerosis. Montague was interred at Grandview Memorial Park in Glendale, California, alongside his wife Mary. Other records list his death as occurring in nearby Burbank, California.

Legacy

Contribution to Film Industry

Monte Montague was a prolific character actor known for small supporting roles in B-Westerns and serials. He specialized in playing villains, henchmen, and background figures, frequently appearing uncredited in low-budget productions from studios including RKO and Republic Pictures. His IMDb filmography lists 223 acting credits, the majority in Westerns, spanning from the silent era of the early 1920s through the sound era into the 1950s. He appeared in supporting roles alongside leading Western stars in numerous films. His legacy rests in the volume and longevity of his contributions to the Western genre as a reliable supporting actor.
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