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Moscow Art Theatre
The Moscow Art Theatre (or MAT; Russian: Московский Художественный академический театр (МХАТ), Moskovskiy Hudojestvenny Akademicheskiy Teatr (МHАТ) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama.
It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Moscow Gorky Academic Art Theatre and the Moscow Chekhov Art Theatre.
At the end of the 19th-century, Stanislavski and Nemirovich-Danchenko both wanted to reform Russian theatre to high-quality art that was available to the general public. They set about creating a private theatre over which they had total control (as opposed to trying to reform the government-operated Maly Theatre, a move which would have given them far less artistic freedom). On 22 June 1897, the two men met for the first time at the Slavyanski Bazar for a lunch that started at 2 PM and did not end until 8 AM the next morning.
Their differences proved to be complementary, and they agreed to initially divide power over the theatre, with Nemirovich in charge of the literary decisions and Stanislavski in charge of all production decisions. Stanislavski interviewed all his actors, making sure they were hard working and devoted as well as talented. He made them live together in common housing for months at a time to foster community and trust, which he believed would raise the quality of their performances. Stanislavski's system, in which he trained actors via the acting studios he founded as part of the theatre, became central to every production the theatre put on. The system played a huge influence in the development of method acting.
Stanislavski and Danchenko's initial goal of having an “open theatre,” one that anyone could afford to attend, was quickly destroyed when they could neither obtain adequate funding from private investors, nor from the Moscow City Council.
The Theatre's first season included works by Aleksey Tolstoy (Tsar Fyodor Ioannovich), Henrik Ibsen, and William Shakespeare, but it wasn't until it staged Anton Chekhov's four major works, beginning with its production of The Seagull in 1898, with Stanislavski in the role of Trigorin, that the theatre achieved fame.[citation needed]
After Chekhov's death in 1904, the theatre experienced a huge changeover; Chekhov had envisioned fellow playwright and friend Maxim Gorki as his successor as the Theatre's leading dramatist, but Nemirovich and Stanislavski's reaction to his play Summerfolk was unenthusiastic, causing Gorki to leave. He took with him Savva Morozov, one of the theatre's main investors at the time.
Now in dire straits, the theatre decided to accept invitations to go on an international tour in 1906, which started in Berlin and included Dresden, Frankfurt, Prague, and Vienna. The tour was a huge success, gaining the theatre international acclaim. However, the sudden change in fortune did not completely quell the company's internal strife; Stanislavski appointed friends to the theatre's management without consulting Nemirovich and opened studios attached to the theatre where he began to implement his acting system, cementing Nemirovich's fears that the theatre was becoming a mere extension of Stanislavski's own ideas and work. The tension between the two led Stanislavski to abandon his duties as a board member and to relinquish all his power over policy decisions.
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Moscow Art Theatre
The Moscow Art Theatre (or MAT; Russian: Московский Художественный академический театр (МХАТ), Moskovskiy Hudojestvenny Akademicheskiy Teatr (МHАТ) was a theatre company in Moscow. It was founded in 1898 by the seminal Russian theatre practitioner Konstantin Stanislavski, together with the playwright and director Vladimir Nemirovich-Danchenko. It was conceived as a venue for naturalistic theatre, in contrast to the melodramas that were Russia's dominant form of theatre at the time. The theatre, the first to regularly put on shows implementing Stanislavski's system, proved hugely influential in the acting world and in the development of modern American theatre and drama.
It was officially renamed the Gorky Moscow Art Theatre in 1932. In 1987, the theatre split into two troupes, the Moscow Gorky Academic Art Theatre and the Moscow Chekhov Art Theatre.
At the end of the 19th-century, Stanislavski and Nemirovich-Danchenko both wanted to reform Russian theatre to high-quality art that was available to the general public. They set about creating a private theatre over which they had total control (as opposed to trying to reform the government-operated Maly Theatre, a move which would have given them far less artistic freedom). On 22 June 1897, the two men met for the first time at the Slavyanski Bazar for a lunch that started at 2 PM and did not end until 8 AM the next morning.
Their differences proved to be complementary, and they agreed to initially divide power over the theatre, with Nemirovich in charge of the literary decisions and Stanislavski in charge of all production decisions. Stanislavski interviewed all his actors, making sure they were hard working and devoted as well as talented. He made them live together in common housing for months at a time to foster community and trust, which he believed would raise the quality of their performances. Stanislavski's system, in which he trained actors via the acting studios he founded as part of the theatre, became central to every production the theatre put on. The system played a huge influence in the development of method acting.
Stanislavski and Danchenko's initial goal of having an “open theatre,” one that anyone could afford to attend, was quickly destroyed when they could neither obtain adequate funding from private investors, nor from the Moscow City Council.
The Theatre's first season included works by Aleksey Tolstoy (Tsar Fyodor Ioannovich), Henrik Ibsen, and William Shakespeare, but it wasn't until it staged Anton Chekhov's four major works, beginning with its production of The Seagull in 1898, with Stanislavski in the role of Trigorin, that the theatre achieved fame.[citation needed]
After Chekhov's death in 1904, the theatre experienced a huge changeover; Chekhov had envisioned fellow playwright and friend Maxim Gorki as his successor as the Theatre's leading dramatist, but Nemirovich and Stanislavski's reaction to his play Summerfolk was unenthusiastic, causing Gorki to leave. He took with him Savva Morozov, one of the theatre's main investors at the time.
Now in dire straits, the theatre decided to accept invitations to go on an international tour in 1906, which started in Berlin and included Dresden, Frankfurt, Prague, and Vienna. The tour was a huge success, gaining the theatre international acclaim. However, the sudden change in fortune did not completely quell the company's internal strife; Stanislavski appointed friends to the theatre's management without consulting Nemirovich and opened studios attached to the theatre where he began to implement his acting system, cementing Nemirovich's fears that the theatre was becoming a mere extension of Stanislavski's own ideas and work. The tension between the two led Stanislavski to abandon his duties as a board member and to relinquish all his power over policy decisions.
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