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Music Man (company)
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Music Man (company)
Music Man is an American guitar and bass guitar manufacturer. Originally formed in 1971 by Forrest White and Tom Walker, along with Leo Fender as a silent partner, the company started manufacturing electric and bass guitars under the Music Man name in 1974. In 1984 it was acquired by Ernie Ball, and renamed Ernie Ball Music Man.
In 1971, Forrest White and Tom Walker formed Tri-Sonix, Inc. Walker had previously been a sales representative at Fender. Walker approached Leo Fender about financial help in the founding. Because of a ten-year non-compete clause in the 1965 contract that sold the Fender companies to the CBS Corporation, Leo Fender became a silent partner.
White had worked with Leo Fender since 1954, in the very early days of the Fender Electric Instrument Manufacturing Company as the plant manager. Eventually, he became vice president, and stayed on after the company was sold to CBS, but grew unhappy with their management and resigned in 1966. Fender did not like the corporate name, so it changed first to Musitek, Inc., and in January 1974 the final name, Music Man, appeared. In 1974, the company started producing its first product, an amplifier designed by Leo Fender and Tom Walker called the "Sixty Five," a hybrid of tube and solid-state technology. The number of designs rapidly increased, and 15 of the 28 pages from the 1976 catalogue were dedicated to amplification.
In 1975, Fender's legal restriction expired and, after a vote of the board, he was named the president of Music Man. Fender also operated a consulting firm, CLF Research, in Fullerton, California. By 1976, it had built a manufacturing facility for musical instruments and was contracted to make Music Man products. In June 1976, production started on guitars and in August basses followed. These instruments were designed by Fender and White. The 1976 catalogue shows the first offerings: a two-pickup guitar, the StingRay 1, and the StingRay bass. Both instruments featured bolt-on neck designs. The basses featured a distinctive 3+1 tuner arrangement to help eliminate "dead spots," while the guitars came with a traditional, Fender-style 6-on-a-side tuner array. The StingRay Bass featured a single large humbucking pickup (located somewhat toward but not adjacent to the bridge) with a two-band fixed-frequency EQ. A row of string mutes sat on the bridge. Basses were produced in fretted and fretless versions.
Tom Walker played a large part in the design of the bass preamp. They were the first production guitar and basses to use active electronics which could boost levels in selected frequency bands. The preamps were coated with epoxy to prevent reverse engineering. The StingRay Bass sold well, but the guitar met with little success. In December 1978, a two-pickup bass was introduced called the Sabre (discontinued in 1991). A redesigned guitar bearing the same name followed. Both sold poorly.
CLF Research and Music Man were treated as separate companies. CLF was headed by Fender, while White and Walker headed Music Man. Fender made the guitars and basses, while White and Walker's company made the amplifiers and sold accessories. The instruments were made at CLF and shipped to the Music Man warehouse, where each instrument was inspected and tested. Problems with fibers in the finish caused Music Man's inspectors to reject a high percentage of the instruments, and return them to CLF for refinishing. Since Music Man did not pay CLF Research until the instrument finishes were deemed acceptable, a rift developed between CLF and Music Man over payment.
According to amp technician Kevin Nelson the rift culminated when it turned out that a whole batch of guitars was flawed, and when the neck was investigated, it was discovered that the whole batch had the truss rods mounted up side down. This eventually led to an office fist-fight between Tom Walker and Leo Fender over who was responsible for this error.
In November 1979, ties were cut with Leo Fender. Fender formed another company, partnering with former Fender company designer George Fullerton to form G&L Musical Instruments. G&L was incorporated in May 1980, although some early models with the moniker "G&L" have body dates from March 1980. A contract was given to Grover Jackson to build bass bodies and assemble the instruments with CLF necks and the remaining CLF hardware. When CLF stopped making necks Jackson made those also.
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Music Man (company)
Music Man is an American guitar and bass guitar manufacturer. Originally formed in 1971 by Forrest White and Tom Walker, along with Leo Fender as a silent partner, the company started manufacturing electric and bass guitars under the Music Man name in 1974. In 1984 it was acquired by Ernie Ball, and renamed Ernie Ball Music Man.
In 1971, Forrest White and Tom Walker formed Tri-Sonix, Inc. Walker had previously been a sales representative at Fender. Walker approached Leo Fender about financial help in the founding. Because of a ten-year non-compete clause in the 1965 contract that sold the Fender companies to the CBS Corporation, Leo Fender became a silent partner.
White had worked with Leo Fender since 1954, in the very early days of the Fender Electric Instrument Manufacturing Company as the plant manager. Eventually, he became vice president, and stayed on after the company was sold to CBS, but grew unhappy with their management and resigned in 1966. Fender did not like the corporate name, so it changed first to Musitek, Inc., and in January 1974 the final name, Music Man, appeared. In 1974, the company started producing its first product, an amplifier designed by Leo Fender and Tom Walker called the "Sixty Five," a hybrid of tube and solid-state technology. The number of designs rapidly increased, and 15 of the 28 pages from the 1976 catalogue were dedicated to amplification.
In 1975, Fender's legal restriction expired and, after a vote of the board, he was named the president of Music Man. Fender also operated a consulting firm, CLF Research, in Fullerton, California. By 1976, it had built a manufacturing facility for musical instruments and was contracted to make Music Man products. In June 1976, production started on guitars and in August basses followed. These instruments were designed by Fender and White. The 1976 catalogue shows the first offerings: a two-pickup guitar, the StingRay 1, and the StingRay bass. Both instruments featured bolt-on neck designs. The basses featured a distinctive 3+1 tuner arrangement to help eliminate "dead spots," while the guitars came with a traditional, Fender-style 6-on-a-side tuner array. The StingRay Bass featured a single large humbucking pickup (located somewhat toward but not adjacent to the bridge) with a two-band fixed-frequency EQ. A row of string mutes sat on the bridge. Basses were produced in fretted and fretless versions.
Tom Walker played a large part in the design of the bass preamp. They were the first production guitar and basses to use active electronics which could boost levels in selected frequency bands. The preamps were coated with epoxy to prevent reverse engineering. The StingRay Bass sold well, but the guitar met with little success. In December 1978, a two-pickup bass was introduced called the Sabre (discontinued in 1991). A redesigned guitar bearing the same name followed. Both sold poorly.
CLF Research and Music Man were treated as separate companies. CLF was headed by Fender, while White and Walker headed Music Man. Fender made the guitars and basses, while White and Walker's company made the amplifiers and sold accessories. The instruments were made at CLF and shipped to the Music Man warehouse, where each instrument was inspected and tested. Problems with fibers in the finish caused Music Man's inspectors to reject a high percentage of the instruments, and return them to CLF for refinishing. Since Music Man did not pay CLF Research until the instrument finishes were deemed acceptable, a rift developed between CLF and Music Man over payment.
According to amp technician Kevin Nelson the rift culminated when it turned out that a whole batch of guitars was flawed, and when the neck was investigated, it was discovered that the whole batch had the truss rods mounted up side down. This eventually led to an office fist-fight between Tom Walker and Leo Fender over who was responsible for this error.
In November 1979, ties were cut with Leo Fender. Fender formed another company, partnering with former Fender company designer George Fullerton to form G&L Musical Instruments. G&L was incorporated in May 1980, although some early models with the moniker "G&L" have body dates from March 1980. A contract was given to Grover Jackson to build bass bodies and assemble the instruments with CLF necks and the remaining CLF hardware. When CLF stopped making necks Jackson made those also.