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Naanu Naane
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| Naanu Naane | |
|---|---|
![]() DVD cover | |
| Directed by | D. Rajendra Babu |
| Story by | Dharmesh Darshan |
| Produced by | Medikonda Muralikrishna |
| Starring | Upendra Sakshi Shivanand |
| Music by | Deva |
Production company | Sri Venkataramana Productions |
Release date |
|
Running time | 145 minutes |
| Country | India |
| Language | Kannada |
Naanu Naane (transl. Me, Myself) is a 2002 Indian Kannada-language film directed by D. Rajendra Babu starring Upendra and Sakshi Shivanand with Anant Nag and Pavitra Lokesh in supporting roles. It is a remake of the Hindi film Raja Hindustani.[1]
Cast
[edit]- Upendra as Raja
- Sakshi Shivanand as Arathi
- Anant Nag
- Ramya Krishna (Guest appearance)
- Pavitra Lokesh
- Sadhu Kokila
- Kovai Sarala
- Ramesh Bhat
- Karthik Sharma
- Manjaiah
- Adi Lokesh
Production
[edit]Soundtrack
[edit]The music was composed by Deva and released by Magnasound Records. The songs "Pardesi Jaana Nahi" and "Aaye Ho Meri" from the original Hindi film have been retained here.
| Naanu Naane | ||||
|---|---|---|---|---|
| Soundtrack album by | ||||
| Released | 2002 | |||
| Recorded | 2002 | |||
| Genre | Soundtrack | |||
| Length | 40:05 | |||
| Label | Magnasound Records | |||
| Producer | Deva | |||
| Deva chronology | ||||
| ||||
| No. | Title | Lyrics | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Sangaathi" | V. Nagendra Prasad | K. J. Yesudas, Anuradha Sriram | 5:55 |
| 2. | "Gelathiye" | V. Nagendra Prasad | S. P. Balasubrahmanyam, Anuradha Sriram | 5:21 |
| 3. | "Neenaade Mareechike" | R. N. Jayagopal | S. P. Balasubrahmanyam, Anuradha Sriram | 7:09 |
| 4. | "Oh Geleya" | R. N. Jayagopal | S. P. Balasubrahmanyam | 1:52 |
| 5. | "Kodagina Gandu" | V. Nagendra Prasad | S. P. Balasubrahmanyam | 5:51 |
| 6. | "Nee Bande Baalinalli" | R. N. Jayagopal | K. J. Yesudas | 5:52 |
| 7. | "Neenaade Marechike - Version 2" | R. N. Jayagopal | S. P. Balasubrahmanyam, Nanditha | 8:05 |
| Total length: | 40:05 | |||
Reception
[edit]Srikanth of Deccan Herald wrote that "This is Sakshi Shivanand’s film all the way. She has once again proved that given the right opportunities she can certainly perform apart from being a pretty face. The same cannot be said about Upendra who has gone in for a change of image through this film Gimmicks do not work always going by what happened to all his releases this year — H2O, Superstar and Naagarahaavu — all disasters. He needs to take up acting lessons seriously if he wants to remain an actor".[3][4] Indiainfo wrote "The director Rajendra Babu has tried to trim the film with expertise. There is no usual Uppi style, no hasty dialogues and no gaudy dresses and weird gimmicks. It is a plain family movie. But remake film being a remake film, there are flaws like the directly translated dialogues and songs, which are intolerable".[5]
References
[edit]- ^ "Now, Upendra sets his eyes on Aamir Khan's 3 Idiots". International Business Times. 27 February 2017. Archived from the original on 25 May 2021. Retrieved 18 March 2019.
- ^ "viggy.com - Exclusive Kannada Film News, New Releases, Reviews, Songs, Photographs, Interviews, Wallpapers and Screen Savers". www.viggy.com. Archived from the original on 10 February 2023. Retrieved 25 June 2023.
- ^ a b Srikanth (13 October 2002). "FILM REVIEWS: Naanu Naane (Kannada)". Deccan Herald. Archived from the original on 13 December 2002. Retrieved 26 September 2023.
- ^ "Naanu Naane film review". www.viggy.com. Archived from the original on 2 September 2022.
- ^ "Naanu Naane: Very Unlike Uppi". Indiainfo. Archived from the original on 14 December 2002. Retrieved 29 December 2025.
External links
[edit]- Naanu Naane at IMDb
Grokipedia
Naanu Naane
View on GrokipediaSynopsis
Plot
Naanu Naane centers on Raja, a straightforward tour guide from a humble rural background who earns his living by showing tourists around his small town. Orphaned and raised by a mentor figure in the community, Raja leads a simple, carefree life guided by honesty and passion for his work. His world changes when he encounters Aarthi, a sophisticated young woman from a wealthy urban family, who arrives in the town seeking a deeper personal connection, possibly tied to her family's history or her own emotional needs. Drawn to Raja's genuine warmth and unpretentious charm, Aarthi begins to open up, and their interactions evolve into a deep romantic bond amid the scenic surroundings.[3] As their love grows, the stark class divide becomes apparent, igniting fierce opposition from Aarthi's affluent parents, who view Raja as an unsuitable match for their daughter. Aarthi, grappling with her loyalty to her family and her authentic feelings for Raja, ultimately chooses love, leading the couple to elope and marry in a defiant act against societal norms. Raja's decisions are consistently driven by his pure-hearted devotion, while Aarthi's arc reflects her struggle to reconcile her privileged upbringing with her desire for true emotional fulfillment. Following their marriage, Raja and Aarthi settle into a modest life together, but relentless interference from Aarthi's family escalates, creating financial hardships, misunderstandings, and emotional turmoil aimed at driving them apart. The couple faces tests of their commitment, with Raja's resilience and Aarthi's growing independence helping them persevere through the adversities. The narrative builds to a dramatic climax where family secrets unravel, forcing confrontations that lead to reconciliation and the affirmation of their union, underscoring themes of love transcending social barriers.Cast
Upendra portrays Raja, the honest and carefree tour guide from Madikeri who serves as the romantic hero of the story.[3][5] Sakshi Shivanand plays Aarthi, the affluent young woman who embarks on a journey of self-discovery.[5][3] In a key supporting role, Anant Nag appears as Aarthi's father, a wealthy businessman who opposes the central romance due to class differences.[5] (noting the remake structure) Pavitra Lokesh appears in a supporting role.[5][2] The ensemble includes comedic relief from Sadhu Kokila in minor roles that add humor to the narrative.[6][5] Other supporting actors such as Ramesh Bhat, Lakshman, Adi Lokesh, and Ramya Krishnan (in a guest appearance) contribute to the film's family dynamics and conflicts.[5][2]Production
Development
Naanu Naane originated as a Kannada remake of the 1996 Hindi romantic drama Raja Hindustani, with director D. Rajendra Babu adapting the narrative of class-divided love to appeal to local audiences.[7] The production was spearheaded by Medikonda Venkata Muralikrishna under the banner of Sri Venkataramana Productions, marking a mid-range endeavor typical of early 2000s Kannada cinema focused on star-driven remakes.[3] Scripting emphasized cultural localization, particularly tailoring the central class conflict theme to reflect Kannada societal nuances, such as regional family dynamics and urban-rural divides. D. Rajendra Babu penned the screenplay, drawing from the original story by Dharmesh Darshan—director of Raja Hindustani—while R. N. Jayagopal crafted dialogues infused with colloquial Kannada flavor to enhance authenticity.[5] Key casting choices featured Upendra in the lead role, selected for his burgeoning superstardom after the blockbuster success of his self-directed 1999 film Upendra, which established him as a versatile performer capable of handling intense romantic and dramatic arcs. Complementing him was Sakshi Shivanand as the female lead, chosen for her established charm in romantic pairings across South Indian cinema.[5]Filming
Principal photography for Naanu Naane concluded prior to the film's theatrical release on October 11, 2002. The production captured the story's blend of rural and scenic environments, with a total runtime of 145 minutes.[4] Shooting took place primarily in Madikeri, Karnataka, for rural sequences, as reflected in the song "Nee Bande Baalinalli Madikeri Manjinange," and in Munnar, Kerala, to emphasize the film's romantic and dramatic tones, while three songs were picturised in Australia. Cinematographer D. Prasad Babu focused on natural lighting to enhance these settings.[8][3] Post-production was handled by editor A. Sreekar Prasad, prioritizing straightforward cuts and minimal visual effects to maintain the film's organic aesthetic.[3]Music
Composition
Deva, an Indian composer renowned for his melodic compositions incorporating folk and gaana elements across South Indian cinema, was brought on board to score the music for Naanu Naane. His approach emphasized creating a soundtrack that fused romantic ballads with subtle folk influences, tailored to resonate with Kannada audiences through accessible rhythms and emotional depth.[9][10] The lyrics were penned by V. Nagendra Prasad and R. N. Jayagopal, who wove in themes of love and self-identity to complement the film's titular concept of "Naanu Naane," signifying introspection and personal connection.[11] Recording sessions featured veteran playback singers such as K. J. Yesudas and S. P. Balasubrahmanyam, whose versatile voices brought nuance to the melodic tracks. The complete album, spanning approximately 34 minutes, was released by Magnasound Records in 2002.[12][13] The compositions integrate seamlessly with the narrative, enhancing romantic sequences through evocative melodies set against scenic backdrops that highlight the characters' emotional journeys.[2]Track listing
The soundtrack of Naanu Naane features six songs composed by Deva and released by Magnasound in 2002, with a total duration of approximately 34 minutes.[13] The lyrics were penned primarily by V. Nagendra Prasad and R. N. Jayagopal.[2]| No. | Title | Singer(s) | Lyricist | Notes |
|---|---|---|---|---|
| 1 | "Sangaathi Sangaathi" | K. J. Yesudas, Anuradha Sriram | V. Nagendra Prasad | Romantic duet picturized on Raja and Aarthi's first meeting in Madikeri.[2][14] |
| 2 | "Nee Bande Baalinalli" | K. J. Yesudas | R. N. Jayagopal | Melodious track highlighting the emotional bonding between the leads.[2][8] |
| 3 | "Kodagina Gandu" | S. P. Balasubrahmanyam | V. Nagendra Prasad | Upbeat situational song showcasing the protagonist's energetic side.[2][15] |
| 4 | "Gelathiye Gelathiye (Oh Geleya)" | S. P. Balasubrahmanyam | R. N. Jayagopal | Playful song emphasizing the growing attraction in a light-hearted sequence.[2][16] |
| 5 | "Neenaade Mareechike" (duet version) | S. P. Balasubrahmanyam, Anuradha Sriram | R. N. Jayagopal | Romantic number depicting the couple's intimate moments.[2][17] |
| 6 | "Neenaade Mareechike" (solo version) | S. P. Balasubrahmanyam | R. N. Jayagopal | Reflective solo rendition underscoring the male lead's inner turmoil.[2][18] |

