Neal Pozner

Neal Pozner (1955 – June 21, 1994), sometimes credited as Neil Pozner, was an American art director, editor, and writer known for his work in the comic book industry. He worked with DC Comics at two points, first as a design director and later as Group Editor, Creative Services until his death.

As a young man, Pozner published a comics fanzine from 1969 to 1972, when he joined CAPA-alpha. He was an active member in CAPA-alpha at least until 1984. He graduated from The Cooper Union.

Before joining DC's staff, Pozner designed the first gay-themed bus ads for New York City as well several posters for Lincoln Center. He also designed record covers for musicians like The Kinks, Jimi Hendrix, George Benson, and Carmen McRae, as well as the Brooklyn Philharmonic Symphony Orchestra. In addition, he designed for CBS/Broadcast Group and was briefly the associate art director of National Lampoon magazine.

Pozner first worked for DC Comics in 1975 when he edited The Amazing World of DC Comics #9 (Nov.–Dec. 1975). A few years later, he designed the front cover for All-New Collectors' Edition #C–62, a tabloid-format book based on the then-upcoming Superman movie. He was subsequently hired as DC's first real production designer.

Pozner wrote the 1986 Aquaman miniseries, as well as designing the character's blue "camouflage" uniform. He was also responsible for incorporating DC Comics characters into a series of AIDS awareness house ads published in the company's comics.

One of Pozner's many tasks as Group Editor, Creative Services, at DC was recruiting new talent. Travis Charest, Gene Ha, Stuart Immonen, and Phil Jimenez are among the pencillers Pozner "discovered."

He also designed posters for Lincoln Center's Speed the Plow and Six Degrees of Separation.

In the aftermath of Pozner's 1994 death from AIDS complications, artist Phil Jimenez, whom Pozner had hired to work at DC, and with whom Pozner had had a romantic relationship, came out in a tribute to Pozner in the pages of the DC title Tempest.