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Neo-Futurists
The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurist theatre was inspired in part by the Italian Futurist movement from the early 20th century. Originating in Chicago, branches of the Neo-Futurists also exist in New York City, San Francisco, and London (the latter under the name Degenerate Fox).
The Neo-Futurist aesthetic demands that everything that transpires in their theater be non-illusory, which is to say that they pretend nothing; actors only play themselves. All plays take place on a stage, specifically, the stage on which they are performed, in the present. If one of the performers reports that something has happened, it has happened. Much of their work contains the possibility of failure, a unique theatrical component that keeps them and the audience honest. Their plays are wildly eclectic, touching on all genres and tones; plays may be political, satirical, personal, tragic, comic, abstract, musical, surreal, poetic, and so on.
Neo-Futurism doesn't employ "suspension of disbelief"—it does not attempt to take the audience anywhere else at any other time with any other people. The idea is to deal with what is happening at the time with the people on the stage.
The general setup of the weekly shows is the same across groups and countries. The ensemble attempts to perform 30 short plays in 60 minutes, with the order of the plays determined by the audience shouting out numbers based on a play menu handed out before the show. Each weekend, dice are rolled to determine how many of those plays will be replaced, which keeps each weekend’s iteration fresh. [citation needed]
The Neo-Futurists began with the show Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes, often abbreviated as TMLMTBGB (though many refer to it simply as TML). For the first few years, the Neo-Futurist movement consisted entirely of TMLMTBGB, but then expanded to include "prime time productions." These productions began late evening, as opposed to TMLMTBGB's late-night starting time (11:30 in Chicago, 10:30 in New York).
The Neo-Futurists have published three books of plays from TMLMTBGB - two books of regular plays, and one of plays that use only one actor. They've also released one CD recording of plays from Too Much Light Makes the Baby Go Blind, one video, and a recording of Jokes and their Relation to the Unconscious, a play described as an attempt to destroy comedy by analyzing it to death.
In 2008 the New York Neo-Futurists put on (Not) Just a Day Like Any Other, four autobiographical stories woven together with accompanying Bollywood music videos, relationships charted via PowerPoint, and margaritas for all.
In November 2016, Greg Allen announced in an emailed press release that he intended to revoke the Chicago company's rights to perform TMLMTBGB. Allen had ceased to be a member of the performing ensemble four years prior, and in his announcement he stated his intention to form a new company to perform the show as a way to "combat the new Trump administration." In a response statement, the Neo-Futurists stated that they were "disappointed that it has come to this conclusion," but that "throughout our long history with Greg there have been considerable artistic differences and irreconcilable personal conflicts." Additionally, a former artistic director and ensemble member disputed Allen's claim that the split was motivated by external politics, citing instead ongoing personality conflicts. In solidarity with the Chicago company, the New York and San Francisco productions of Too Much Light also closed that December.
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Neo-Futurists
The Neo-Futurists are an experimental theater troupe founded by Greg Allen in 1988, based on an aesthetics of honesty, speed and brevity. Neo-Futurist theatre was inspired in part by the Italian Futurist movement from the early 20th century. Originating in Chicago, branches of the Neo-Futurists also exist in New York City, San Francisco, and London (the latter under the name Degenerate Fox).
The Neo-Futurist aesthetic demands that everything that transpires in their theater be non-illusory, which is to say that they pretend nothing; actors only play themselves. All plays take place on a stage, specifically, the stage on which they are performed, in the present. If one of the performers reports that something has happened, it has happened. Much of their work contains the possibility of failure, a unique theatrical component that keeps them and the audience honest. Their plays are wildly eclectic, touching on all genres and tones; plays may be political, satirical, personal, tragic, comic, abstract, musical, surreal, poetic, and so on.
Neo-Futurism doesn't employ "suspension of disbelief"—it does not attempt to take the audience anywhere else at any other time with any other people. The idea is to deal with what is happening at the time with the people on the stage.
The general setup of the weekly shows is the same across groups and countries. The ensemble attempts to perform 30 short plays in 60 minutes, with the order of the plays determined by the audience shouting out numbers based on a play menu handed out before the show. Each weekend, dice are rolled to determine how many of those plays will be replaced, which keeps each weekend’s iteration fresh. [citation needed]
The Neo-Futurists began with the show Too Much Light Makes the Baby Go Blind: 30 Plays in 60 Minutes, often abbreviated as TMLMTBGB (though many refer to it simply as TML). For the first few years, the Neo-Futurist movement consisted entirely of TMLMTBGB, but then expanded to include "prime time productions." These productions began late evening, as opposed to TMLMTBGB's late-night starting time (11:30 in Chicago, 10:30 in New York).
The Neo-Futurists have published three books of plays from TMLMTBGB - two books of regular plays, and one of plays that use only one actor. They've also released one CD recording of plays from Too Much Light Makes the Baby Go Blind, one video, and a recording of Jokes and their Relation to the Unconscious, a play described as an attempt to destroy comedy by analyzing it to death.
In 2008 the New York Neo-Futurists put on (Not) Just a Day Like Any Other, four autobiographical stories woven together with accompanying Bollywood music videos, relationships charted via PowerPoint, and margaritas for all.
In November 2016, Greg Allen announced in an emailed press release that he intended to revoke the Chicago company's rights to perform TMLMTBGB. Allen had ceased to be a member of the performing ensemble four years prior, and in his announcement he stated his intention to form a new company to perform the show as a way to "combat the new Trump administration." In a response statement, the Neo-Futurists stated that they were "disappointed that it has come to this conclusion," but that "throughout our long history with Greg there have been considerable artistic differences and irreconcilable personal conflicts." Additionally, a former artistic director and ensemble member disputed Allen's claim that the split was motivated by external politics, citing instead ongoing personality conflicts. In solidarity with the Chicago company, the New York and San Francisco productions of Too Much Light also closed that December.