Hardcore punk in the United Kingdom
Hardcore punk in the United Kingdom
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Hardcore punk in the United Kingdom

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Hardcore punk in the United Kingdom

Hardcore punk in the United Kingdom (often abbreviated as UKHC and during the 1980s called Britcore) began in the late 1970s and early 1980s with the second wave of punk rock in the country. The scene produced many successful and influential hardcore punk bands throughout the 1980s such as Discharge, GBH and the Exploited and led to the pioneering of genres such as grindcore, street punk, crust punk and D-beat.

In the 2000s, the genre saw a revived interest, leading to the success of hardcore groups including Gallows, Send More Paramedics and Dead Swans, metalcore groups like Bring Me the Horizon, Architects and Bullet for My Valentine and post-hardcore groups such as Fightstar, ¡Forward, Russia! and Funeral for a Friend. This interested carried on into the 2010s, when Malevolence, Frank Carter & the Rattlesnakes and Higher Power gained prominence.

The first wave of UK hardcore punk is often referred to as "UK 82" or simply "second wave punk". The sound of the groups from this era is called street punk through its building upon the previous punk sound and added the heavy drumbeats and distorted guitar sound of new wave of British heavy metal bands and Motörhead. The term "UK 82" was taken from Edinburgh band the Exploited's song of the same name. They contrasted with early American hardcore bands by placing an emphasis on appearance. Frontman Walter "Wattie" Buchan had a giant red mohawk and the band continued to wear swastikas, an approach influenced by the wearing of this symbol by 1970s punks such as Sid Vicious. Because of this, the Exploited were labeled by others in the scene as "cartoon punks".

Formed in 1977 in Stoke-on-Trent, Discharge were of the most prominent bands in UK 82. AllMusic calls the band's sound a "high-speed noise overload" characterized by "ferocious noise blasts." The sound of their many imitators was dubbed as D-beat, referring to the band's distinctive drum beat. According to writer Ian Glasper, the Varukers from Leamington Spa, are often cited as the original D-beat band, due to their close sonic proximity to Discharge. Bands from this era, particularly Discharge and GBH were influential upon the development of multiple heavy metal styles, such as thrash metal and black metal, being cited as an influence by bands including Slayer, Anthrax, Sepultura and Metallica. Other prominent groups from this era include Broken Bones, Chaos UK, English Dogs.

In the second half of the 1980s, it became increasingly normalised for UK hardcore bands to be influenced by heavy metal styles. At this same time, a sect of bands began making music with more elements in common with U.S. groups than their UK contemporaries. The most notable of these included Heresy, the Stupids and Filler.

Crust punk is a form of music influenced by punk rock and extreme metal. Founded by the English bands Amebix and Antisect, taking its name from Newcastle band Hellbastard's 1986 Ripper Crust demo. Deviated Instinct, Concrete Sox and Electro Hippies were also important crust punk bands from the time. Crust punk bands were a part of the hardcore scene of the time, despite not taking influence from the genre themselves. From this, crustcore developed when some crust punk bands began taking influence from hardcore and sometimes thrashcore. Felix Havok described Extreme Noise Terror's segment of the "Earslaughter" split album with Chaos UK as the first album in the genre, with Doom also being prominent in the style.

Crust punk influenced further developments into UK hardcore, specifically in its contribution to the creation of grindcore. It also made a significant impact on metal, with the high influential black metal band Bathory citing a number of crust bands as influences. Additionally, metal bands Sacrilege and Bolt Thrower began their careers involved in the West Midlands crust punk scene.

Grindcore, developed during the mid-1980s in the United Kingdom by Napalm Death, a group who emerged from the anarcho-punk scene in Birmingham, England. Whilst their first recordings were in the vein of Crass, they eventually became associated with crust punk, The group began to take on increasing elements of thrashcore, post-punk, and power electronics, and began describing their sound as "Siege with Celtic Frost riffs". The group also went through many changes in personnel. A major shift in style took place after Mick Harris became the group's drummer. Punk historian Ian Glasper indicates that "For several months gob-smacked audiences weren't sure whether Napalm Death were actually a serious band any longer, such was the undeniable novelty of their hyper-speed new drummer."

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