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Nick Cardy
Nicholas Viscardi (October 20, 1920 – November 3, 2013), known professionally as Nick Cardy and Nick Cardi, was an American comics artist best known for his DC Comics work on Aquaman, the Teen Titans and other major characters. Cardy was inducted into the Will Eisner Comic Book Hall of Fame in 2005.
Nick Cardy was born Nicholas Viscardi on October 20, 1920, in New York City. He began drawing when he was very young, telling one interviewer that some paintings he had done for his school were "published in the [New York] Herald-Tribune or one of those early papers. The teachers wanted one on sports. It was a 4 × 8 panel. ... So that was published and quite a bit of the stuff was published. ... " He also provided artwork for the Boys Club of America, and attended the Art Students League of New York, studying life drawing.
As did many early comics professionals, Cardy entered the comics field working for Eisner & Iger, a company founded by Will Eisner and Jerry Iger, that was one of a handful of comic book "packagers" creating comics on demand for publishers testing the waters of the emerging medium. Joining the studio circa 1940, he worked on Fight Comics, Jungle Comics, Kaanga Comics, and Wings for Fiction House Publications. He wrote and drew the four-page backup feature "Lady Luck" in Will Eisner's 16-page, newspaper Sunday-supplement comic book colloquially called "The Spirit Section", from the May 18, 1941 strip through February 22, 1942. Though his Lady Luck stories were credited under the house pseudonym Ford Davis, Viscardi would subtly work in the initials "NV" somewhere into each tale. He used both his birth name and the pen name "Nick Cardy" concurrently for a time, he eventually adopted Nick Cardy for his comic-book work.
Cardy recalled of his start at Eisner & Iger that he worked alongside
... Lou Fine, George Tuska, [and] Charlie Sultan. Bob Powell came in later when I was doing "Lady Luck" [after Eisner had split from Iger to concentrate on 'The Spirit Section']. He was sitting behind me. He would help a kid around the block – tell a newcomer to take it easy and that sort of thing. When I worked on 'Lady Luck', Will Eisner had rented an apartment at [the Manhattan complex] Tudor City. ... He had one room where he worked, and the other room took up all the rest of the paraphernalia. I sat next to Will's door, Bob Powell sat next to me; Tex Blaisdell used to come in, and Chuck Cuidera (who was doing Blackhawk) was there. ... It was a learning experience. Watching Lou Fine work – his work was like a fine painting; it took a long time to do it but it was a brilliant piece of work. In my opinion, for drawing, you couldn't beat Lou Fine; he was terrific. I think Will Eisner had a coarser line but his work was more dramatic and he told a better story.
Cardy did World War II military service from 1943 to 1945, earning two Purple Hearts for wounds suffered as a tank driver in the armored cavalry. He began his Army career with the 66th Infantry Division, during which time he won a competition to design its patch, creating its snarling black panther logo. His art talent led to his being assigned an office job at division headquarters. This lasted, Cardy recalled in an interview, because a general who had seen Cardy's cartoons in an Officers Club had Cardy assigned to his own corps. As the artist tells it, the only opening was for a corporal in the motor pool, so Cardy was promoted and assigned to that duty. This, he said, led in turn, upon his being shipped to the European theater, to Cardy's assignment as an assistant tank driver for the Third Armored Division, under General Courtney Hodges. Later, between the end of the war and his discharge, Cardy said he worked for the Army's Information and Education office in France. Cardy documented his time in the military in a series of intricate sketches and watercolors.
Back in civilian life, Cardy begin doing advertising art as well as covers for crossword puzzle magazines and other periodicals. In 1950, he began drawing the black-and-white daily Tarzan comic strip of writer-artist Burne Hogarth. From 1952 to 1953, Cardy assisted Warren Tufts on Tufts' comic strip Casey Ruggles.
In 1950, Cardy began his decades-long association with DC Comics, starting with the comic book Gang Busters, based on the dramatic radio show. He began developing his breakout reputation with Tomahawk, his most prominent series at the time, which starred a white American colonist fighting the British undercover as an Iroquois Indian during the American Revolutionary War.
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Nick Cardy
Nicholas Viscardi (October 20, 1920 – November 3, 2013), known professionally as Nick Cardy and Nick Cardi, was an American comics artist best known for his DC Comics work on Aquaman, the Teen Titans and other major characters. Cardy was inducted into the Will Eisner Comic Book Hall of Fame in 2005.
Nick Cardy was born Nicholas Viscardi on October 20, 1920, in New York City. He began drawing when he was very young, telling one interviewer that some paintings he had done for his school were "published in the [New York] Herald-Tribune or one of those early papers. The teachers wanted one on sports. It was a 4 × 8 panel. ... So that was published and quite a bit of the stuff was published. ... " He also provided artwork for the Boys Club of America, and attended the Art Students League of New York, studying life drawing.
As did many early comics professionals, Cardy entered the comics field working for Eisner & Iger, a company founded by Will Eisner and Jerry Iger, that was one of a handful of comic book "packagers" creating comics on demand for publishers testing the waters of the emerging medium. Joining the studio circa 1940, he worked on Fight Comics, Jungle Comics, Kaanga Comics, and Wings for Fiction House Publications. He wrote and drew the four-page backup feature "Lady Luck" in Will Eisner's 16-page, newspaper Sunday-supplement comic book colloquially called "The Spirit Section", from the May 18, 1941 strip through February 22, 1942. Though his Lady Luck stories were credited under the house pseudonym Ford Davis, Viscardi would subtly work in the initials "NV" somewhere into each tale. He used both his birth name and the pen name "Nick Cardy" concurrently for a time, he eventually adopted Nick Cardy for his comic-book work.
Cardy recalled of his start at Eisner & Iger that he worked alongside
... Lou Fine, George Tuska, [and] Charlie Sultan. Bob Powell came in later when I was doing "Lady Luck" [after Eisner had split from Iger to concentrate on 'The Spirit Section']. He was sitting behind me. He would help a kid around the block – tell a newcomer to take it easy and that sort of thing. When I worked on 'Lady Luck', Will Eisner had rented an apartment at [the Manhattan complex] Tudor City. ... He had one room where he worked, and the other room took up all the rest of the paraphernalia. I sat next to Will's door, Bob Powell sat next to me; Tex Blaisdell used to come in, and Chuck Cuidera (who was doing Blackhawk) was there. ... It was a learning experience. Watching Lou Fine work – his work was like a fine painting; it took a long time to do it but it was a brilliant piece of work. In my opinion, for drawing, you couldn't beat Lou Fine; he was terrific. I think Will Eisner had a coarser line but his work was more dramatic and he told a better story.
Cardy did World War II military service from 1943 to 1945, earning two Purple Hearts for wounds suffered as a tank driver in the armored cavalry. He began his Army career with the 66th Infantry Division, during which time he won a competition to design its patch, creating its snarling black panther logo. His art talent led to his being assigned an office job at division headquarters. This lasted, Cardy recalled in an interview, because a general who had seen Cardy's cartoons in an Officers Club had Cardy assigned to his own corps. As the artist tells it, the only opening was for a corporal in the motor pool, so Cardy was promoted and assigned to that duty. This, he said, led in turn, upon his being shipped to the European theater, to Cardy's assignment as an assistant tank driver for the Third Armored Division, under General Courtney Hodges. Later, between the end of the war and his discharge, Cardy said he worked for the Army's Information and Education office in France. Cardy documented his time in the military in a series of intricate sketches and watercolors.
Back in civilian life, Cardy begin doing advertising art as well as covers for crossword puzzle magazines and other periodicals. In 1950, he began drawing the black-and-white daily Tarzan comic strip of writer-artist Burne Hogarth. From 1952 to 1953, Cardy assisted Warren Tufts on Tufts' comic strip Casey Ruggles.
In 1950, Cardy began his decades-long association with DC Comics, starting with the comic book Gang Busters, based on the dramatic radio show. He began developing his breakout reputation with Tomahawk, his most prominent series at the time, which starred a white American colonist fighting the British undercover as an Iroquois Indian during the American Revolutionary War.