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Nick Lutsko
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Key Information

Nick Lutsko (born November 29, 1990) is an American singer, songwriter, comedian, and multi-instrumentalist best known for his comedic songs and videos released via social media, particularly Twitter and YouTube. Most of the videos feature Lutsko portraying a fictional version of himself, singing directly into the camera about political figures, current events, or pop culture, often with absurdist or surreal tones.[2][3][4]

Biography

[edit]

A long-time resident of Chattanooga, Tennessee and a graduate of Middle Tennessee State University,[2][4] Lutsko films most of his music videos in and around his Chattanooga home.[3] Lutsko has released several albums, including Swords (2019),[4][5][6] a non-comedy album Lutsko worked on for four years.[4] Several of his comedic Internet songs have been compiled into the albums Songs on the Computer (2020) and More Songs on the Computer (2021).[4][7] Lutsko's videos have garnered millions of views online.[2][3][7]

Lutsko has created songs parodying political figures and topics like Donald Trump, Joe Biden, Alex Jones, Donald Trump Jr., Fox News, and Pizzagate.[3][5][8] Lutsko often appears sweaty and crazed in his videos, and his songs feature several running jokes and recurring characters, creating what Nerdist writer Michael Walsh called the "Nick Lutsko Expanded Universe".[8] Among these jokes are Lutsko's adoration of conservative commentator Dan Bongino, his ongoing feud with Amazon CEO Jeff Bezos, and his relationship with his grandmother, who lives in a house with a basement Lutsko claims is inhabited by "men in the tunnels".[9]

Lutsko's character repeatedly writes unsolicited theme songs, including for Space Jam: A New Legacy, The Irishman, and the Spirit Halloween retail store chain.[3][10][11] The lattermost song inspired Spirit Halloween to solicit two additional songs from Lutsko about the company,[3] which also led to recurring jokes about Lutsko being the "King of Halloween".[12] Lutsko also regularly sings about the Gremlins film franchise, sometimes portraying a human/gremlin hybrid character named Desmond, and attempting to produce a fictional sequel film called Gremlins 3: Dawn of Desmond.[7][9][12]

Some of his other commercial work includes writing songs for Netflix, CollegeHumor, and Super Deluxe.[6][13] In 2022, he won a Webby Award for Best Original Music for his work with Lord Danger for Old Spice.[14]

Lutsko has long performed with his bandmate and bassist Eric "Greezy Rick" Parham, who performs while wearing a Muppet-like mask with brown fur and an elongated nose.[5][6] He also regularly performs with "Cowboy Jon" Elliot, who plays saxophone and xylophone while wearing cowboy attire.

Discography

[edit]

Studio albums

[edit]
  • Heart of Mold (2013)
  • Etc. (2015)
  • Swords (2019)
  • Songs on the Computer (2020)
  • More Songs on the Computer (2021)
  • HAUNTED (2024)
  • Ends (2025)

Extended plays

[edit]
  • Mumbo Jumbo Trash (2012)
  • Hell Yup! (2022)
  • Seven Inch Swords (2022)
  • Incantations (2022)
  • SNL: Celebration of Summertime (2023)
  • Cruel Experiments (2023)
  • CUATRO (2024)

Singles

[edit]
  • "Grinning Like a Barracuda" (2018)
  • "Spineless" (2020)

References

[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Nick Lutsko

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from Grokipedia
Nick Lutsko is an American musician, songwriter, comedian, and multi-instrumentalist based in , recognized for his high-energy theatrical performances and viral comedic songs that blend absurdity with infectious melodies. Lutsko gained widespread attention in 2020 with his unauthorized theme song for stores, which amassed millions of views online and established his reputation for satirical content mimicking corporate and seasonal hype. His work often features , exaggerated personas, and social media-driven narratives, such as a series of videos political and celebrity interactions, including a stunt involving model unfollowing him on . In addition to online virality, Lutsko has released albums like Swords in 2019, showcasing original songwriting alongside his parody material, and contributed music to projects including the short film Gremlins 3: Dawn of Desmond and the series Who Is Erin Carter?. His live shows emphasize elaborate staging and multi-instrumental prowess, drawing from local Chattanooga music scenes while expanding to national venues like the .

Early life

Childhood and musical influences

Nick Lutsko was born in , but grew up in . He began playing guitar and writing music during elementary school, drawing initial inspiration from early 2000s pop-punk bands such as Blink-182; he owned a signature during this period. Lutsko also developed an early affinity for , which later influenced his use of puppets in performances. In , Lutsko discovered Primus's 1993 album in a discount bin at an FYE store, marking a significant influence due to Les Claypool's distinctive bass playing and the band's unconventional style. This exposure shaped his approach to blending catchy, accessible song structures with eccentric and "weirder" elements, a hallmark he has described as prioritizing strong hooks before incorporating . By high school, he formed his first band and recorded an album, building on these formative interests. Lutsko attended , graduating with a degree in commercial songwriting from its recording industry department, where he honed skills evident in his post-college debut album Heart of Mold (2013), which featured folk and Americana elements alongside personal themes like love songs. Early online experiments, such as a cover of Bon Iver's "" on , reflected his growing versatility across genres.

Career

Early releases and local scene

Lutsko self-released his debut album Heart of Mold on September 25, 2013, comprising 11 tracks characterized by and alt-country elements, with Lutsko handling writing, performance, and production. The album featured songs such as "21st Century Nightmare" and "Graduation Song," reflecting personal and observational themes typical of early independent folk-influenced work. In 2015, he followed with Etc., another self-released effort of 11 tracks in and styles, including "Cherry Red Medicine" and "Predator," released digitally on March 17. A CD version launched with a release party at JJ's in , on April 10, underscoring his grassroots approach to distribution and promotion. During this period, Lutsko, a graduate, engaged the local music scenes in Chattanooga and Nashville, performing at venues like the Bluebird Cafe and booking gigs across the Southeast, often in bars and coffee shops for tips while selling physical copies of his albums. Based in Chattanooga, he built a reputation through high-energy live shows at spots such as JJ's Bohemia and The Honest Pint, contributing to the regional indie circuit before broader recognition. These efforts emphasized self-reliance, with Lutsko as a handling much of the production and performance logistics.

Breakthrough via online content

Lutsko's entry into online content began in 2017 through collaborations with , a digital comedy brand under Turner Broadcasting, where he produced parody songs reinterpreting public figures' speeches and rants in contrasting musical genres. Examples include transforming ' conspiracy-laden monologues into tracks and reimagining Donald Trump's speeches as emo ballads, compiled in the Super Deluxe Music collection released that year. These videos, featuring Lutsko's self-produced arrangements and performances, garnered initial online attention within niche comedy and music communities, though 's channel purge in May 2019 limited their accessibility after the brand's shutdown. The pivotal breakthrough occurred on September 17, 2020, when Lutsko independently released an unauthorized theme song for stores, capturing the seasonal retailer's eerie, pop-up allure in a high-energy, synth-driven track with lyrics evoking haunted inflatables and animatronic witches. The video, produced solo in his Chattanooga home during the , rapidly went viral on platforms like and , amassing millions of views and shares for its absurd humor and catchy hook, marking Lutsko's shift from niche parodies to broader internet fame. This success, independent of major labels or networks, highlighted his DIY approach, leveraging algorithms and culture to reach audiences seeking escapist comedy amid lockdowns. Building on this momentum, Lutsko launched the "Songs on the Computer" series in 2021, featuring self-shot videos of theatrical, genre-blending originals like "Manchild" and "Goblin," which satirized everyday absurdities and cultural quirks without overt political framing. These efforts propelled his YouTube channel to over 100,000 subscribers and cumulative views exceeding 100 million across platforms by late 2022, establishing him as a viral musical comedian. The organic virality, driven by shares on Twitter and TikTok rather than paid promotion, underscored a causal link between content authenticity and audience engagement, as Lutsko's unpolished, high-concept style resonated in an era of short-form digital media.

Musical style and output

Comedic and satirical elements

Lutsko's compositions often integrate by recontextualizing political rhetoric and public figures into exaggerated musical formats, such as transforming conspiracy theorist Alex Jones's monologues into indie-folk ballads or rendering former President Donald Trump's speeches as anthems in the "Emo Trump Saga" series (volumes 1-5, released starting in 2019). These employ stylistic mimicry—pairing bombastic content with genres like folk or —to highlight absurdities in , amassing millions of views across platforms. His satirical work extends to cultural critiques, including a 2021 track parodying conservative commentator Dan Bongino's style as a plea for media exposure, framed as a desperate one-man show, which underscores themes of performative outrage in media ecosystems. Lutsko's approach favors dark, self-effacing humor over straightforward mockery, blending relentless hooks with lyrics that lampoon late and post-truth dynamics, as seen in songs addressing events like the or rapper Kanye West's public persona filtered through indie aesthetics. Beyond politics, Lutsko incorporates comedic absurdity in non-partisan sketches, such as the 2021 " Theme," which anthropomorphizes a seasonal store into a chaotic entity amid pandemic shutdowns, evolving into a viral motif with sequels that build an extended universe of low-budget, unsettling visuals reminiscent of Adult Swim's anarchic style. This DIY ethos, drawing from influences like Tim and Eric, prioritizes infectious melodies over polished production to amplify the humor in everyday banalities. His videos, nominated twice for , have collectively exceeded 130 million views, demonstrating satire's potency in digital dissemination.

Production and collaborations

Lutsko has primarily self-produced his recordings, handling writing, performance, instrumentation, and production for multiple albums. For instance, his 2015 album Etc. credits him with writing, performing, and producing all tracks, with family members , , and Lutsko featuring on one song and additional contributions from Jeff McSpadden. Similarly, Songs on the Computer (2020) lists Lutsko as the sole writer, performer, and producer, supplemented by saxophones from Elliott on select tracks and mastering by Adam Brown. This hands-on approach extends to Cruel Experiments (2023), where Lutsko again wrote, performed, and produced the material, with horns by Elliott and mastering by Brown. Recurring collaborators include Elliott, who provides and horns across several releases, and for mastering duties. Lutsko's 2025 album Ends marks a partial shift, co-produced with Carl Cadwell, though Lutsko retains writing credits. For live performances, he fronts Nick Lutsko and the Gimmix, a costumed band delivering theatrical sets. Beyond solo work, Lutsko has collaborated on satirical projects with external entities. In 2018, released an album compiling his contributions, including reimaginings like "Alex Jones as an Song" and various "Emo Trump" tracks. He has also partnered with comedian on music and sketches, contributed to Tim and Eric productions, and composed for Netflix's The Rehearsal via , involving figures like . These efforts often blend his production skills with video and comedy formats, such as co-producing tracks like "All On Red" with Justin Cipriani and featuring Elliott on .

Online presence

Viral videos and themes

Lutsko's breakthrough to viral fame occurred with the "Spirit Halloween Theme Song," an unauthorized parody uploaded to YouTube on September 18, 2020, which quickly amassed over 15 million views and became a recurring Halloween staple played in households worldwide. The song humorously evokes the eerie, commercial atmosphere of the seasonal retailer with lyrics like "Where did the gremlins go?" and a synth-driven melody mimicking horror tropes, demonstrating Lutsko's ability to produce polished, shareable content independently. This video, part of his early "Songs on the Computer Saga" series, exemplified his rapid prototyping style, often completed in days using home production tools. Subsequent viral successes included absurd, niche parodies such as "Where Did the Gremlins Go?" and "Chrissy Teigen, Please," which contributed to the saga's playlist garnering millions of collective views through Twitter shares and algorithmic promotion during the 2020-2021 pandemic era. Lutsko's parody videos overall have accumulated more than 130 million views across platforms, earning two Webby Award nominations for their chaotic editing, genre-blending soundscapes, and unfiltered whimsy. These works often feature low-budget visuals with recurring motifs like distorted faces and surreal narratives, prioritizing immediacy over high production values to capture internet ephemera. Recurring themes in Lutsko's viral output emphasize existential absurdity, consumer culture critique, and subversion, such as transforming pop structures into mock-horror anthems or everyday annoyances into operatic laments. His approach draws from first-draft instincts, jumping between , , and folk-infused to mirror fleeting cultural obsessions, as seen in later videos like "Punchline" from December 18, 2024, which layers political disillusionment with punchy, arena-ready hooks. This thematic consistency—blending dark humor with technical precision—has sustained virality, with videos often spiking during seasonal or event-driven shares.

Political and cultural parodies

Nick Lutsko's political parodies frequently reimagine rants, speeches, and tweets from prominent figures into contrasting musical genres, blending absurdity with catchy melodies to highlight rhetorical excess. His " Trump" series, originating in 2017, transforms 's tweets and speeches—such as complaints about windmills and —into early emo anthems, with tracks like "Emo Trump Tweets #1 (Campaign Edition)" and "’s Speeches as an Early 2000s Emo Song" capturing the former president's bombast through whiny vocals and power chords. Similarly, " Rants as an Song," released in 2017, recasts the InfoWars host's conspiracy-laden tirades into Bon Iver-style acoustic introspection, juxtaposing phrases like "Christian-murdering scum" with fingerpicked guitars to underscore the original's fervor. In 2022, Lutsko targeted conservative commentator with "A Message to Dan Bongino," a direct-address song critiquing media dynamics through satirical lyrics. These works, initially produced for , often draw from public statements without endorsing or debunking them, instead amplifying stylistic dissonance for comedic effect. Lutsko's cultural parodies extend this approach to pop culture and seasonal tropes, emphasizing viral absurdity over partisan critique. The "Spirit Halloween Theme Song," uploaded in September 2020, parodies the seasonal retailer's haunted-house aesthetic with upbeat lyrics about "skeletons" and "ghouls," garnering over 15 million YouTube views and inspiring sequels that mock pop-up store impermanence. In October 2019, coinciding with Netflix's "El Camino," he released "The Ballad of Jesse Pinkman," turning Aaron Paul's "Breaking Bad" lines into a folk lament that Netflix officially promoted. Other examples include reworking Taylor Swift's style into a Limp Bizkit nu-metal track and pondering "Where Did the Gremlins Go?" in a nostalgic synth-pop vein, both amplifying cultural nostalgia through genre subversion. Collectively, Lutsko's parodies—spanning politics and culture—have exceeded 130 million views, earning two Webby nominations for their platform-native satire.

Discography

Studio albums

Heart of Mold, Lutsko's debut studio , was self-released on September 25, 2013, featuring 11 tracks with alt-country influences including "21st Century Nightmare" and "Graduation Song." His second , Etc., followed on March 17, 2015, comprising 11 songs such as "Cherry Red Medicine" and "All Shook Up," blending indie pop and rock elements. Swords, released October 25, 2019, contains nine tracks like "" and "Superior," marking a shift toward more polished production in Lutsko's satirical style. In late 2020, Songs on the Computer appeared on December 4, an eight-track collection of comedic, computer-recorded pieces including viral hits "I Wanna Be at the RNC" and " Theme Song." The companion release More Songs on the Computer came out December 3, 2021, extending the format with tracks such as "2021 (Is Gonna Be So Fun)" and "Pay Me $100K to Play at Biden's Inauguration." Ends, Lutsko's most recent studio as of October 2025, was issued August 29, 2025, featuring 11 original songs including "Run," "Punchline," and "Reset," produced with a focus on thematic closure.
TitleRelease dateNumber of tracks
Heart of MoldSeptember 25, 201311
Etc.March 17, 201511
SwordsOctober 25, 20199
Songs on the ComputerDecember 4, 20208
More Songs on the ComputerDecember 3, 202110
EndsAugust 29, 202511

Extended plays and singles

Lutsko released his debut , Mumbo Jumbo Trash, on October 10, 2012, comprising five tracks self-produced and performed primarily by the artist. After gaining prominence through online videos, Lutsko issued several EPs compiling satirical and thematic songs originally shared digitally. Hell Yup!, released September 2, 2022, features five tracks including "Irishman Acapella" and "Deputy of Depp," drawing from 2022's non-album output. Incantations, released November 4, 2022, contains four songs such as "Familiar Song" and "," focused on autumnal and supernatural motifs. Additional EPs include Seven Inch Swords (2022), SNL: Celebration of Summertime (August 3, 2023), and Cruel Experiments (October 24, 2023), often tying into live performances or seasonal content. Lutsko has produced numerous singles, many serving as precursors to full albums or standalone releases amid his prolific online songwriting. Early examples include "Spineless" (2020). In 2025, leading into the album Ends, he issued "All On Red," "Come Again," "Look At This Love," "Hold You," "Reset," "Here Comes The Cold," "Run," and "Punchline," emphasizing introspective and narrative-driven . These singles frequently preview broader projects, reflecting Lutsko's pattern of rapid followed by compilation.

Reception

Critical acclaim and fanbase

Lutsko's music has garnered positive reception from independent reviewers and online music communities, particularly for its blend of satire, eclectic arrangements, and lyrical wit. His 2019 album Swords received a 3.7 out of 5 average rating on from 107 user reviews, with commentators highlighting its "dynamic, witty, charming" qualities and impressive consistency across tracks exploring themes of performance and absurdity. Individual assessments praised specific sequences, such as the run from "Shakedown" to "Stairwell," as emblematic of a circus-like worldview infused with and elements. The 2025 album Ends, a 15-track exploration of digital disconnection, mortality, and personal anxieties, was described by one reviewer as featuring "endlessly inventive" genre-blending and poetic imagery, such as in "Screen Turns Black," rewarding repeated listens without noted flaws. Lutsko maintains a dedicated niche fanbase, cultivated through viral online content and direct supporter engagement rather than mainstream promotion. As of late 2025, he has approximately 94,000 monthly listeners on , with standout tracks like "Sometimes" accumulating over 10.9 million streams. His comedic videos, including the "" series and parodies like " as an Song," have amassed millions of views across and social platforms, fostering a drawn to his high-energy performances and thematic versatility. This audience supports him via platforms like for early album access and campaigns, such as the October 2025 vinyl edition of Ends, alongside live tours that emphasize theatrical delivery. Fan discussions in online forums often emphasize his appeal to those appreciating indie experimentation, though his reach remains confined to alternative and comedy-music circles without widespread commercial breakthrough.

Criticisms and misinterpretations

Some observers have critiqued Lutsko's lyrics for occasionally failing to land humorously, with fans noting that certain jokes feel derivative or insufficiently sharp compared to his musical compositions. In a 2021 of his EP One Man Show, ChurchillDowns described the track "Tucker Carlson" as deviating from satire into what resembles "a cry for actual help," suggesting it prioritizes desperation over comedic exaggeration. Lutsko's satirical videos have been misinterpreted in online spaces where parody blends seamlessly with authentic conspiracy content, such as election denialism or narratives, rendering his absurd critiques "almost imperceptible from the real thing" to casual viewers. This post-truth dynamic risks audiences taking his exaggerated political songs—often mocking figures like through or punk styles—as sincere endorsements rather than ironic deconstructions. A local music scene spat in Chattanooga, involving musician Preston Parris accusing Lutsko of mistreating "puppet-like" bandmates (allegedly humans afflicted with "puppetitis"), was framed as controversy but appears to have been a satirical feud amplified via videos, with Lutsko countering by implicating in the drama. No substantiates abuse claims, underscoring the performative nature of such exchanges in niche music communities.

Personal life

Family and current residence

Lutsko resides in , a location he has called home for much of his life and where he continues to record music, film videos, and maintain a home studio setup for his productions. He is married, though details about his wife remain private, and the couple has two young children. Their second child, a son named Rowan, was born in July 2025 and spent five nights in the (NICU) before returning home. Lutsko had previously noted in March 2025 that his wife was expecting their second child, due in August. By early 2023, he had relocated to a new family home in the area equipped for creative work, indicating an established family unit at that time.

References

  1. https://www.facebook.com/NickLutsko/
  2. https://www.noexpectations.fyi/p/nick-lutsko-interview-primus-dark-crystal
  3. https://tvtropes.org/pmwiki/pmwiki.php/Music/NickLutsko
  4. https://www.vulture.com/article/nick-lutsko-spirit-halloween-interview.html
  5. https://www.yahoo.com/entertainment/nick-lutsko-spirit-halloween-theme-160031499.html
  6. https://www.nashvillescene.com/music/features/nick-lutsko-issues-a-supercharged-brand-of-political-parody/article_65aba988-ee85-11ec-962b-a355cd07865c.html
  7. https://surgfm.com/2020-11-16-interview-nick-lutsko-is-injecting-absurdity/
  8. https://ftw.usatoday.com/story/entertainment/pop-culture/2025/09/15/nick-lutsko-new-album-ends-the-rehearsal-interview/86079016007/
  9. https://m.imdb.com/name/nm11745602/bio/?ref_=nm_ov_bio_sm
  10. https://www.youtube.com/watch?v=8ON62GrEJKw
  11. https://www.pbs.org/video/greater-chattanooga-nick-lutsko/
  12. https://bookingagentinfo.com/celebrity/nick-lutsko/
  13. https://nicklutsko.bandcamp.com/album/heart-of-mold
  14. https://rateyourmusic.com/release/album/nick-lutsko/heart-of-mold/
  15. https://genius.com/albums/Nick-lutsko/Heart-of-mold
  16. https://nicklutsko.bandcamp.com/album/etc
  17. https://rateyourmusic.com/release/album/nick-lutsko/etc/
  18. https://www.discogs.com/release/8627176-Nick-Lutsko-Etc
  19. https://www.reverbnation.com/musician/nicklutsko
  20. https://egg.gallery/playing-the-music-market/
  21. https://www.setlist.fm/setlist/nick-lutsko/2019/the-honest-pint-chattanooga-tn-1ba6c580.html
  22. https://open.spotify.com/album/49PmPJeYXJuoDQbkm68qBC
  23. https://nerdist.com/article/nick-lutsko-reset-music-video-premiere-interview-about-ends-album-life-and-more/
  24. https://soundiron.com/blogs/news/nick-lutsko-on-viral-music-videos-first-instincts-genre-jumping-soundiron-podcast-ep-62
  25. https://www.youtube.com/watch?v=00zDd3Hg_Gc
  26. https://www.nicklutsko.com/parody/
  27. https://www.youtube.com/watch?v=q02kZZvvNqw
  28. https://www.vice.com/en/article/twitter-musician-nick-lutskos-comedy-songs-are-the-soundtrack-to-2021/
  29. https://nerdist.com/article/nick-lutsko-interview-spirit-halloween-theme-lutsko-extended-universe/
  30. https://www.pastemagazine.com/tech/nick-lutsko/nick-lutsko-satire-youtube-twitter-halloween
  31. https://nicklutsko.bandcamp.com/album/songs-on-the-computer
  32. https://nicklutsko.bandcamp.com/album/cruel-experiments
  33. https://genius.com/albums/Nick-lutsko/Ends
  34. https://www.discogs.com/artist/5092743-Nick-Lutsko
  35. https://noogatoday.6amcity.com/super-deluxe-releases-album-of-nick-lutsko-collaborations
  36. https://www.youtube.com/watch?v=0yBrVztvfeU
  37. https://www.youtube.com/watch?v=77cMmCVBT3g
  38. https://www.yahoo.com/entertainment/nick-lutsko-premieres-reset-music-203054697.html
  39. https://www.youtube.com/playlist?list=PL2F0Tp-fvGZwDs0e2n4FPcTA8ko-57eCJ
  40. https://www.inverse.com/input/culture/nick-lutsko-song-parodist-viral-twitter
  41. https://www.youtube.com/watch?v=GU6TlhaxAGk
  42. https://www.youtube.com/watch?v=BiJoyauRums
  43. https://www.timesfreepress.com/news/2017/feb/14/chattanooga-songwriter-turns-donald-trump-tweets-e/
  44. https://www.youtube.com/watch?v=l61nO1LQ3Hg
  45. https://open.spotify.com/track/7q9nZrzj2bQoCeueOEuqGN
  46. https://genius.com/Nick-lutsko-alex-jones-as-an-indie-folk-song-lyrics
  47. https://y94fm.iheart.com/featured/amanda-flores/content/2020-10-29-spirit-halloween-viral-video-gets-comedian-hired-to-make-official-sequel/
  48. https://www.yahoo.com/entertainment/parody-singer-turns-aaron-paul-145030204.html
  49. https://www.youtube.com/watch?v=0oFYRXZpMqw
  50. https://nicklutsko.bandcamp.com/album/swords-2
  51. https://genius.com/albums/Nick-lutsko/Songs-on-the-computer
  52. https://nicklutsko.bandcamp.com/album/more-songs-on-the-computer
  53. https://nicklutsko.bandcamp.com/album/ends
  54. https://rateyourmusic.com/release/album/nick-lutsko/ends/
  55. https://www.discogs.com/release/32757549-Nick-Lutsko-Mumbo-Jumbo-Trash
  56. https://genius.com/albums/Nick-lutsko/Mumbo-jumbo-trash
  57. https://nicklutsko.bandcamp.com/album/hell-yup
  58. https://open.spotify.com/album/2693LWGKoIYtAohkNDL0YF
  59. https://nicklutsko.bandcamp.com/album/incantations
  60. https://open.spotify.com/album/5CfNebrzhXfZqa5aRQlOPb
  61. https://genius.com/artists/Nick-lutsko/albums
  62. https://open.spotify.com/artist/0gEenHtJ9puwA63nbY2TAE
  63. https://www.albumoftheyear.org/artist/92868-nick-lutsko/
  64. https://musicbrainz.org/release/b9cda12c-a2d8-475a-9348-7375f6628fc8
  65. https://rateyourmusic.com/release/album/nick-lutsko/swords/
  66. https://rateyourmusic.com/music-review/Stigmata1909/nick-lutsko/swords/202005828
  67. https://between-art-and-life.ghost.io/a-review-of-nick-lutsko-ends-nick-lutsko/
  68. https://www.kickstarter.com/projects/ends/ends-the-vinyl-campaign
  69. https://www.reddit.com/r/fantanoforever/comments/1hkkrdq/thoughts_on_nick_lutsko/
  70. https://www.punknews.org/review/17588/nick-lutsko-one-man-show-ep
  71. https://www.chattanoogan.com/2016/3/24/320781/Chattanoogas-Live-Music-Scene--A-Dark.aspx
  72. https://x.com/NickLutsko
  73. https://www.instagram.com/p/DMltQDZPe5S/
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