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Nights Are Forever
Nights Are Forever is the fourth studio album by the American duo England Dan & John Ford Coley. It was the pair's breakthrough album. "I'd Really Love to See You Tonight" became one of their biggest hits, peaking at #2 on the Billboard Hot 100. The follow-up single, "Nights Are Forever Without You," also proved successful, peaking at #10.
The album was produced by Kyle Lehning. Both top ten singles were written by Parker McGee.
Joe Viglione wrote on Allmusic, "Nights Are Forever was the breakthrough album for Dan Seals and John Coley after some sincere and excellent work on A&M Records in the early '70s. Two of their biggest hits were the title track and the beautiful 'I'd Really Love to See You Tonight.' Those songs are a good indication of the fine performances this 1976 album contains. The duo's originals like 'Long Way Home' and the Dan Fogelberg-ish 'Westward Wind' could have been hits as well displaying superb musicianship and delicate vocals." He also praises the work of songwriter Parker McGee as well as producer Kyle Lehning.
The Rolling Stone Album Guide wrote that "these guys managed always to sound like oafish bores breaking their backs to be 'sensitive.'"
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Nights Are Forever
Nights Are Forever is the fourth studio album by the American duo England Dan & John Ford Coley. It was the pair's breakthrough album. "I'd Really Love to See You Tonight" became one of their biggest hits, peaking at #2 on the Billboard Hot 100. The follow-up single, "Nights Are Forever Without You," also proved successful, peaking at #10.
The album was produced by Kyle Lehning. Both top ten singles were written by Parker McGee.
Joe Viglione wrote on Allmusic, "Nights Are Forever was the breakthrough album for Dan Seals and John Coley after some sincere and excellent work on A&M Records in the early '70s. Two of their biggest hits were the title track and the beautiful 'I'd Really Love to See You Tonight.' Those songs are a good indication of the fine performances this 1976 album contains. The duo's originals like 'Long Way Home' and the Dan Fogelberg-ish 'Westward Wind' could have been hits as well displaying superb musicianship and delicate vocals." He also praises the work of songwriter Parker McGee as well as producer Kyle Lehning.
The Rolling Stone Album Guide wrote that "these guys managed always to sound like oafish bores breaking their backs to be 'sensitive.'"