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Olivia Wilde
Olivia Wilde
Olivia Wilde
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Olivia Wilde[1] (born Olivia Jane Cockburn, /ˈkoʊbərn/ KOH-bərn,[2] March 10, 1984) is an American actress and director. She played Remy "Thirteen" Hadley on the medical-drama television series House (2007–2012), and appeared in the action films Tron: Legacy (2010) and Cowboys & Aliens (2011), the romantic drama film Her (2013), the comedy film The Incredible Burt Wonderstone (2013), and the horror film The Lazarus Effect (2015). She made her Broadway debut playing Julia in 1984 (2017).

Key Information

Wilde made her directorial debut with the teen comedy film Booksmart (2019), which received critical acclaim and won the Independent Spirit Award for Best First Feature. She directed the thriller film Don't Worry Darling (2022), which she also starred in.

Early life

[edit]

Wilde was born Olivia Jane Cockburn in New York City on March 10, 1984.[3] She grew up in the Georgetown neighborhood of Washington, D.C.,[4][5] while spending summers at Ardmore in Ireland.[6] She attended Georgetown Day School in Washington, D.C., and Phillips Academy in Andover, Massachusetts, graduating in 2002.[7] A dual citizen of the United States and Ireland,[8][9] she derived her professional surname from Irish author Oscar Wilde,[7] and began using it in high school to honor the writers in her family, many of whom used pen names.[10] She was accepted to Bard College, but deferred her enrollment three times to pursue acting.[11] She then studied at the Gaiety School of Acting in Dublin.[7] For a short time, Wilde's family also had a house in Guilford, Vermont.[citation needed]

Wilde has a sister five years older and a brother nine years younger.[7] Her father, Andrew Cockburn, is a British journalist who was born in the London suburb of Willesden and raised in Ireland. Her mother, Leslie Cockburn (née Redlich), is an American producer on 60 Minutes and a journalist.

Writer Christopher Hitchens was the Cockburn family's tenant in Washington, D.C., and served as Wilde's babysitter.[5] Her grandfather, British novelist Claud Cockburn, and his sons Alexander and Patrick Cockburn were also journalists, and her aunt, Sarah Caudwell, was a writer.

Career

[edit]
See also: Olivia Wilde filmography

2003–2012: Early work and House

[edit]
Wilde in 2007

Wilde appeared as Jewel Goldman on the short-lived television series Skin (2003). She gained attention for her recurring role as bisexual bar owner Alex Kelly, who dates both characters played by Adam Brody and Mischa Barton on the teen drama TV series The O.C. (2004–2005).[12]

She appeared in films The Girl Next Door (2004), Conversations with Other Women (2005), Bickford Shmeckler's Cool Ideas (2006), Turistas (2006) and Alpha Dog (2006). In 2007, she starred off-Broadway in political thriller Beauty on the Vine, playing three characters. She was also in The Death and Life of Bobby Z (2007) and the short-lived drama television series The Black Donnellys (2007). In September 2007, she joined the cast of the medical drama TV series House[13] as Remy "Thirteen" Hadley, a bisexual internist with Huntington's disease who is handpicked by House to join his medical team. Her first appearance was in the episode "The Right Stuff".

Wilde appeared in the comedy film Year One (2009) as Princess Inanna, and starred in Disney's Tron: Legacy (2010) as Quorra. Inspired by her award-winning journalist and documentary filmmaker parents, she has executive-produced several documentary short films, including Sun City Picture House (2010), about a community in Haiti that rallies to build a movie theater after the disastrous 2010 earthquake.

Wilde at the Tron: Legacy premiere, December 2010

In August 2011, it was announced Wilde would be leaving House to further pursue her film career; she left a few months later, in the episode "Charity Case".[14] Wilde starred in Cowboys & Aliens (2011) as Ella Swensen, who works with other characters to save the Earth from evil aliens, and also starred in the comedy The Change-Up (2011). She was also in the films In Time (2011), On the Inside (2011) and Butter (2011). In 2011, Wilde became a global brand ambassador for the cosmetic company Revlon, which featured her in their commercials. Wilde made her directing and screenwriting debut with the film Free Hugs (2011) for Glamour Magazine's short film series, which was screened at various festivals.

In May 2012, Wilde's character, Remy "Thirteen" Hadley, returned for the series finale of House for two episodes, "Holding On" and "Everybody Dies." She starred in the film People Like Us (2012), Third Person (2012), The Words (2012) and as Liza in Deadfall (2012). In 2012, Wilde was featured as one of six celebrity advocates in the PBS docu-series Half the Sky: Turning Oppression into Opportunity for Women Worldwide, which was inspired by Nicholas Kristof and Sheryl WuDunn's book of the same name. The docu-series follows Wilde as she learns of the struggles women face in Nairobi, Kenya. She also produced the short film, Baseball in the Time of Cholera (2012), which explored the cholera epidemic in Haiti.

2013–2018: Films and Broadway debut

[edit]
Wilde (right) with the cast of Her at the film's premiere in 2013

In 2013, Wilde wrote an article called the, "Do's and Don'ts of Turning 30," which was published in Glamour Magazine.[15] She starred in and executive produced Drinking Buddies (2013). She had a supporting role as Jane, a magician's assistant, in The Incredible Burt Wonderstone (2013). She also played Suzy Miller in the biographical drama Rush (2013), about James Hunt and Niki Lauda, and had a starring role in the film Her (2013), which was lauded by critics,[16][17] and received accolades from the Academy Awards and Golden Globe Awards.[18] She has served as executive producer for other documentary short films: The Rider and the Storm (2013), about Timmy Brennan, a New York ironworker from Breezy Point, Queens who lost everything he owned when Hurricane Sandy hit and Body Team 12 (2015), which follows the team tasked with collecting the dead at the height of the Ebola outbreak. The film went on to win Best Documentary Short at the 2015 Tribeca Film Festival,[19] and was nominated for the Academy Award for Best Documentary (Short Subject) at the 88th Academy Awards.[20]

Wilde starred as Elizabeth Roberts, a trophy-wife customer who enters a strait-laced pharmacist's life and takes him on a joyride involving sex, drugs and possibly murder in Better Living Through Chemistry (2014). She starred as Beatrice Fairbanks in The Longest Week (2014), as the middle of a love triangle between an affluent drifter and his best friend.[21] In 2015, she was the brand ambassador of H&M's Conscious Exclusive campaign.[22] She starred in the thriller The Lazarus Effect (2015) as Zoe, a medical researcher who is accidentally killed, then revived with a miraculous serum with unfortunate side-effects.[23] Wilde also starred in and produced the drama Meadowland (2015), that premiered at the Tribeca Film Festival in New York on April 17, 2015.[24][25] She played Eleanor in Love the Coopers (2015).

In 2016, Wilde directed a music video for Edward Sharpe and the Magnetic Zeros, teaming up with director of photography Reed Morano. She then worked with American rock band Red Hot Chili Peppers, directing the music video for their song "Dark Necessities". Wilde starred as Devon Finestra in HBO's rock 'n' roll drama television series Vinyl (2016). Also in 2016, Wilde also directed an acclaimed live table reading of Hannah and Her Sisters at The New York Times's Center Theatre.[26] The cast included Wilde as Hannah.[27] Wilde stated that Hannah and Her Sisters is "just a perfect script, and I knew an audience would enjoy having the chance to focus on the genius of the writing, which is what the Live Reads allow for".[28] Her brand ambassador partnership with Revlon ended in 2016.

In 2017, Wilde made her Broadway debut portraying the role of Julia in 1984.[29] It opened at the Hudson Theatre in New York City on June 22 (previews beginning May 18) for a limited run until October 8, 2017. In May 2017, Wilde became chief brand activist of True Botanicals, a cosmetics and skin care company.[30] Her documentary short Fear Us Women (2017) follows Canadian civilian Hanna Bohman, who has spent the last three years in Syria as a volunteer soldier battling ISIS. As a member of the YPJ, an all-female Kurdish army, Hanna gives an inside look at the women fighting for liberation in Syria.[31]

Wilde during the red carpet premiere of A Vigilante at SXSW 2018

In 2018, Wilde appeared in A Vigilante.[32] Its world premiere was at South by Southwest on March 10, 2018.[33] It was released March 29, 2019.[34] The same year, Wilde starred in the drama Life Itself.[35] The film was released on September 21, 2018, received negative reviews from critics, and performed poorly at the box office.[36][37]

2019–present: Directorial debut and expansion

[edit]

Wilde made her directing debut with the teen comedy Booksmart,[38] which was released on May 24, 2019.[39] As of June 27, 2019, it was rated 97% "fresh" on Rotten Tomatoes, from 271 critics' reviews.[40] The Washington Post stated, "[as the film progresses,] Wilde's filmmaking skills become more and more evident, bursting forth in a third act that builds into something beautiful and even transcendent." The Los Angeles Times wrote that it "leaves you feeling unaccountably hopeful for the state of humanity – and the state of American screen comedy too", and The Wall Street Journal noted, "Nothing funnier, smarter, quicker or more joyous has graced the big screen in a long time."[40] The film won the Independent Spirit Award for Best First Feature at the 35th Independent Spirit Awards on February 8, 2020.[41]

Wilde next appeared in Richard Jewell in 2019, playing Atlanta Journal-Constitution reporter Kathy Scruggs who died in 2001.[42] The film was criticised for depicting Scruggs as offering to trade sex with an FBI agent in return for confidential information.[43] Wilde defended her role and stated that there was a sexist double standard, in that Jon Hamm's FBI agent character was not held to the same scrutiny.[44] Commentators noted that Wilde's character was based on a real person, whereas the FBI agent was an amalgamation of multiple characters from the original script.[44] They also stated that the purpose of the film was to expose and condemn the character assassination of Jewell; however, in the process, the film commits the same character assassination of Scruggs.[45]

In 2020, Wilde directed Wake Up, a short film starring Margaret Qualley.[46] In 2022, she directed her second feature, also playing a supporting role in, Don't Worry Darling, an erotic psychological thriller about a 1950s housewife,[47] starring Florence Pugh, Harry Styles, Gemma Chan and Chris Pine, for New Line Cinema from a screenplay by Katie Silberman.[48][49] The film gained substantive media attention for its multiple on- and off-set controversies.[50] It premiered at the 79th Venice Film Festival to mixed reviews. The critics praised Pugh's performance, the cinematography, and production design but criticized the screenplay and direction.[51][52] Also that year, she voiced Lois Lane in the animated film DC League of Super-Pets.[53]

Upcoming projects

[edit]

Wilde is currently directing and starring the comedy film The Invite, based on the spanish film The People Upstairs and written by Rashida Jones and Will McCormack with Wilde, Seth Rogen, Edward Norton and Penélope Cruz starring.[54] She is also attached to direct Perfect, a biopic about gymnast Kerri Strug for Searchlight Pictures,[55] an untitled holiday-comedy film for Universal Pictures,[56] another holiday comedy titled Naughty, also for Universal, as well as LuckyChap Entertainment,[57] an adaptation of the comic Avengelyne for Warner Bros. Pictures, with Tony McNamara writing and Margot Robbie potencially starring,[58] and a TV series adaptation of the novel A Visit from the Goon Squad.[59]

Other ventures

[edit]

In late 2023, Wilde co-founded New York City-based venture capital firm called Proximity Ventures, focusing on early and growth-stage funding for both consumer and enterprise sectors.[60]

Public life

[edit]
Wilde on The Insider in January 2011

Wilde is widely known as a feminist.[61]

In 2008, Wilde campaigned with actors Justin Long and then-current House castmate Kal Penn in support for Democratic presidential nominee Barack Obama.[62] She supported the youth voter organization 18 in '08, serving on their advisory council and appearing in a public service announcement that debuted June 30, 2008, encouraging youth to vote in the 2008 election.[63]

In 2011, Wilde appeared in the MoveOn.org mock-PSA "supporting" the rights of the healthcare insurance industry.[64] She was praised by the Coalition of Immokalee Workers, a farmworkers' union, for supporting the Fair Food program.[65]

In 2013, Wilde appeared in a video clip for Gucci's "Chime for Change" campaign that aimed to raise awareness of and funds for women's issues in education, health and justice.[66] As of 2013, she is on the board of directors of Artists for Peace and Justice, which provides education and health services in Haiti;[67] and of the American Civil Liberties Union of Southern California. That same year, she became a celebrity influencer/activist for RYOT, a Los Angeles–based media company.[68]

On June 30, 2015, Wilde introduced Democratic presidential candidate Hillary Clinton at a campaign event in New York City.[69]

Wilde starred in a PSA released on March 21, 2016, for World Down Syndrome Day, alongside 19-year-old AnnaRose from New Jersey who has Down syndrome.[70]

Wilde participated in the 2017 Women's March in Washington, D.C., and the 2018 Women's March in Los Angeles.[71]

In 2022, Wilde recorded Ada Limón's poem Lies about Sea Creatures as part of For the Birds: The Birdsong Project,[72] whose proceeds benefitted The National Audubon Society.

Personal life

[edit]
Wilde with then-partner Jason Sudeikis in 2013

On June 7, 2003, when she was 19, Wilde married Italian filmmaker and musician Don Tao dei Principi Ruspoli, a member of the aristocratic Ruspoli family.[73][74] They were married in Washington, Virginia, on a school bus with only a pair of witnesses.[75] She later said the wedding occurred there because it was the only place where they could be completely alone; the marriage was a secret at the time.[10] Upon her marriage, Wilde became a princess of the Papal nobility.[75] On February 8, 2011, she and Ruspoli announced that they were separating.[76] Wilde filed for divorce in Los Angeles County Superior Court on March 3, 2011, citing "irreconcilable differences",[77] and the divorce was finalized on September 29, 2011. Wilde did not seek spousal support, and they reached a private agreement on property division.[78]

Wilde began dating actor Jason Sudeikis in November 2011.[79] They became engaged in January 2013.[80][81] They have two children: a son, born in 2014,[82] and a daughter, born in 2016.[83] Sudeikis and Wilde's relationship ended in November 2020.[84] Wilde was publicly served with court documents regarding child custody while she was presenting Don't Worry Darling at CinemaCon 2022.[85]

In January 2021, Wilde began dating singer Harry Styles after they met during the filming of Don't Worry Darling.[86][87] Their relationship ended in November 2022.[88]

From 2024 to 2025, Wilde was in a relationship with actor Dane DiLiegro.[89][90][91]

Awards and nominations

[edit]
Year Award Category Work Result
2006 The Comedy Festival Best Actress Bickford Shmeckler's Cool Ideas Won
2008 Teen Choice Awards Choice TV Breakout Star Female House Nominated
Vail Film Festival Rising Star Award Bickford Shmeckler's Cool Ideas Won
2009 Screen Actors Guild Outstanding Performance by an Ensemble in a Drama Series House Nominated
Teen Choice Awards Choice TV Actress: Drama Nominated
2010 Teen Choice Awards Choice TV Actress: Drama Nominated
2011 MTV Movie Awards Best Breakout Star Tron: Legacy Nominated
Teen Choice Awards Choice Movie Breakout Female Nominated
Choice TV Actress: Drama House Nominated
2013 Teen Choice Awards Choice Movie Actress: Comedy The Incredible Burt Wonderstone Nominated
2020 Independent Spirit Awards Best First Feature Booksmart Won
2020 Gotham Awards Breakthrough Director Nominated
Audience Award Nominated

See also

[edit]

References

[edit]
[edit]
Revisions and contributorsEdit on WikipediaRead on Wikipedia

Olivia Wilde

View on Grokipedia
from Grokipedia
Olivia Wilde (born Olivia Jane Cockburn; March 10, 1984) is an American actress, director, and producer. She first achieved widespread recognition for her role as Dr. Remy "Thirteen" Hadley, a bisexual diagnostician with Huntington's disease, on the Fox medical drama House (2007–2012), earning a Screen Actors Guild Award as part of the ensemble cast. Wilde's film credits include supporting roles in action and sci-fi projects such as Tron: Legacy (2010) and Cowboys & Aliens (2011). Transitioning to directing, Wilde made her feature debut with the coming-of-age comedy (2019), which follows two academically focused high school friends on a night of adventure and received critical acclaim for its sharp writing, performances, and her assured helming, evidenced by a 96% approval rating on and Independent Spirit Award recognition. Her follow-up, Don't Worry Darling (2022), a starring and , generated box office success but was marred by extensive media speculation about on-set tensions, including unverified claims of conflicts between Wilde and Pugh, though crew statements denied allegations of unprofessional behavior or screaming matches. These events highlight how personal and professional narratives in Hollywood often amplify rumors over empirical accounts from production insiders. Born in New York City to investigative journalists Andrew Cockburn and Leslie Cockburn, Wilde grew up in a family with connections to prominent figures in media and politics, influencing her early exposure to global issues. She has two children from her relationship with actor Jason Sudeikis, which ended amid a public custody dispute in 2023. Wilde has engaged in activism, supporting organizations like the ACLU and advocating for reproductive rights, positions consistent with prevailing sentiments in the entertainment sector.

Early Life

Family and Childhood

Olivia Jane Cockburn was born on March 10, 1984, in New York City to Andrew Cockburn and Leslie Cockburn (née Leslie Corkill Redlich). Her parents, both prominent journalists, married in 1977; her mother is an American-born producer who worked for 60 Minutes, while her father, born in London to British parents and raised in Ireland, specializes in political journalism and documentary filmmaking. The Cockburn family has a long lineage of writers and journalists, including her paternal grandfather Claud Cockburn and uncles Alexander and Patrick Cockburn. Wilde grew up primarily in the Georgetown neighborhood of Washington, D.C., after her family relocated there following her birth. She spent summers in Ardmore, Ireland, where her father had deep roots, fostering her connection to Irish heritage; her father later became an Irish citizen, enabling her dual U.S.-Irish citizenship. Raised in an intellectually oriented household amid her parents' careers covering international affairs and investigative reporting, Wilde adopted her stage name from Oscar Wilde, reflecting her affinity for Irish literary figures developed through these early experiences. She has two younger brothers, Charlie and Walter.

Education and Initial Aspirations

Olivia Wilde attended the private in Washington, D.C., during her early education. She later enrolled at in , a , where she completed her and graduated in 2002. Following high school, Wilde was accepted to but deferred her enrollment on three occasions to focus on acting opportunities. She ultimately did not attend the college and instead pursued formal training at the Gaiety School of Acting in , . Wilde's initial career aspirations centered on entering the film industry through , which she viewed as a pathway to broader involvement in . In a , she explained that she had long desired to participate in the filmmaking process and assumed provided the necessary . This decision reflected her early prioritization of professional pursuits over traditional higher education.

Acting Career

Early Television and Film Roles (2003–2006)

Wilde's television debut occurred in 2003 with the role of Jewel Goldman, the daughter of a pornography , in the Fox drama series Skin, appearing in all six episodes of its single season before cancellation. In 2004, she made her film debut in a minor capacity as Kellie, a high school student approached by a , in the comedy . From 2004 to 2005, Wilde portrayed Alex Kelly, a bisexual bar manager engaged in a romantic storyline with main characters and , in a recurring capacity on the WB teen drama , accumulating 13 episodes and marking her first substantial on-screen recognition. Her early film work expanded in 2005 with an uncredited bridesmaid role in the independent drama , followed by three features in 2006: Angela Holden, the girlfriend of a drug dealer's associate, in the ; Sarah Witt in the comedy ; and Bea, a backpacker facing peril, in the horror-thriller . These roles, often supporting or ensemble, preceded her casting in House M.D. and reflected her transition from television guest spots to indie cinema.

House M.D. and Breakthrough (2007–2012)

Olivia Wilde was cast as Dr. Remy "Thirteen" Hadley in the fourth season of the House M.D., debuting in the episode "The Right Stuff" on October 2, 2007. Her character joined Dr. Gregory House's newly assembled diagnostic team as an immunologist with a guarded personality, undisclosed , and a family history of , which was revealed in season 5 and influenced subsequent plotlines involving considerations and personal risk-taking. Thirteen's arcs often explored themes of secrecy, moral ambiguity, and vulnerability, positioning her as a foil to House's cynicism while engaging in romantic entanglements, including a storyline with Dr. Eric Foreman that depicted an interracial relationship. Wilde's tenure spanned from season 4 through season 8, with 126 episodes credited, transitioning from recurring to main cast status. She was absent for much of season 7 to film (2011), during which Thirteen's storyline involved international travel to cope with her deteriorating health; her reduced presence in season 8 stemmed from scheduling conflicts with projects like (2011) and (2011), leading House to fire her on-screen to prompt a fuller life outside medicine. Wilde reprised the role for the series finale episodes "Holding On" and "Everybody Dies," aired on May 21, 2012, where Thirteen attended House's staged funeral, hinting at an ongoing bond. The portrayal earned Wilde four Teen Choice Award nominations for Choice TV Actress: Drama (2008–2011), reflecting fan acclaim amid the show's peak viewership. However, certain narratives provoked intense backlash, including "insane death threats" directed at the production over Thirteen's interracial romance with Foreman, necessitating additional studio security. This role catalyzed Wilde's transition to film, serving as her breakthrough by amplifying visibility and securing high-profile opportunities like Tron: Legacy (), where she played Quorra, marking a shift from television supporting parts to cinematic leads.

Expansion into Film and Theater (2013–2018)

Following the end of House in 2012, Olivia Wilde pursued a broader range of film roles, diversifying from television into comedies, dramas, and independent projects. In 2013, she starred as Jane, the assistant to a stage magician, in the comedy The Incredible Burt Wonderstone, released on March 15. That year, she portrayed Suzy Miller, the wife of Formula One racer James Hunt, in Ron Howard's biographical sports drama Rush, which premiered at the 70th Venice International Film Festival on August 31 and was released theatrically on September 20 in the UK and September 27 in the US. Wilde also played Kate, a brewery sales representative navigating personal relationships, in the independent drama Drinking Buddies, released on August 23 after premiering at the Sundance Film Festival earlier that year; she served as an executive producer on the film. Additionally, she appeared in a small role as a blind date in Spike Jonze's science fiction romance Her, released on November 18. Wilde continued acting in films through 2015, including Beatrice Fairbanks, a , in the The Longest Week, released on October 10, 2014. In Better Living Through Chemistry, released March 14, 2014, she played Elizabeth Roberts, the wife of a drawn into an affair. Her 2015 roles encompassed Zoe McConnell, a researcher facing events, in the The Lazarus Effect, released February 27; Sarah, a dealing with her missing child, in the drama Meadowland, which premiered at the Tribeca Film Festival on April 17 and for which she was a ; and Eleanor Cooper in the ensemble holiday comedy Love the Coopers, released November 13. Film appearances were sparse in 2016 and 2017 as Wilde shifted focus toward theater. In 2018, she took supporting roles in Life Itself, a romantic drama directed by , released September 21, playing the mother of a character portrayed by ; and in A Vigilante, a thriller about a survivor seeking revenge, which premiered at on March 9 and was released theatrically on March 29, though her involvement was primarily as a with a minor credit. Wilde made her Broadway debut in 2017, starring as Julia in Robert Icke and Duncan Macmillan's adaptation of George Orwell's 1984 at the Hudson Theatre. The production began previews on May 18, opened on June 22, and ran for 101 performances until September 2017. Co-starring Tom Sturridge as Winston Smith and Reed Birney as O'Brien, the play explored themes of surveillance and truth in a dystopian setting, drawing significant attention amid contemporary political discourse. This marked her expansion into stage acting, following earlier off-Broadway work.

Recent Acting Projects (2019–present)

In 2019, Wilde portrayed Kathy Scruggs, an Journal-Constitution reporter, in Clint Eastwood's biographical drama , which dramatized the 1996 investigation and was released on December 13, 2019. The character's depiction, including a scene implying she traded sex for investigative leads, prompted backlash from Scruggs' family, who maintained such conduct never occurred and labeled it defamatory; Wilde countered that the portrayal highlighted real journalistic tactics documented in contemporary accounts rather than endorsing transactional behavior. Wilde next appeared in the apocalyptic comedy How It Ends (2021), directed by and , where she played , the estranged best friend of Liza during a chaotic final day in before an impending cataclysm; the film premiered at the in June 2021 and received a in July. In 2022, she took the supporting role of Bunny, a resident of a mysterious 1950s-era community, in the Don't Worry Darling, which she also directed and which was released on September 23, 2022. Later that year, Wilde made a brief appearance as Ina Conrad, the first wife of fictional silent-film star Jack Conrad (played by ), in Damien Chazelle's historical epic , released on December 23, 2022, depicting Hollywood's transition to talkies in the . Wilde voiced a lead character in the 2023 scripted audio drama Ad Lucem, a sci-fi thriller set in 2032 exploring ethical conflicts in advanced AI and isolation, produced by and co-starring ; all six episodes were released on September 18, 2023. By 2025, Wilde had completed on The Invite, a date-night remake of the Spanish Sentimental, in which she stars alongside Seth , Penélope , and ; filming wrapped after 23 days in May 2025, marking her return to acting in a feature she directs.

Directing and Producing

Directorial Debut with Booksmart (2019)

Olivia Wilde made her feature film directorial debut with , a coming-of-age written by and Sarah Haskins, with additional contributions from and . Producer forwarded a script rewrite to Wilde, who had previously produced films like Meadowland (2015) and (2018), leading to her attachment as director. The film follows two high school overachievers, Amy and Molly (played by and ), embarking on a night of partying before graduation, drawing inspiration from classic teen comedies and buddy films that Wilde cited as formative influences. Principal photography occurred in Los Angeles over 24 days, with Annapurna Pictures as the primary production company. Booksmart premiered at South by Southwest (SXSW) on March 11, 2019, receiving immediate praise for its energetic direction and authentic portrayal of female friendship, before its wide theatrical release on May 24, 2019, distributed by United Artists Releasing. The production maintained a modest budget of $6 million, reflecting an independent approach amid Wilde's expressed interest in projects independent of her acting persona. Commercially, opened to $6.9 million across over 2,500 screens, a figure deemed underwhelming by some industry observers given the platforming, though it ultimately grossed $22.7 million domestically and nearly $25 million worldwide, yielding a profitable return on its low budget. Critically, the earned widespread acclaim, achieving a 96% approval rating on based on 384 reviews, with commentators highlighting Wilde's assured handling of comedic timing and thematic depth in updating high school tropes. It secured the Independent Spirit Award for Best First Feature, affirming Wilde's successful pivot to directing.

Don't Worry Darling and Production Challenges (2022)

Don't Worry Darling is a directed by Olivia Wilde, who also produced and starred in it alongside , , and . The screenplay was written by , based on a by Carey and Shane . took place from October 20, 2020, to February 13, 2021, primarily in the area of . Production was paused for two weeks in November 2020 after a crew member tested positive for COVID-19. Pre-production faced casting hurdles, including Shia LaBeouf's departure from the role of Frank before filming began. Wilde claimed she dismissed LaBeouf due to his unprofessional conduct, citing concerns for the cast's well-being, particularly Pugh's. LaBeouf countered that he voluntarily withdrew because of scheduling conflicts with another project, providing emails to Vanity Fair as evidence and denying any mistreatment of colleagues. replaced him, with filming proceeding amid reports of interpersonal tensions. Rumors emerged of friction between Wilde and Pugh, including allegations of a "screaming match" over Pugh's dissatisfaction with during reshoots and Wilde's focus on Styles. However, over 40 crew members disputed these claims in a statement to Vanity Fair, asserting no unprofessional behavior occurred on set and describing a collaborative environment. Promotional efforts in 2022 amplified scrutiny. On April 26, 2022, Wilde was served custody papers from ex-partner while onstage at CinemaCon discussing the film. At the premiere in September 2022, a viral clip appeared to show Pine spitting toward Styles, dubbed "Spitgate," though both parties and witnesses dismissed it as incidental throat-clearing. Pugh participated minimally in press, citing her Oppenheimer filming schedule, which fueled speculation of discord. These incidents, alongside unverified feud narratives in tabloid coverage, overshadowed the film's marketing, with some outlets questioning if the off-screen drama impacted its viability. The film premiered at the on September 5, 2022, and was released theatrically on September 23, 2022, by It grossed $45.3 million in the U.S. and and $87.6 million worldwide against an estimated $20–35 million budget. Critical reception was mixed, with a 38% approval rating on based on 359 reviews, praising visual style but critiquing plot predictability and execution. Audience interest, boosted by Styles' fanbase, led to a $19.2 million domestic opening weekend, though it declined sharply thereafter.

Subsequent Projects and Industry Transition (2023–present)

In December 2023, Wilde signed on to direct Naughty, a Christmas-themed backed by Margot Robbie's and scripted by Elizabeth Sanders, who previously wrote . The plot follows a who pursues to serve as a witness in her divorce hearing. As of late 2024, the project remained in without a confirmed release date. Wilde returned to active directing in 2025 with The Invite, a remake of the Spanish comedy The People Upstairs, scripted by . She also stars in the film alongside , , and , with production wrapping principal photography by May 2025 after shoots in and other locations. Produced by , the project marks Wilde's first feature directorial effort post-. Wilde is attached to direct Avengelyne, a live-action adaptation of the 1990s series about an angel warrior, though development details and timelines remain undisclosed as of December 2024. Amid these endeavors, reports have surfaced of diminished opportunities following 's production disputes and public scrutiny, prompting speculation of a pivot toward directing and producing. In a December 2024 appearance at the , Wilde expressed a deliberate preference for provocative material, stating she would "rather be controversial than boring" in her creative choices. This stance aligns with her earlier work but underscores a post-2022 emphasis on auteur-driven projects over mainstream roles.

Activism and Other Ventures

Advocacy for Women's Rights and Health

Olivia Wilde has publicly advocated for expanded access to abortion services, stating in a 2016 interview that she underwent an abortion between the births of her two children and felt "lucky" to have been able to choose the timing of her motherhood. She described restrictions on abortion as limiting women's autonomy, emphasizing that "access to abortion" enables decisions on "how and when and why and where" to have children. In 2022, Wilde characterized opposition to abortion—often termed the pro-life movement—as "the ugliest, most depressing element" of American culture, based on her experiences with related activism. Wilde has expressed support for , calling for its protection during a 2017 speech at the Women's March in Washington, D.C., where she prioritized "reproductive health" as a core issue. She participated in the in , delivering remarks aligned with broader feminist themes of . At the 2022 ELLE Women in Hollywood event, Wilde urged women to combat what she called the "burning hellfire of ," framing it as a motivational force amid professional challenges. In health-related advocacy, Wilde endorsed the Million-Dollar Challenge in 2016, a initiative aimed at funding and treatment through donations matched by the company. Earlier, in 2011, she discussed topics in a video appearance, highlighting preventive care and wellness. Her positions, often voiced through celebrity platforms and events, align with progressive causes but have drawn criticism for overlooking empirical data on abortion's health impacts, such as elevated risks of issues and in some studies, though Wilde has not addressed these counterpoints directly.

Political Engagements and Productions

Olivia Wilde has actively supported Democratic political candidates and causes, notably campaigning for her mother, , who ran as a Democrat for in the 2018 midterm elections. Cockburn, a and documentary filmmaker, lost the election to Republican incumbent by a margin of 52.7% to 47.3%. Wilde publicly discussed the challenges of the political climate during this period, emphasizing resilience amid partisan divisions. In response to the 2016 U.S. presidential election results, Wilde participated in the "" movement, wearing the accessory as a symbol of solidarity with marginalized communities perceived to be threatened by the incoming Trump administration. She joined protests denouncing , , and outside , alongside actors and . On March 24, 2018, Wilde attended and spoke at the rally in , advocating for measures following the Parkland , accompanied by her then-partner and their children. In a 2019 discussion with House Speaker , Wilde addressed Hollywood's role in political activism and strategies to counter the Trump presidency. Wilde's productions have occasionally incorporated political undertones. In 2017, she starred as Julia in a Broadway revival of George Orwell's 1984, portraying a dystopian narrative of totalitarian surveillance and rebellion that resonated with contemporary debates on authoritarianism and free speech. Her 2022 directorial project Don't Worry Darling drew inspiration from the Trump era, exploring themes of patriarchal control and female oppression in a simulated 1950s suburb, with Wilde citing influences from Betty Friedan's The Feminine Mystique and framing the film as a critique of regressive gender dynamics. She described the pro-life movement as "the ugliest, most depressing element" of American culture in relation to the film's messaging on bodily autonomy.

Criticisms of Public Stances

Wilde's advocacy for unrestricted access has elicited sharp rebukes from pro-life commentators, particularly after she characterized the movement as "the ugliest, most depressing element of our culture" during promotion of in October 2022. Critics contended that this rhetoric exemplified a dismissal of ethical concerns over fetal development and viability, prioritizing ideological uniformity over substantive debate on alternatives like or early intervention programs. Such views align with broader patterns in celebrity activism where empirical data on post- outcomes or declining U.S. abortion rates post-Roe (from 1.6 million in 1990 to 930,000 in 2020 per figures) receive less emphasis than absolutist framing. Her vocal opposition to Donald Trump, including participation in an August 2017 protest outside where she joined chants denouncing , , and alongside and , has been lambasted by conservative outlets as hyperbolic fearmongering unsubstantiated by policy specifics. Detractors argued that equating Trump's or economic —linked to pre-COVID unemployment lows of 3.5% in February 2020—with historical authoritarianism ignored causal factors like regulatory overreach under prior administrations and overstated threats to . Wilde's 2015 retort to Trump supporters, opting to "chill" amid backlash for labeling his xenophobic, further fueled accusations of selective outrage, as she rarely critiqued analogous statements from left-leaning figures. Social media engagements have amplified perceptions of intolerance in her public positions; a November 2020 Twitter dispute with devolved into attacks after Wilde defended ' non-enlistment amid U.S. troop deployments, with Owens accusing her of elitist hypocrisy in prioritizing celebrity optics over military sacrifices. Wilde has admitted that political posts, often endorsing progressive causes like or ACLU initiatives, result in follower attrition—losing thousands per instance as of October 2020—suggesting a disconnect between her audience's entertainment preferences and her partisan commentary. This pattern underscores critiques that her activism, while framed as principled, risks alienating neutral observers by conflating personal fame with policy expertise, absent rigorous engagement with counter-evidence such as cross-national data on correlating weakly with rates when controlling for socioeconomic variables.

Personal Life

Marriages and Key Relationships

Olivia Wilde married Italian filmmaker and musician on June 7, 2003, at age 19, in a private ceremony held on a during a drive through the countryside. The couple, who had begun dating in 2002 when Wilde was 18, separated in February 2011 after eight years of marriage, with Wilde filing for divorce in the following month on grounds of . The divorce was finalized on September 29, 2011, without any reported disputes over assets or acrimony. Following her divorce, Wilde began a relationship with actor and comedian in late 2011, shortly after meeting at a afterparty. The couple became engaged in 2013 after approximately two years together. Their partnership, which lasted nearly a decade, ended in November 2020, with the split publicly confirmed that month amid reports of an amicable but private separation focused on co-parenting their children. In January 2021, Wilde started dating British singer , whom she had met while directing him in the film . The relationship, marked by public appearances together starting in early 2021, concluded in November 2022 after nearly two years, with sources describing it as a mutual decision influenced by demanding schedules.

Family and Children

Olivia Wilde was born Olivia Jane Cockburn to parents , a British-born raised in Ireland, and , an American documentary producer and contributor. The couple married in 1977 and raised their family in the , area, where Wilde spent much of her childhood amid her parents' journalistic pursuits. Wilde is the middle child, with an older sister, Chloe Cockburn, and a younger brother, Charlie Cockburn. Wilde and her former partner share two children: son Otis Alexander Sudeikis, born April 20, 2014, and daughter Daisy Josephine Sudeikis, born October 11, 2016. The pair, who began dating in 2011 and became engaged in 2013, never legally married but separated in November 2020 while committing to co-parenting their children. Following her breakup with in November 2022, after nearly two years of dating that began on the set of , Wilde entered a relationship with actor and former basketball player in early 2025. The pair were first spotted together courtside at a game on January 24, 2025, prompting reports of a new romance distinct from her prior high-profile pairing with Styles, with Wilde described as having fully moved on. By October 2025, however, Wilde had shifted attentions to Caspar Jopling, the art dealer and ex-husband of singer ; the couple was photographed on a romantic walk with her dog in London's on October 15, 2025, weeks after confirming their relationship. Wilde's legal disputes primarily revolve around her contentious separation from ex-fiancé , with whom she shares two children: Otis Alexander, born October 20, 2014, and Daisy Josephine, born October 11, 2016. The couple's engagement ended in November 2020, but custody negotiations escalated publicly in October 2022 when Wilde was served with legal papers onstage during a performance of The Wanderers in , an incident Sudeikis later claimed was unintended due to jurisdictional errors in service. Disputes included disagreements over , living arrangements, and allegations of interference by a shared , leading to multiple court filings in New York and . The battle culminated in a settlement in September 2023, granting with Sudeikis ordered to pay Wilde $27,500 monthly in , resolving three years of litigation that had involved claims of jurisdictional challenges and financial disputes. By April 2025, the former partners appeared amicable, sharing a hug in amid reports of improved co-parenting post-settlement. No further public legal actions have been reported as of October 2025.

Controversies

Professional Feuds and Set Dynamics

During the production of (2020–2021), Olivia Wilde faced scrutiny over her handling of cast dynamics and reported disagreements with lead actress . began on September 6, 2020, in , with Wilde directing and producing the film. Early in pre-production, Wilde replaced initially cast actor as Pugh's co-lead, citing concerns for cast safety and professional environment; Wilde stated in a 2021 Vanity Fair interview that LaBeouf's intensity made Pugh feel unsafe, a decision Pugh supported per Wilde's account. LaBeouf countered in September 2022 by releasing private text messages from Wilde pleading for him to return, claiming he had voluntarily exited to address personal issues, thus disputing her narrative of dismissal for behavioral reasons. This exchange highlighted conflicting accounts of the recasting, which introduced in the role and coincided with rumors of Wilde's emerging personal involvement with him. Tensions escalated during late-stage reshoots in January 2022, when sources reported Pugh expressed dissatisfaction with Wilde's directing of intimate scenes, advocating for revisions to emphasize performance over eroticism but clashing over execution. A Puck report detailed Pugh confronting Wilde in a heated exchange, with Pugh allegedly directing scenes herself in Wilde's absence and complaining to producers about Wilde's focus and preparation. Page Six cited insiders claiming a "screaming match" over creative control, though 40 crew members issued a joint statement on September 24, 2022, refuting such claims as "completely false" and affirming no unprofessional conduct or disruptions occurred on set. Pugh's limited promotional participation, including skipping CinemaCon in April 2022 and giving brief responses at the Venice Film Festival premiere on September 5, 2022, fueled speculation of discord; Wilde publicly attributed this to Pugh's scheduling conflicts with Dune: Part Two, describing it as evidence of her professionalism. Wilde's developing relationship with Styles, first linked romantically in January 2021 amid filming's final stages, drew additional criticism for allegedly impacting set dynamics. Insiders told Time magazine that Pugh was frustrated by Wilde's reported absences to spend time with Styles, perceiving it as a prioritization of personal matters over directing duties. Page Six sources claimed Pugh viewed the affair negatively, especially as Wilde was separating from long-term partner Jason Sudeikis around the same period, though Wilde clarified in September 2022 that her relationship with Sudeikis had ended prior to meeting Styles. These rumors persisted despite crew denials of any resultant disruptions, with Screen Rant noting that while male directors have historically dated actors without equivalent backlash, Wilde's case amplified scrutiny amid broader Hollywood #MeToo sensitivities. Pugh has not directly confirmed interpersonal conflicts, instead praising collaborative aspects in post-release statements while emphasizing her commitment to professional boundaries.

Media Portrayals and Public Backlash

Olivia Wilde's media portrayals have frequently emphasized her role as a progressive filmmaker and activist, highlighting her directorial debut (2019) and advocacy for , yet these depictions have increasingly incorporated criticisms of her handling of professional relationships and personal conduct. During the promotion of (2022), outlets reported alleged on-set tensions between Wilde and lead actress , stemming from Pugh's frustration with Wilde's initial decision to retain despite complaints about his behavior, followed by Wilde's recasting of in the role. A leaked video from 2020 surfaced showing Wilde pleading with LaBeouf to return to the project, contradicting her later public claim of firing him for creating a toxic environment to protect the cast. Public backlash intensified around Wilde's relationship with Styles, which began amid her separation from in 2020; critics accused her of prioritizing the romance over family responsibilities, especially after Sudeikis served her custody papers onstage during a event in September 2022. Online scrutiny from Styles' fans labeled the 10-year age gap and director-actor dynamic as exploitative, with Wilde and Styles later addressing the "toxic negativity" and "hateful energy" directed at their partnership. Forty crew members from publicly disputed reports of broader on-set drama between Wilde and Pugh in September 2022, suggesting media amplification of isolated incidents. Wilde has attributed much of the criticism to sexist double standards and media tendencies to pit women against each other, as stated in October 2022 interviews where she decried how outlets focused on rumored feuds rather than the film's substance. Her outspoken political views have also drawn backlash, including a 2020 Twitter exchange with Candace Owens over ideological differences that escalated to personal insults, and a noted loss of Instagram followers after posting about politics, such as anti-Trump sentiments. Earlier in her career, Wilde received death threats for portraying Dr. Remy "Thirteen" Hadley in House (2007–2012), due to her character's interracial relationship, reflecting polarized public reactions to her on-screen choices. These episodes have contributed to perceptions of Wilde as a polarizing figure, with some analyses linking reduced casting opportunities post-2022 to accumulated controversies rather than gender bias alone.

Personal Scandals and Privacy Issues

In 2022, Olivia Wilde faced public scrutiny over allegations that she began a romantic relationship with Harry Styles while still engaged to Jason Sudeikis, with whom she shares two children. The couple, who separated in 2020 after nearly a decade together, had their split dramatized by rumors originating from the set of Don't Worry Darling (2022), where Wilde directed Styles; sources close to Sudeikis claimed he discovered evidence of the affair via notifications from an old Apple Watch linked to Wilde's phone. Wilde has consistently denied leaving Sudeikis specifically for Styles, attributing the separation to broader relational strains predating the film's production. These claims, amplified by tabloid reporting, fueled speculation but remain unverified beyond anonymous sourcing, with no legal findings of infidelity. The couple's post-separation custody dispute over their son Otis (born October 20, 2014) and daughter Daisy (born October 11, 2016) drew significant media attention, beginning with Sudeikis serving Wilde legal papers onstage at CinemaCon on April 20, 2022, during her presentation for Don't Worry Darling. The action, intended as a private delivery but executed publicly, escalated tensions in a battle over primary residence (New York versus ) and . Court filings revealed Wilde accusing Sudeikis of withholding payments despite his greater earnings from , allegedly aiming to "litigate her into debt"; the case shifted jurisdiction to in March 2023. It concluded with a settlement in September 2023 granting and requiring Sudeikis to pay $27,000 monthly in support ($10,300 for Otis and $16,700 for Daisy). Privacy concerns intensified in October 2022 when their former nanny, Kirsey Cox, publicly shared text messages from Sudeikis expressing distress over Wilde's behavior post-split, including claims she continued sending him affectionate messages while involved with Styles and instructed the nanny to prepare "special dressing" salads reminiscent of domestic routines. Cox alleged Wilde confided fear of Sudeikis during a confrontation, but Wilde and Sudeikis issued a joint statement denouncing the disclosures as "false and scurrilous," accusing Cox of breaching confidentiality for personal gain. Further leaks of custody documents in March 2023 exposed financial details and mutual accusations, prompting Wilde to criticize the breach as a violation enabling public judgment of private family matters. The couple prevailed against Cox in August 2023 when a judge dismissed her related lawsuit, citing lack of merit. These incidents highlight how personal communications and legal proceedings became fodder for media outlets, often prioritizing sensationalism over verified context.

Reception and Impact

Awards, Nominations, and Achievements

Olivia Wilde's acting career yielded several nominations, particularly for her role as Dr. Remy "Thirteen" Hadley on the television series (2004–2012), including a 2009 Screen Actors Guild Award nomination for Outstanding Performance by an Ensemble in a Drama Series shared with the cast. She also received Teen Choice Award nominations for Choice TV Breakout Star – Female in 2008 and Choice TV Actress: Drama in 2009 and 2011 for the same role. Earlier, Wilde won the US Comedy Arts Festival Film Discovery Jury Award for in 2006 for . Her breakthrough film role in Tron: Legacy (2010) earned her a 2011 nomination for Best Breakout Star and a Teen Choice Award nomination for Choice Movie: Breakout Female. As a director, Wilde's debut feature Booksmart (2019) received acclaim and multiple honors, including the Hollywood Breakthrough Director Award at the 2019 Hollywood Film Awards, Best First Feature at the 2020 Independent Spirit Awards, and Best Female Director at the 2020 Hollywood Critics Association Awards. The film also earned a Critics' Choice Award nomination for Best Comedy. For (2022), which Wilde directed and starred in, the film won the People's Choice Award for Drama Movie of 2022 and received a Award for Courage in Filmmaking. It was nominated for Best at the .

Critical Assessments and Career Trajectory

Olivia Wilde's acting career peaked with her portrayal of Dr. Remy "Thirteen" Hadley on House M.D. from to 2012, where she depicted a bisexual diagnostician grappling with , earning praise for injecting emotional complexity into the ensemble despite the storyline provoking intense backlash, including death threats that necessitated additional security. Subsequent film roles, such as Quorra in Tron: Legacy (2010) and Suzy in Rush (2013), highlighted her as a charismatic supporting presence, with critics noting her ability to steal scenes through ambition and poise, though she often remained typecast in action or ensemble parts rather than leads. Transitioning to directing after two decades in , Wilde credited experiences in underperforming films with teaching her production pitfalls and fostering independence, enabling her 2019 debut , a teen comedy lauded for its witty script, authentic female friendships, and energetic pacing, achieving a 96% critics' score on from 384 reviews. The film's success, including Independent Spirit Award recognition, positioned Wilde as a promising filmmaker, contrasting her acting trajectory where post-House opportunities dwindled amid selective role choices. Her sophomore effort, (2022), diverged into territory and garnered a 38% score, with reviewers critiquing its derivative plot twists, uneven pacing, and failure to transcend stylistic homage to aesthetics despite strong visuals and Pugh's lead performance. While the film achieved commercial viability with over $70 million in global against a $20 million budget, its reception underscored challenges in sustaining Booksmart's momentum, amid external media scrutiny amplifying perceptions of directorial inexperience. Wilde has since prioritized directing for its agency over acting's with age, stating a preference for controversial projects that prioritize substance, though her output remains limited, with no major releases announced as of 2025, signaling a trajectory of selective, risk-oriented potentially hindered by industry dynamics favoring established directors.

Cultural Influence and Legacy

Olivia Wilde has contributed to cultural discussions on gender dynamics in Hollywood through her directorial work, particularly Booksmart (2019), which drew inspiration from classic high school comedies and films to portray female friendship and ambition, earning praise for revitalizing the coming-of-age genre with a focus on unapologetic young women. Her follow-up, (2022), incorporated feminist themes echoing Betty Friedan's , critiquing suburban conformity and patriarchal control, though its reception was overshadowed by production controversies. In advocacy, Wilde co-founded Artists for Peace and Justice in 2009, supporting via initiatives like the "Message Bag" project, which funded a by partnering with designers for proceeds-generating products, reflecting her emphasis on "conscious commerce." She has publicly championed women's advancement in , arguing in 2019 that powerful women "refuse to be manipulated" and must harness agency without apology, while highlighting industry that discourages girls from directing despite equal enthusiasm. In a 2022 Elle Women in Hollywood speech, she urged resistance against "the burning hellfire of ," positioning herself as a vocal of systemic barriers, though some observers have questioned the consistency of her feminist amid personal scandals. Wilde's legacy includes bridging acting and directing, claiming experiences in "shitty movies" honed her efficiency and vision, enabling a shift toward projects prioritizing substance over fame. By 2024, she warned that social media's focus on threatens filmmaking's narrative integrity, advocating for creators to prioritize storytelling amid Hollywood's evolving pressures. Her influence persists in mentoring emerging female talent and critiquing gendered expectations, yet it remains tempered by perceptions of controversy impacting broader acceptance.

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  122. https://graziamagazine.com/me/articles/olivia-wilde-caspar-jopling-dating/
  123. https://people.com/parents/all-about-jason-sudeikis-olivia-wilde-kids/
  124. https://www.etonline.com/olivia-wilde-and-jason-sudeikis-relationship-timeline-from-contentious-split-to-settled-child
  125. https://www.logicrec.com/96017554/olivia-wilde-jason-sudeikis-fighting-over-child-support-issues-jason-sudeikis-olivia-wilde-battle-over-child-support-issues-exclusive-129-2-1-1-00-am-pt/
  126. https://people.com/olivia-wilde-and-jason-sudeikis-share-friendly-hug-in-la-following-their-split-11710047
  127. https://okmagazine.com/p/olivia-wilde-jason-sudeikis-settle-custody-battle/
  128. https://variety.com/2022/artisans/news/dont-worry-darling-onset-argument-disputed-florence-pugh-olivia-wilde-1235382873/
  129. https://pagesix.com/2022/07/30/florence-pugh-upset-over-olivia-wilde-harry-styles-affair/
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  132. https://time.com/6212216/olivia-wilde-dont-worry-darling-sexism/
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  134. https://www.reddit.com/r/Fauxmoi/comments/xdov1h/why_does_it_seem_like_so_much_of_the_internet/
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  136. https://www.teenvogue.com/story/harry-styles-and-olivia-wilde-open-up-about-toxic-negativity-and-online-criticism-from-fans
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  166. https://the-talks.com/interview/olivia-wilde/
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  169. https://www.hollywoodreporter.com/movies/movie-news/olivia-wilde-powerful-women-refuse-be-manipulated-guest-column-1260505/
  170. https://variety.com/2024/film/global/olivia-wilde-red-sea-film-festival-1236242507/
  171. https://themontclarion.org/opinion/olivia-wilde-is-not-the-feminist-icon-she-claims-to-be/
  172. https://nofilmschool.com/olivia-wilde-on-directing-dont-worry-darling
  173. https://www.hollywoodreporter.com/movies/movie-news/olivia-wilde-social-media-film-rsiff-saudi-arabia-1236080845/
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