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Park Chan-wook
Park Chan-wook (Korean: 박찬욱; pronounced [pak̚ tɕʰanuk̚]; born 23 August 1963) is a South Korean filmmaker and former film critic. Widely regarded as a leading figure in South Korean and 21st-century world cinema, he is known for films that blend crime, mystery, and thriller elements with other genres, noted for their cinematography, framing, black humor, and often brutal subject matter.
After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut. Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarized critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy in particular is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country.
Most of Park's work following The Vengeance Trilogy was also commercially and critically successful both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival. He directed the English-language miniseries The Little Drummer Girl (2018) and The Sympathizer (2024).
Park was born 23 August 1963 in Seoul. Both his parents were native Seoul residents of five generations. His father, Park Don-seo, was a professor of architecture and former dean of Ajou University's College of Engineering. His grandfather, Park Seung-seo, was the former president of the Korean Bar Association.
Park studied philosophy at Sogang University, where he joined the photography club and film club. Originally intending to be an art critic, Park, upon seeing Vertigo, resolved to become a filmmaker. After graduation, he wrote articles on film for journals and soon became an assistant director of films like Kkamdong, directed by Yu Yeong-jin, and Watercolor Painting in a Rainy Day, directed by Kwak Jae-yong (My Sassy Girl).
Park's debut feature film was The Moon Is... the Sun's Dream (1992). After five years, he made his second film, Trio. Park's early films were not successful at the box office, and he pursued a career as a film critic to make a living. In an interview in 2017, he said, "Many people think my directorial debut film is JSA, but I want to keep it that way".
In 2000, Park directed Joint Security Area, which was a great success both commercially and critically, even surpassing Kang Je-gyu's Shiri as the then most-watched film ever made in South Korea. This success made it possible for Park to make his next film more independently. Sympathy for Mr. Vengeance is the result of this creative freedom. Park's unofficially titled Vengeance Trilogy consists of Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Lady Vengeance (2005). It was not originally intended to be a trilogy. Park won the Grand Prix at the 2004 Cannes Film Festival for Oldboy. The films concern the utter futility of vengeance and how it wreaks havoc on the lives of those involved. Lady Vengeance was distributed by Tartan Films for the United States theatrical release in April 2006. American director Quentin Tarantino is an avowed fan of Park. As the head judge at the 2004 Cannes Film Festival, he personally pushed for Park's Oldboy to be awarded the Palme d'Or (the honour eventually went to Michael Moore's Fahrenheit 9/11). Oldboy garnered the Grand Prix, Cannes's second-highest honour. Tarantino also regards Park's Joint Security Area to be one of "the top twenty films made since 1992." Since 2004, Park has been an owner of the filmmaking company Moho Film, which participated in the production of Snowpiercer (2013) and The Handmaiden (2016).[full citation needed] In 2006, Park was a member of the official jury section at the 63rd Venice International Film Festival. In February 2007, Park won the Alfred Bauer Prize at the 57th Berlin International Film Festival. The award, named after the festival's founder and in praise of works that introduce new perspectives, went to Park for his film, I'm a Cyborg, But That's OK.
In 2009, Park directed the vampire film Thirst, starring Song Kang-ho, which won the Prix du Jury (alongside Fish Tank, directed by Andrea Arnold) at the 2009 Cannes Film Festival. He considered directing Tinker Tailor Soldier Spy but ultimately turned it down. In 2011, Park said his new fantasy-horror film Paranmanjang (Night Fishing) was shot entirely on the iPhone. The film was co-directed with Park's younger brother, Park Chan-kyong, who had no prior directing experience. It was nominated for Berlinale Shorts during the 2011 Berlin Film Festival and won the Golden Bear for Best Short Film.
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Park Chan-wook
Park Chan-wook (Korean: 박찬욱; pronounced [pak̚ tɕʰanuk̚]; born 23 August 1963) is a South Korean filmmaker and former film critic. Widely regarded as a leading figure in South Korean and 21st-century world cinema, he is known for films that blend crime, mystery, and thriller elements with other genres, noted for their cinematography, framing, black humor, and often brutal subject matter.
After two unsuccessful films in the 1990s which he has since largely disowned, Park came to prominence with his acclaimed third directorial effort, Joint Security Area (2000), which became the highest-grossing film in South Korean history at the time and which Park himself prefers to be regarded as his directorial debut. Using his newfound creative freedom, he would go on to direct the films forming his unofficial The Vengeance Trilogy: Sympathy for Mr. Vengeance (2002), a financial failure that polarized critics, followed by Oldboy (2003) and Lady Vengeance (2005), both of which received critical acclaim and were financially successful. Oldboy in particular is regarded as one of the greatest films ever made, and helped establish Park as a well-known director outside his native country.
Most of Park's work following The Vengeance Trilogy was also commercially and critically successful both in South Korea and internationally, such as Thirst (2009), The Handmaiden (2016), which earned Park the BAFTA Award for Best Film Not in the English Language, and Decision to Leave (2022), which won the Best Director award at the 2022 Cannes Film Festival. He directed the English-language miniseries The Little Drummer Girl (2018) and The Sympathizer (2024).
Park was born 23 August 1963 in Seoul. Both his parents were native Seoul residents of five generations. His father, Park Don-seo, was a professor of architecture and former dean of Ajou University's College of Engineering. His grandfather, Park Seung-seo, was the former president of the Korean Bar Association.
Park studied philosophy at Sogang University, where he joined the photography club and film club. Originally intending to be an art critic, Park, upon seeing Vertigo, resolved to become a filmmaker. After graduation, he wrote articles on film for journals and soon became an assistant director of films like Kkamdong, directed by Yu Yeong-jin, and Watercolor Painting in a Rainy Day, directed by Kwak Jae-yong (My Sassy Girl).
Park's debut feature film was The Moon Is... the Sun's Dream (1992). After five years, he made his second film, Trio. Park's early films were not successful at the box office, and he pursued a career as a film critic to make a living. In an interview in 2017, he said, "Many people think my directorial debut film is JSA, but I want to keep it that way".
In 2000, Park directed Joint Security Area, which was a great success both commercially and critically, even surpassing Kang Je-gyu's Shiri as the then most-watched film ever made in South Korea. This success made it possible for Park to make his next film more independently. Sympathy for Mr. Vengeance is the result of this creative freedom. Park's unofficially titled Vengeance Trilogy consists of Sympathy for Mr. Vengeance (2002), Oldboy (2003), and Lady Vengeance (2005). It was not originally intended to be a trilogy. Park won the Grand Prix at the 2004 Cannes Film Festival for Oldboy. The films concern the utter futility of vengeance and how it wreaks havoc on the lives of those involved. Lady Vengeance was distributed by Tartan Films for the United States theatrical release in April 2006. American director Quentin Tarantino is an avowed fan of Park. As the head judge at the 2004 Cannes Film Festival, he personally pushed for Park's Oldboy to be awarded the Palme d'Or (the honour eventually went to Michael Moore's Fahrenheit 9/11). Oldboy garnered the Grand Prix, Cannes's second-highest honour. Tarantino also regards Park's Joint Security Area to be one of "the top twenty films made since 1992." Since 2004, Park has been an owner of the filmmaking company Moho Film, which participated in the production of Snowpiercer (2013) and The Handmaiden (2016).[full citation needed] In 2006, Park was a member of the official jury section at the 63rd Venice International Film Festival. In February 2007, Park won the Alfred Bauer Prize at the 57th Berlin International Film Festival. The award, named after the festival's founder and in praise of works that introduce new perspectives, went to Park for his film, I'm a Cyborg, But That's OK.
In 2009, Park directed the vampire film Thirst, starring Song Kang-ho, which won the Prix du Jury (alongside Fish Tank, directed by Andrea Arnold) at the 2009 Cannes Film Festival. He considered directing Tinker Tailor Soldier Spy but ultimately turned it down. In 2011, Park said his new fantasy-horror film Paranmanjang (Night Fishing) was shot entirely on the iPhone. The film was co-directed with Park's younger brother, Park Chan-kyong, who had no prior directing experience. It was nominated for Berlinale Shorts during the 2011 Berlin Film Festival and won the Golden Bear for Best Short Film.