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Patty Duke
Anna Marie Duke (December 14, 1946 – March 29, 2016), known professionally as Patty Duke, was an American actress. Over the course of her acting career, she was the recipient of an Academy Award, two Golden Globe Awards, three Primetime Emmy Awards, and a star on the Hollywood Walk of Fame.
At age 15, Duke portrayed Helen Keller in the film The Miracle Worker (1962), a role she had originated on Broadway. She won an Academy Award for Best Supporting Actress for her performance. The following year, she played the dual role of "identical cousins" Cathy and Patty Lane on her own network television series The Patty Duke Show (1963–1966). She progressed to more mature roles, such as Neely O'Hara in the film Valley of the Dolls (1967) and Natalie Miller in the film Me, Natalie (1969). The latter earned her a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. From 1985 to 1988, she served as president of the Screen Actors Guild.
Duke was diagnosed with bipolar disorder in 1982. Following her diagnosis, she devoted much of her time to advocating for and educating the public on mental health. She was also an occasional singer and author.
Anna Marie Duke was born on December 14, 1946, at Bellevue Hospital in Manhattan to Frances Margaret (née McMahon) (1913–1993), a cashier, and John Patrick Duke (1913–1964), a handyman and cab driver, who was of Irish descent. She was the youngest of three children. She was raised Roman Catholic.
Duke spent her early life in the Elmhurst neighborhood of Queens, where her brother Raymond, her sister Carol, and she experienced a difficult childhood. Their father was an alcoholic, and their mother suffered from clinical depression and was prone to violence. When Duke was six, her mother forced her father to leave the family home. When Duke was eight, her care was turned over to talent managers John and Ethel Ross who, after promoting Patty's brother, were looking for a girl to add to their stable of child actors.
The Rosses' methods of managing Duke's career were often unscrupulous and exploitative. They consistently billed Duke as being two years younger than she actually was and padded her resume with false credits. They gave her alcohol and prescription drugs, took unreasonably high fees from her earnings, and made sexual advances to her. She never saw her father and saw her mother only when she visited to do the Rosses' laundry. In addition, the Rosses made Duke change her name. "Anna Marie is dead," they said. "You're Patty now." They hoped that Patty Duke would duplicate the success of Patty McCormack.
One of Duke's early acting roles was in the late 1950s on the soap opera The Brighter Day. She was featured in the uncredited role of Augusta Davis in the 1958 black and white short "An American Girl". She also appeared in print ads and in television commercials. In 1959, at the age of 12, Duke was a contestant on The $64,000 Question and won $32,000; her category of expertise, according to her autobiography Call Me Anna, was popular music. The game show was revealed to have been rigged, and she was called to testify before a panel of the United States Senate. Duke eventually testified before congressional investigators and broke into tears when she admitted she had been coached to speak falsely.
Also in 1959, Duke appeared in a television adaptation of Meet Me in St. Louis as Tootie Smith, the role that had originated in the film version by Margaret O'Brien. Duke's first major starring role was Helen Keller (with Anne Bancroft as Anne Sullivan), in the Broadway play The Miracle Worker, which ran from October 1959 to July 1961. Duke originated the role of Keller on Broadway, although Patty McCormack actually originated the role in its earlier original presentation as a live television drama on Playhouse 90. During the run, Duke's name was elevated above the play's title on the theater's billboard, believed to be the first time this had been done for such a young star. The play was subsequently made into a 1962 film for which Duke received the Academy Award for Best Supporting Actress. Before the film started shooting, the actress and activist Helen Keller briefly met. At 16, Duke was the youngest person at that time to have received an Academy Award in a competitive category. Duke returned to television, this time starring with Laurence Olivier and George C. Scott in a television production of The Power and the Glory (1961).
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Patty Duke
Anna Marie Duke (December 14, 1946 – March 29, 2016), known professionally as Patty Duke, was an American actress. Over the course of her acting career, she was the recipient of an Academy Award, two Golden Globe Awards, three Primetime Emmy Awards, and a star on the Hollywood Walk of Fame.
At age 15, Duke portrayed Helen Keller in the film The Miracle Worker (1962), a role she had originated on Broadway. She won an Academy Award for Best Supporting Actress for her performance. The following year, she played the dual role of "identical cousins" Cathy and Patty Lane on her own network television series The Patty Duke Show (1963–1966). She progressed to more mature roles, such as Neely O'Hara in the film Valley of the Dolls (1967) and Natalie Miller in the film Me, Natalie (1969). The latter earned her a Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. From 1985 to 1988, she served as president of the Screen Actors Guild.
Duke was diagnosed with bipolar disorder in 1982. Following her diagnosis, she devoted much of her time to advocating for and educating the public on mental health. She was also an occasional singer and author.
Anna Marie Duke was born on December 14, 1946, at Bellevue Hospital in Manhattan to Frances Margaret (née McMahon) (1913–1993), a cashier, and John Patrick Duke (1913–1964), a handyman and cab driver, who was of Irish descent. She was the youngest of three children. She was raised Roman Catholic.
Duke spent her early life in the Elmhurst neighborhood of Queens, where her brother Raymond, her sister Carol, and she experienced a difficult childhood. Their father was an alcoholic, and their mother suffered from clinical depression and was prone to violence. When Duke was six, her mother forced her father to leave the family home. When Duke was eight, her care was turned over to talent managers John and Ethel Ross who, after promoting Patty's brother, were looking for a girl to add to their stable of child actors.
The Rosses' methods of managing Duke's career were often unscrupulous and exploitative. They consistently billed Duke as being two years younger than she actually was and padded her resume with false credits. They gave her alcohol and prescription drugs, took unreasonably high fees from her earnings, and made sexual advances to her. She never saw her father and saw her mother only when she visited to do the Rosses' laundry. In addition, the Rosses made Duke change her name. "Anna Marie is dead," they said. "You're Patty now." They hoped that Patty Duke would duplicate the success of Patty McCormack.
One of Duke's early acting roles was in the late 1950s on the soap opera The Brighter Day. She was featured in the uncredited role of Augusta Davis in the 1958 black and white short "An American Girl". She also appeared in print ads and in television commercials. In 1959, at the age of 12, Duke was a contestant on The $64,000 Question and won $32,000; her category of expertise, according to her autobiography Call Me Anna, was popular music. The game show was revealed to have been rigged, and she was called to testify before a panel of the United States Senate. Duke eventually testified before congressional investigators and broke into tears when she admitted she had been coached to speak falsely.
Also in 1959, Duke appeared in a television adaptation of Meet Me in St. Louis as Tootie Smith, the role that had originated in the film version by Margaret O'Brien. Duke's first major starring role was Helen Keller (with Anne Bancroft as Anne Sullivan), in the Broadway play The Miracle Worker, which ran from October 1959 to July 1961. Duke originated the role of Keller on Broadway, although Patty McCormack actually originated the role in its earlier original presentation as a live television drama on Playhouse 90. During the run, Duke's name was elevated above the play's title on the theater's billboard, believed to be the first time this had been done for such a young star. The play was subsequently made into a 1962 film for which Duke received the Academy Award for Best Supporting Actress. Before the film started shooting, the actress and activist Helen Keller briefly met. At 16, Duke was the youngest person at that time to have received an Academy Award in a competitive category. Duke returned to television, this time starring with Laurence Olivier and George C. Scott in a television production of The Power and the Glory (1961).
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