Perry Murdock

Perry Murdock is an American actor and set decorator known for his prolific work in B-Western films during the 1930s and 1940s, particularly in supporting and villainous roles alongside Bob Steele.^[1][2] Born on September 18, 1901, in Anadarko, Oklahoma, Murdock began his entertainment career around 1919 as part of an acrobatic and tumbling duo before transitioning to motion pictures in the late 1920s.^[3] He appeared in early films such as Lightning Speed (1928) and Headin' North, establishing himself in the Western genre where he frequently collaborated with Bob Steele in numerous pictures, often cast as a henchman or antagonist in low-budget productions.^[4][2] Notable acting credits include titles like Tombstone Terror (1935) and A Texas Cowboy, reflecting his steady presence in the B-Western circuit.^[1] In later years, Murdock shifted focus to behind-the-scenes work as a set decorator, contributing to television series such as The Millionaire (1955) and The Virginian (1962), as well as various films.^[1][5] He also took on occasional roles as a screenwriter and assistant director during his career. Perry Murdock died on April 19, 1988.^[1]

Early life

Early years and family background

Perry Harrison Murdock was born on September 18, 1901, in Anadarko, Oklahoma.^[1] He was the son of John W. Murdock, born in Ohio, and Jessie L. Murdock (née Davis), born in Iowa.^[2] By the 1910 United States Census, the family had relocated to Fresno, California.^[2] Perry, then eight years old, lived in the household along with his four brothers, making five sons in total.^[2] His mother's maiden name is confirmed in later records as Jessie Lou Davis or Jessie Lon Davis.^[2]

Acrobatic beginnings and entry into films

Perry Murdock began his career in entertainment around 1919, forming an acrobatic and tumbling duo with his high school friend Jack Goodrich.^[3] Goodrich later appeared in films as a stuntman and actor during the 1920s and 1930s.^[3] Standing at 5'8", Murdock transitioned into silent comedy films through work with Hal Roach Productions.^[3] His earliest known film appearance came in the Hal Roach short Bigger And Better Blondes (1927).^[3] In 1930, he appeared in the Roach production Shivering Shakespeare as Man #2 in the bull costume.^[3]

Acting career

Silent and early sound films

Perry Murdock entered acting in the late silent era through supporting roles in low-budget adventure and Western films produced by Film Booking Offices of America (F.B.O.), a company known for its action-oriented melodramas starring Bob Steele.^[6] These productions offered him an opportunity to shift from his earlier acrobatic performances to more character-driven parts as sidekicks or comic foils in fast-paced stories.^[3] In 1928, Murdock co-authored the original story for the silent melodrama Captain Careless with Bob Steele and co-wrote the screenplay with Frank Howard Clark.^[6] The film involved high-stakes rescues in the South Seas, including defending against cannibals, and exemplified the era's typical low-budget adventure format.^[6] Murdock continued in similar supporting capacities in silent Westerns and early talkies, establishing himself in character acting within Hollywood's economical independent productions before his more prominent work in B-Westerns.^[2] Around 1930, Murdock shared living quarters with Bob Steele during this transitional period.^[2]

B-Westerns and collaboration with Bob Steele

Perry Murdock formed a close friendship with actor Bob Steele (born Robert A. Bradbury), and the two shared living quarters as roommates at the Hollyview Apartments in Los Angeles at the time of the 1930 census.^[2][3] This personal bond contributed to Murdock's frequent on-screen collaborations with Steele in B-Westerns, where he appeared in a number of Steele films from the late silent era through the mid-1930s, often in minor or uncredited supporting roles.^[2] Murdock took on varied supporting roles in Steele's pictures, including sidekick or buddy parts, henchmen, lawmen, and villainous characters; most such appearances were uncredited bit parts typical of low-budget productions.^[2] In Steele's first talkie, Near the Rainbow’s End (1930), he played Steele's buddy and joined him in singing "Ragtime Cowboy Joe" along with other tunes.^[2] He portrayed Steele's helper 'Snicker' in Headin’ North (1930) and a lawman in Oklahoma Cyclone (1930).^[2] In later Steele vehicles, he appeared in bit parts in Big Calibre (1935) and Tombstone Terror (1935).^[2] Murdock's final acting role was a villainous part in Border Phantom (1937).^[2] Beyond his work with Steele, Murdock featured in B-Westerns starring other actors such as Rex Bell, John Wayne, Tom Tyler, and Bob Custer.^[2] He appeared as a singer and entertainer in a medicine show in John Wayne's Paradise Canyon (1935).^[2][4] His typical roles in these low-budget Westerns were minor supporting parts, often uncredited, including henchmen, deputies, or informants in films such as Tombstone Terror (1935), Big Calibre (1935), and Randy Rides Alone (1934).^[1]

Screenwriting and other contributions

In addition to his work in front of the camera, Perry Murdock made limited but notable contributions as a screenwriter and assistant director in low-budget Western productions during the late 1920s and 1930s. ^[2] These efforts often overlapped with his acting roles in B-Westerns, particularly those starring Bob Steele. ^[2] Murdock received writing credits on several films, including the story and screenplay for Captain Careless (1928). ^[6] He later wrote the story for the short film Pals of the Prairie (1934). ^[7] In 1935, he supplied the story for Big Calibre and the original story and screenplay for Tombstone Terror. ^{[8] [9]} He also worked as assistant director on Oklahoma Cyclone (1930), further demonstrating his behind-the-camera involvement in the B-Western genre during this period. ^{[10] [2]}

Set decoration career

Republic Pictures era

Following the end of his acting career with his final role in Border Phantom (1937), Perry Murdock shifted to behind-the-camera work by the late 1930s.^[2] Census records from 1940 list him as employed as a property man or swing hand in the property department of film studios, earning $3,000 in 1939 over 46 weeks of work.^[2] In the 1940s, he became a member of the Property/Set Decoration group at Republic Pictures.^[2] Murdock earned recognition as one of the studio's top set dressers, praised for always embellishing Republic sets with scrupulous realism and detail.^[2] Film historian Jack Mathis placed him in esteemed company, noting that he worked alongside colleagues Earl Wooden, Moe Braun, Otto Siegel, James Redd, Charles Thompson, and George Milo, all known for upholding high standards in set decoration.^[2] After Republic Pictures ceased operations, Murdock continued his set decoration career at Universal Studios.^[2]

Television and Universal Studios work

Following the closure of Republic Pictures in the late 1950s, Perry Murdock transitioned to work as a set decorator at Universal Studios, where he contributed to both motion pictures and a wide range of television productions. ^[2] He was employed as a set decorator for Universal Studios Motion Pictures, applying his skills across numerous projects during the 1960s and early 1970s. ^[2] Murdock's television credits during this period were extensive, including significant contributions to Western and dramatic series produced by Universal. He provided set decoration for 97 episodes of The Virginian between 1963 and 1971. ^[11] His other television work encompassed series such as Wagon Train, The Tall Man, Laramie, Leave It to Beaver, Alfred Hitchcock Presents, The Restless Gun, Bob Hope Presents the Chrysler Theatre (including five episodes), Alias Smith and Jones, and Marcus Welby, M.D. (two episodes), as well as the 1973 TV movie I Love a Mystery. ^{[2] [12]} In film, Murdock contributed set decoration to the 1968 Universal comedy The Shakiest Gun in the West. ^[1] His set decoration career at Universal and in television concluded in the early 1970s with his final known credits. ^[2]

Personal life

Marriage and family

Perry Murdock married Erma Purviance on June 8, 1932, in Glendale, California.^[13] Erma, then 19 years old, was a vocalist and singer from Nebraska.^[2] The couple married during Murdock's active period as an actor in films.^[14] They purchased a home at 11851 Laurelwood Drive in Studio City, California, where they lived for over 50 years.^[2] The Murdocks had at least one daughter, Linda M., born circa 1937.^[2] Erma Gertrude Purviance Murdock served as the informant on her husband's death certificate.^[2]

Later years and death